Aaye Kuch Abra Kuch Bahar Aaye : Runa Laila / Faiz Ahmad 'Faiz'

Deepavali ek aisa tyohar hai jiski gahamagahami men blog ki or bhi rukh karane ko ji nahin chahata. Saal ke in dinon men purani smrtiyon se gujarna achchha lagata hai. Aap kahenge deepavali se purani smrtiyon ka kya lena dena? Darasal jab bhi ghar ki saaf safaee men apane aap ko lagata hoon, kuchh purane khaton, tasaviron,kaghazaaton aur unase judi yadon se apane aap ko ghira pata hoon. Deep se lekar patakhe jalane tak men apane bachche ke sath khud bhi bachcha banane ki khvahish rahati hai meri. Phr bhala ek bar net se door jane par blog ki baat bhi kyoon yad aaye?

Par ab to Deepavali ko khatma huye ek hate se zyada ho gaya hai. Aur shukr ki bat hai ki is bar ki Deepavali kisi manav nirmit hadase ke bina hi gujar gaee. Par man abhi bhi anmana sa hai. Kyoon hai ye anamanapan pata nahin. Shayad chhuttiyon se laut kar fir dainik dinacharya se bandhane ki kheej hai ya man men atka koee bina bat ka fitoor. Deepavali ke pahale Faiz ke ek qalam ko dhoondh kar rakha tha tabiyat se sunne ke liye aur aaj vahi kar bhi raha hoon ...


Aur jab Faiz ki ghazal ke kuchh ashaaaron ko Runa laila ki khanakati aawaz ka sahara ho to ghazal ki taseer hi kuchh aur ho jati hai






aaye kuchh abra1 kuchh sharab aaye
usake bad aaye jo ajaba2 aaye
1-badal, 2-musibat

bam-e-mina3 se mahataba4 utare
dast-ye-saqi5 men aafataba6 aaye
3 - svarg ki chhat, 4- chandani, 5 - saki ke hathon men, 6 - soory kiranein

har rag-e-khoon mein fir charagan ho
samane fir vo benaqab aaye

kar raha tha gam-e-jahan ka hisab
aaj tum yaad behisab aaye

na gaee tere gam ki sardari7
dil men yoon roz inaqilab aaye
7 - tandav, aatank

is tarah apani khamoshi goonji
goya har simat8 se javab aaye
8 - taraf

‘Faiz’ thi rah sar-basar manjil
ham jahan pahunche kamayab aaye

Aisi aawaaz aisi composition ko sune ab arsa beet gaya. Waise pichhale mahine Runa ji music today ke vibhinn avasaron men gaye jane vale punjabi geeton ke is album ke liye das saal baad bharat ki yatra par aaeen thin. Runa ji ne us dauran diye gaye ek sakshatkar men bataya

Mainne jab gana shuru kiya to main barah sal ki bhi nahin thi. Uss zamane ki filmen parivaronmukh samajik parivesh se judi hoti thin. Aisa nahin ki aaj ki filmen aisi nahin hain par aajakal dhyan stunt aur sundar sthalon par ki jane vali shooting par kahin jyada hai. Uss zamane ki baat karoon to sangeet behad aham hissa huaa karata tha filmon ka. Uss waqt log sangeet sunne ke liye film dekhte the. Sangeet recording ek samajik utsav lagta tha jahan sab apne kirdaron ko bina thodi si galati ke nibhana apana kartavy samajhte the.

Aaj to studio men aaye poochha gana kya hai, alag alag panktiyan ya kabhi kabhi to shabd ga diye aur ho gaya ji geet taiyaar. Ye behad aasan hai par mujhe lagta hai ki aisa karate waqt hum un bhavanaon ko kho dete hain jo poore geet ko ek sath gane men aati hain.

Bilkul waziib farmaya roona laila ji ne ! vaise mujhe to lagata hai ki aaj bhi log achchhe sangeet ki vajah se cinema dekhane jana chahate hain. par vaisa sangeet dene ke liye jis mehnat ki jaroorat hai us maapdand ko saal men char panch filmen hi poori tarah paida kar pati hain. Agar hamare roona laila jaise shaidaiyon ki khushakismati rahi to hindi film jagat men bhi Runa ji ki aavaj ko sunne ka mauka ek bar fir mil payega.

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Click Here to read this post in Hindi devnagari script.

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Runa Laila : Tumhein Ho na Ho Mujhko To Itna Yakeen Hai..

Click Here to read this post in Hindi (Devnagari) script.

Baat sattar ke dashak ke uttarardh ki hai jab garmi ki tapati dupahari men hamara parivar do rikshon men savar hokar patna ke 'vaishali cinema haal' me Amol Palekar aur Zarina Bahav ki film 'Gharonda' dekhane gaya tha. sabhi ko film bahut pasand aaee thi. bhala kaun sa madhyamavargiy parivar ek bade makan ka sapana nahin dekhata . isaliye jab film mein in sapanon ko banate banate tootata dikhaya gaya to vo thes kalakaron ke madhyam se sahaj hi ham darshakon ke dil men utar hi gayee thi. us waqt jo geet cinema hall ke bahar tak hamare sath aaya vo tha do divane shahar mein...raat ko aur dopahar men ik aabodana dhoondhate hain.. gayak ne 'aabodana' ki jagah makan kyon nahin kaha, ye prashn bahut dinon tak balaman ko mathata raha tha. ab aabodana ka rahasy :) to bahut baad mein jakar udaghatit huaa.

Din beetate gaye aur jab college ke sanay geet sunane ki naee-naee lat lagi to cassetts ki niyamit kharidadari shuru huee. pahali bar tabhi dhyan gaya ki are is gharaunda ke kuchh geet to Gulzar ne likhe hain aur ye bhi pata chala ki 1977 mein do divane shahar mein.... ke liye Gulzar filmfarwr award se sammanit huye the. sare geet bar bar sune gaye aur is bar jo geet dil men baith sa gaya vo Roona laila ji ka gaya ye geet tha. Is nazm yani 'tumhen ho na ho....' ko Naqsh Lyallpuri ne likha tha. kya kamal ke lafj diye the naksh sahab ne.

dil aur dimag ki kashamakash ko bilkul sidhe bolon se man men utar diya tha unhonne.. ....ab dimag apane aham ka shikar hokar lakh mana karata rahe ki vo prem se koson door hai par bechain dil ki harakaten khud ba khud gavahi de jati hain.

is geet ko sangeetabaddh kiya tha jaydev ne. gaur karen ki is geet men dhun ke roop men seeti ka kitana sundar istemal huaa hai. is geet ki bhavanayen, geet men aate thaharavon aur fir anayas badhati tivrata se aur mukhar ho kar samane aati hai. jahan thaharav dil men aate prashnon ko rekhankit karate hain vahin gati dil men prem ke umadate pravah ka pratik ban jati hai. is geet ko film men ek bar poore aur doosari bar aanshik roop men istemal kiya gaya hai. to pahale suniye poora geet






tumhen ho na ho, mujhko to, itana yakin hai
mujhe pyara, tum se, nahin hai, nahin hai

mujhe pyara, tum se, nahin hai, nahin hai
magar mainne ye raj ab tak na jana
ki kyoon, pyari lagati hain, baten tumharin
main kyoon tumase milane ka dhoodhoon bahana
kabhi mainne chaha, tumhein chhu ke dekhoon
kabhi mainne chaha tumhein paas lana
magar fir bhi...
magar fir bhi is bat ka to yakin hai.
mujhe pyara, tum se, nahin hai, nahin hai


fir bhi jo tum.. doora.. rahate ho.. mujhse
to rahate hain dil pe udasi ke saye
koyee, khwab oonche, makanon se jhanke
koyee khwab baitha rahe sar jhukaye
kabhi dil ki rahon.. men faile andhera..
kabhi door tak roshani muskuraye
magar fir bhi...
magar fir bhi is bat ka to yakin hai.
mujhe pyar tum se nahin hai, nahin hai

tumhen ho na ho mujhko to itana yakin hai
mujhe pyar tum se nahin hai, nahin hai
tumhen ho na ho mujhko to itana yakin hai

jaisa mainne pichhali post men bhi kaha ki roona laila ka hindi filmon men gaya ye mera sabase priy geet hai. roona ji ki aavaj geet ke utar chadav ko badi khoobasoorati se prakat karati chalati hai. jab nayak sapanon ke tootane se upaji kheej se modi ko safalata (kahani ka ek patra) ko sidi banane ki baat karata hai to nayika ko lagane lagata hai ki mainne sacha,aise shakhs se prem nahin kiya tha aur geet ke doosare roop men yahin bhavana ubharati hai. roona ji ki aavaj ki gaharaee yahan aankhon ko nam kar deti hai.




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Runa Laila : Dil ki Halat ko Koyee Kya Jane..

Click Here to read this post in Hindi (Devnagari) script.

To aaj baat Runa Laila ji ki kyonki aaj inaki hi ek gair filmi udas najm aapako sunava raha hoon jo mainne nabbe ke dashak men suni thi. aapako to pata hi hoga ki runa laila bangaladesh se hain. behad chhoti umr se unhonne Ustad Habibiddin Khan se shastriy sangeet ki shiksha leni shuru ki. matr 6 saal ki aayu men unhonne bataur gayak apana janata ke samane pahala karyakram diya.

12sal ki umr men unake geet pakistani film 'Jugnoo' men shamil huye. par ye mauka bhi unhen achanak hath laga. gane ke liye chunav unaki badi bahan dina ka huaa tha par jis din unhen gana tha unaka gala kharab ho gaya aur runa ko unaki jagah gane ko kaha gaya. nanhi runa ko us vakt tanapoora bhi pakadane nahin aata tha so tirachha na rakh kar sidha rakh kar runa ne ek 'khayal' gaya jo logon ko behad pasand aaya. usake bad to unaka career graph oopar hi chalata gaya.

runa bangaladesh, pakistan aur bharat men saman roop se lokapriy hueen. khasakar 'dama dam mast kalandar' ki lokapriyata ke bad runa laila hindustan ke kone kone men jani jane lagin thi. panch hajar se adhik geet gane valin runa, 17 bhashaon ka jnyan rakhati hain. kayee hindi filmon men apani aavaj de chuki hain jinamen gharonda film ke liye gaye unake geet to mujhe behad priy hain. aaj bhi runa vishv ke kone kone men apane stage show karati rahati hain.

mujhe runa ji ki aavaj hamesha se pasand hai. aur jab jab dil men mayoosi aur bechaini ka put jyada ho jata hai to unaki is najm ko sunana achchha lagata hai.

ye kaisa ai nikharate badalon tum par shabab aaya
koee eeman kho baitha, koee eeman le aaya
farishton ki ibadat se batao dushmani kyon hai
kisi ke vaste koee tadap kar jan de aaya

dil ki halat ko koee kya jane
dil ki halat ko koee kya jane
ya to ham jane ya khuda jane

subah ke sath hain hasin kiranen
rat saj jaye chand taron se
subah ke sath hain hasin kiranen
rat saj jaye chand taron se
yek ham hain ki kya mukaddar hai
koee rishta nahin baharon se
kash de den haye ~ ~ ~
kash de den sukoon virane
dil ki halat ko koee kya jane
ya to ham jane ya khuda jane

kya sitam hai ki motiya boonden
kachche jakhmon ko gudagudati hain
in ghataon ka kya kare koee
jo sada khoon hi rulati hain
ab kahan jayen haye ~ ~ ~
ab kahan jayen dil ko bahalane

dil ki halat ko koee kya jane
ya to ham jane ya khuda jane



Is najm ko sangeetabaddh kiya tha mashahoor sangeetakar svargeey O.P. Naiyar ne aur ise likha tha Noor Devasi sahab ne. ye najm album 'Loves of Runa Laila' men hai jise aap yahan se kharid sakate hain.

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