Annual Music Countdown 2010 Runners Up: Nain Parinde Pagle Do Nain.....

Vaarshik sangeetamala ki doosari poyadaan par geet vo jise gaya shilpa rao, ne, dhun banaai sangeetakaar R. Anadh ne aur isake lajavab bol likhe swanand kirakire ne. ab film ka nam bataane ki jaroorat hai kya ? aadha nam to geet ke mukhade men hi hai aur usamen bas lafnga shabd dal deejie yaani ki 'lafange parinde'.

rudaki vishvavidyalay se mech. engg. ki padhayi karne vaale sangeetakaar R.Anadh ka parichay isi film ke geet 'man lafnga..' ki charcha ke dauraan kar chuka hoon. pichhale bees saal se vigyapanon ke liye dhun banane vaale aar aanand ne apane kairiyar ke shuruaati dinon men apane mitra gopal rao ke saath milkar ek stoodiyo banaya tha. stoodiyo ka nam aisa ki bade badon ko dimaag ki batti jalane ke liye mentos ka sevan karana pade.

ji haan unake studio ka nam tha 'Aqua Regia' jiska shaabdik arth hai 'Royal Water'. darasal rasaayanashastra ki bhasha men ise 'Nitro Hudrochloricacid' bhi kaha jata hai aur is aml ko 'royalati' is liye mili hui hai ki ye sone aur pletinam jaisi akad men rahane vali dhaatuon ko galane ki kshamata rakhta hai.

baad men dramavaadak aur aanand ke colej ke mitra, shaleen sharma bhi is samooh ka hissa bane aur aagosh nam ke baind ki shuruaat hui. baind ne ek elabam jaroor banaya par vo jyada chala nahin aur jaisa aksar hota hai vakat ke saath baind bikhar gaya.

pradeep sarkaar ek aise nirdeshak hain jo apani filmon ke geetakar v sangeetakaar chunane ke baad unhen apane kaam karne ki poori aajadi de dete hain. aar anand kahate hain ki natijan hamen bhi lagne lagata hai ki aisa kaam kiya jaaye jinase unake vishvaas par khara utra ja sake.

geetakar swanand kirkire ko vyavasayik hindi cinema men pahla mauka dene vaale bhi pradeep sarkaar hi the. 'parinita' aur 'laga chunri men daag' jaisi filmon men swanand ne jis tarah ka kaam kiya usake baad sarkaar ke liye vo pahali pasand hi ban ge. is film ki geet rachna ke baare men swanand kahate hain

mujhe aanand ke kaha ki tum pahle geet likh kar lao fir main dhun banaoonga. mainne socha ki ye to badi achchhi baat hai. kitana bhi lamba geet likh do koi tension nahin. film jis tarah ke yuvaaon par aadhaarit thi unake baare men sochkar mujhe khayal aaya ki gali mohallon ke kai ladake dikhte lafngon jaise hain par unamen bhi parindon ki tarah udan bharne ki chahat hoti hai. is liye lafange aur parinde saath ho ge. pradeep ji ko ye shabd itane pasand aae ki unhonne film ka naam bhi yahi rakh diya. mere liye lafnge aur parinde shabdon ka saath aana 'man lafnga' aur 'nain parinde' jaise geeton ki rachna ka sabab ban gaya.

nain parinde ..film ka ekmaatra ekal geet hai jise film ki hiroin par filmaya gaya hai. drishtiheen vyakti bhale hi dekh nahin sakta par usaki soch ka vistar vahan tak hota hai jahan aam jan pahunch bhi nahin paate. swanand ne apane is geet men aisi hi ek ladaki ke khavaabon ki udan ko shabdon men baandhne ki koshish ki hai. swanand sirf tukabandi aur raiming ko geet rachna ka dhyeya nahin maante. vo koshish karte hain ki inake alava geet se vo vichaar nikalen jo kiradaar ki bhavanaaon ko shrotaon tak pahuncha saken. swanand ki ye koshish mukhade aur donon antaron men safal hoti nazar aati hai. vahin sangeetakaar aanand ka gitar bhi pahle intaralyood men apana kamaal dikhala jata hai.

baki to swanand ke shabdon par shilpa rav ki aavaaz man men gahari utarati si jaati hai. jamahedpur se taalluk rakhne vali shilpa rav ko sangeet ki duniya men lane ka shreya shankar mahadevan ko jata hai. jahan film aamir men unka gaya geet ik lau munbai par hue hamale ke dauraan rashtra ka geet ban gaya tha vahin pichhale saal khauda jaane ko badi vyavasayik safalta mili thi. par shilpa ko unki pratibha ke hisab se jitane geet milne chaahiye utne mil nahin rahe. khaair abhi to sunte hain ye geet..

nain parinde, pagale do nain

nain parinde, jaage din rain

nain parinde, pagale do nain

nain parinde, jaagen din rain

pankh jhatak ye ud jaayenge, aasamaan men kho jaayenge

magaroor bade, banjare nain

nain parinde, pagale do nain

nain parinde baadal baadal, khavaabon ke sitare chug lenge

ho nain parinde chaand chura kar, palakon se apani dhak lenge

palak jhapakte ud jaayenge, sapanon ko apane ghar laayenge

mashahoor bade, matavaale nain

nain parinde, pagale do nain

ho nain parinde raushan raushan, andhiyare saare dho denge

ho nain parinde chhalke chhalke, palakon ko moond ke ro lenge

palak jhapakte ud jaayenge, gam ko bhula ke muskaayenge

majaboor nahin, sapanile nain

nain parinde, pagale do nain

nain parinde, pagale do nain...magaroor bade, banjare nain

sheeghra hi aapke saamane hoga vaarshik sangeetamala ka sarataj geet.

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Annual Music Countdown 2010 Song No. 11: Des mera rangarez ye babu....

Vaarshik sangeetamala ki gyarahavin poyadaan par svaagat kijie sangeet band ' Indian Ocean' ka jo pahali baar kisi sangeetamala ka hissa ban raha hai. pichhale kai mahinon se inake dvara banaaye is geet ke madhyam se aap apane desh ke rang rngile prajatantra ke vibhinn roopon ki jhalak dekhte rahe hai. vaise bhi is baat men kya shak ho sakta hai ki 'des mera rangarez ye babu ghaat-ghaat yahan ghatata jaadu.....'.

nirdeshika anusha rizavi ne peepali laaiv ke jin do geeton ke liye 'Indian Ocean' ko chuna unamen se ye vala geet unake elabam 'jhini' men shamil tha. haan ye jaroor hua ki moolatah sanjeev sharma ke likhe is geet ke bolon men peepali laaiv ke liye geetakar swanand kirakire ne kuch badalav kiye aur jo natija nikala vo film rileez hone ke pahle hi desh ki janta ki jubaan par aa gaya.

apane desh ki visangatiyon ko ye geet vyangyaatmak drishti se dekhta jaroor hai par ek baaharavaale ke nazariye se nahin balki ek aam bharateeya ke paripekshya se. geet ke bolon men jahan desh ki mitti ka sondhapan hai vahi yah geet desh ke vaastavik haalaaton ka aaina bhi pesh karta hai. ab inhin panktiyon ko len jinamen desh ka dard samaya sa lagata hai..

sookhe naina, rukhi ankhiyan

dhundhala dhundhala sapana

aansu bhi namakeen hai pyare

jo tapake so chakhna

rahul ki aavaaz ki taakat aur gaharapan is zamini hakikat ko aur pukhta karta hai.

aaiye is geet ke anya pahaluon par charcha karne ke pahle is baind se aapaka parichay kara doon. baind 1984 men gitar vaadak susmit sen aur gayak aseem chakravarti jo ki tal vaadyon men bhi praveen the ne shuru kiya. 1990 men baind ka namakaran Indian Ocean kiya gaya. 1991 men rahul ram jo aaj kal is baind ke mukhya gayak hain, iska hissa bane. 1994men amit kilam dramar ke roop men baind men aae. disanbar २००९ men aseem ka hridaya gati ruk jaane se asaamayik nidhan ho gaya. aajakal ye baind apane ne elabam '16/330 khajoor rod' ke laanch men vyast hai.

poore geet men baind ne tal vaadyon aur gitar ka behatareen istemaal kiya hai. mukhade ke baad hi table, dholak , damaru ka jo sammilit svar ubharta hai vo aapako ekadam se deshi vaatavaran men kheench le jata hai. rahul ram aur unake saathi ppap para ra..dhoom tatak dhin ke koras ke saath geet men ek josh aur urja si bharte hain.

par geet ki sabse sundar tan susmit sen ki ungaliyon se nikalti hain. geet shuru hone ke 2.50 minat baad lagabhag chalis sekend tak susmit apani thirakti oongaliyon se vo jaadu paida karte hain ki man mantramugdh aur thaga sa rah jata hai. lagata hai gitar aur sitaar ka antar hi samapt ho gaya. susmit apane sangeet ko apane anubhavon ka nichod batate hain. unhe jaaz aur rok se jyada hindustani shastriya sangeet pasand aata hai.(chitra saujanya)

vaise kya aap jaante hain ki baind ke mukhya gayak rahul ram jo apani lanbi dadhi aur alag si vesh bhoosha se apani alag si pahachaan rakhte hain ke paas peeechadi ki upadhi bhi hai. aur to aur rahul narmada bachaav aandolan ka bhi hissa rah chuke hain. ab agar rahul apane aap ko buddhijiviyon men ginte hon to ismen kya galat ho sakta hai. yahi vajah he ki unake saathi unhen 'lojik baba' aur 'gyanadev' ke nam se bulate hain. (chitra saujanya)

to aaiye sunen is geet ko

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

des mera rangarez ye babu

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

raai pahaad hai kankar-shankar

baat hai chhoti bada batangad

raai pahaad hai kankar-shankar

baat hai chhoti bada batangad

indiya sar yah cheez dhurandhar

indiya sar yah cheez dhurandhar

rang rngila parajatantar

rang rngila parajatantar

p p re .....

saat rang satarnga mela

badarnga sa bada jhamela

saat rang satarnga mela

badarnga sa bada jhamela

gira gagan se khajoor ne jhela

such-duahkh pakadam-pakadi khela

hai..ek rang guniyon ka nirala

ek rang agyani

rang rang main hod lagi hai

rangarangi manamani

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

sookhe naina, rukhi ankhiyan

dhundhala dhundhala sapana

aansu bhi namakeen hai pyare

jo tapake so chakhna

dhundhala dhundhala sapana pyare

dhundhala dhundhala sapana

sookhe naina, rukhi ankhiyan

sookhe naina, rukhi

dhundhala dhundhala sapana pyare

dhundhala dhundhala sapana

des mera rangarez ye babu he....

aur agar aamir khan ko dramar ka rol sanbhaalte dekhna chaahen to geet ka vidio ye raha...

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Annual Music Countdown 2010 Song No. 21 : Man Lafanga Bada Apne Man Ki Kare...

Vaarshik sangeetamala ki 21 st position par ek aisa geet hai jisake sangeetakaar pahali baar 'ek shaam mere nam' ki kisi sangeetamala men dakhil ho rahe hain. dakhil hote bhi kaise? isake pahle unhonne 1997 men ek hindi film 'jor' ka sangeet nirdeshan kiya tha. hindi film sangeet se inka vanvas, bhagavaan ram ke vanvas se ek saal kam yaani terah saalon ka raha. par in varshon men ye bilkul sangeet se door rahe hon aisa bhi nahin hai. in terah saalon men ye kai vigyapanon geeton ke liye sangeet rachte rahe. bachapan se hi vina bajaane men ruchi rakhne vaale aur injiniyaring men padhte vakat gitar bajaane men maharat haasil karne vaale ye sangeetakaar hain aar anadh.

pradeep sarkaar, jo khud vigyapan jagat se jude rahe hain ne film lafnge parinde ke liye anadh ko sangeetakaar chuna. chennai se taalluk rakhne vaale aar anadh, rahman ke sahapaathi rah chuke hain. film to sameekshakon dvara jyada sarahi nahin gai par apane sangeet ke liye jaroor ye charcha men rahi. is sangeetamala men is film ke do geet shamil hain. 21 vin sidhi ke geet ko apane shabd diye hain swanand kirakire ne aur aavaaz hai mohit chauhaan ki.

swanand kirakire ne is geet men ek aam insan ke man ki fitarat ko vyakat karne ki koshish ki hai. hamara man kab chanchal ho uthata hai aur kab udvign, kab udas ho jaaye aur kab bechain ....kya ye hamare bas men hai? khaaskar tab jab ye kisi ke prem men girafatar ho jaaye. sach, man to apani marji ka malik hai aur isaki isi lafngai ko swanand ne bade khoobasoorat andaaj men ubhara hai geet ke mukhade aur do antaron men. jab swanand likhte hain ki

dhimi si aanch men ishk sa pakta rahe

ho teri hi baaton se pighalta hai

chaay men chini jaise ghulta hai

to man sach poochhiye geet men aur ghulne lagata hai.

sangeetakaar aar anadh ne geet ke intaralyood men gitar ki madhur dhun rachi hai vaise poore geet men hi gitar ka prayog jagah - jagah hua hai. mohit ki aavaaz aise roomani geeton ke liye ekadam upayukt hai. vo geet ke bolon se man ko udas bhi karte hain aur fir gunagunane par bhi majaboor karte hain. haan ye jaroor hai ki ye geet dheere dheere aapke man men ghar banata hai. to aaiye sunen lafnge parinde film ka ye geet

man lafnga bada, apane man ki kare

ho yoon to mera hi hai, mujhase bhi na dare

ho bheege bheege khyalon men dooba rahe

main sanbhal ja kahoon, fisalta rahe

ishk manhaga pade, fir bhi sauda kare

man lafnga bada, apane man ki kare

jaane kyoon udaasi isako pyari lage, chahe kyoon nai si koi beemari lage

bechaini raton ki neendon men aankhen jage, lamha har lamha kyoon bojh sa bhari lage

o bhnvara sa ban kar machalta hai

bas tere peechhe peechhe chalta hai

junoon sa lahu men ubalta hai

luchcha bebaat hi uchhalta hai

ho bheege bheege khyalon ..apane man ki kare

ho ambar ke paar ye jaane kya takta rahe, baadal ke gaanv men baki bhatakta rahe

teri hi khushabu men ye to mahakta rahe.......

dhimi si aanch men ishk sa pakta rahe

ho teri hi baaton se pighalta hai,chaay men chini jaise ghulta hai

deevana aisa kahan milta hai, pyar main yaro sab chalta hai

ho bheege bheege khyalon ..apane man ki kare

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Annual Musical Countdown 2009 : Song no. 21 : Behti Hawa Sa Tha Wo.....

Hindi film sangeet men kai bar aisa hota hai ki jab aap kisi geet ko sirf sunte hain to vo aap par jabaradast prabhav dalta hai par film ko dekhte samay vo geet kahani men ghulta milta nazar nahin aata। Par doosari or paristhitijanya geet hote hain jo kahani ki patakatha ke anusaar apne aap ko dhal lete hain। Aise geet ekabaragi sunane men to vo asar nahin daalte par film dekhne ke bad dheere dheere man men baithane lagate hain। Vaarshik sangeetamala 2009 ki 21 vin poyadaan par ek aisa hi geet virajamaan hai। Iss geet ki dhun banaai Shantanu Moitra ne, ise likha Swanand Kirkire ne aur apani makhamali aavaaz se ismen rang bhare gayak Shan ne।

Swanand Kirkire ko film '3 Idiots' ki patakatha likhte samay se hi is pariyojana men shamil kar liya gaya tha। Isaliye is film ke sare geeton ke bol patakatha ki dhara ke sath bahate nazar aae। All Izz Well ki utpatti ke bare men Swanand ji ki raay se main aapako pahle hi avagat kara chuka hoon। Aaj jante hain ki Swanand ke jodidaar shantanu kya kahate hain is geet ke bare men ।

Waise Shantanu Moitra ek aise sangeetakar hain jo apane aap ko poornakalik sangeetakar nahin mante। Ad jingle karte karte film udyog ka raasta dekhne vale shantanu ko sangeet se utna hi pyar hai jitana ki khagol vigyaan, ghumakkadi aur parvatarohan se। Saal men vo chuninda film karte hain। Hajaron khwahishen aisi aur Parinita ke madhyam se 'Ek shaam mere naam' ki vaarshik sangeetamala 2004 aur 2005 men oopar ki poyadanon par dhoom macha chuke hain।

Shantanu is geet ke bare men kahate hain

Hamara ye geet aise ek shakhas ki kahani kahta hai jo hamari jindagi men aaya, hamen janane ki koshish ki, jisane hamare dil ko chhua aur fir apne vichaaron se aage badhane ki roshni dikhakar itani sahajta se hamari jindagi se alag ho gaya jaise kuch hua hi na ho। Saalon bad jab aap usake bare men sochte hain to lagata hai are vo to kabhi smriti patal se door gaya hi nahin। aur man anayas hi udvign ho uthata hai ki aakhir vo gaya kahan?

Shantanu ne jo baat kahi hai usaki sachchai se shayad hi mujhe ya aapako sandeh hoga। Isi baat ko purajaor dhng se rakhne men gayak geetakar aur sangeet nirdeshak ki jodi kamayaab hui hai। Swanand ke sahaj bol, Shantanu ka bahata sangeet khaskar mukhade ke bad ka tukada aur interludes man ko behad sukoon dete hain। Shaan ki aavaaz ki mulayamiyat aapako ateet ki yaadon ki puravai men bhatakne ko badhya karti hai।

to aaiye is geet ke bolon ko padhte hue sunen is geet ko

bahati hava sa tha vo
udati patang sa tha vo
kahan gaya use dhoondho...

ham ko to rahen thin chalati
vo khud apani rah banata
girta sanbhalta masti men chalta tha vo
ham ko kal ki fikra sataati
vo bas aaj ka jashn manata
har lamahe ko khul ke jeeta tha vo
kahan se aaya tha vo
chhooke hamare dil ko
kahan gaya use dhoondho

sulagti dhoop men chhaanv ke jaisa
registan men gaanv ke jaisa
man ke ghaav men maraham jaisa tha vo
ham sahame se rahate kuen men
vo nadiya men gote lagata
ulti dhara cheer ke tairta tha vo
badal aavara tha vo
pyar hamara tha vo
kahan gaya use dhoondho

ham ko to rahen thin chalati.....
.........kahan gaya use dhoondho

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Annual Musical Countdown 2009 - Song No. 25 - All Izz Well

Three Idiots ke gane maine kareeb teen hafte pehle sune the aur ek bargi sun kar man utna prassana bhi nahin hua tha. Karan the Swanand Kirkire. Parineeta aur uske baad Khoya Khoya Chand mein unke geeton ki kavyatmakta ho ya phirर Laga Chunri mein Daag mein do bahnon ki alhad chanchalta ko ubharta unka pyara sa geet ho wo humesha man mein apne geeton se alag sa ahsaas jagate the



So maine unse facebook par jaakar unse apni nirasha prakat kar dee par film mein unke geeton ka safar dekh itna juroor lag gaya tha ki kavyatmakta se hinglish ganon ka safar unhonein film ki script ke liye hi tay kiya hoga. Aur aakhirkaar jab maine film dekhi to wahi geet jo bas theek thaak lag rahe the filmankan ke baad behtareen lagne lage.

Khud Swanand Kirkire ne kya kaha is geet ke bare mein wo aap vistar se meri is post mein padh sakte hain

To varshik sangeetmala kee 25th Rank par isi film ka ek lokpriy geet hai jo aaj kal yatra tatra sarvatra baj raha hai:). Murgi ki baang se shuru hota ye geet aapko apne atpate bolon ki wazah se aapka dhyan pehle kheenchta hai, phir geet ki masti aapko jhoomne par vivash kar deti hai. Par jhumane kesath Swanand hansi hansi mein aaj ke chhatra warg ki maansik sthiti ka bhi behtareen aakalan karte hain.

Shantanu Moitra ke mast sangeet par bane is geet ko Sonu Nigam ne Swanand Kirkire aur shaan ke sath milkar poore manoyog se gaya jise sun kar aap mehsoos kar sakte hain

Jab life ho out of control
Honthon ko kar ke gol
Honthon ki kar ke gol
Seeti bajaa ke bol

Aal Izzz Well

Murgi kya jaane aande ka kya hoga
Aree life milegi ya tawee pefry hoga
Koi na jaane apna future kya hoga

Honth ghuma
Seeti bajaa
Seeti bajaa ke bol
Bhaiyaa aal izz well

Aree bhaiyaa all izz well
Aree chachu aal izz well
Aree bhaiyaa all izz well

Confusuion hi confusion hai
Solution kuch pata nahin

Solution jo mila to saala
Question kya tha pata nahin
Dil jo tera baat baat pe Ghabraaye
Dil pe rakh ke haath usae tu fuslaa le
Dil idiot hai pyaar se usko samjha le

Honth ghuma.... aal izz well

Aree bhaiyaa all izz well
Aree chachu aal izz well
Aree bhaiyaa all izz well

Scholarship ki pi gayaa daaru
Gham to phir bhi mitaa nahin

Agarbattiyan raakh ho gayi
God to phir bhi dikha nahi

Bakra kya jaan uski jaan ka kya hoga
Seenk ghusegi ya saala Keema hoga
Koi na jaane apna future kya hoga

To Honth ghuma...


Hansi ki phuhaaron ke saath ye geet engineering college ke un purane dinon ki yaad dila deta hai jismein ye idiotic lamhe apne lagne lagte hain

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Varshik Geetmala : Song no. 4 - Kyoon apne aap se khafa khafa zara zara sa naraz hai dil ?

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Varshik sangeetamala ki chauthi kadi samarpit hai geetakar, gayak aur samvad lekhak, rangmanch karmi Swanand Kirkire ko jinhonne 'Parinita 'aur 'Hazaron Khwahishein Aisi' ke geeton se mere dil men pichhale teen salon se ek vishesh jagah bana li thi. Khoya Khoya Chand ke is geet ko jab mainne udate udate suna to main aavak rah gaya ki inhonne to Majaaj Lakhnavi ki nazm 'Aawara' ki panktiyan mar li hain. Us waqt ye dhyan nahin raha ki geet ki agali pankti mein bakayada Swanand ne 'Majaj' ki prerana ko chinhit kiya tha. Waise to mujhe poora geet hi bhata hai par isaka ye hissa mere liye behad khas hai ,lagata hai apani hi bhavanaon ko shabd mil gaye hain

dil ko samajhana kah do kya aasan hai,
dil to fitarat se sun lo na beeeman hai
ye khush nahi hai jo mila, bas mangata hi hai chala
janata hai har lagi ka, dard hi hai bas ik sila.
jab kabhi ye dil laga, dard hi hamen mila,
dil ki har lagi ka sun lo dard hi hai ik sila !
kyoon naye naye se dard ki firak men, talash men, udas hai dila,
kyoon apane aap se khafa-khafa jara jara sa naraj hai dil

Aur jab koyee lekhak ya geetakar bar-bar ye ehasas dilate rahe ki vo aapaki bat kar raha hai to dil mein usaki jagah vishisht ho jati hai. chahe vo raat hamari to chand ki saheli hai ..... ya fir bawra man dekhane chala ek sapana.... Swanand ne hamesha meri anubhootiyon ko chhuaa hai. aakhir Swanand mein ye khasiyat kahan se aaee? Chaliye doondhate hain is javab ka hal unhi ke kathyon dvara.. ..

Kya aapako pata hai ki Swanand vanijya (commerce) ke snatak hain aur unake mata pita khud Kumar Gandharv ke shishy rahe hain? Par Swanand ka kahana hai ki unhonne kabhi sangeet ke kshetr men jane ka sapana nahin dekha tha. yuvavastha men vo yahi socha karate ki mata pita to sangeet se jude hain hi, main kuchh naya kyoon na karoon ? Unki ye soch unhen le gaee National School of drama mein. Aaj jis bahumukhi pratibha ka jauhar vo dikha rahe hain vo bahut kuchh rangamanch se jude unake dinon ki den hain. Woh khud kahate hai ki natak men to hamen sab karana hota tha. Dharavahik ki kahaniyon se lekar sanvad lekhan taka, nirdeshan se geetakar tak ka ye safar svanand ke liye apane virasat me mile sanskaron ki taraf badana bhar hai.

Haal hi men svanand ne apane ek sakshatkar men kaha

"Main abhi bhi bolachal ki bhasha aur dainik jeevan men dikhane vale bimbon ka prayog karata hoon. naye jamane ke geetakar ki haisiyat se main sirf titaliyon aur nadi jaise rupakon ka istemal baraha nahin kar sakata. Ek lekhak moolatah apne liye likhata hai par vyavasayik bandishon ki wajah se aisa hamesha nahin ho pata. Aap bhale hi khana achchha banate hon par ek khanasame ki haisiyat se ye bhi jaroori he ki agar aap 5 vyanjan apane grahakon ko khilayen to sat apani or se bhi parosein."

Gulzar ki tarah unaka manana hai ki geet aise na hon jinamen sab spasht ho, kuchh aisa bhi hona chahiye jo sunane vale ko sochane ko majaboor kare use bar bar us geet ko sunane ke liye vivash kare. Swanand geetakar ka kiradar kisi bhi halat men sangeetakar se kam nahin manate. Woh kahate hain ki main khud ek geetakar bana kyoonki gane sunate waqt mera dhyan sabase jyada geet ke bolon par rahata tha. Aakhir sahi to kahate hen vo, jyadatar geet jo hamen yad rah jate hain vo unake bolon ki vajah se.

Aaiye nazar dalein ki kya keh rahe hain Swanand is geet mein

aaj shab jo chand ne hai roothane ki than li,
gardishon men hai sitare bat hamane man li!
andheri syah jindagi ko soojhati nahi gali,
ki aaj hath tham lo ik hath ki kami khali
kyoon khoye khoye chand ki firak men, talash men, udas hai dila,
kyoon apane aap se khafa-khafa jara jara sa naraj hai dil
ye manjilen bhi khud hi tay kare,
ye fasale bhi khud hi tay kare
kyoon to raston pe fir saham saham samhal samhal ke chalata hai ye dil
kyoon khoye khoye chand ki firak men, talash men, udas hai dila,

jindagi savalon ke javab dhoondane chali,
javab men savalon ki ik lanbi si ladi mili.
saval hi saval hain soojhati nahi gali,
ki aaj hath tham lo ik hath ki kami khali!

ji men aata hai, murda sitare noch loon
idhar bhi noch loon, udhar bhi noch loon !
yek do ka jikr kya main sare noch loon !
idhar bhi noch loon, udhar bhi noch loon !
sitare noch loon main sare noch loon

kyoon tu aaj itana vahashi hai, mijaj men majaj hai ai gam e dil
kyoon apane aap se khafa-khafa jara jara sa naraj hai dil
ye manjilen bhi khud hi tay kare,
ye fasale bhi khud hi tay kare
kyoon to raston pe fir saham saham samhal samhal ke chalata hai ye dil
kyoon khoye khoye chand ki firak men, talash men, udas hai dila,

dil ko samajhana kah do kya aasan hai,
dil to fitarat se sun lo na beeeman hai
ye khush nahi hai jo mila, bas mangata hi hai chala
janata hai har lagi ka, dard hi hai bas ik sila.
jab kabhi ye dil laga, dard hi hamen mila,
dil ki har lagi ka sun lo dard hi hai ik sila !
kyoon naye naye se dard ki firak men, talash men, udas hai dila,
kyoon apane aap se khafa-khafa zara zara sa naraj hai dil

ye manjilen bhi khud hi tay kare,
ye fasale bhi khud hi tay kare
kyoon to raston pe fir saham saham samhal samhal ke chalata hai ye dil
kyoon khoye khoye chand ki firak men, talash men, udas hai dila,
kayoon apane aap se khafa-khafa jara jara sa naraj hai dil
ye manjilen bhi khud hi tay kare,
ye fasale bhi khud hi tay kare
kyoon to raston pe fir saham saham samhal samhal ke chalata hai ye dil
kyoon khoye khoye chand ki firak men, talash men, udas hai dila,

Khoya Khoya Chand ke is geet ki dhun banaee Shantanu Moitra ne aur Swanand ke sath sahayogi svar hai unke purane jodidar Ajay Jhingaran ka

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