Dali Mogre Ki by Neeraj Goswami

Neeraj Goswami Hindi blog jagat ke ek behad lokpriya shayar hain. Kuch hi dino pehle unka ek Ghazal sangarah Dali Mogre Ki prakashit hua. Is pustak ke bare mein vistaar se jaanna chate ho to neeche dee huyi link par click karein.

डाली मोगरे की : नीरज गोस्वामी 

Isi kitab ki ek pasanddeda ghazal meri aawaaz mein

 

Jane Do Bhi Yaaro Seriously funny since 1983 by Jai Arjun Singh

Kuch saalon phle ek mitr ne film jaane bhi do yaaron pr jay arjun singh ki likhi pustk  Jane Do Bhi Yaaro Seriously funny since 1983 ki sifaarish ki thi. apne shhr men to mili nhin. kuch bde shhron men jb gayaa to vhaan khojaa pr kisi film ke baare men likhi kitaab leak se hat kr hi hoti hai. so vhaan bhi niraashaa haath lagi aur fir main is kitaab ke baare men bhul hi gayaa. pichle mahine achaaank hi doston ke beech 'jaane bhi do yaaron' ke sbse psndidaa drishy ki charcha kli to fir ekdm se is kitaab ki yaad aa gai. internet pr ise khngaaalaa aur kuch hi dinon men ye mere stdi tebl ki shobhaa brhaa rhi thi. 'jaane do bhi yaaron' ko meri pirhi ke adhikaansh logaon ne doordarshan pr hi dekhaa. vaise bhi un dinon multiplex to the nhin to NFDC dvaaraa nirmit filmon kaa hum jaise chote shhron ke baashindon tak phunk paanaa behd mushkil thaa.

This is a ROMAN TRANSLITERATION of my HINDI POST

जाने भी दो यारों : एक मनोरंजक फिल्म पर लिखी गई रोचक किताब !

kishoraavsthaa ke dinon men dekhi is film kaa mainne khub aannd uthaayaa thaa. film kaa charchit sanvaad 'thodaa khaao thodaa fenko..., dimelo ke rup men film ke aadhe hisse men klti firti laash kaa kirdaar nibhaane vaale satish shaah kaa abhiny, tnejaa aur aahujaa ki dil pr plitaa lgaaataa vo secret call aur ant kaa mhaabhaart vaalaa drishy dshkon tk film naa dekhne ke baad bhi dimaaga se utraa nhin thaa isilie ye kitaab hmeshaa meri bhvisy men prhi jaane vaali kitaabon ki suki men aagae rhi.  pichle hfte jb dipaavli ki chuttiyon men 272 pristhon vaali is kitaab ko prhne kaa maukaa milaa to is film ke saare drishy ek ek kr fir se ubhrne lgae.

pr is kitaab ki baat krne se phle iske lekhak se aapkaa priky karaa dun. 1977 men jnme jay arjun singh vibhinn ptr ptrikaaon ke lie svtntr rup se likhte to rhe hi hain pr saath hi ve ek blogar bhi hain apne bloga Jabberwock pr filmon ke baare men niymit rup se likhte hain. unki dusri kitaab Popcorn Essayists : What Movies do to Writers ? 2011 men prkaashit hui thi.

arjun ne is kitaab ko tin ahm hisson men baantaa hai. phle hisse ki shuruaat vo film ke nirdeshk kundn shaah ke chaatr jivn se krte hain. ve paathkon ko btaate hain ki kis trh 'store attendant' kaa kaam krne vaalaa ye shakhs pune ke FTII jaa pahunchaa? kis trh vhaan se uttirn hone ke ki saalon baad uske mn men apni ek film bnaane ke spne kaa jnm huaa. apne aas paas ki pristhitiyon aur apne dost ki aap biti se prbhaavit ho kr kundn shaah jb is film ki ptkthaa likhne baithe tb jaakr is film ki khaani kaa praarup taiyaar huaa. kundn shaah, ranjit kapoor v saish kaushik ke sahyog se is film ki patkathaa kis trh viksit hui ye jaannaa is film ke kaahne vaalon ke lie to dilchasp hai hi pr saath hi film nirmaan ke dauraan ptkthaa men aane vaale privrtan ki prkriyaa film nirmaan ke prati hmaari smjh ko brhaati hai.

kitaab ke dusre sanchhipt hisse men film men kaam krne vaale kirdaaron ke kyn se jude mjeedaar tthy hain. kyaa aap sok skte hain ki film ke mukhy kirdaar aur sbse bde naam nasirudin shaah ko mehntaane ke rup men tb sirf 15000 rupye mile the. pnkj kpur, rvi vaasvaani, stish shaah, om puri jaise klaakaaron ki haalt to usse bhi gayi gaujri thi. pr saat laakh se thode jyaadaa bjt ki ye film paison ke lie nhin bni thi. ismen kaam krne vaale adhikaansh klaakaar apne kairiyr ke us pdaav pr the jhaan kuch akchaa aur saamaany se alga krne kaa jjebaa kisi bhi paarishrmik se khin oopr thaa. klaakaaron ki isi bhaavnaa ne film ki itni bdi sfltaa ki ninv rkhi.

This is a ROMAN TRANSLITERATION of my HINDI POST

जाने भी दो यारों : एक मनोरंजक फिल्म पर लिखी गई रोचक किताब !

is kitaab kaa sbse rokk hissaa tb aarnbh hotaa hai jb arjun paathkon ke saamne ismen aane vaale hr drishy ke piche ki khaani ko prt dr prt udhedte hain. aise to kisi bhi utpaad kaa mulyaankn uske aakheiri svrup ke aadhaar pr hotaa hai pr agar aap us utpaad ko us svrup tk laane ke lie aai mushkilon aur un kthinaaiyon pr saamuhik kestaaon ke bl pr paai vijy ke baare men jaan len to us utpaad ke prti aapkaa njeriyaa phle se jyaadaa gahn aur priskrit ho jaataa hai. kisi film ko phli baar dekhne vaalaa prde pr ghtne vaali ki baaton ko shj hi njerandaaj kr detaa hai. is kitaab ko prhne ke baad arjun dvaaraa likhi baaton ke mddenjer is film ko dobaaraa dekh rhaa hun aur hr drishy ke baare men ek alga anubhuti ho rhi hai. 

ab bhlaa aap hi bataaie 'tnejaa' aur 'aahujaa' ki meeting ke phle maare gaye chuhe ko dekh kr kyaa aap sokengae ki chuhe ki laash kaise jugaaadi gai hogi? mahaabhaart vaale drishy ke thik baad, laash ko le kr bhaagate kirdaaron ko burkaa pahne mhilaaon ki bhid men ghuste dekh kr kyaa aapko ye ajib lgaaa hogaaa ki in burkon kaa ranga sirf kaalaa kyun nhin hai? kyaa aap kalpanaa krengae ki satish kaushik aur nasir ke telephone vaale drishy men reciver ko niche ptkne ke bjaae nsir drishy ke logic ke pare hone ki vajah se apnaa sar patak rahe hongae? film ke niraashaajnk ant ko dekhkr khaan jaanaa thaa ki meri trh raj kapur ko bhi ye ant naagavaar gaujraa hogaaa? aisi tamaam ghtnaaon kaa is pustk men jikr hai jo aapko pustk se ant tk baandhe rkhti hai.

lekhk ne jhaan is film ke sarthak pakshon ko paathkon ke saamne rkhaa hai vhin iski kmiyon ki or ishaaraa krne se bhi gureje nhin kiyaa hai. kul milaakr intrnet pr dau sau rupyon men uplbdh ye kitaab un sbhi logaon ko psnd aaegai jinhen smaaj men vyaapt bhrstaakaar ko apne tikhe vyngayon se kkotti aur apni niraali ptkthaa se gaudgaudaati ye film hindi sinemaa men apni koti ki behtrin film lgati hai.

This is a ROMAN TRANSLITERATION of my HINDI POST

जाने भी दो यारों : एक मनोरंजक फिल्म पर लिखी गई रोचक किताब !

Peeli Chhatri Wali Ladki : Uday Prakash exposes brahmanism in Hindi education system.

Peeli Chhatri Wali Ladki is a Hindi novel by Uday Prakash. From its title it looks like a romantic novel. Its true that Udai Prakash has a romantic story running in the background throughout the novel. But by  using a love story in backdrop he has tried to raise several important issues faced by India.  Some of the issues raised by him through this book are

• Growing nepotism in higher Hindi education by Brahmins.
• Problems faced by people of NE especially those of Manipur
• Growing  financial inequality among the masses of India

I have tried to give my view on the book here with some interesting excerpts from the novel.

Tumhare Liye : A romantic novel by Himanshu Joshi .

Tumhare Liye is a famous Hindi novel by Himanshu Joshi with teenage love as its central theme. Written in a flashback style the story is narrated by main character of the novel  Virag Sharma. Set in the hills of Nainital the novel gained a lot of popularity in the 90's. Later on a serial was made on this love story  on Doordarshan.  An audio CD of the novel is also available on net.

Read my  detailed review along with writer's memories associated with the novel here.

Click here to share your opinion about the novel

Mitro Marjani : Krishna Sobti ka ek bahucharchit laghu upanyas...

Zindaginama padhne ke baad mitron ne yad dilaya tha ki aapako krishna sobati ki likhi kitab mitro marajaani bhi पढ़नी chaahiye। mitro ke kiradaar se bahut pahle ek mitra ne apani blog post ke zariye milaya tha। par zidaginama ke mishrit anubhav ne mitro.. ko padhne ki ichha fir se jaga di thi। kuch mahine pahile jab pustak mele men rajakamal dvara prakashit iska sau pejon ka peparabaik sanskaran dekhne ko mila to tatkaal mainne ise kharid liya। vaise bhi aajakal patali kitabon ko dekhakar jyada khushi hoti hai kyoonki ye bharosa to rahata hai ki ek baar पढ़ने baitha to khatm kar ke hi uthoonga।

mitro marajaani ek madhyamavargeeya sanyukt vyapari parivar ki laghu katha hai jisaki kendriya kiradaar 'mitro' yani ghar ki manjhali bahu hai। mitro ko bhagavaan ne anupam saundarya bakhasha hai aur mitro is baat par itarati bhi hai। apane is yauvan ko vo poori tarah jeena chahati hai। pati saradari lal se sanpoorn sharirik sukh n milne par vo kudhti rahati hai। apani kudhan ko vo saas aur devarani ke saamane bina kisi laag lapet ke nikalti bhi rahati hai। krishna sobati ki mitro un auraton men se nahin hai jo saradarilal jaise purush ko apani niyati maan kar, roz ke pooja path aur choolha chakki men man ramakar apani sharirik sukh ki avahelna kar sake। vo apani is bhookh ki tripti ko apana vazib hak samajhti hai। so pati ki anupasthiti men vo usake mitra pyaron sai nain matakka karne men parahez nahin karati। saradarilal ko apani kami ka ahasaas hai। patni ki rangeen tabiyat usaki baukhalahat ko aur badha deti hai। vo apani patni ke charitra par saval uthata hai। maar kutauval ke baad jab sasur ke saamane panchayat judati hai to mitro apani safaai badi bebaki se kuch yoon deti hai।

"sajjano mere pati ki baat sach bhi hai aur jhooth bhi।........ ab aap hi kaho sone si apani deh jhur jhurkar jala loon ya gulajari devar ki gharavali ki nyay sui silaai ke peechhe jaan khapa loon? sach to yoon jeth ji ki deen duniya bisara main manukkh ki jaat se hans khel leti hoon। jhooth yoon ki khasam ka diya rajapaat chhod kar main kothe par to nahin ja baithi।"

purush kaalantar se stri ko usake shareer se maapta taulta aaya hai। purush ki is lolupta ko usake swabhaav ka abhinn ang maan liya gaya। par stri agar aisa roop dhaaran kar le to kya ho is prashn ko kam hi lekhakon ne upanyas ka vishaya banaya hai। par krishna sobati ne 1967 men गढ़े is upanyas men ek aise stri charitra ka nirman kiya jise apane shareer aur usaki jarooraton ka na sirf khyal hai par use vo har kimat par paana bhi chahati hai। krishna ji ne is kitab ke angreji anuvaad To hell with Mitro ke prakashit hone ke poorv apane is upanyas ke baare men kaha tha ki tab ka hindi ilakon ka samaj behad rudhiwadi tha। isake prakashan ke samay is vishaya ko kafi uttejak kaha gaya par logon ne upanyas ke andar ke tattva ko pahachaana aur use usi tarah liya।

mitro marajaani ki utpatti ke baare men krishna ji ka kahana tha

ek subah mainne man hi man ek drishya dekha ki kamare men chhata latka hua hai aur ek vriddh vyakti neeche palng par leta hua hai। sanyukra parivar ke ghar ki isi chhavi se is upanyas ki shuruaat hui। meri ek badi kamajaori hai। kahani ka agar khaka mere man men ho to main nahin likh sakti। main charitron ko tohati hoon, parakhati hoon aur aage badhati hoon। charitron ki soch par main apani soch nahin laadati। mitro ki atript ichchhaayen jis theth bhasha men nikal kar aai hain vo nihaayat usaki hain।

kuch misaal dekhen

"jind jaan ka yah kaisa vyapaar? apane ladake beej dalen to punya, dooje dalen to kukarm.."

"mera bas chale to ginkar sau kaurav jan daloon par amma, apane ladale bete ka bhi to aadatod jutao! nigode mere patthar ke but men bhi to koi harakat ho !.."

lekhika  sirf mitro ki soch ko saamane nahin rakhati par saath saath parivar ki maryadit badi bahu ke madhyam se nari ke liye banaaye ge samajik maapadandon ka jikra karana nahin bhoolti। badi bahu ke ab is kathan ki hi baangee lijie

"is kulaboran ki tarah janani ko haya n ho, to nit-nit joothi hoti aurat ki deh nire paap ka ghat hai।"

krishna sobati ji ki bhasha shaili ek baar fir vilakshan hai। saas bahuon ke jhagade, jethani devarani ke aapasi tanon, mitron ki belagaam jubaan ko krishna sobati ne jis shaili men likha hai use padhkar aap sidhe apane aapako in charitron ke bich paate hain। jindaginama ki tarah yahan bhi aanchalikta ka put hai par punjabi ke bhari bharakam shabdon ka bojh nahin। khaair vapas chale mitron ke charitra par...

sobati ji ne mitro ke charitra ke kai rang dikhaaye hen jo shvet bhi hain aur shyam bhi। mitro munhafat jaroor hai par usaki baaton ki sachchai saamane vaale ko andar tak kanpa deti hai। mitro apani chhoti devarani ki tarah kaam se ji nahin churati par agar usaka mood na ho to use usake shayan kaksh se baahar nikaalna mushkil hai। saas ke saamane unake bete ki namardi ke taane dene se vo zara bhi nahin sakuchati par saath hi chhoti bahu dvara saas ka apamaan hote dekh vo usaki achchhi khabar leti hai। saaj shrringar men doobi rahane vali mitro chhote devar ke gaban se aai musibat ko door karne ke liye apane aabhooshan dene men ek pal bhi nahin hichakti। har rat pati ke aane ki pratiksha men ghanto baat nihaarti hai to doosari taraf gair mardon se apani hasaraton ko poora karne ke swapn bhi dekha karati hai।

mitro ki ye charatrik visangatiyan pathakon ke man men usake prati aakarshan banaaye rakhati hain। mitro apani jindagi se kya chahati hai ye to lekhika shuru se hi vishleshit karati chalti hain। par mitron apani devaraniyon se alag anokhi kyoon hui iska sanket upanyas ke aakhir men ja kar milta hai jab lekhika pathakon ko mitron ki maan se milavaati hain । jindagi bhar apane yauvan ka aanand uthane vali aur unhin kadamon par apani beti ko badhava dene vali maan ka ek naya roop mitro ke saamane aata hai jo use bheetar tak jhakajhor deta hai। upanyas ke ant men aaya ye natakeeya mod badi khoobi se racha gaya hai।

aaj jab nari ki aajadi ko sharirik aur maanasik donon nazariye se dekhne ki bahas tej ho chuki hai ye upanyas ek stri ke charitra ki un aantarik paraton ko tatolta hai jis par hamara samaj jyadatar chuppi saadh leta hai।maatra pachas roopaye ke peparabaik sanskaran ko agar aapane nahin padha to jaroorpadhein। mitro ka charitra aapako jaroor udvelit karega।

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Click Here to read this post in Hindi devnagari script.

Click Here to post your reactions on this article. You can post your comment in English or Romanised Hindi/Urdu also .

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Tasweer Zindagi Ke.. A book on Bhojpuri Ghazals by Manoj Bhawuk !

Manoj Bhawuk ki likhi kitab 'tasveer jindagi ke' ke baare men pichhali post men mainne aapako bataya tha ki is kitab ki adhikaansh ghazalon men unake aas paas ka samaj jhalakta hai. zahir hai koi bhi gazalakaar apani jindagi se jo anubhav sametata hai vahi apani ghazalon men udelta hai.


khud manoj apane ek sher men kahate hain..

dukh darad ya hansi ya khushi, je bhi duniya se hamara milal
oohe duniya ke sanupat hin, aaj deke ghazal ke sakal

samajik samasyaaon par unake ashaaron ki charcha to main pahle kar hi chuka hoon par garibon ki haalat par apane is sankalan men ek poori ghazal likhi hai. deen dukhiyon ke dard ko apani is chhoti bahar ki ghazal men vo kuch yoon vyakt karte hain..

dnse umr bhar, deg deg par
ban ke karit saanp garibi

heet meet ke darshan durlabh
jab se lelas chhaap garibi

janm karj men mrityu karj men
aisan chnpalas chaanp garibi

ham sabhi apani jindagi men kabhi hatasha ke daur se gujarte hain to kabhi din hanste khelte nikal jaate hain. manoj ki shayari men ye dono manahsthitiyan ujagar hui hain. kabhi jindagi ko vo bojh ki tarah vo kheenchta sa anubhav karte hain

kuchhuo kahan ba aapan, jhootho ke ba bharam
saanso udhar jisan laage kabo kabo,

doli i deh laage, dulhin i aatma
jinagi kahaar jisan laage kabo kabo

to kabhi use vo prem ke rang se sarabor paate hain..

ab t har vakat sang tahare ba
dil ke kagaj, par rang tahare ba

tohase alaga bala dahab kaise
dhaar tahare, patang tahare ba

par ye jaroor gaur karne ki baat hai ki jindagi ki jo tasveer manoj ne apani is pustak men dikhaai hai usamen pyar ka rang baki rangon ki tulna men fika hai. haan, ye jaroor hai ki manoj ki gazalen sirf samajik asamaanta ka aaina bhar nahin hain par saath hi saath vo unase ladane ka hausla bhi dilati hain. misaal ke taur par unake likhe in ashaaron par gaur kijie.. kya josh jagati hain ik aam jan ke man men !

hokhe agar jo himmat kuchhuo pahaar nikhe
man men j than lin kahanvaan bahaar nikhe

kuch log neek baate tabahin tikal ba dharati
kise kahin ki kehu par aitabaar naikhe

ya fir hamen jeevan men jujhaaru hone ka ka sandesh deti in panktiyon ko dekhen..

har kadam jeeye mare ke ba ihan
saans jabale ba lade ke ba ihan

jindagi toofaan men ego diya
timatimate hin jare ke ba ihan

uhe aag sabka jigar men ba, par raah ba sabka juda
kehu kar rahal ba dhuaan dhuaan, kehu de rahal ba roshni

to kahin vo sanvaad ke raaste aapasi sanshay ko mitane ki baat kahate hain..

bhed man ke man men rakhab kab le anise jaant ke
aaj khul ke baat kuch ruro kahin kuch hamahoon kahin

ghar basal alage alag, bakir ka na i ho sake
rura dil men ham rahin aur hamara men rura rahin

Manoj ki lekhani aaj ki jeevan shaili aur khaaskar internet par hamari badhati nirbharta par badi khoobasarati se chali hai. urdu ki mazahiya shayari ke andaaj men unhonne 'internet' par jo bhojapuri ghazal kahi hai usake kuch sher to vakai kamaal ke hain. kuch ashaaron ki baangee dekhiye..

kisan kisan kaam nadhail baate internet par
maus dhile log dhadhail baate internet par

bedekhal bejanal chehara se bhi pyar mohabbat ab
ajabe gajabe mantra marail baate internet par

jahan oopar ka sher soshal netavarking ke prati hamare badhate khinchaav ko dikhata hai to vahin ye sher internet ki samajik sveekriti ko maze maze men poori kamayabi se ubharta hai

saali se jab poochhanin, kaho doolha katahoon set bhayil
kahali u muskaat, khojail baate internet par

is ghazal ke apane sabhi pasandida ashaaron ko bol kar padhne ka aanand hi kuch aur hai. to lijie suniye ise padhne ka mera ye prayas..



Assi prishthon ke is ghazal sangrah men Manoj Bhavuk ki 72 ghazalen hain. aur jaisa ki mainne pichhali post men bhi kaha ki agar aap ek ghazal premi hain aur bhojapuri bhasha ki jaanakari rakhte hai to maatra 75 rupaye ki ye pustak aapke liye hai. ise hind yugm ne utkrisht chhapaai ke saath baajaar men utara hai. is pustak ko kharidne ke liye aap sampadak@hindyugm.com par i mel kar sakte hain ya mobail par +91 9873734046 aur +91 9968755908 par sanpark kar sakte hain.

aur haan aapako ye pustak charcha kaisi lagi ye jaroor bataiyega.

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Click Here to read this post in Hindi devnagari script.

Click Here to post your comment on this post. You can post your comment in English or Romanised Hindi also .

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'Dauran-E-Tafteesh ' an interesting portyal of current Problems of Indian Police by Satish Chandra Pandey

Ek Shaam Mere Naam par bahut dinon se kitabon ke bare mein nahin likha tha. Awwal to kitab padhne ki gati behad dheeme ho gayi hai aur doosre agar kisi kitab ki charcha shuru karne par ye nirnay lena bhi kaphi durooh ho jata hai ki iska kaun sa hissa apne pathakon ke saamne laya jaye.

Pichle mahine jab retired IPS officer Satish Chandra Pandey ki apni service life ke dauraan likhi gayi kitaab Dauraan E Tafteesh (During An Enquiry) padhi to yahi samasya samne aa khadi huyi.

Is kitab ke rochak anshon ko apni khud ki raay ke sath apne Hindi blog
'एक शाम मेरे नाम' par teen bhagon mein prastut kiya hai. Asha hai aapko ye teenon kadiyan pasand aayengi. Agar in kadiyon ko padh kar aapke man mein bhi kuch vichar aate hain to avashya comment karein.

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इस श्रृंखला की सारी कड़ियाँ

• दौरान ए तफ़तीश भाग-1 : पुलिसिया तंत्र के बारे में लिखा एक पुलिसवाले का ईमानदार संस्मरण !
• दौरान ए तफ़तीश भाग-2 : रिश्वतखोरी, कुछ ना करने की कला, क़ायदे कानून व कागज़ी आदेशों पर पुलसिया सोच !
• दौरान ए तफ़तीश भाग-3 : बॉस की वहशत चलते रहो प्यारे और भारत माता के तीन कपूत !

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Manik Mulla aur Suraj Ka Saatvaan Ghoda

Aap soch rahe honge jab itane prasiddh laghu upanyas ke lekhak Dharmaveer Bharti hain to fir shirshak men manik mulla kahan se aa tapake? daraasal bharati ji ne badi chaturaee se is laghu upanyas ke shirshak aur kahi gaee kahaniyon ka jimma manik mulla par dala hai jo un sat dopaharon men lekhak aur unaki mitr mandali ko na keval kahaniyan sunate hain , par sath hi sath un kahaniyon se nikalate nishkarsh ki vyakhya bhi karate hain.

par isase pahale ki manik mulla ki kahaniyon ki tah men jayen, katha lekhan ke bare men unake falasafe par bhi jara gaur farama len ...

kuchh patr lo, aur ek nishkarsh pahale se soch lo, fir apane patron par itana adhikar rakho, itana shasan rakho ki ve apane aap prem ke chakr men ulajh jayen aur ant men ve usi nishkarsh par pahunche jo tumane pahale se tay kar rakha hai.

prem ko apani kathavastu ka kendr banane ke pichhe manik mulla tagore ki ukti aamar majhare je aachhe se go kono virahani nari (arthat mere man ke andar jo basa hai vah koee virahani nari hai) par dhyan dene ko kahate hain. unaki manen to ye virahani nari har lekhak ke dil men vyapt hai aur vo bar bar tarah tarah se apani katha kaha karati hai .

Manik Mulla ki kahaniyan ek doosare se judi huee hain aur sootradhar hone ke aalava ve khud kaee kahaniyon ke nayak ban baithe hain yadyapi unake charitr men nayak hone ke gun chhatank bhar bhi nahin hain. manika, lili se apane prem ko kori bhavanaon ke dharatal se uthakar kisi moort roop men la pane men asamarth hain aur jab sati poorn vishvas ke sath unake sath jindagi vyatit karane ka prastav rakhati hai to ve kayaron ki tarah pahale to bhag khade hote hain aur bad men pashchatap ka bigul bajate firate hain.
sau prshthon ka ye laghu upanyas manik mulla ki prem kahaniyon ke atirikt unaki jindagi men aaee tin strion jamuna, lili aur sati ke ird gird bhi ghoomata hai. ye tinon nayikayen samaj ke alag alag vargon (madhyama, kulin aur nimn ) ka pratinidhitv karati hain. upanyas ki nayikayen apane aas pas ke halaton se kis tarah joojhati hain ye janana bhi dilachasp hai. jahan jamuna ka anapad bholapan sahanubhooti batorata hai vahin usaki samajhautavadi pravrti pathak ke chitt se use door le jati hai. lili men bhavukata aur vidvata hai to ahankar bhi hai. ek sati hi hai jo bauddhik roop se nimnatar hote huye bhi ek thosa, eemanadar vyaktitv ki svamini hai. sach poochhen to sati ko chhodakar lekhak ka banaya koee kiradar aadarsh nahin hai. daraasal lekhak madhyam varg ki bhed chal vali socha, samajhauta aur palayanavadi pravrti se aahat hain. apani isi yantrana ko shabd dete huye lekhak apane sootradhar ke madhyam se likhate hain..

ham jaise log jo n uchch varg ke hen aur n nimnavarg ke, unake yahan rudiyan, paramparayen, maryadayen bhi aisi purani aur vishakt hain ki kul milakar ham sabhi par aisa prabhav padata hai ki ham yantr matr rah jate hain. hamare andar udar aur oonche sapane khatm ho jate hain aur ek ajab si jad moorchhana ham par chha jati hai. .....ek vyakti ki eemanadari isi men hai ki vah ek vyavastha dvara ladi gayi sari naitik vikrti ko bhi asvikar kare aur usake dvara aaropit sari jhoothi maryadaon ko bhi, kyonki donon ek hi sikke ke do pahalu hote hain. lekin ham vidroh nahin kar pate aur samajhautavadi ho jate hain.

par bat yahin tak khatm nahin ho jati. tathakathit buddhijiviyon par kataksh karate huye ve kahate hain ki sirf naitik vikrti se apane aap ko alag rakh kar hi bhale hi ham apane aap ko samaj men sajjan ghoshit karava len par tamam vyavastha ke viruddh na ladane vali pravrti parishkrt kayarata hi hogi.

ye laghu upanyas chhaः kiradaron ki katha par aadharit hai aur har ek bhag men katha ek kiradar vishesh ke najariye se badati hai. har katha ke bad ka vishleshan anadhyay ke roop men hota hai jahan bharati ki vyangyatmak tippaniya dil ko bendh jati hai. isiliye is upanyas ki bhoomika men mahan sahityakar ajnyey likhate hain

sooraj ka satavan ghoda ek kahani men anek kahaniyan nahin anek kahaniyon men ek kahani hai. ek poore samaj ka chitr aur aalochan hai; aur jaise us samaj ki anant shaktiyan paraspar-sambaddha, paraspar aashrit aur paraspar sambhoot hain, vaise hi usaki kahaniyan bhi. vah chitr sundara, pritikar ya sukhad nahin hai; kyonki us samaj ka jivan vaisa nahin hai aur bharati ne chitr ko yathashaky sachcha utarana chaha hai. par vah asundar ya apritikar bhi nahin, kyonki vah mrt nahin hai, n mrtyupoojak hi hai.

aur ant men bat is pustak ke pratitatmak shirshak ki. katha ke sootradhar ko ye vishvas hai ki bhale hi soory ke chhaः ghode jo madhyam varg men vyapt naitik patana, anachara, aarthik sangharsha, nirasha, katuta ke path par chalakar apane rah se bhatak gaye hain par soory ke rath ka satavan ghoda abhi bhi maujood hai jo pathabhrasht samaj ko sahi raste par la sakata hai. isiliye vo likhate hain

".....par koee n koee cheez aisi hai jisane hamesha andhere ko chirakar aage badhane, samaj-vyavastha ko badalane aur manavata ke sahaj moolyon ko punaः sthapit karane ki takat aur prerana di hai. chahe use aatma kah lo, chahe kuchh aura. aur vishvasa, sahasa, saty ke prati nishtha, us prakashavahi aatma ko usi tarah aage le chalate hain jaise sat ghode soory ko aage badha le chalate hain.....vastav men jivan ke prati yah adig aastha hi sooraj ka satavan ghoda hai, ‘‘jo hamari palakon men bhavishy ke sapane aur vartaman ke navin aakalan bhejata hai taki ham vah rasta bana saken jis par hokar bhavishy ka ghoda aayega......’’

dharmavir bharati ki bharatiy Gyanapith se prakashit kitab net par yahan upalabdh hai. bharat men isaka mooly sirf 35 rupaya hai aur ye do se tin ghante ki siting men aaram se padi ja sakati hai. shyam benegal ne is laghu upanyas par aadharit ek film bhi banaee thi jo nabbe ke dashak men kafi sarahi gaee thi. mainne vo film nahin dekhi par is patakatha par benegal ke nirdeshan men bani film pustak se bhi asaradar hogi aisa mera vishvas hai

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History of Bangladesh's Independence Struggle : Main Borishailla by Mahua Maji

Vaise to is blog par ab tak kaee kitabon ki charcha huee hai par aaj fark sirf itana hai ki is kitab ko padane ke pahale, isaki lekhika mahuaa maji ko hindi divas samaroh men dekhane sunane ka saubhagy mujhe mila hai. main borishailla, ranchi ki lekhika mahuaa maji ka pahala upanyas hai jo hamare padosi desha, bangladesh ke mukti sangram ki amar gatha kahata hai.

samajashastr se snatkottar karane vali mahuaa maji ji ne bangladesh ko hi aakhir apane upanyas ka vishay kyoon chuna? daraasal lekhika ka dadihal dhaka aur nanihal barisal borishal raha. isaliye bang bhoomi se bahar rahati huee bhi unake purakhon ki matrbhoomi aur vahan se aaye logon ke bare men unaki sahaj utsukata bani rahi.

jaisa ki vishay se spasht hai, is tarah ka upanyas likhane ke liye gahan chhan bin aur tathy sankalan ki aavashyakata hai. mahuaa ne jis tarah is pustak men muktivahini ke karyakalapon ka vivaran diya hai, usamen unake dvara risarch men ki gaee mehanat saf jhalakati hai. ab agar aap is uhapoh men hon ki pustak ka shirshak main borishailla kyoon hai to isaka sidha sa javab hai ki aanchalik bhasha men bangladesh ke dakshini hisse men avasthit is sanskrtik nagari borishal barisal ke logon ko borishailla kaha jata hai aur is kahani ke nayak keshto ghosh ki karmabhoomi bhi borishal hi hai isiliye vo kah sakata hai 'main borishailla'.

mahuaa ne apani katha kesto ke madhyam se rachi hai. kesto ka bachapan borishal shahar men bita aur fir jab usake pita ki mithaee ki dukan men aag lag gaee to use apane bhaee bahanon ke sath apane paitrk ganv shonaramapur jana pada. kesto ke bachapan ki kahani kahane men mahuaa bang bhoomi ka poora najara aapake samane la khada karati hain. gachh bhara nariyala, pokhar bhari machhali, voroj bhara pan aur gola bhara dhan jaise drshy rah rah kar ubharate hain. har mausam ki apani nirali chhata ko lekhika ne apani kalam men bakhoobi kaid kiya hai. gram bangla men utar aaee sharad ritu ke bare men vo likhati hain


"......barasat khatm hone ke sath hi aakash ka rang badalane laga. jeth ke madhy se lagatar rote rahane ke bad is aashvin men aakar aakash manon dil kholakar hans pada. svachchh bharahin badalon ke kuchh jhund aakash ke hansate nile chehare par safed danton ki tarah chamakane lage. jhootakali, mohanachuda, hariyala, haldimana, tooni, bangaee jaise tarah tarah ke rang birange pakshi jo barish ke karan najar nahin aate the, jhund ke jhund pankh pasar kar khule aakash men mandarane lage. khule maidan men jahan lambe lambe dhan ke paudhe nahin the, pani ke oopar door digant tak manon foolon ko samrajy bichha huaa tha. lal lal kumud foolon ka, jalakumbhi ke nile nile manabhavan foolon ka aur bade bade thal se bichhe hare patton ke bich sar uthaye khade safed gulabi kamal foolon ka samrajya......"

aanchalik parivesh ki prastuti jamin se judi lage isake liye lekhika ne hindi shabdon ko vaise hi likha hai jaise ve bangla men bole jate hain. sath hi sath unhonne jagah jagah bang bhoomi ke mahan kaviyon, bhatiyari lok giton aur mukti sangram ke prerak naron ko hindi ke sath sath bangla men bhi likha hai taki pathak ko us sanskrti aur us samay ke mahaul se apana samanjasy bithane men sahooliyat ho.

poore upanyas ko do bhagon men banta ja sakata hai. pahale charan men lekhika kesto ki bachapan ki shararaton se lekar kishoravastha men munbaee bhagane aur fir prem men asafal hokar vapas borishal men ek bade vyavasayi aur bandi bildar banakar apane aap ko sthapit karane ki kahani kahati hain. upanyas ka agala charan svatantr pakistan ke poorvi hisse men ubhare bhashaee rashtravad ki katha kahata hai. pashchimi pakistan ke shasakon dvara nirantar barate jane vale bhedabhava, se ye bhashaee rashtravad svatantrata sangram men tab badal jata hai jab chunavi jit ke bad pakistani shasak shekh mujib ko satta hastantarit kiye jane se aanakani karate hain.

fir shuru hoti hai muktivahini ke abhyuday ke sath pakistani shasakon ke barbar julm ki gatha jo kaee jagah rongate khadi kar deti hai. agar aap muktivahini ki utpatti ke karanon, unake ladane ke tarikon aur us kalakhand men pak sena dvara ki gaee barbarata aur bharat dvara kiye gaye paroksh aur pratyaksh sahayog ke bare men vistar se janane men ruchi rakhate hon to ye upanyas aapake liye hai. bharat ke yuddh men nirnayak sahayog ke bavajood bhi bangladeshiyon ki bharat ke prati sandeh karane ki pravrti aur vigat varshon men alpasankhyak hinduon ke sath hone vali dangaee hinsa ka jikr bhi ek kachot ke sath lekhika ne kiya hai.

mahuaa maji ke is upanyas ko padane ke bad kuchh prashn dimag men svataः uthate hain.
kya dharm ko kisi rashtr ki utpatti ka aadhar banana chahiye ? agar aisa hota to pakistan ke do tukade kabhi na banate. 'main borishailla' ki rachana prakriya par bat karate huye mahuaa maji kahati hain ki bangladesh ke mukti sangram ko apane pahale hi upanyas ka vishay banane ka karan tha ki main naee pidhi ke liye use ek drshtant ke roop men pesh karana chahati thi ki aaj beshak poori duniya men sari ladaiyan dharm ke nam par hi ladi ja rahi hain, lekin sach to ye hai ki sara khel satta ka hai.
upanyas ke aakhir men apani bat ko prabhavi dhang se rakhate huye mahuaa likhati hain

"........to kya dharm se adhik mahattvapoorn kuchh aur tatv hain jo dharm ke sath shamil hain ya dharm unamen shamil hai. kya hain vo tattv ? yah to ham sabane dekha hai ki poorvi pakistaniyon ke liye dharm se adhik mahattvapoorn sanskrti rahi. tabhi to bangla bhasha, sahity sanskrti ke liye bhasha aandolan huaa aur aandolanon ka silasila chal nikala .
aur pashchimi pakistaniyon ke liye? unake liye nishchay hi dharm se adhik mahattvapoorn satta rahi. varchasv ka sukha, shoshan se prapt ऍshvary ka sukh hamesha unake dharm par havi raha tabhi to samanadharmi hote huye bhi vo poorvi prant ke logon se itani kroorata se pesh aaye jitani ki koee vidharmi bhi nahin aa sakata tha.
isaka matalab dharm utana mahattvapoorn nahin jitana jatalaya jata hai. mahattvapoorn hote hain doosare karaka. dharm to sirf ek mukhauta hai jise pahanakar aur pahanakar kuchh svarthi tattv apana svarth sadhate hain. ...."

mahuaa maji ne apane 399 prshthon ke upanyas men rochakata banaye rakhi hai. ' rajakamal' dvara prakashit is upanyas ko July 2007 mein 'indu sharma katha samman' se navaja gaya tha. 150 rupaye ki is pustak ko aap net par yahan se kharid sakate hain.

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The 3 mistakes of my life : Chetan Bhagat

Zindagi mein bhoolen to ham sabhi karate hain par in bhoolon ke bare mein kitanon se charcha ki hogi aapane ? shayad apane najadikiyon se ! ab ye idea to kabhi aapake man mein nahin hi aaya hoga ki apni ghalatiyon se tang aakar aap aatmahatya karane ki sochen aur use karyanvit karane se pahale ek bahucharchit upanyasakar ko e mail kar dein. khair main janata hoon itana dhansu tareeka aapake man mein kabhi nahin aaya, kyonki agar aisa hota to aap apana waqt meri is post ko padane mein barbad nahin kar rahe hote. :)

ab dekhiye ahmadabad ke govind patel ne yahi kiya aur chetan bhagat ki tisari kitab 'The 3 Mistakes of My Life' ke nayak ban baithe. govind bhagyashali rahe ki vo bach gaye aur apni kahani chetan ko suna paye. aur parason hi TV par ek promo dikha jisamein hiro kahata hai ki main govind hoon to turat samajh aa gaya ki ab 'Hello' ki tarah is kitab par bhi film banne ja rahi hai.

Chetan Bhagat ki ye kahani ahmadabad ki hai aur gujarat ki tatkalik ghatanaon bhookanpa, dangon aur bharat aastreliya kriket shrrnkhala aadi ke bich banati panapati hai. poori kahani un tin nimn madhyamavargiy doston ke ird gird ghoomati hai jinaki ruchiyan alag alag vishayon (dharma, kriket aur vyapara) se judi huee hain. mainne isase pahale unaki Five Point Someone aur One Night at Call Centre padi thi aur Five Point Someone ko to padane mein bahut maja aaya tha. agar kisi upanyasakar ki pahali kitab bahut pasand ki jaye to vo ek mapadand si ban jati hai aur aksar usaki tulana bad ki kitabon se hone lagati hai.

aur is hisab se 257 prshthon ki ye kitab mujhe utani pasand nahin aati. halanki chetan ki lekhan shaili hamesha ki tarah rochak hai. unake charitron se aam aadami bhi jald hi juda mahasoos karata hai. yuvaon ke dil mein uth rahi baton ko bebaki se likhane mein chetan mahir hain. unhonne gujaratiyon ke vyapar mein Never Say Die vali nishtha ke sath ek aam vyapari ki soch ko bhi tatolane ka kam kiya hai.

par kitab se gujarane ke baad aapko ye nahin lagta ki aapane kuchh vishisht padha. poori kitab ek vyavasayik hindi film ki patakatha jyada nazar aati hai jisamein rajaniti, dharma, hinsa, prem, cricket ka uchit anupaton mein samavesh hai aur yahi karan hai ki filmavalon ne is kahani ko jald hi jhatak liya.

antatah yahi kahna chahoonga ki agar aapake pas kuchh aur karane ko na ho to ye kitab pad sakte hain jaisa mainne hospital mein apani dyooti nibhate vakt kiya aur agar kitab se jyada filmo ka shauk rakhate hon to is par aadharit film dekh lein ..

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Jallad Ki Diary...Hangman's Journal by Shashi Warrior

Aapne mrtyu ko kya bilkul nazdeek se dekha hai? ya kabhi ye socha hai ki jab aap kisi ko bina vidvesh ke mar dein to usake baad aapaki kya manaahsthiti hogi. Kaisa lagata hai jab aam jindagi mein log aapako aur aapake peshe ko ek tarah ke khauf se dekhte hain. ek aam jan ke liye ye saval betuke aur bemani se lagenge. par jab bat ek peshevar jallad ki ho to ye prashn behad prasangik ho uthate hain.

inhi prashnon ko lekar keral ke angloindian upanyasakar Shashi Warrior pahunch jate hain Janardan Pillai ke paas, jinhonne travanakor ke raja ke shasan kal aur usake uparant mein tin dashakon mein 117 fansiyan deen thin. lekhak ne is upanyas mein un sari baton ko bina lag lapet pathakon tak pahunchane ki koshish ki hai jise janardan ne apani soch aur samajh ke hisab se lekhak dvara di gaee copiyon mein likha aur apane marne ke pahale lekhak ko saugat ke roop mein chhod gaya.

ye pustak sabase pahale 1990 mein Hangman's Journal ke nam se angreji mein prakashit huee aur isaka hindi sanskaran pahali baar penguin books ne yatra books ke sahayog se 2006 mein nikala. is sanskaran ka angreji se anuvad kumudani pati ne kiya hai. is upanyas ka vishay kuchh aisa hai jo na chahate huye bhi aapako ye sochane ke liye majaboor kar deta hai ki fansi ke samay jan jane vale aur lene vale ki kya dasha hoti hai. par us baare mein bad mein bat karate hain pahale ye bataiye ki fansi lagane ki bat kahate huye kya aapane kabhi socha hai ki vastav mein ye prakriya hai kya? par lekhak pathak ko is duvidha mein jyada der nahin rakhate aur upanyas ka aagaj kuchh yoon karate hain...

"......ise patan kahate hain
isake liye jailoron ke paas ek laghu talika hoti hai, yah batane ke liye ki aparadhi vyakti gardan mein lage fande sahit kitani doori tak gire jise usaka kaam safaee se tamam ho. visheshajnyon ka kahana hai ki use utana hi girana chahiye ki usake veg se rassi usaki gardan tod de. yadi sharir adhik door girata hai to rassi usaki gardan mein dhans jati hai aur bahut sanbhav hai ki sir ko alag kar de. yadi sharir paryapt doori par nahin girata hai to gardan nahin tootegi aur vyakti ko dam ghutakar mitane mein kuchh minute lagenge...."

Janardan apane sansmaran mein kaee baar fansi dene ke pahale hone vali kavayad ka jikr karate hain. fansi ke takhte ka parikshan pahale bina vajan ke aur fir vajan ke sath kiya jata hai. jallad ka sabase pramukh kary hota hai rassi ki ganth ko sahi jagah lagana. ganth sahi jagah lagi to gardan turant tootati hai varna kaidi ki dam ghutakar dhire dhire maut hoti hai. purane jamane mein rassi khud jallad taiyar karata tha. rassi ka us hisse ko chikana rakhane ke liye jo gardan ko chhoota hai, makkhan ya rifanid tel ka is tarah istemal hota tha ki makkhan rassi ke reshon mein poori tarah sama jaye. ab to narm kapaas ka prayog hone laga hai.

takhta, livara, rassi ki janch ke bad livar chhoda jata hai to takhta niche divar se lagi paiding se takarata hai jo aavaj ko kam karane ke liye lagaya gaya hota hai. parikshan ho chuka hai. sab kuchh sahajata se sampann hone ke bad bhi janardan asahaj mahasoos kar rahe hain. ve janate hain ki aaj ki rat fansi lagane ke pahale vali rat koee kaidi unase aankhen nahin milayega. us rat janardan khud se saval poochhate hain

"..maut ko jivan se sahaj banane ke liye ham apane jivan ka itana samay kyoon laga dete hain? .."

par ye kitab fansi ki prakriya se kahin jyada fansi dene vale ke antarman mein jhankati hai aur yahi is upanyas ka sabase sashakt pahalu bhi hai. kisi ko marana chahe vo aapaki dyooti ka hissa kyon na ho manasik roop se behad yantrana dene vala hota hai. aur janardan is yantrana se har fansi ke bad doobate utarate hain. kyon ye pesha chuna unhonne? pet palane ke liye isake aalava koee chara bhi to nahin tha. man ko samajhate hain. aakhirakar ve raja ke nirnay ka palan bhar kar rahe hain. vo raja jise dharati par bhagavan ka doot banakar bheja gaya hai. par kuchh salon ke bad jab janardan skool ke samay ke apane purane shikshak se milate hain to ve raja ke bhi ek samany insan hone ki asaliyat se vakif hote hain aur unake dil par hatya ka bojh har fansi ke bad badata chala jata hai.

par kisi ki jan lene ke pap se bachane ka dar sirf jallad ki pareshani ka sabab nahin tha,. khud raja bhi is pap ke bhagidar nahin banane ke liye ek alag tarah ki nautanki ko anjam dete the. lekhak ne is dilachasp prakaran ka khulasa apani pustak mein kiya hai.

har mrtyudand ke thik pahle vale din dopahar tak usaki kshama yachana ki arji raja ke paas pesh ki jati thi. raja sham ko fansi ki saja ko aajivan karavas mein badal dete par unake is nirnay ko amal mein lane ke liye unaka harakara sooryoday ke bad nikalata taki jab tak vo jel tak pahunche, fansi lag chuki ho. pata nahin raja aisa karake kisako chhalava dete the par bechara jallad kya karata usake paas to in chhalavon ki dhal bhi nahin thi. isaliye to un di gaee fansiyon ke baare mein janardan sochana nahin chahata. use lekhak par krodh aata hai ki kyon unake chakkar mein pada. par sochana padata hai chetan man mein na sahi to achetan svapnil man se....

".....main pahale sidiyan dekhata hoon, betaratib patthar ki sidiyan, jo fansi ke takhte ke niche bane andhere kuyen ki or jati hain. .............fansi ke takhte para, fande ke thik niche nakab pahane aadami khada hai. usaki dharidar poshak kadak or taja hai. vah nakab kuchh ajib sa hai......... sudoor dhol ki aavaj tej hoti hai aur main samajh jata hoon ki kya gadabadi hai. nakab adhik chapata sa hai. kam se kam vo utha huaa hissa hona chahiye , jahan aadami ki nak uthati hai. ....antaradrshti se ek pal mein jan leta hoon ki nakab ke pichhe koee chehara nahin hai.
nakab hi chehara hai.
bhay gahara hota jata hai . mujhe yahan se kisi tarah bach nikalana hai. vah lohe ka daravaja mujhase lagabhag tis fut door hai par main daud nahin pa raha hoon. main bahut takalif ke sath dhire dhire daravaje tak pahunchata hoon, par yah kya? daravaje par bhari tala pada hai jise main hila nahin sakata.
kisi poorvabhas ke chalate mudata hoon. vahan chapate nakab vala aadami dikhata hai, usake hath pair poori tarah mukt hain. main apani gardan ke ird gird usake majaboot hathon ko kasata huaa mahasoos karata hoon. main sans nahin le pa raha... main aankhen band karane ki koshish karata hoon taki usaka chapata sa nakab meri aankhon se ojhal ho jaye, par lakh chahakar bhi ye sanbhav nahin ho pata. jaise jaise apane ghutanon par dhasakata jata hoon mujhe maloom hota hai ki meri chhati ke bhitar dil fat jayega...."

janardanaise svapn se achanak jag uthe hain. par apani purani yadon ko taja karane ke kram mein ye svapn aur bhayavah hote jate hain. aakhir kaun sa aparadh bodh unhen salata hai aur usase nikalane ke liye ve kis tarah apane aapako manasik roop se taiyar karate hain ? in baton se judi is rochak aur ek alag tarah ke upanyas ki charcha jari rahegi agali kadi mein ...

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Gurucharan Das : Kahani Ek Parivaar Ki

Achchhi kitabon ke bare mein to ham aksar charcha karate rahate hain. par vo kitaben jo hamein itani jyada nahin janchati un par bat karana ham pasand nahin karate. aaj ki charcha ek aisi hi kitab ke bare mein hai jise likha hai jane mane buddhijivi Gurucharan Das .

akhabaron ko niyamit roop se padane valon aur audyogik jagat mein ruchi rakhane valon ke liye gurucharan das ka nam kisi parichay ka muhataj nahin hai. College ke samay se Times of Indiamein aksar ravivar ke din unake likhe column par nigah gujarati thi aur vahin ye bhi likha mil jata tha ki likhane vala praktar end gembal (Proctor & Gamble) ka CEO hai. harvard vishvavidyalay se rajanitishastr mein snatak rah chuke gurucharan das ki sabase mashhoor kitab India Unbound hai jo unhonne san 2000 mein likhi thi.

'kahani ek parivar ki' jo ki lekhak ka pahla upanyas hai, 1990 mein prakashit huaa. ye upanyas poorvi panjab mein rahane vale aur vibhajan ke samay bharat mein aane vale parivar ki kahani hai. angreji mein A Fine Family ke nam se chhapi is kitab ka hindi anuvad narendr saini, jo ki khud ek patrakar rah chuke hain, ne kiya hai.

upanyas shuruaat mein layalapur kasbe ke mashahoor vakil bauji ke vyaktitv ka parichay karata huaa unake parivar ke ird gird ghoomata hai, jabaki vibhajan ke bad ki gatha poori tarah unake pote arjun ki jindagi ki jaddojahad se judi hai. vibhajan par likhe any upanyason ki tarah ye upanyas bhi us ke poorv aur bad ki samajik aur rajanitik paristhitiyon ka aakalan karata hai. gurucharan das ne us vakt ki hindu aur muslim soch ko ubharane ki safal koshish ki hai.

par kahani kahane ka lekhak ka andaj behad niras aur ubaoo hai. kaee patr kahani ke sath chalate-chalate achanak se gayab ho jate hain. vaise to ye ek anuvad hai par lekhak ki bhasha bina kisi loch-lachak ke sidhi sapat hi chalati rahati hai. mujhe yakin hai ki ३९५ prshthon vali is kitab ko khatm karana aapake liye chunauti jaroor hoga. isaliye meri ray yahi hai ki 225 rupaye ki penguin india dvara prakashit is pustak par hath na hi dalein to behtar hai.

is chitthe par aap in pustakon ke bare mein bhi pad sakate hain

असंतोष के दिन, गुनाहों का देवता, कसप, गोरा, महाभोज, क्याप, एक इंच मुस्कान, लीला चिरंतन, क्षमा करना जीजी, मर्डरर की माँ, दो खिड़कियाँ, हमारा हिस्सा, मधुशाला,
मुझे चाँद चाहिए

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' Mujhe Chand Chahiye ' by Surendra Verma

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pichhle kuchh salon se kaye bar ye prashn mujhse poochha jata raha ki kya aapane 'mujhe chand chahiye' padhi hai. jab mera javab nakaratmak hota to ise jald padhane ki salah di jati thi. internet par mainne bahut logon ko ise apani pasandida kitab ki soochi mein dekha tha aur man hi man ye heen granthi bhi vikasit ho chali thi ki shayad main hi ek rah gaya hoon is kitab ko naa padane vala. isaliye jab ye kitab nayee kharidi gaee pustakon ki soochi mein pustakalay mein dikhi to mainne ise lene mein jara bhi der nahin ki. par 1996 mein sahity akadami puraskar se puraskrt is kitab ke aavaran par urmila matondakar ka chitr dekh kar un sanisanikhej pocketbooks ki yaad aa gayee jo railway ki book stalls par dhadalle se bika karati hain. dilli ke radhakrshn prakashan ne is pustak se kafi paise banaye hain par 570 prshthon vali 195 rupaye ki is kitab mein kahin lekhak ke sanbandh mein do shabd likhane ki jaroorat nahin samajhi gaee.

khair chaliye kuchh batein kar lein is upanyas ke bare mein. surendra verma apani is kitab ki shuruvat prasiddh roman samrat Julious Ceaser yani Kaligula ki in panktiyon se karate hain

"...achanak mujh mein asanbhav ke liye aakanksha jagi. apna yah sansar kafi asahaneey hai, isliye mujhe chandrama, ya khushi chahiye-kuchh aisa, jo vastutatah pagalapan-sa jan pade. main asanbhav ka sandhan kar raha hoon...dekho, tark kahan le jata hai-shakti apani sarvochch seema tak, ichchhashakti apane antar chhor tak ! shakti tab tak sanpoorn nahin hoti, jab tak apani kali niyati ke samane aatmasamarpan n kar diya jaye. nahin, ab vapasi nahin ho sakati. mujhe aage badhate hi jana hai... .."

varma ji ne in panktiyon ka chunav shayad isaliye kiya ki pustak ke kendriy charitr Varsha Vashishth bhi kuchh aise hi jajbaton ko jivan path mein lekar aage hi badati gaee. par kaun thi ye varsha vashishtha? kaisa tha usaka parivarik parivesha. surendra verma apni pustak ki nayika ka parichay apane pathakon se kuchh is tarah karate hain..

".....kishanadas sharma primary school mein sanskrit ke adhyapak the. shahar ke purane, nimnamadhy vargiy ilaqe mein sankari, oobadakhabad galiyon aur badaboodar naliyon ke beech unaka pandrah rupaya mahina kiraye ka aadha kachcha, aadha pakka dumanjila makan tha. bada beta mahadev state roadways mein clerk tha. do sal pahale usaka tabadala pilibhit ho gaya tha. badi beti gayatri maan par gayi thi-gori, aakarshaka. padhaee ke naam se use rulayee aati thi, isaliye intermediate ke baad usane vivah ke shubh muhoort ki pratiksha kar ghar sanbhal liya. isase man ko bahut rahat mili, kyonki ‘zindagi bhar kolhu mein jute rahane ke baad ab bacha-khucha samay to sitaram-sumiran mein lage.’ sabase chhoti nau varsh ki gauri urf jhalli thi. usake oopar terah varsh ka kishor aur bichon-beech ki sanvali, lanbi-chharahari, badi-badi aankhon vali silbil urf yashoda sharma. ...."

ye upanyas shahajahanpur ki ek aam nimnamadhy vargiy kishori silbil ke apane chhote shahar ke dakiyanoosi parivesh se nikal dilli ke rangamanch aur fir munbaee ke cine jagat mein ek kabil aur sthapit abhinetri banane ki sangharsh gatha hai.

silbil ke charitr ke kaee aayam hain. silbil apane jivan ki niyati se dukhi hai. apane parivesh se nikalane ki chhatapatahat hai usamein. nahin to vo gharavalon se bina poochhe apana nam yashoda sharma se varsha vashishth kyoon karavati? apani shikshika ki madad se rangamanch se judane vali silabila, apane pahale manchan mein safalata ka svad chakh ise hi apani mukti ka marg man leti hai aur apani sari shakti apani abhinay kala ko aur paripakv aur parimarjit karane mein laga deti hai.

jivan ke naye anubhavon se gujarane mein varsha vashishth ko koee hichakichahat nahin, chahe vo usake bachapan aur kishoravastha ke parivesh aur moolyon se kitana alag kyoon na ho. balki inaka aanand lene ki ek utkantha hai usamein. par usake vyaktitv ki visheshata hi yahi hai ki ye anubhav use apane antim lakshy se kabhi nahin diga pate.

apane kendriy charitr ke madhyam se is upanyas mein surendra verma ne samaj, rangamanch aur cine jagat se jude vibhinn pahaluon ko chhoone ki koshish ki hai. par jab vo rangamach se judi barikiyon ko vishleshit karate hain to unaki lekhani sabase sashakt jaan padati hai. shayad ye isaliye bhi hai ki rangamanch unaka karyakshetra raha hai. surendra verma ne rangamanch ke jis paridrshy ko ubhara hai vo aaj bhi bahut kuchh waisa hi hai. kitane hi naujavan aur navayuvatiyan desh ke kone kone se rashtriy naty vidyalay mein aate hain to is josh aur samarpan ke sath ki kala ke is madhyam mein apani chuni huee vidha mein ve ek alag pahachan bana saken aur jisase unaka jivan bhar ka ek atoot rishta bana rahe. par ye samarpan dhire-dhire tab ghatata chala jata hai jab vo is kroor saty se mukhatib hote hain ki is kshetr mein ki gayee athak mehanat ek kalatmak santosh to de pati hai par vo jivakoparjan ke liye paryapt nahin hoti. aur is saty ne kalatmak rangamanch ko cine jagat aur niji chainalon ke dharavahikon mein jane ka jariya bhar bana diya hai.

cine aur dharavahik jagat ki farmoolapriyata sachche aur manje kalakaron ko kis tarah samajhauton ka gulam bana deti hai is bat ko bhi lekhak ne kathanak ke madhyam se ukera hai.

surendra verma ki lekhan shaili mein hasya ke put jyada nahin hai jo kabhi kabhi upanyas ke kuchh anshon ko bojhil kar dete hain. . kuchh had tak to isake liye kathanak jimmevar hai. par kuchh hisson mein unaki lekhani ganbhir ghatanakram mein halke fulake lamahe de jati hai. ab yahin dekhiye silbil aur usake ghar ke tote anushtup ke sanbandhon ko surendra verma kis roop mein pesh karate hain

silbil ke sath anushtup ka sanbandh vaisa hi tha, jaise baghin ka hirani se hota hai. jaise hi silbil samane aati, anushtup ki tokataki shuru ho jati, ‘‘silbil dhire bolo,’’ ‘‘silabila, tulasi mein pani nahin diya ?’’ ‘silabila, der laga di. ’’

silbil ki pahali rananiti anushtup ko apani or fodane ki bani. usane mitha gripewater pilaya, sardi se pinjra dhoop mein rakha, mishri ki dali khilayi. par jab is par bhi anushtup ne apane chhand ka mool-bhav nahin chhoda, to usane gobarabhari hari mirch pinjre ki katori mein rakh di. is par anushtup ne ‘silbil kapati hai’(usaka shabd-chayan ritikal ke nikat padata tha aur jivan-drshti bhakti kal ke !) ki rat laga kar man ki dant ki bhoomika bana di.

surendra verma ne itane mote upanyas ki rochakata ko banaye rakhane ki poori koshish ki hai aur wo safal bhi hue hain, par kayee bar natako se sanbadhit shabdavali se unaka atishay prem khatakata hai. jab jab kahani dilachasp mod leti hai vo apane patron ke vartalap ke pahale 'natakiy samakshata' shabd ko doharana nahin bhoolate jo bar bar padane mein bada ajeeb sa lagta hai

ye to nahin kahoonga ki ye kitab meri sabase pasandida kitabon ki ferahist men aa gaee hai par fir bhi isake lagabhag 600 prshthon se gujarana kul milakar ek achchha anubhav tha

Is kitaab ko aap yahan ya yahan se khareed sakte hain.

इस चिट्ठे पर आप इन पुस्तकों के बारे में भी पढ़ सकते हैं

असंतोष के दिन, गुनाहों का देवता, कसप, गोरा, महाभोज, क्याप, एक इंच मुस्कान, लीला चिरंतन, क्षमा करना जीजी, मर्डरर की माँ, दो खिड़कियाँ, हमारा हिस्सा, मधुशाला

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Asantosh Ke Din by Dr. Rahi Masoom Raza

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'Rahi Masoom Raza' ki likhi ghazalon , filmi patakathaon se to mera poorv parichay tha, par ek upanyasakar ke roop men mainne unhen pahale nahin pada tha. unake nidhan par chitthajagat men unake sahityik jivan ki jhanki jaroor padane ko mili thi aur ye bhi pata chala tha ki 'aadha ganv' unaki ek prasiddh rachana hai. isaliye apane pustakalay men mote-mote granthon ke bich dabi sahami jab yah pustak apana asantosh jahir karati dikhi to ise padane ki utsukata huee.

rahi ka ye upanyas assi ke dashak men munbaee men huye bhishan dango ki prshthabhoomi men likha gaya hai. dangon ki bhayavahata aur usake pichhe ki chhichhali razaniti se vyathit 'rahi' bina kisi lag lapet ke dharadar bhasha men apani bat kahate hain jo aaj bhi utani hi prasangik hai. maharashtr men aaj jis tarah ki razaniti ho rahi hai usake beej assi ke dashak men vibhinn kshetriy dal pahale hi bo chuke the. jin prashnon ko rahi masoom raza sahab ne apani is kitab men uthaya tha, usaka uttar pane ke liye ham sabhi aaj bhi joojh rahe hain. misal ke taur par rahi ke in savalon par gaur karen..

"...shri bal thakare "aamachi mumbai kahate hain. parantu 'aamachi' ki paribhasha kya hai? usaki simayen kya hain! aur yadi bambaee aamachi' hai to hindustan kisaka hai?

bambaee shri bal thakare ki hai. tamilanadu DMK ya AIDMK ka hai . aandhr NTR ka hai.....panjab bhindaravale ka hai. banaras bhagavan shankar ka hai. ajamer khvaja mueenauddin chishti ka hai! UP eta ke dakuon ka hai aur razasthan chanbal ke dakuon ka.....par mujhe koee sare jahan se achchha jo hindustan hai usaki postal edres nahin batata. yah nahin batata ki hidustan ka dakhil kharij kisake nam hai?
ai lavaris mulk tu mera hai. ......."

dangon ke itihas men police ki karyapranali par hamesha prashnachinh uthate aaye hain. dangon men police ke vyavahara, usaki manasikata ko khule shabdon men vyakt karate huye vo kahate hain

"...tum marathe itana tachi kyoon hote ho?" abbas ne poochha. "are bhaiya UP men bhi police musalamanon ko marati hai. yahan police men marathe jyada hai. jo karnatak maharashtr ki sima par karnatak ke brahmanon aur marathon ke bich ladaee hogi to vah karnatak ke brahmanon ko bhi maregi. uttar pradesh ki PAC men kanyakubj brahman jyada hain to vah thakuron, harijanon aur musalamanon ko marati hai. police men hamin tum hote hain na. ham apane muhallon, apane gavon,apane kasbon ke sare dara, vahan ki sari nafaraten, sare tanav lekar police kvatars men jate hain. police men musalaman jyada honge to police hinduon ko maregi........"

yek sau gyarah panne ki is kitab men rahi dvara rachit charitr utane mahattvapoorn nahin hai. mahattvapoorn hai to in charitron ka samajik parivesh aur unake ird gird panapati samasyayen. upanyas ke patron ka prayog rahi munbaee ya ek tarah se kahen to poore desh ke samajik dhanche men faili garibi, ashiksha, jativada, sanpradayikata aur ochhi razaniti ke chakravyooh ka pardafash karane men karate hain. ab yahin dekhiye mumbai ki slum mein rahate aur panapate parivaron ki dasha disha ka kitana jivant chitran kiya hai raza sahab ne

".....khate pite garib vah hai jo vastav men garib nahin hain. jab bambaee aaye to vo avashy garib the. kothari bhi n le sake to kahin sarakari jamin par ilake ke dada ki ijajat se jhopadi dal ke rahane lage.
yah jhopadi premachand ki kahaniyon si jhopadi nahin hoti. ise jhopadi isaliye kahate hain ki isaka namakaran nahin kiya ja saka hai. yah tin char fit oonchi ek chij hoti hai jisaki divaren sade gale paiking ke bakse ki hoti hain. oopar fati huee tirapal ya plastik ka tukada, n daravaja, na khidaki. log unase rengakar andar jate hain aur rengakar bahar jate hain...yah eemanadar kamagaron ki jhopadiyan hain fir inhin jhopadiyon men hari lal jhandiyan laga kar dulhan le jayi jati hai. fir inhin jhopadiyon men bachche hote hain...fir un bachchon men koee jebakatara ho jata hai. koee kachchi daru ke dhandhe men lag jata hai...koee kisi dada ke sath lagakar kisi taskari ya MP, MLA ki chhatr chhaya men chala jata hai. fir ghar men thoda paisa aane lagata hai. jhopadi ka jara kad nikal aata hai. daravaja lag jata hai. khidakiyan ban jati hain. tin ki chhat pad jati hai. fir idhar udhar ki jamin jud jati hai. kabhi kabhi ek manjil or chad jati hai aur chhat tail ki ho jati hai...."

rahi ka man akhand bharata, anekata men ekata, dharmanirapekshata jaise jumalon ko jamini hakikat se bahut door manata hai. unake dil ki narazagi is kadar hai ki vo bade bade razanetaon ko bhi nahin bakhshate..

"...log kahate hain pandit motilal ki musalaman patni thi..han bhaee to patni thi na !aur priyadarshani ne jo firoj gandhi se shadi ki...firoj gandhi parasi the jo vah musalaman hote to gandhiji yah shadi kabhi na hone dete....."

kitab sirf razanetaon par tanj nahin kasati.. sath hi ali saradar jafari aur majarooh sulatanapoori jaise pragatishil aur dimagi shayar raza sahab ki lekhani ki chapet men aa jate hain.

par jab vo kahate hain ki is desh men

"....dharmanirapekshata ki jamin bahut kamajor hai. kudal favade ki jaroorat nahin hai, nakhoon se jara sa khurachen to dharmanirapekshata kagaj ki tarah fat jati hai aur koee shahi imam,, koee devaras, koee bhindaravale, koee bal thakare nikal aata hai. sanpradayikata ka pret hamare andar dilon ki kisi gali men chhup kar baitha hai aur jab kisi tarah se roshani aane lagati hai to ye pret uthakar dil ke daravaje khidakiyan band kar deta hai. ...."

to mera dil bhi unake jajbaton ki gavahi deta hai. jaisa ki kitab ke aaranbh men prakashak ke not men kaha gaya hai ki

"is krti ki mang hai ki in savalon se joojha aur takaraya jaye. isi samay isake uttar talash kiye jayen anyatha manushy ke astitv ki koee garanti nahin rahegi."

pustak ke bare men
naam : Asantosh ke din
lekhak: Late Dr.. Rahi Masoom Raza
prakashak: raajkamal prakashan
pratham sanskaran: 1986

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इस चिट्ठे पर आप इन पुस्तकों के बारे में भी पढ़ सकते हैं
गुनाहों का देवता, कसप, गोरा, महाभोज, क्याप, एक इंच मुस्कान, लीला चिरंतन, क्षमा करना जीजी, मर्डरर की माँ, दो खिड़कियाँ, हमारा हिस्सा, मधुशाला

Humara Hissaa : Collection of stories about changing face of Indian Woman

Humara Hissa ek kahani sangrah hai jismein 16 kathakaron ki kahaniyan shaamil hain. Is sankaln ki khas baat ye hai ki isne pichle 50 saalon mein bharat mein striyon ki badalti tasweer ka chitran karne ka prayaas kiya hai. Is kitaab ke prakashak Penguin hain aur iska moolya Rs 190 hai. Ye kitab 2005 mein prakashit huyi thi.

Kahani ki naayikaayein gramin aur shahri donon pariveshon se aati hain. Unke aas paas ke samaj mein aaj ka bhaarteey samaj dikhta hai. Kahani Sangrah ke sampadak Arun Prakash ji ne purne manje huye lekhakon ke aalawa naye pratibhashaali lekhakon ki kahaniyan bhi is sankalan mein jagah di hai.

Jin lekhakom ki kahaniyan is sankaln mein hain wo hain

1. Kamleshwar
2. Rangey Raghav
3. Mamta Kalia
4. Swayam Prakash
5. Nasira Sharma
6. Sanjeev
7. Bhagwandas Morwal
8. Vidyasagar Nautiyaal
9. Shivmoorti (Inki kahani Tiriya Charitra par isi naam se Basu Chaterjee ne isi naam se 1994 mein ek behtareen film bh banayi thi.)
10. Suraj Pal Chouhaan
11. Vijaykant
12. Chitra Mridugal
13. Loveleen
14. Mridula Garg
15. Satyen Kumar
16. Maitreyi Pushpa
    

In kahaniyon ke bare mein do bhagon mein meri sameeksha aap yahan padh sakte hain

1. हमारा हिस्सा : आज की नारी की छवि को उभारता एक सशक्त कहानी संग्रह- भाग १
2. हमारा हिस्सा : आज चर्चा इस संकलन की बाकी की आठ कहानियों की- भाग 2

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'Kasap' ...by Manohar Shyam Joshi

हिंदी में इस पोस्ट को पढ़ने के लिए यहाँ क्लिक करें।

Mera uttaraanchal se kya sambandh hai?

Kuchh khaas nahee. Bas itana bhar ki Roorkee mein main DeDh varSh raha hoon aur Praveen Singh Khetwal jo mere yaatra vivaraNo me aapako hamesha dikhaee paDate hain aur mere abhinn mitr hain, khud Kumaoon se hain. Khetwal jee kee shaan me ek baat ye bhee kahane yogya hai ki unaka Mahendra Singh Dhoni ke ghar, jo ki hamaare office ke paas hai, aana jaana hai. Kaaryaalay me ham sabhee man me ye aas lagae hai ki kabhee na kabhee vo saakShaat hame Dhoni se milava payenge.

Par Roorkee ka mera pravaas ho ya Khetwal jee ka saanidhya, koyee mujhe uttaraanchal kee miTTee ke itane paas nahee le gaya jitana vo shakhs jisase mai kabhee nahee mila aur na hee mil paoongaa. Jee haan, mai Manohar Shyaam

Joshijee kee baat kar raha hoon. jinakee kitaab Kyaap kee charcha kuchh dino pahale mainne is blog par kee thee. Aaj aapake samakSh Joshee jee ke ek alag tarah ke upanyaas Kasap kee charcha karoongaa. Alag isliye ki joshee jee apane vyangyaatmak lekhan kaushal ke liye jara jyaada jaane jaate hai aur ye katha hai gaanv ke ek anaath, saahity cinema premee, moodiyal laDake Deveedatt

Tivaaree yaani DD aur shaastriyo kee sirachaDhee, khilandaD aur dabang laDakee Baby ke prem kee.

Kaisi thi ye prem katha?

Kya alag tha ismein aur kaun se prashna chhod gayi ye mere man mein..ye aap yahan padh sakte hain...

1. Main, Uttaranchal aur Kasap - Part I
2. Main, Uttaranchal aur Kasap - Part II

My Rating - Very Good ***

Rabindranath Tagore ki Pustak 'Gora'

हिन्दी में इस पोस्ट को पढ़ने के लिए यहाँ क्लिक करें ।

Baat Feb kee hai . Kanapur se Neelaanchal Express se lauT raha tha . Muri mein train itanee vilambit huee ki Ranchi kee or jaane vaalee saaree train chhooT gayeen .Aglee Train do ghanTe baad aane vaalee thee . samay kaaTana bhaaree paD raha tha ki saamane patra patrikaon se sajee ThelaagaaDee par najar paDee aur dekha jeevan ke asalee satya ka darshan karaatee satya, madhur aur manohar katha-kahaaniyo ke beech se Taiore chintit se jhaank rahe hain.
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Isase pahale mainne Geetaanjali kee kuchh kavitaon ko chhoDakar Tagore ko kabhee nahee paDha tha . Par Gora ke baare me suna tha ki achchhee kitaab hai , isaliye jab pustak vikreta ne 300 pages kee is kitaab ka moolya matra 80 rupaye bataaya to turant mainne ise khareedane ka man bana liya .

Katha kee parshThabhoomi us samay kee hai jab Raja Ram Mohan Roy dvaara sthaapit Brahma Samaaj tejee se hindu samaaj me apana paanv pasaar raha tha . Jahaan jaatigat bhedabhaav ne samaaj ke nimn tabako me ek asantosh paida kar rakha tha, vaheen doosaree or reeti rivaaj aur vyarth ke dhaarmik anushThaano aur aaDambaro se hinduon ka paDha likha naya tabaka ek ghuTan see mahasoos kar raha tha .

Par kya is baare me upanyaas ka mukhy kiradaar Gora bhee aisa hee sochata tha ?
Ye janne ke liye padhein Hindi mein is pustak ki vristat charcha.

Amrita Preetam ka Kahani Sangrah : ' Do Khidkiyaan'

Amrita Preetam ke gadya lekhan ka aanand shayad hi kisi sahitya premi pathak ne na uthaya ho. Unki lekhan shaili mein ek kavyatmak pravah hai. We apni vichaar badi bebaaki se rakhti hain aur charitron par inki pakad humesha mazboot rehti hai. Do khidkiyan inka ek anootha kahaani sangrah hai jismein kul saat kahaniyaan aur ek lahu upanyaas hain.

Is kahani sangrah ki mein theme auraton ke beech ka aapsi resta hai jise alag alag kirdaaron ke madhyam se unhone bakhoobi ubhara hai. Apne in kahanayon ke bare mein Amrita ji kahti hain

".....Aurat aur mard ka rishta jitna bhi ulja hua ho , phir bhi seedha hota hai. Ek swaabhaawik prapti ka ehsaas uski ragon mein hai. Sirf milan mein nahin virah aur tassuwar mein bhi. Uski buniyaad mein jismaani juroortein hoti hain. Isliye vo apne algaav mein bhi kahin na kahin juda rehta hai, aur uska juda rehna, use badi se badi kurbaani ka bal deta hai.

....par aurat aur aurat ka rishta, maan aur beti ke rishte ko chhod kar, seedha nahin hota balki kisi mard ke madhyam se hota hai. Isiliye usmein ek ki prapti aksar doosre ki apraapti ban jati hai aur isiliye wo ulajh jata hai to uska taar phir haath mein nahin aata. Toot jata hai to usmein dard ka gaurav nahin aata......"

Is kahani sangrah ki vistrit sameeksha iske kuch anshon ke sath maine apne Hindi blog par yahan aur yahan kee hai . Agar istri se judi samvendnaaon ko samjhne aur jaane mein aapki ruchi hai to is kahani sangrah ko avashya padhein.

Ashapoorna Devi rachit Leela Chirantan

Ashapoorna Devi ahindibhashi sahityakaaron mein meri sarvadhik priya kathakaar rahi hain. Unki triology Pratham Pratishruti, Suwarnalata aur Bakul Katha british era se lekar aaj ki nari ki chetna ke uttarottar vikas ki amar gatha hai. Ashapoorna ji kee naayikayein humesha se swabhimani, doordarshi aur samaajik taur tareekon se na dabne waali rahi hain.

Leela Chirantan ki naayika Kaaveri bhi inse bhinna nahin hai. warna shaadi ke bees saal baad us ghoshna ki uska pati bal bachchon ko chor kar vairagya grahan kar lega aur koyi is dard ko chupchaap pee kar, bina oopari rosh vyakta kiye apne kaam mein lag jayega, aisa kaun soch sakta hai bhala…..

Aage padhne ke liye yahan click karein….

'Kyaap' by Manohar Shyaam Joshi

Kyaap yaani kuch azeeb,angadh, andekha sa aur apratyashit! Aur sach kahoon to swargeey Joshi ji kaye upanyaas apne naam ko poori tarah charitaarth karta. 2006 ke sahitya academy samman se puraskrit is upanyaas mein aisa kya hai anokha? Anoothi baat ye hai ki uttaranchal ki bhoomi se upaja unka kathanak jab tak pathak ki pakad mein aata hai tab tak upanyaas ka ant ho jata hai.

Agar is pustak ke bare mein aur jaanna chahte hain to yahan click karein.