Sahir Ludhianvi लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं
Sahir Ludhianvi लेबलों वाले संदेश दिखाए जा रहे हैं. सभी संदेश दिखाएं

शनिवार, जुलाई 09, 2011

Raat Hai Kuch Bheengi Bheengi...Chand Hai Kuchh Maddham Maddham...

Barish ke mausam ko dhyaan men rakhte hue kuch dinon pahle mainne lata ji ka gaya film 'parakh' ka geet sunavaya tha. barish ka mausam abhi thama nahin hai. ab aaj mere shahar ka mausam dekhiye na. baahar thndi bayaren to hai hi aur unki sangat men barish ki reshami fuhaar bhi hai. to is bheegi rat men bheenga bheenga sa roomaniyat se bhara ik nagma ho jaaye.


aaj ka ye nagma mainne chuna hai film 'mujhe jeene do' se jo san 1963 men pradarshit hui thi. isake sangeetakaar the Jaidevsaahab. vaise kya aapako pata hai ki Jaidevpahali baar pandrah saal ki umr men ghar se bhagkar munbai aae the to unka sapana ek film abhineta banane ka tha. yahan tak ki bataur bal kalakar unhonne saat aath filmen ki bhi. par pita ke achaanak nidhan ne unake kairiyar ki disha hi badal di. ghar ki jimmevariyan sanbhaalne ke liye Jaidevludhiyana aa ge. bahan ki shadi kara lene ke baad Jaidevne chalis ke dashak men lakhanoo ke ustad akabar ali se sangeet ki shiksha li. Jaidevne pahle unake liye aur baad men es di barman jaise sangeetakaar ke sahaayak ka kaam kiya. Jaidevka durbhaagya raha ki unake anoothe sangeet nirdeshan ke baavajood unki bahut saari filmen jaise reshama v shera, aalaap,gaman v anakahi nahin chalin. par 'mujhe jeene do' aur 'ham donon' ne unhen vyavasayik safalta ka munh dikhalaya.

Jaidev shastriya sangeet ke achchhe jaanakar the. unake rachit geet aksar kisi na kisi raag par aadhaarit hua karte the. 'mujhe jeene do' ka ye geet 'raag dhani' par aadhaarit hai. vastutah raag dhani, raag maalakos se nikala hua raag hai. shastriya sangeet ke jaanakar raag dhani ko raag maalakos ka roomani , mithas bhara roop maante hain. 

par ye geet agar itana madhur v surila ban pada hai to usamen Jaidevke sangeet se kahin adhik sahir ludhiyanavi ke bolon aur lata ji ki gaayiki ka haath tha.  sahir ke baare men ye kaha jata tha ki vo maante the ki geet ke lokapriya hone men sabse bada haath geetakar ka hota hai. isi vajah se kisi bhi film men kaam karne ke pahle unki shart hoti thi ki unka paarishramik sangeetakaar se ek rupaya jyada rahe.

vaise sahir ki shayari isaki hakadaar bhi thi. ab isi geet ko len . shabdon ke doharav ka kitana khoobasoorat prayog kiya hai sahir ne geet ke har antre men. pahle antre men sahir likhte hain
tum aao to aankhen kholen
soi hui paayal ki chham chham
ab aap hi bataiye, ek muzarevali isase behatar kin lafajon se mahafil men aae apane prashansakon ka dil jeet sakti hai? aur geet ke teesara antre men istemaal kiye ge prakritik roopakon ko sunkar todil se bas vaah vaah hi nikalti hai. zara in panktiyon par gaur faramaayen

tapate dil par yoon girati hai
teri nazar se pyar ki shabanam
jalte hue jangal par jaise
barakha barase ruk-ruk tham-tham

vaise to shokh aur chanchal geeton ke liye aasha taai kai sangeetakaron ki pahali pasand hua karati thin par yahan lata ji ne bhi apani gaayiki men geet ke haav bhaavon ko badi khoobasoorati se pakada hai. masalan jab lata hosh men thodi behoshi hai..gaati hain to lagata hai bas ab moorchhit ho hi gayeen.

to aaiye sunte hain is geet ko lata ji ki surili aavaaz men

rat bhi hai kuch bheegi-bheegi
chaand bhi hai kuch maddham-maddham
tum aao to aankhen kholen
soi hui paayal ki chham chham

kisako bataayen kaise bataayen
aaj ajab hai dil ka aalam
chain bhi hai kuch halka halka
dard bhi hai kuch maddham maddham
chham-chham, chham-chham, chham-chham, chham-chham

tapate dil par yoon girati hai
teri nazar se pyar ki shabanam
jalte hue jangal par jaise
barakha barase ruk-ruk tham-tham
chham-chham, chham-chham, chham-chham, chham-chham
hosh men thodi behoshi hai
behoshi men hosh hai kam kam
tujhako paane ki koshish men
donon jahan se kho hi ge ham
chham-chham, chham-chham, chham-chham, chham-chham

film men ye geet filmaya gaya tha vahida ji aur suneel datt par





मंगलवार, जून 29, 2010

Aap aaye to khayal-e-dil-e-nashad aaya : Mahendra Kapoor, Sahir aur Ravi ki tikdi ki anupam sougaat !

Kal Jagjit Singh ki gaai ek ghazal ki talash men You Tube pe nikala tha ki bhatakte-bhatakte ye geet saamane aa gaya. ab ise sune ek arsa ho gaya tha. dobara suna to isaki girafat se nikalna mushkil tha. aajakal kitane geeton men ye madda hai ki vo paanch minat ke andar hi darshakon ko nayak nayika ke prem, bevafaai aur virah ki poori kahani kah jaayen. par agar geetakar koi aur nahin, Sahir Ludhyanavi jaisa sanjida shayar ho to unake liye ye zara bhi mushkil kaam nahin raha hoga.

Gumraah film ke yoon to saare geet hi charchit hue the, par redio par baki geeton ki tulna men Mahendra Kapoor ka gaya ye geet kam hi baja hai. sangeetakaar Ravi ke sangeet nirdeshan men Mahendra Kapoor ke gaaye geet hamesha se jyada lokapriya hue hain. geet ke aaranbh ka sangeet sanyojan ka andaza aap geet ke vidio se bhi laga sakte hain. vo yug tha pratyaksh yaanilive recording ka. ab kya kisi geet ki recording ke pahle vaailin, sitaar aur baansuri vaadakon ka samooh dikhta hai jaisa ki is geet ke vidiyo ke aaranbh men dikhaya gaya hai.


Mahendra Kapoor aur Sahir jaise kalakaron ke baare men to pahle bhi aapako batata raha hoon. par aaj kuch baaten is nagme ke sangeetakaar Ravi ke baare men. vaise is geet ke sangeetakaar Ravi yaani 'Ravi Shankar Sharma' aaj bhi hamare beech hain. Gumraah ke aalava chaundavin ka chaand, hamaraj, vakat, neelakamal jaisi filmon ka geet dene vaale Ravi ne 1970 ke baad se hindi filmon ke liye sangeet dena chhod diya. 1982 men ye silasila film 'nikaah' men unake dvara sangeet nirdeshit karne se toota.

Par isi dashak men unhonne ye nirnay liya ki vo sirf malayalam filmon ke liye baanbe Ravi ke naam se sangeet nirdeshit karenge. apani pratibha ke bal par Ravi malayalam filmon men diye apane sangeet se bhi chha ge. aaj bhi purane zamane ki tarah Ravi pahle geetakaron dvara likhe geeton ko sunkar hi usake anuroop sangeet dete hain. vidhivat sangeet ki shiksha na lete hue bhi Ravi ji ne apane liye jo mukaam banaya hai vo unake liye kya kisi bhi sangeetakaar ke liye garv ka vishaya ho sakta hai.

Filahaal to Mahendra Kapoor ke gaaye is geet ki roomaniyat men doobiye aur shabaasi deejie saahir,Ravi aur Kapoor saahab ki is tikadi ko jinake sammilit prayas se ye geet itana jaandaar ban pada hai. par usake pahle meri aavaaz men suniye is geet ke mukhade aur antre ki gunagunahat...




aap aaye to khayal e dile nashad aaya
kitane bhoole hue jakhamon ka pata yaad aaya
aap aaye to khayal-e-dil-e-nashad aaya
kitane bhoole hue zakhmon ka pata yaad aaya

('dil‍- e- nashad' ka matalab hain dil ka dukhi, aprasann hona)

aap ke lab pe kabhi apana bhi nam aaya tha
shokh nazaron-si muhabbat ka salam aaya tha
umr bhar saath nibhane ka payam aaya tha
aapako dekh ke vo ahade vafa yaad aaya
kitane bhoole hue zakhmon ka pata yaad aaya

ruh men jal uthe bujhti hui yaadon ke deeye
kaise deevaane the ham, aapako paane ke liye
yoon to kuch kam nahin jo aapane aihasaan kiye
par jo maange se na paaya vo sila yaad aaya
kitane bhoole hue zakhmon ka pata yaad aaya

aaj vo baat nahin fir bhi koi baat to hai
mere hisse men ye halki-si mulakaat to hai
gair ka hoke bhi ye husn mere saath to hai
haay kis waqt mujhe kab ka gila yaad aaya

Vo yug tha pratyaksh yaani laaiv rikarding ka. ab kya kisi geet ki rikarding ke pahle vaailin, sitaar aur baansuri vaadakon ka samooh dikhta hai jaisa ki is geet ke vidiyo ke aaranbh men dikhaya gaya hai.





Film Gumraah men ye geet filmaya gaya hai Sunil Dutt, Mala Sinha v Ashok kumar par. sSunil Dutt geet ko ga to rahe hain par Mala Sinha ne bhi geet ke bhaavon ko apani chehare ki bhaav bhangimaon se jis khoobasoorati se ubhara hai vo dekhte hi banta hai.




शनिवार, जुलाई 11, 2009

Kahe Tarsaye Jiyra : A beautiful classical duet by Asha & Usha Mangeshkar

Kuchh dinon pahale sangeetakar Roshan aur Sahir ki jodi dvara rachit dil jo na kah saka ke bare men bate hueen thin. aaj se char din bad yani 14 July ko sangeetakar Roshan ka janm din hai to menne socha ki kyoon na Sahir ke bolon par unake sangeetabaddh is shastriy nagme ko aapake samane prastut kar unaki yad dilaee jaye. Lata ji ke sath to Roshan sahab ne to kaee adbhut geet diye hain par aaj ka ye geet lata ji ka nahin balki Asha Bhonsle aur Usha Mangeshkar ka gaya yugal geet hai.

Agar hindi filmon men shastriy yugal geeton ki baat karein to unamen 1964 men aaee film Chitralekha ke is geet ka jikr nahin hona aashchary ki bat hogi. ye geet rag kalavati par aadharit hai jo ki madhyaratri ke poorv gaya jane vala rag hai. khair main to mangeshkar bahanon ki is shastriy jugalabandi ko kisi bhi vakt sunata hoon, man mudit ho jaya karta hai. sangeetakar raushan ki khasiyat yahi thi ko vo apani dhunon men lok sangeet aur shastriy sangeet ke beech aisa samanjasy sthapit karte the ki hrday unki jadoogari par vah vah kar uthe. bemisal gayiki aur sangeet ke aalava ek aur baat is geet ko anokha banati hain vo hain isake bola..

Sahir ek maqbool shayar to the hi filmon ke liye unaki likhi huee ghazalen bhi utani hi mashahoor hueen. par vahi shakhs shuddh hindi men bhi usi mahiri ke sath geet rachana kar sakta hai ye baat is geet ke shabdon par gaur karane se pata chal jati hai.

Chaliye ab is geet ka mood tatolate hain. savan ka mahina praranbh ho chuka hai. aise men agar piya ji paradesh men hon aur lautane ka nam nahin le rahe aur oopar se barish ki ye halki halki fuharen tan man men aur aag laga den to jiyara to tarasega hi !

to aaiye sunte hain aasha aur usha ji ki is adbhut jugalabandi ko
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kahe tarasaye jiyara
kahe tarasaye jiyara, jiyara...
yavan ritu sajan jake n aa...ye..
kahe tarasaye jiyara, kahe tarasaye jiyara..


nit nit jage na
nit nit ja.. jage na, nit nit ja.. jage na,
nit nit jage na
soya singa...r, soya singa.......r
jhanan jhan jhanana, nit na bula..ye
kahe jiyara tarasaye
kahe tarasaye jiyara, kahe tarasaye jiyara..

nit nit aaye na
nit nit aa.. aaye na, nit nit aa.. aaye na,
nit nit aaye na
tan pe nikha...ra, tan pe nikha......r
pavan man suman nit na khila..ye
kahe jiyara tarasaye
kahe tarasaye jiyara, kahe tarasaye jiyara

nit nit barase na
nit nit bara. barase na, nit nit bara.. barase na
nit nit barase na
ras ki fuhara, ras ki fuha...r
sapan ban gagana, nit na luta..ye
kahe jiyara tarasaye
kahe tarasaye jiyara, kahe tarasaye jiyara
jiyara...

Aur chitrlekha film ke is geet ko dekhana chahate hon to yahan dekh sakate hain






मंगलवार, जून 30, 2009

Now listen Dil jo na kah saka in Lata's sweet voice..

Pichchali post mein aapne suna is geet ko Mohammad Rafi ki aavaj mein. suron ki malika lata ji ne bhi is pyare se geet ko apana svar diya hai. jaisa ki mainne pahale kaha tha ki lata vale version ka mijaj kuchh doosara hai. rafi sahab ka gaya geet ek ooncha tempo liye huye tha vahin mina kumari par filmaya ye geet us shant nadi ki dhara ki tarah hai jiske har sire se sirf aur sirf roomaniyat hee tapakti hai.

Jahan rafi sahab ko vibhinn antaron mein geet ke badalate bhavon ke hisab se aavaj ka lahaja badalana tha vahin lata is geet mein apni mithi aavaj se prem mein aasakt nayika ke kathyon mein misari gholati nazar aati hain.

Waise antarjaal par is geet ke bare mein ye bahas aam hai ki geet ke in donon roopon mein kaun si prastuti jyada dharadar thi? do mahan gayakon ki aisi tulna mujhe to bemani lagti hai, khasakar tab jab donon geeton ki paristhitiyan film Bheegi Raat mein bilkul alahada thin. Haan, mujhe ye jaroor lagata hai ki rafi vale varsion ko safalata poorvak nibhane ke liye kisi bhi gayak ke liye chunautiyan kahi jyada thin.

Lata, Roshan ji ki bataur sangeetakar behad izzat karati thin . Aur yahi vajah hai ki pachas sath ke dashak mein bahu begam, chitralekha, mamta, tazmahal mein sangeetakar raushan ke liye gaye unake geet hindi parshv film gayan ki anamol dharohar ban gaye hain.
Waise ye geet bhi apne aap mein lajavab hai. geet ke shuruaati hisse mein lata ji ki humming ke beech chashani mein ghula huaa unaka svar ubharata hai to bas man mein sama bandh jata hai. vaise isake baad koee kasar bachati bhi hai to geetakar sahir ke kabhi narmi kabhi shokhi liye bol aapako roomani mahaul se nikalane ka mauka hi nahin dete. to suniye is geet ko



hmmm hmmm hmmm hmmm
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa

naghma sa koyi jaag uthaa badan me
jhankar ki si tharthari hai tan me
jhankar ki si tharthari hai tan me
ho pyaar ki inhi dhadakti
dhadakti fizaaon me
rahne ki raat aayi
dil jo na kah saka
wohi raaz-e-dil kahne ki raat aayi

ab tak dabee thi ek mauj-e-armaan
lab tak jo aayi ban gayee hai toofaan
lab tak jo aayi ban gayee hai toofaan
ho baat pyaar ki bahakti
bahakti nigaahon se kahne ki raat aayi
dil jo na kah saka ....

guzren na ye shab khol doon ye julfen
tumko chupaaloon moond ke ye palkein
tumko chupaaloon moond ke ye palkein
ho bekaraar si larajti
larajti si chaaon mein
rahne ki raat aayi
dil jo na kah saka .......

Aur Meenakumari par filmaye is geet ko yahan dekh sakte hain...





Click Here to read this post in Hindi devnagari script.

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सोमवार, जून 29, 2009

Dil Jo Na Kah Saka Wahi Raaz..... A wonderful song from trio of Sahir ,Rafi & Raushan

Pichhale hafte TV ke channels badalate badalate ZEE TV ke little champs par ungaliyan rukin to ruki ki ruki rah gaeen. ek chhote balak ko rafi sahab ke is geet ka ek hissa gate suna to man khush ho gaya. bite dinon ke in anamol motiyon ko aaj ke bachchon ke mukh se sunna aseem santosh ki bhavana se man ko bhar deta hai. kaee dinon ke baad ye geet jab sunne ko mila to zehan se utarane ka naam hi nahin le raha. isaliye socha ki kyoon na is aanand ko aap sab ke sath banta jaye.

Jis geet ke bol, dhun aur gayiki tinon hi bemisal hon to aapako kahane ko to kuchh rah hi nahin jata, man bhavanaon ke aavesh se hiloren lene lagta hai aur geet khud ba khud hothon par chala aata hai ... to gunagunaiye na mere sath...



dil jo na kah saka
vahi raz-ye-dil kahane ki rat aaee
dil jo na kah saka....


Kya dhun banaee thi mukhade ki sangeetakar raushan ne ki aadami sahir ke shabdon ki ravani ke sath bahata hi chala jata hai. 1965 mein pradarshit film Bhingi Raat ka ye geet behad lokapriy huaa tha aur us saal ki binaka sangeetamala mein panchave sthan tak ja pahuncha tha. agar mukhade ke liye geetakar aur sangeetakar ki jadoogari ko dad dene ka ji chahata hai to vahin antare mein Mohammad Rafi sahab ki kalakari is geet ko unake gaye behatarin geeton mein se ek maanne par mazaboor kar deti hai.

Ye geet film mein Pradip Kumar, Ashok Kumar aur Mina Kumari par filmaya gaya hai.

Geetkar Sahir Ludhiyanavi ne premika ki bevafaee toote nayak (pradip kumar) ke dil mein uthate manobhavon ko geet ke alag alag antaron mein vyakt kiya hai. nayak ki dil ki pida kabhi tanz, kabhi uphaas to kabhi gahri nirasha ke svaron mein goonjti hai aur is goonj ko Mohammad Rafi apani aavaj mein is tarah utarate hain ki geet khatm hone tak nayak ka dard aapka ho jata hai

Geet ke bol kuch yoon the

dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa

naghma sa koyi jaag utha badan me
jhankar ki si tharthari hai tan me
jhankar ki si tharthari hai tan me
ho mubarak tumhe kisi ki larajti si baahon mein
rahne ki raat aayi
dil jo na kah saka

taubaa ye kis ne anjuman sajaa ke
tukde kiye hain guncha-e-wafaa ke
tukde kiye hain guncha-e-wafaa ke
ho uchhaalo gulon ke tukde
ke rangeen fizaaon mein rahne ki raat aayi
dil jo naa kah sakaa

chaliye mubaarak jashn dosti kaa
daaman to thaamaa aap ne kisi kaa
daaman to thaamaa aap ne kisi kaa
ho hamen to khushi yahi hai
tumhen bhi kisi ko apnaa kahne ki raat aayi
dil jo naa kah sakaa

saagar uthaao dil kaa kis ko gham hai
aaj dil ki qeemat jaam se bhi kam hai
aaj dil ki qeemat jaam se bhi kam hai
ho piyo chaahe khoon-e-dil ho
ke peete pilaate hi rahne ki raat aayi
dil jo naa kah sakaa
wohi raaje dil kahne ki raat aayi
dil jo na kah saka

Pradip Kumar, Meena Kumari par filmaye Bheeg raat Film ke is geet ko dekhana chahen to yahan dekh sakate hain