Pahadon par kaun nahin jaata . Kabhie maidanon ki bheesan garmi se nizaat pane ke liye to kabhi barf ke girte phaahon ke beech apne dil ko thodi thandak pahuchane. Pahadon par guzari koyi subah ya khushnuma sa din to shayad hum sab ke khayalon mein ho. Par pahadon par guzari raat ka anand lena ho to Gulzaar ki is poori nazm ko padhein neeche di huyi link par
Jagjit Singh par aadhaarit is shrinkhala men baat ho rahi thi unki gaai das sabse behatareen nazmon ki. pichhali post men mainne inamen se paanch nazmon ke baare men aapase baat ki. aaj baari hai baki ki nazmon ki. pichhali baar ki nazmon men jahan ek aashik ka dard rah rah kar baahar aa raha tha vahin aaj ki nazmon men isake aalava aapako ek filasafikal soch bhi milegi. in nazmon ne mujhe aur nisandeh aapako bhi baraha apani ab tak ki gujari hui jindagi ke baare men sochane par mazaboor kiya hoga. to aaj ki is kadi ki shuruaat karte hain nida faazali ki likhi is nazm se
Aapako yad hoga assi ki shuruaat men ek kanpani kalar tivi ke utpaad ko la kar baajaar men teji se ubhari thi. ye kanpani thi 'vestan'. isi kanpani ne 1994 men Jagjit ka ekalbum nikaala tha jiska nam tha 'Insight'. isalbum ki khaasiyat thi ki ismen sirf nida saahab ki kritiyon ko shamil kiya gaya tha. dohon v gazalo se saje isalbum men nida ji ki do ek nazmen bhi thin. unhi nazmon men se ek men jindagi ke nichod ko chand shabdon me jis salike se nida ji ne baandha tha ki ek baar sunkar hi man vichalit sa ho gaya tha.
Jagjit ka sangeet sanyojan bhi achchha tha. nazm ki shuruaat guitar (vaadak : arashad ahamad) aur saath men voilin (vaadak : deepak pandit) ki sammilit dhun se hoti hai. jaise jaise ye nazm aage badhati hai Jagjit nazm ki bhavanaaon ke saath nazm ka tenpo badalte hain aur jab Jagjit nazm ke aakhir men nahin dubara ye khel hoga... teen baar doharate hain to shayar ki baat aapke mastishk se hoti hui dil men achchhi tarah se sama chuki hoti hai. to gaur kijie nida faazali ke shabdon aur Jagjit ji ki gaayiki ki sammilit jaadoogari par...
ye zindagi..
ye zindagi.. tumhari aavaaz men gale se nikal rahi hai tumhaare lafazon men dhal rahi hai ye zindagi.. ye zindagi ..
ye zindagi jaane kitani sadiyon se yoon hi shaklen, badal rahi hai ye zindagi.. ye zindagi ..
badalti shaklon, badalte jismon chalta-firta ye ik sharara jo is ghadi nam hai tumhara isi se saari chahal-pahal hai isi se roshan hai har nazara sitare todo ya ghar basao kalam uthao ya sar jhukao tumhari aankhon ki roshni tak hai khel sara ye khel hoga nahin dubara ye khel hoga nahin dubara ye khel hoga nahin dubara
jahan nida faazali ne jeevan ko apani daarshanikta bhari nazm men baandha vahi mazaj lakhanavi ne apani jindagi ki hatasha aur nirasha ko apani mashahoor nazm 'aavara' men jyon ka tyon chitrit kiya hai aur fir Jagjit ne majaaz ke usi dard ko bakhoobi kahakashan men gaai apani is nazm men kaaid kiya hai. is nazm ki taakat ka andaza isi baat se lagata hai ki man ise sunkar hi nahin par ise पढ़ने se hi gamageen ho jata hai...
shahar ki rat aur main nashad-o-nakara firoon jagamagati jaagti sadakon pe aavara firoon gair ki basti hai kab tak dar-b-dar mara firoon ? ai gam-e-dil kya karoon, ai vahashat-e-dil kya karoon ?
raaste men ruk ke dam le loon, meri aadat nahin laut kar vapas chala jaaoon, meri fitarat nahin aur koi hamanavaan mil jaaye, ye kismat nahin ai gam-e-dil kya karoon ? ai vahashat-e-dil kya karoon ?
vaise Jagjit ne mazaj saahab ki is nazm ke kuch hi hisse gaaye hain.
mere is sankalan ki teesari nazm haialbum 'Face to Face' ki jisaki cassette mainne 1993 men kharidi thi. isalbum men ek nazm thi sabeer datt saahab ki. yah vahi datt saahab hain jinki rachna 'ik barahaman ne kaha hai ki ye saal achchha hai........' un dinon behad mashahoor hui thi. haal hi men mujhe is chitthe ki ek pathika ne mail kar ye saval poochha ki ye nazm kya ek chirstian geet hai?
sach kahoon to is prashn ko padhne ke pahle tak ye khyal kabhi mere jaehan men nahin ubhara tha ki is nazm ko aisa kaha ja sakta hai.
ismen koi shak nahin hariyana ke nami shayar Sabir Dutt saahab ne is nazm men bhagavan jeesas ki zaindagi ki ghatanaaon ko liya hai par vo yahan sirf ek prateek, ek bimb ke roop men istemaal hua hai. darasal Sabir ji ki ye nazm aaj ke daur ke is beimaan aur bhrasht samaj ka aaina hai. bhagavan Jesus ke roopak ka istemaal karte hue ve ye batana chahate hain ki jeevan men satya aur imanadari ki raah par chalne vaalon ko har tarah ki kathinaiyon ka saamna karana padta hai. nazm ke ant men hamare samaj par bataur kataksh karte hue sabeer logon ko sach na bolne ki salah de daalte hain. Jagjit ji ki is nazm ka sangeet sanyojan bhi apani tarah ka hai. is nazm men samooh svar ka istemaal bhi behad prabhavi dhng se kiya gaya hai.
sachchi baat kahi thi mainne logon ne sooli pe chadhaya mujh ko zahar ka jaam pilaya fir bhi un ko chain n aaya sachchi baat kahi thi mainne
le ke jahan bhi, vakt gaya hai zulm mila hai, zulm saha hai sach ka ye inam mila hai sachchi baat kahi thi mainne
sab se behatar kabhi n banana jag ke rahabar kabhi n banana peer payambar kabhi n banana
chup rah kar hi vakt gujaaro sach kahane pe jaan mat vaaro kuch to seekho mujh se yaro sachchi baat kahi thi mainne...
aur agar in sab nazmon ko sunane ke baad aapaka man kuch bhari ho gaya ho to kyoon na bachapan ki yaadon ko taza kar aapke mood ko badala jaaye. sudarshan faakair saahab ne kya umda nazm likhi thi ham sabke masoom bachapan ko kendra men rakhakar. jab bhi is nazm ko sunta hoon unki lekhani ko salam karne ko ji chahta hai.
Jagjit saahab jab bhi kaansarts men chir parichit dhun ke saath is nazm ka aagaaz karte the poora maahaul taaliyon se goonj uthata tha. vaise to baad kealbumon men is nazm ka sangeet thoda badal gaya v chitra ji ki aavaaz ki jagah sirf Jagjit ka solo hi sunane ko milta raha par aaj yahan main usi purane varsan ko aapke saamane prastut karana chahoonga
ye daulat bhi le lo, ye shoharat bhi le lo, bhale chheen lo mujhase meri javani magar mujhako lauta do bachapan ka savan, vo kaagaz ki kashti, vo barish ka pani
mohalle ki sabse nishani purani, vo budhiya jise bachche kahate the nani, vo nani ki baaton men pariyon ka dera, vo chehare ki jhurriyon men sadiyon ka fera, bhulae nahin bhool sakta hai koi, vo chhoti-si raaten vo lambi kahani
kadi dhoop men apane ghar se nikalna vo chidiya, vo bulabul, vo titali pakadana, vo gudiya ki shadi pe ladana-jhagadana, vo jhoolon se girana, vo gir ke sanbhalna, vo peetal ke chhallon ke pyare-se tohafe, vo tooti hui choodiyon ki nishani.
kabhi ret ke oonche teelon pe jana gharaunde banana,bana ke mitana, vo masoom chahat ki tasveer apani vo khvaabon khilaunon ki jagir apani, n duniya ka gham tha, n rishton ka bandhan, badi khoobasoorat thi vo zindagani
sach sudarshan ji us zindagi ka bhi apana hi ek maja tha..
das nazmon ke is sankalan ka samapan main javed akhtar ki likhi is nazm se karana chahoonga jise Jagjit ji ne apanealbum silasile ka hissa banaya tha. yealbum 1998 men aai thi par javed saahab ne is nazm men un ahasasaat ko apane shabd de diye hain jinase yakinan ham sabhi kabhi na kabhi jaroor gujar chuke hain ya gujarenge. is maaene men ye nazm samay ki seemaon se pare hai aur isi vajah se aaj ki in paanch nazmon men sabse jyada priya hai. Jagjit saahab ne apane ruhani svar se ise hamesha hamesha ke liye azar amar kar diya hai.
main bhool jaaoon tumhen main bhool jaaoon tumhen ab yahi munasib hai magar bhoolana bhi chahoon to kis tarah bhooloon ki tum to fir bhi hakikat ho koi khavab nahin
yahan to dil ka ye aalam hai kya kahoon kamabakht bhula saka n ye vo silasila jo tha hi nahin vo ik khayal jo aavaaz tak gaya hi nahin vo ek baat jo main kah nahin saka tum se vo ek rabt jo ham men kabhi raha hi nahin mujhe hai yad vo sab jo kabhi hua hi nahin agar ye haal hai dil ka to koi samajhaaye tumhen bhulana bhi chahoon to kis tarah bhooloon ki tum to fir bhi hakikat ho koi khavab nahin...
to janab Jagjit ki gaai meri das pasandida nazmen to ye thin
baat nikalegi to fir door talak jaaegi..
bahut dinon ki baat hai...
tere khushabu me base khat main jalata kaise..
koi ye kaise bataaye, ki vo tanaha kyon hai..
ab mere paas tum aai ho to kya aai ho?
ye zindagi jaane kitani sadiyon se yoon hi shaklen, badal rahi hai...
sachchi baat kahi thi mainne..
ye daulat bhi le lo ye shoharat bhi le lo
aye ghame dil kya karoon aiye vahashate dil kya karoon...
ujhe bhulana bhi chahoon to kis tarah bhooloon
janna chahoonga ki inamen se ya inake itar Jagjit ki gaai kis nazm ko aapane apane dil men basaya hai?
Jagjit Singh par apani shrinkhala ko aage badhate hue aaiye baat karen unki nazmon ki. par iska matalab ye nahin ki unki gaai gajalon ki baat khatm ho gai. darasal unki gaai hui pasandida gajalon ki ferahist itani lanbi hai ki kabhi kabhi samajh nahin aata ki is athah sagar men se kya chunoon aur kya chhodoon. par gajalon ki apeksha unki gaai nazmen kam hain aur unamen se adhikaansh bas kamaal hain. isiliye Jagjit saahab ke sangrah se apani das pasandida nazmon ko chunane men mujhe koi takalif nahin hui. to aaj ki post men baat karte hain inamen se paanch nazmon ki..
pichhali baar jab aapase Jagjit ji ke album The Unforgettable ki baat ho rahi thi to mainne aapase us album ki ek behatareen nazm ki charcha agli post tak ke liye multavi kar di thi. aaj ki baat usi nazm se shuru karte hain.
Agar aapako is baat ka udaaharan dena ho ki sirf ek nazm ke chalte kisi shayar ka nam varshon liya jata rahe to is nazm ki misaal di ja sakti hai. yoon to kafeel aazar bahut saalon tak filmon ke liye bhi likhte rahe, kai behatareen gazalen bhi kahin par baat nikalegi to fir door talak jaaegi...... ne unki kahi baat ko pichhale teen dashakon se lakhon gajal premiyon ne apane dil se nikalti aavaaz mana hai. dukh isi baat ka hai dilli men supurd-e-khak kiye ge is shayar ko vo shoharat unki zindagi men na mil saki jo ise gakar ham tak pahunchaane vaale Jagjit ji ko mili. pichhale hafte jab 'Universal' dvara nikaale ge rafi saahab ke gaaye kuch antim geeton ki charcha ho rahi thi to ye bhi baat anayas hi pata chali ki sangeetakaar chitragupt ne ye saare geet kafeel aazar se likhavaaye the. baharahaal kafeel ki kuch gazalen bhi lajavab sa kar deti hain. ab unake likhe in chand ashaaron ki baangee len..
dekh lo khvaab magar khvaab ka charcha n karo log jal jaayenge sooraj ki tamanna n karo
waqt ka kya hai kisi par bhi badal sakta hai ho sake tum se to tum mujh pe bharosa n karo
kirchiyan toote hue akas ki chubh jaayengi aur kuch roz abhi aaina dekha n karo
bekhyali men kabhi ungaliyan jal jaayengi rakh guzare hue lamhon ki kureda n karo
Jagjit apani mahafilon men is nazm ki kahani sunaate hue kahate hain ki unhonne ise pahali baar shama patrika men padha tha aur tabhi utaar liya tha. aapako jaan kar acharaj hoga ki aaj ham aur aap jis nazm ko Jagjit ji ki sabse behatareen gaai hui nazmon men ginte hain use Jagjit ji ne bataur sangeet nirdeshak bhoopendra se gavaya tha. voalbum nahin aaya , fir ek film bani usamen bhi ye nazm record hui par vo film beech men hi ruk gai. par Jagjit ko is nazm men bahati bhavanaaon ki gaharaai ka andaaz tha isaliye jaise hi HMV vaalon ne ek naye album ko nikaalne ke liye unako sveekriti di Jagjit ne ise sabse pahle record kiya.
kya bataayen ki kitani mohabbat thi mujhe is nazm se high school ke zamane se. ise sunte , gunagunaate aur na jaane man kaisa kaisa ho jata. shayar ke man men chahe jiska bhi dard raha ho vo, is nazm ke lafazon ko sunkar pahle to man men sahanubhuti ka bhaav umadta ghumadta aur fir vo kab na jaane apane dard men ekakar ho jata iska pata hi nahin lagata tha. Jagjit ji ki bemisaal gaayiki ke deevaane bhi shayad ham sab tabhi hue the.
baat nikalegi to fir door talak jaaegi log bevajah udaasi ka sabab poochhenge ye bhi poochhenge ki tum itani pareshan kyoon ho ungaliyan uthengi sookhe hue baalon ki taraf ik nazar dekhenge gujre hue saalon ki taraf choodiyon par bhi kai tanz kiye jaayenge kaanpte haathon pe bhi fikare kase jaayenge log zalim hain har ik baat ka tana denge baaton baaton me mera zikra bhi le aaenge unki baaton ka zara sa bhi asar mat lena varna chehare ke tasur se samajh jaayenge chahe kuch bhi ho savalat n karana unase mere baare men koi baat n karana unase
baat nikalegi to fir door talak jaaegi
kafeel saahab ki nazm ka jo mood tha jo kaifiyat thi usase milte julte ahasason se hi judi ek nazm uttar pradesh ke machhalishahar se taalluk rakhne vaale shayar salam machhalishehari ki bhi thi jise Jagjit saahab ne apane album Ecstasies (1984) ka hissa banaya tha. ye nazm kya thi saade zabaan men pahle mile pyar aur fir dutkar ki kahani thi. par Jagjit ki adaegi ka andaaz aisa tha ki nazm ke ant ki in panktiyon tak aate aate aavaaz rundhne si lagti thi.
vahi haseen shaam hai bahaar jiska nam hai chala hoon ghar ko chhodkar n jaane jaoonga kidhar koi nahin jo rokkar koi nahin jo tokkar kahe ke laut aaiye meri kasam n jaiye... poori nazm ko aap yahan padh aur sun sakte hain.
par Ecstasies ke baazaar men aane ke pahle anka ek auralbum Milestone aaya jisaki ek nazm 1982 men aai film 'arth' ka hissa bani thi. bhala rajendranath rahabar ki likhi vo nazm koi bhool sakta hai. vaise to rahabar saahab ki gajalon ko aaj bhi Jagjit Singh apanealbumon men shamil karte hain par rahabar saahab ko jo shoharat bataur shayar ke rup men mili hai usamen is nazm ka khasa haath raha hai. aaj bhale hi haath se likhi chitthiyan itihas ka hissa banti ja rahi hon par haath se likhe shabd sirf unake arth tak simat nahin jaate the balki use likhne vaale shakhs ki us vakat ki manahsthiti ka aaina hote the. aaj ke is e mail ke yug men agar aapako meri baat nagavar gujre to bas Jagjit ki aavaaz men is nazm ko sun ke dekh lijie.
jinako duniya ki nigahon se chhupaaye rakha, jinako ik umr kaleje se lagaaye rakha, deen jinako jinhen iman banaaye rakha
jinka har lafz mujhe yad tha pani ki tarah, yad the mujhako jo paigaam-ai-jubani ki tarah, mujh ko pyare the jo anamol nishani ki tarah,
toone duniya ki nigahon se jo bachkar likhe, saalaha-saal mere nam barabar likhe, kabhi din men to kabhi rat ko uthakar likhe,
tere khushabu me base khat main jalata kaise, pyar me doobe hue khat main jalata kaise, tere haathon ke likhe khat main jalata kaise,
tere khat aaj main ganga men baha aaya hoon, aag bahate hue pani men laga aaya hoon
aur jab film arth ka jikra hua ho to fir kaifi aazmi ki ye nazm jo tanahaai ki kitani shaamon ki saathi rahi, kaise bhulaai ja sakti hai.
koi ye kaise bataaye, ki vo tanaha kyon hai vo jo apana tha, vahi aur kisika kyon hai yahi duniya hai to fair, aisi ye duniya kyon hai yahi hota hai to, aakhir yahi hota kyon hai
ik jara haath badha de to, pakad le daman usake seene me sama jaaye, hamari dhadakan itani kurabat hai to fair, faasla itana kyon hai?
dil-e-barabad se nikala nahi abatak koi ik lute ghar pe diya karta hai dastak koi aas jo toot gayi hain, fair se bandhata kyon hai?
tum masarrat ka kaho ya ise gam ka rishta kahate hai pyar ka rishta hai janam ka rishta hai janam ka jo ye rishta to badalta kyon hai?
aapako yad hoga ki nabbe ke dashak ke praranbh men TV serial kahakashan men mazaj lakhanavi ki likhi nazm thi ab mere paas tum aai ho to kya aai ho? urdu faarsi ke tamaam jatil shabdon se bhari ye gajal apane aap men ek alag aalekh maangti hai. par yahan main sirf itana kahana chahoonga ki bina lafazon ke sahi mayane samajhe hue bhi jab Jagjit ki aavaaz men ye panktiyan kanon men goonjati thin....
vo gudaaz-e-dil-e-marahoom kahan se laaoon ab mai vo jazaba-e-masoom kahan se laaoon ab mere paas tum aai ho to kya aai ho?
.....to dil jaar jaar ho jaya karta tha.
aapane ik baat gaur ki hogi ki is aalekh men menne jo paanch nazmen chuni vo sab prem men toote hue dil ki vyatha ko chitrit karati hain. hamari peedhi par inka jaadu agar sar chadhkar bola to usaki ek vajah ye thi ki hamane ise kishoravastha se yuvaavastha ki seedhiyon ko chadhte hue suna. kam se kam mere liye aur mere jaise bahuton ke liye ye vo din the jab ekakipan ke lamahe hamen kaatne ko daudate the. aaj bhi ye nazmen un dinon ki smritiyan vapas le aati hain. aapaka kya khyal hai inake baare men ..jaroor bataiyega.
agli baar baki ki paanch nazmon ke saath punah haazir hota hoon.
Jagjit ji ki ghazalon ki is shrrinkhala ka agla mukaam yoon to unka pahla album 'The Unforgettable' tha par kal jab us album ki ek chaheti ghazal ko dobara sun raha tha to usake shayar ka nam mujhe anajana sa laga. sahaj utsukta jagi ki unki likhi kuch aur gazalen suni aur padhi jaayen. antarajaal par unake kalam sune to urdu jubaan par unki pakad aur manch pe sher padhne ke salike ne is kadar prabhavit kiya ki laga ki meri agli post to sirf un par likhi ja sakti hai khaaskar tab jabaki antarajaal par unki shayari ke baare men jyada kuch likha nahin gaya hai. ye shayar the janab Kunwar Mohindar Singh Bedi 'Sahar' .
Bedi saahab dilli ki prashasanik seva men ek aala afsar the. Sattar aur assi ke dashak aur usake baad bhi mushayaron ke sanchaalan men vo siddhasth maane jaate the. Jagjit Singh ne apane albumon men unki halki fulki par asardaar ghazalon ka hi istemaal kiya hai. In ghazalon ki bhasha bilkul sahaj hai aur aasaani se bina kisi urdu gyan ke samajh aati hai. yahi kaaran hai assi ke dashak jab terah chaudah saal ka raha hoonga to pahali baar unki ye ghazal Jagjit chitra ki pyari aavaaz men suni thi . kya sangayeet kya gaayiki sab kuch man men rach bas gaya tha.
aae hain samajhane log hain kitane deevaane log
dair-o-haram1 men chain jo milta kyoon jaate maikhane2 log
1. mandir masjid, 2. sharabakhana
jaan ke sab kuch kuch bhi na jaane hain kitane anajaane log
waqt pe kaam nahin aate hain ye jaane pahachaane log
ab jab mujhako hosh nahin hai aaye hain samajhane log
Bedi saahab ki likhi ghazalon se doosari mulakaat san 2002 men tab hui jab Jagjit ji ne unki likhi ghazalon ko album ke taur par pesh kar unhen apani shraddhanjali arpit ki. unhonne apane is album ka nam 'Forget Me Not' rakha tha. ye nam bedi ji ki yaadon se juda to tha hi par saath hi Jagjit ji ne ise isaliye bhi chuna ki pahadon par isi nam ka ek khoobasoorat phool bhi paaya jata hai. album ka mood romaantik tha. album ki aath ghazalon men do mujhe khaas pasand aai thin. Jagjit ki aavaaz men jaroor suna hoga ise aapane
tum hamare nahi to kya gham hai ham tumhaare to hain yah kya kam hai
muskura do zara khuda ke liye, shaam-e-mahafil men roushni kam hai,
par roomaniyat ka poora tadaka bedi saahab ki is ghazal men ubhar kar aaya tha. aap bhi gaur faramaiye na lafazon ki is mulayamiyat par
abhi vo kamasin ubhar raha hai, abhi hai us par shabaab aadha abhi jigar men khalish hai aadhi, abhi hai mujh par aitmaad1 aadha
mere saval-e-vasl2 par tum nazar jhuka kar khade hue ho tumhin batao ye baat kya hai, saval poora, javab aadha
kabhi sitam hai kabhi karam hai, kabhi tavazajah3 kabhi tagaful4 ye saf zahir hai mujh pe ab tak, hua hoon main kamayaab aadha 1. vishvaas, 2. milne ki baat par, 3.dhyaan dena , 4. upeksha
par Jagjit ki in roomani ghazalon se door mushayaron men bedi saahab ko jo roop ubhar kar saamane aata hai vo sarvatha alag hai. unki mushayaron ki rikarding sun kar aapako aisa lagayega maano mugale aazm men janab prithviraj kapoor ko sun rahe hon. gahari aavaaz ke saath urdu aur farsi jubaan ka unka uchcharan man ko mohata to tha hi, manch par unka haasya bodh dekhte hi banta tha. ab unki is ghazal ko dekhiye. jahan bhi mushayaron men vo iska makta padhte , manch aur shrota men hansi ki lahar daud jaati..
mohabbat ab ruh -e-khamadaar* bhi hai ye ek chalti hui talavar bhi hai *jhuki hui
mohabbat ek aivaan*-e-tamanna magar girati hui deevar bhi hai * bhavya imarat
deevana ishq kinch-e-garan hai isi se garmi-e-baazaar bhi hai
azab turafa* tamasha hai'sahar' bhi vo shayar hai magar sardaar bhi hai *vilakshan
par is azeem shayar ka ye haasya bodh manch tak seemit na tha. bedi saahab ne mazahiya shayari bhi likhi hain. Pichhle hafte ham sabane vishva janasankhya divas manaya. badhati aabadi ki is samasya par bedi saahab ki kalam halke mood men hi sahi par khoob chali hai. mujhe yakaeen hai ki unki is nazam ko padh kar aapke chehare pe ek muskaan jaroor khil uthegi aur saath hi saath jo sandesh vo dena chahate hain vo bhi aap tak pahunchega...
ai naujavaan baza ki javani ka daur hai rangayeen subah shaam suhani ka daur hai ye bhi baza ki prem kahani ka daur hai lekin rahe ye yad garani1 ka daur hai 1.manhagaai
jaan ka ubal basharte aulad ban na jaaye taade shabaab aapki bezaar1 ban na jaaye vo jo adhed umr hain unase bhi hai khitab2 bachche hain ek do to thahar jaiye janab beba nahin hai aap ko masanooai3 aabo-tab4 jab dhal chuka shabaab to bekaar hai khijaab5 karte hain aap pesh ye ulati misaal kyoon baasi kadhi ko aaya ab aakhair ubal kyoon
1.dukh, 2.sanbodhan,3.banavati, 4. shan-o-shaukat 5. baalo ko rngna
hawvva ki betiyan bhi sune meri baat ko mumakin nahin ki paal saken paanch saat ko janm bhi liye to roengaye vo dal bhaat ko tarakaeeb is liye sunen jab bhi raat ko dekhe buri nazar se miyan aapki taraf so jaayen aap fer ke munh doosari taraf
achchha hai jo ho bivi aur shauhar men taalamel lekin na is qadar ki ho bachchon ki rel pel har saal naunihaal ki dalo na dag bel aakhair agar ho waqt to khelo kuch aur khel is baat par kiya hai kabhi tumane gaur bhi mardangayee dikhane ke maidan hain aur bhi
bedi saahab ne ibadat aur rajanitik masalon ko bhi apani shayari ka vishaya banaya. ve mushayaron men aksar 'naat' bhi sunaate the.
log prashn karte the ki ek sardaar hokar bhi ye paigambar mohammad ki ibadat men shayari kyoon kar raha hai? bedi saahab ka javab hota.
ishq ho jaaye kisi se koi chara to nahin sirf muslim ka mohammad se izaara* to nahin *adhikar
zahir hai ganga jamuni tahazaeeb men pale badhe bedi saahab ko hindustan aur pakistan ke aapasi sambandhon ki khatas ka dukh hamesha salta raha. donon deshon ke logon ke dilon ko jodane ke liye unhonne ek lambi nazm likhi jo behad mashahoor hui thi. poori nazam to aap video men dekh sakte hain.
par isaki kuch panktiyan jo mujhe behad pasand hain aap tak pahuncha raha hoon
jang ham kahate hain jisko ye khuda ki maar hai jang karana har tarah besood hai bekaar hai dost dushman sab se begaana bana deti hai jang mulk hai kya cheez tahazeeben mita deti hain jang
jang karana hai karen ham mil ke bekari se jang jhooth se makaruriya se, chorbaazari se jang qaid se, sailaab se, toofan se, beemari se jang bhookh se, .... se, gurbat1 se, nadari2 se jang poochhana hoga ye mujhako hindo pakistan se pet bhookhon ka bharengaye jang ke saamaan se 1.paradheenta,2.garibi,
aao dil se door kar den ham sharar1-e-inteqaam aao fir duniya ko pahuncha den mohabbat ka payam2 rah sake amanon sukoon se shad3 ho apane avaam4 aise veerane karam pahunche tumhe mera salam haal o mustakabil5 ho apana tabadaar6 aur taamanaak hind o paaindabad hai sarajamine hindopaak 1.chingari, 2.sandesh,3.sukhi 4.aam jan, .5.bhavishya , 6. chamakadaar
Jagjit Singh saahab ka ahasaanamand hoon jinki vajah se kunvar mahendra Singh bedi ki shayari ke khajaane tak pahunch saka. aap men se bahut log aise hongaye jo bedi saahab ki shayari ko aur kareeb se jaante hongaye. aasha hai aap unhen ham sab ke saath yahan saajha karengaye.
Kuchh log gham ki duniya men jine ke liye bane hote hain. Meena Kumari ki shakhsiyat bhi kuchh aisi hi thi. Parde ki tragedy queen ne kab apani zindagi men gamon se khelana shuru kar diya shayad unhen bhi pata nahin chala. Mahazabin ke naam se janmi aur garibi men pali badi is adakara ne apane abhinay ka sikka pachas aur sath ke dashak men is tarah chalaya ki kisi bhi film se unaka judav hi usake hit ho jane ka sabab ban jata tha.
Apne career ki oonchaee ko chhu rahi Meena ji ke Kamaal Amrohi sahab se prem, fir vivah aur kuchh salon bad talaq ki katha to ham sabhi janate hi hain. Meena ji ka thos vyaktitva, unaki aazadakhyali, apani zindagi ke nirnay khud lene ki kshamata aur abhinay ke prati lagan unhen jis mukam par le gaee thi vo shayad Kamaal sahab se unake khatte hote rishton ki vajah bhi bani. Rishton ko na sanbhal pane ke dard aur akelepan se nizaat pane ke liye Meena Kumari ji ne apane aap ko sharab men dubo diya.
Yoon to Meena kumari apane dil men umadate jazbon ko diaryi ke pannon men hamesha vyakt kiya karati thin par unaka akelapan, unaki peeda aur hamasafar ki bevafaee unaki ghazalon aur nazmon men rah rah kar ubhari. Misal ke taur par unaki is nazm ko len.Meena ji ke kavy se mera pahala parichay unaki is dil ko chhu lene vali najm se huaa tha
tukade-tukade din beeta, dhajji-dhajji raat mili jisaka jitana aanchal tha, utani hi saugat mili jab chaha dil ko samajhen, hansne ki aavaj suni jaise koee kahata ho, lo fir tumako ab maat mili baten kaisi ? ghaten kya ? chalate rahana aath pahar dil-sa sathi jab paya,bechaini bhi sath mili
39 varsh ki aayu men is duniya se rukhasat hote huye vo apani 25 niji diaries ke panne Gulzar sahab ko vasiyat kar gaeen. Gulzar ne unaki ghazalon aur nazmon ki kitab hind pocket books dvara prakashit karaee hai. Pichhle mahine jab ranchi ke pustak mele se guzra to usamen Meena kumari ki shayari ke aalava kuchh aur bhi padhne ko mila aur vo bhi Gulzar ki lekhani se.
Gulzar is kitab men unake bare men likhate hain ..
Meena ji chali gaeen. kahati thin rah dekha karega sadiyon tak, chhod jayenge yah jahan tanha Aur jate huye sachmuch sare jahan ko tanaha kar gaeen; ek daur ka daur apane sath lekar chali gaeen. Lagata hai, duaa men thin. duaa khatm huee, aamin kaha, uthin, aur chali gaeen. Jab tak zinda thin, sarapa dil ki tarah zinda rahin. dard chunati rahin, batorati rahin aur dil men samoti rahin.Samandar ki tarah gahara tha dil. vah chhalak gaya, mar gaya aur band ho gaya, lagata yahi ki dard lavaris ho gaye, yatim ho gaye, unhen apananevala koee nahin raha. Mainne ek bar unaka portrait nazm karke diya tha unhen. likha tha...
shahatoot ki shakh pe baithi Meena bunati hai resham ke dhage lamaha-lamaha khol rahi hai patta-patta been rahi hai ek-ek sans bajakar sunati hai saudayan ek-ek sans ko khol ke, apane tan par lipatati jati hai apane hi tagon ki qaidi resham ki yah shayar ik din apane hi tagon men ghutakar mar jayegi.
Padhakar hans padin. kahane lagin–‘janate ho na, ve tage kya hain ? unhen pyar kahate hain. mujhe to pyar se pyar hai. Pyar ke ehasas se pyar hai, pyar ke nam se pyar hai. Itana pyar koee apane tan se lipatakar mar sake, to aur kya chahiye ?’ unhin ka ek panna hai mere samane khula huaa. likha hai....
pyar socha tha, pyar dhoondha tha thandi-thandi-si hasaraten dhoondhi sondhi-sondhi-si, rooh ki mitti tapate, nokile, nange raston par nange pairon ne daudakar, thamakar, dhoop men senkin chhanv ki chotein chhanv men dekhe dhoop ke chhale
apane andar mahak raha tha pyar khud se bahar talash karte the
Apani aur Meena kumari ji ki chand panktiyon ke dvara Gulzar sahab ne unake jatil vyaktitv ko kitani aasani se pathakon ke liye paradarshi bana diya hai. Agar Gulzar ne Meena ji ke kavi man ko tatolane ki koshish ki hai to sangeetakar Khayyam ko Meena ji ke dil ki vyatha ko unaki aavaj ke madhyam se nikalane ka shrey jata hai.
Khayyam dvara sangitabaddh album I write I reciteEMI/HMV mein, Meena ji ne apani dil ki manobhavanaon ko badi bareeki se apane svar men dhala hai. Is album se li gaee unaki ye ghazal mujhe behad pasand hai. Aasha hai aapako bhi pasand aayegi
aaGhaaz to hotaa hai anjaam nahiiN hotaa jab merii kahaanii meN vo naam nahiiN hotaa
jab zulf kii kaalikh meN ghul jaaye ko’ii raahii bad-naam sahii lekin gum-naam nahiiN hotaa
haNs haNs ke javaaN dil ke ham kyouN na chune TukRe har shaKhs kii qismat meN ina’am nahiiN hotaa
bahte hu’e aaNsuu ne aaNkhoN se kahaa tham kar jo mae se pighal jaaye vo jaam nahiiN hotaa
din Duube haiN yaa Duubii baaraat liye kashtii saahil pe magar ko’ii kohraam nahiiN hotaa
Aaj se kareeb 25 saal pahle 20 N0v 1984 ko Lahore ke Meyo Hospital se Faiz Ahmad Faiz hamen chhod kar chale gaye. Par Faiz ki ghazalein, unaki nazmen rah rah kar dil men ubharati rahati hain. Aaj ki subah ek aisi hi subah hai jab unaki is nazm ki yaad mujhe baraha aa rahi hai. Kyoon aa rahi hai ye baat baad men . Pahale ye jan len ki Faiz ne is nazm men kya likha tha?
Faiz ne August 1947 men Pakistan ke tatkaleen halaton ke maddenazar ek nazm likhi thi subah-e- aazadi. Communist vicharadhara se jude Faiz aazadi ko ek aise parivartan ke roop men dekhana chahate the jo amiri aur garibi ki khaee ko mita de. Par jab aisa kuchh nahin huaa to mayoos ho kar unhonne likha
Kaisi dagadar raushani ke sath nikli hai ye subah jisamen kuchh dikhaee nahin de raha. Jab ham apane is safar men chale the to hamane aisi subah ki to kalpana nahin ki thi. Hamari kalpanaon ki subah to us mukam ki tarah thi jaise koee aasaman ki chadar par chalte huye jagamagate taron ke paas pahunch jaye ya jaise bhatakti huee samudr ki dhara ko usaka kinara mil jaye.
ye daag daag ujala, ye shabgajida sahar vo intezar tha jis ka, ye vo sahar to nahin ye vo sahar to nahin jis ki aarzoo lekar chale the yaar ki mil jayegi kahin n kahin falak ke dasht men taron ki aakhiri manzil kahin to hoga shab-e-sust mauj ka sahil
Aakhir kahin to gham se bhare is dil ki naiya ko kinara milega? Yuvavastha ki rahasyamay dahalij ko par karate waqt is safar par chalane se hamen jane kitane hi hathon ne roka. Husn ki pariyan hamen aawaaz dekar apani or aakrsht karane ka prayas karati rahin par fir bhi vo hamen apane marg se vichalit na kar sakin, thaka na sakin. Aakhir kyoon ? Kyoonki dil men us subah ko lane ka ek josh tha, ek umang thi. Hamare liye to us bilkul karib aa gaee subah ke haeein daman ko chhu lena hi antim mukam tha.
kahin to ja ke rukega safina-e-gham-e-dil javan lahu ki pur-asraar shahrahon se chale jo yaar to daman pe kitne hath pade dayar-e-husn ki be-sabr khwab-gahon se pukarti rahin bahen, badan bulate rahe bahut azeez thi lekin rukh-e-sahar ki lagan bahut karin tha hasinan-e-noor ka daman subuk subuk thi tamanna, dabi dabi thi thakan
Sun rahe hain ki zulm ke badal ab chhant chuke hain aur log to ye bhi kah rahe hain ki jis manzil ki talash men ham chale the vo hamen mil bhi chuki hai. Par kahan hai cheharon par lakshy milne ki khushi? Agar halat badale hain to unaka asar kyoon nahin dikhaee deta? Jis subah ki hava ka hamen besabri se intazar tha vo kidhar se aaee aur kidhar chali gaee? Ab dekhiye na sadak ke kinare jalte is prakashapunj ko bhi usake jane ka rasta nahin maloom. Raat ka bharipan bhi to kam hota nahin dikhata. Isiliye to mujhe lagta hai aankhon aur dil ko jis subah ki talash thi vo abhi nahin aaee. Tum log bhi aage ka safar karne ko taiyar ho jao ki manzil tak pahunchana abhi baki hai.....
suna hai ho bhi chuka hai firaq-e-zulmat-o-noor suna hai ho bhi chuka hai visal-e-manjil-o-gaam badal chuka hai bahut ahal-e-dard ka dastoor nishat-e-vasl halal-o-ajaab-e-hizr-o-haraam jigar ki aaga, najar ki umanga, dil ki jalan kisi pe chara-e-hijran ka kuchh asar hi nahin kahan se aaee nigar-ye-saba, kidhar ko gaee abhi charag-e-sar-e-rah ko kuchh khabar hi nahin girani-e-shab men kami nahin aaee nizaat-e-deed-o-dil ki ghadi nahin aaee chale chalo ki vo manzil abhi nahin aaee
Ye to thi meri samajh ke hisab se is urdu nazm ka anuvad karane ki ek koshish. Sambhavtah isamen kuchh trutiyan bhi ho sakati hain. Waise kuchh dinon pahale mujhe Qurtulin Haidar ki kitab aag ka dariya ke angreji anuvad The River of Fire ke ek ansh ko padane ka mauka mila tha. us kitab men Faiz ki is nazm ka sankshipt anuvad karate huye Qurtulin ji ne likha tha
This blighted dawn , this darkened sun. This is not the morning we waited for.We went forth in the desert of heaven, hoping to reach our destination of stars. We hoped that, somewhere, we would come ashore from the placid river of the night, that the barge of sorrow would end its cruise. Whence came the early morning breeze, where did it go? The wayside lamp does not know. The night's burden has not diminished, the hour of deliverance for eye and heart has not arrived. Face forward! For our destination is not yet in sight.
To aaiye sunen jane mane abhineta Nasiruddin Shah ki dharadar aawaaz men Faiz ki ye nazm
Do saal pahle ek daure par durgapur gaya tha. Sath mein koee sahakarmi na hone ke karan daftar se vapas aakar shamein gujarana kafi mushkil ho raha tha. Aisi hi ek khali shaam ko koee aur vikalp na rahne ki wajah se ek film dekhani padi thi 'Dus Kahaniyan'.
Durgapur ke naye maltiplex ke uhaal mein us raat mere sath matra saat aath darshak rahe honge. Das alag alag kahaniyon ko ek hi sath prastut karane ke is anoothe prayog ke liye kahaniyon ke chunav mein nirdeshak ko jo satarkta bartani chahiye thi, vo nahin ki gaee.
So das kahaniyon mein teen char ko chhodkar baki kisi gat ki nahin thi. Khair ab nabbe rupaye kharch kiye the to main film ko jhelane ke liye majboor tha, par kamal ki baat ye dekhi ki meri pankti mein ek sajjan aaye aur pahali kahani ko aadha dekhane ke bad aisa soye ki sidhe film khatm hone ke bad chupachap uthe aur chal diye. mainne man hi man socha ki jaroor ye banda apani gharawali se trast hoga varna ek meethi neend ke liye itna kharcha karne ki kya jaroorat thi.
Film mein geet bhi damdaar nahin the. Baad mein ek din net par vicharan kar raha tha to ye pata laga ki Gulzar sahab ne iski das kahaniyon ki script padhkar har kahani par ek nazm taiyar ki hai jise film ke alag alag kalakaron ne apani aavaj mein padha hai.
Das kahaniyon ke geeton ke sath hi nikala album to mujhe jald hi mil gaya par acharaj is bat ka huaa ki film mein in behatarin nazmon ka kisliye istemal nahin kiya gaya. Shayad samay ki kami ek wajah rahi ho.Is blog par is album ki apani char pasandida najmon mein se teen to aapko suna chuka hoon. To aaiye aaj karein kuchh batein 'gubbare' kahani par kendrit Gulzar ki is chauthi nazm ke bare mein jise apana svar diya hai Nana Patekar ne .
Purane din, purani yaden kisi bhi kavi man ki mahattvapoorn khurak hoti hai. Bite huye lamahon mein huee har ik chhoti badi baat ko yaad rakhna to shayad ham mein se kaiyon ka priy shagal hoga. Par un baaton ko shabdon ke canvas par bakhoobi utar pana ki vo seedhe dil ko bindhati chali jaye Gulzar ke hi bas ki baat hai. Nana Patekar jab apani gahari aawaz mein bas itna sa kahte hain
tere utare huye din tange hain lawn mein ab tak
na vo purane huye hain na unka rang utra
kahin se koee bhi sivan abhi nahin udhdi
to hamari apani purani yadon ke kuchh band daravaze to anayas khul hi jate hain. Gulzar ka ye andaz bhi dil ko karib se chhoo jata hai
gilahariyon ko bulakar khilata hoon biskut
gilahariyan mujhe shaq ki nazaron se dekhti hain
vo tere hathon ka mass jaanti hongi...
To sunein Nana Patekar ki aawaz mein ye nazm
Darasal nazmon ko padana bhi ek kala se kam nahin hai Gulzar ko jitna padhna pasand aata hai utna hi unhein sunna. Yahi khasiyat Amitabh ji mein bhi hai. Waise kuchh shabdon ke uchcharan ko agar nazaraandaj kar den to Nana Patekar ne bhi nazm ki bhavanaon ko aatmasat kar ise padha hai.
tere utare huye din tange hain lawn mein ab tak
na vo purane huye hain na unka rang utra
kahin se koee bhi sivan abhi nahin udhdi
ilayachi ke bahut paas rakhe patthar par
zara si jaldi sarak aaya karati hai chhanv
zara sa aur ghana ho gaya hai vo paudha
main thoda thoda vo gamla hatata rahta hoon
fakira ab bhi vahin meri coffee deta hai
gilahariyon ko bulakar khilata hoon biskut
gilahariyan mujhe shak ki nazaron se dekhti hain
vo tere hathon ka mass janati hongi...
kabhi kabhi jab utarti hain cheel sham ki chhat se
thaki thaki si zara der lawnn mein rukkar
safed aur gulabi mussaende ke paudhon mein ghulane lagti hai
ki jaise barf ka tukada pighalata jaye whiski mein
main scarf ..... gale se utar deta hoon
tere utare huye din pahan kar ab bhi main teri mahak mein kaee roz kat deta hoon
tere utare huye din tange hain lawn mein ab tak
na vo purane huye hain na unka rang utra
kahin se koee bhi sivan abhi nahin udhdi
Pichli post mein maine baat kee thi Mukesh ki gaayi is ghazal जरा सी बात पे हर रस्म... kee.aaj usee elabam kee vo najm pesh hai jisakee khoj karate karate aakhirakaar is kaiseT tak pahunch paaya thaa. tab mai inTar me tha . gajalo me dilachaspee jab se baDhee thee, vividh bhaaratee ka ek kaaryakram meree roj kee dinacharya ka abhinn ang ban gaya thaa. vo kaaryakram tha rang tarang jo us jamaane me din ke saaDhe baarah baje aata thaa. aur esee hee ek dupaharee me transistor aan karane ke baad doosare kamare se mukesh kee aavaaj me ye panktiyaa sunee to man ThiThak sa gaya tha...।
na jaane kyoo ye panktiyaa dil me, pooree najm se prthak apana ek alag astitv hee bana gee. aur baraso baad bhee jab-jab vakt ne , jindagee ke mukaam par akela chhoDa to mainne khud ko apane aap se yahee kahate paayaa.
is najm ko likhane vaale the shaukat jayapuree saahab jinake baare me muze koee khaas jaanakaaree nahee hai sivae is baat ke ki ve aThaarahavee shataabdee ke ant me ye urdoo shaayaree ke kShitij par chamake. 1916 me shaukat saahab ka intakaal huaa. par kamaal dekhe ki unake gujarane ke 40-50 saal baad, unakee shaayaree ko mukesh ke aalaava talat mahamood aur manna De saahab sareekhe mahaan gaayako ne apanee aavaaj dee.
ye najm 1968 me muralee manohar svaroop ke sangeet nirdeshan me sangeetabaddh kee gee. tabale kee halkee-halkee thaap ke saath baakee saaj sanyojan kuchh is tarah kiya gaya ki shrota ka dhyaan is najm ke bolo se bhaTake nahee.
haa.N mai.n dIvaanaa huu.N chaahuu.n to machal sakataa huu.N khilaavat-e-husn ke kaanuun badal sakataa huu.n khaar to khaar hai.n a.ngaaro.n pe chal sakataa huu.n mere mahabuub mere dost nahii.n ye bhii nahii.n merii bebaak tabiiyat kaa takaazaa hai kuchh aur
isii raftaar se duniyaa ko guzar jaane duu.N dil me.n ghuT ghuT ke tamannAo.n ko mar jaane duu.N terii zulfo.n ko sar-e-dosh bikhar jaane duu.N ek din chhiin luu.n mai.n azamat-e-baasil kaa junuun
mere mahabuub mere dost nahii.n ye bhii nahii.n merii bebaak tabiiyat kaa takaazaa hai kuchh aur
to.D duu.N to.D duu.N mai.n shaukh se duniyaa kaa khusoom aur bah jaaye yuu.n hii nafz-e-zaarosIm kaa khuun
gairat-e-ishq ko manzuur tamaashaa hai yahii merii fitarat kaa mere dost takaazaa hai yahii
Kya aap apane kisi priy ke prati Possessive hain? vaise to ham sabhi hote hain kabhi chhoti si kisi vastu ke liye to kabhi apane kisi khas ke liye. par ye Possessiveness kuchh jyada ho jaye to vahi hal hota hai jo is shayar ka ho raha hai.... dil ki majabooriyon ko bhala kaun lagam de sakata hai.
Par aisa rog na hi lage to behatar varna 'Possessiveness' ka ye kida dukh bhi bahut deta hai.
is rachna ka ek hissa bahut pahale mujhe apani ek post par tippani ke roop men mila tha. jab poora pada to laga ki hai to sadi si nazm par dil ko chhooti huee isiliye ise aaj aap sab ke sath bant raha hoon
suno achchha nahin lagta ki koee doosara dekhe tumhari sharabati aankhen lab o rukhasar1 aur palaken siyah lanbi ghani julfen sarahe doosara koee mujhe achchha nahin lagta
suno achchha nahin lagta kare jab tajakira2 koee kare jab tabasara3 koee tumhari jat ko khoje tumhari bat ko soche mujhe achchha nahin lagta
suno achchha nahin lagta tumhari muskarahat par hajaron log marate hon tumhari ek aahat par hajaron dil dhadakate hon kisi ka tum pe yoon marana mujhe achchha nahin lagta
suno achchha nahin lagta hava gujare tumhen chhu kar na hoga jabt4 ye mujhase kare koee ye gustakhi tumhari julfen bikhar jayen tumhara lams5 pa jayen mujhe achchha nahin lagta
suno achchha nahin lagta ki tumako fool bhi dekhen tumhare pas se mahaken ya chanda ki gujarish ho ki apani roshani bakhshoon rukh e janan koee dekhe mujhe achchha nahin lagta
1. gala, 2. charcha, 3. vistar se ghatana ka vivaran dena, 4. bardasht, 5. sparsh
Is nazm ki bhavanaon ko apani aavaj men utarane ki koshish ki hai. padhte vakt do jagah bhoolen huee hain kyonki recording ke samay sahi bol mere paas nahin the baad men jab najm utarane baitha to dekha ki tajakara ki jagah tajakira aur tumhare lams pe jayen ki jagah arth ke hisab se tumhara lams pa jayen hona chahiye. aasha hai aap ise najaraandaj kar denge.
8 September Asha tayee ki 75 vin salagirah thi. kuchh dinon pahale unhen 'sa re ga ma' ke manch par gaate suna tha. abhi bhi vo khanaka, vo madhury jas ka tas bana lagata hai. aaj is khushi ke avasar par geet aur gajalon ka ye guladasta aapake liye pesh-ye-khidamat hai. jivan ke har rang ko apani gayiki main samahit karane vali is mahan gayika ki aavaj main aaj suniye piya ko sanbodhit karaata ek pyara sa gita, ek udasi bhari najm aur faij ki likhi ek dilakash gajal .
sabase pahale bat is najm ki jo mainne sabase pahale 1985 ke aas pas suni thi. abhi jo thodi bahut urdu samajh main aati hai, us vakt vo bhi samajh nahin aati thi. par jane kya tha is najm main, ki mukhada sunate hi isaki udasi dil main tair jati thi. mere khyal se ye sara karishma tha aasha taee ki bhavapoorn aavaj ka, jisaki vajah se bhasha ki samajh na hote huye bhi isaki bhavanaon ka sanpreshan hrday tak sahajata se ho jata tha.
to aaiye pahale sunen Meraj-e-Ghazal se li gaee salim gilani sahab ki likhi ye najm
raat jo toone deep bujhaye mere the... mere the.... ashk jo sare dil main chhupaye mere the... mere the....
kaife baharan, mahare nigaran, lutf e junoon mausam e gul ke mahake saye mere the... mere the....
mere the vo, khab jo toone chhin liye git jo hothon par murajhaye mere the... mere the....
aanchal aanchala, gesu gesoo, chaman chaman sari khushabu mere saye mere the... mere the....
sahil sahil laharen jinako dhoondhati hain maji ke vo mahake saye mere the... mere the....
ghulam ali ke sath aasha ji ka ye album mujhe do any prastutiyon ke liye bhi priy tha. ek to shabih abbas ka likha, bada pyara sa muskuraata gudagudata ye nagma . dekhiye aasha ji apani ithalati aavaj main kis tarah apane sajan ke liye prem ke kaside pad rahi hain
salona sa sajan hai aur main hoon jiya main ik agan hai aur main hoon
tumhare roop ki chhaya main sajan badi thandi jalan hai or main hoon
churaye chain raaton ko jagaye piya ka ye chalan hai aur main hoon
piya ke samane ghoonghat utha de badi chanchal pavan hai aur main hoon
rachega jab mere hathon main mainhadi usi din ki lagan hai aur main hoon
aur aaj ki is mahafil ka samapan karaate hain isi album ki is behad mashahoor ghazal se, jise likha tha faiz ahmad faiz ne
kal din mein yahoo ke mail box mein jab kayee spams ke beech ye message dikhaee di ki Faraz nahi rahe to dil dhak se rah gaya. ekabaragi to laga ki ho sakta hai ki ye khabar ghalat ho. par googal search mein jab pakistani akhabar 'jang' ki janib se is khabar ki pushti huee to man anamana sa ho gaya. barabas unaki ye panktiyan yad aa gaeen
apane siva hamare n hone ka gam kise apani talash mein to ham hi ham hain doston
kuchh aaj sham hi se hai dil bhi bujha-bujha kuchh shahar ke chirag bhi maddham hain doston
Faraz kayee bimariyon se lagatar joojh rahe the aur unaki halat july ke pahale hafte mein amarika jane par aur bigad gaee thiaur somavar ki raat islamabad mein bitaee unaki aakhiri raat sabit huee.
Faraz ki shayari se mera parichay pahale pahal mehadi hasan aur gulam ali ki ghazalon se hi huaa tha. par Ahmad Faraz mein meri dilachaspi tab aur badi jab nabbe ke dashak mein unake dilli aagaman par The Times of India mein unaka ek interview pada. us interview mein Faraz se poochha gaya ki kya shayari bina khud ke anubhavon kar likhi ja sakti hai?
Faraz ne uttar diya nahin, sachchi shayari tabhi nikalati hai jab dil ki hadon se koyee bat mahasoos ki ja sake. unhonne usi sakshatkar mein bataya tha ki ranjish hi sahi unhonne ek mohatarma ke liye likhi thi. par jisake liye ye likhi gayee thi usake bad unase unaka milana nahin ho saka. salon bad apane ek common freind se jab unki mulaqat huee to usane unhen bataya ki vo to fakr se kahati firati hai ki Faraz ne ye ghazal mere liye likhi hai.
Faraz ke sahapathi aur patrakar iftikhar ali ka kahana hai ki college ke jamane se Faraz ek aakarshak vyaktitv ke malik the. shuru se unaka jhukav kavita ki or tha. ve aksar chhatron ko apane ird-gird jama kar lete aur apani roomani kavitayen sunaya karate. peshavar mein us vakt ladake aur ladakiyon ko college mein milane julane ki rivayat nahin thi.. par Faraz ki kavitayen jane kaise chhatraon tak pahunch hi gaeen. fir to darjanon ki shakl mein chahane valiyon ke hastalikhit patr unhen milane lage. amir gharon ki ladakiyan apane naukaron ke hathon khat bhijavaya karatin to baki khud bas stanp par hi khaton ki delivery kar detin.
prem ko jis shiddat se unhonne apani shayari ka vishay banaya usaki misal milana mushkil hai. jis khoobasoorati se vo shabdon ko ashaaaron mein vo motiyon ki tarah pirote the vo unake in ashaaaron par gaur karane se aap khud hi samajh jayenge
************************************ dukh fasana nahin ke tujhase kahen dil bhi mana nahin ke tujhase kahen
aaj tak apani bekali ka sabab khud bhi jana nahin ke tujhase kahen ************************************ kurbaton mein bhi judaee ke jamane mange dil vo bemehar ki rone ke bahane mange
apana ye hal ke ji har chuke lut bhi chuke aur mohabbat vahi andaj purane mange ************************************ barason ke bad dekha ik shakhs dilaruba sa ab jahan mein nahin hai par nam tha bhala sa
alfaj the ke jugnu aavaj ke safar mein ban jaye jangalon mein jis tarah rasta sa
khvabon mein khvab us ke yadon mein yad us ki nindon mein ghul gaya ho jaise ke ratajaga sa
tevar the berukhi ke andaj dosti ke vo ajanabi tha lekin lagata tha aashana sa ************************************ ab ke ham bichhade to shayad kabhi khvabon mein milen jis tarah sookhe huye fool kitabon mein milen
************************************ mashhoor patrakar khalid hasan unake bare mein likhate hain ki Faraz hamesha se tanashahon ke viruddh aur lokatantr ke himayati rahe. janaral jiya ka virodh karane ki vajah se unhen naukari se hath dhona pada aur kuchh salon ke liye ve nirvasit bhi huye. is bat ko janakar aapako hairani jaroor hogi par Faraz kishoravastha mein kashmir ke 1947-48 ke yuddh mein svechchha se sammilit huye the. pakistani shasakon se unaki kabhi bani nahin aur unhonne hamesha vahi kiya aur likha jisaki unake dil ne gavahi di. shayad hi is jamane mein bharatiy up mahadvip mein unake jitani shoharat kisi aur shayar ko mili. unhen bade chav se pada jata raha aur suna jata raha. General Zia ki hukoomat ke khilaf unaki nazm Mahasara..in seize (charon or se ghira huaa ) kafi lokapriy huee thi. suniye unhin ki aavaj mein ye nazm
Faraz ki ye panktiyan unaki kalam, unake aadarsh, unaki shakhsiyat ki kahani kahati hain
mera kalam nahin tajabi us muballis ki jo bandigi ka bhi haradam hisab rakhata hai mera kalam nahin mijan aise aadil ki jo apane chehare par dohara naqab rakhta hai mera kalam to amanat hai mere logon ki mera kalam to adalat mere zamir ki hai isiliye to jo likha shafaq-e-jaan se likha zabin to loch kaman ka jaban teer ki hai main kat giroon ki salamat rahoon yakin hai mujhe ki ye hisar-e-sitam koyee to girayega
aur chalate -chalate ahamad Faraz ki likhi chand panktiyan apani shrrddhanjali ke taur par is mahan shayar ke liye arpit karana chahoonga
vo gaya tha sath hi le gaya, sabhi rang utaar ke shahar ka koyee shakhs tha mere shahar mein kisi door par ke shahar ka
chalo koyee dil to udas tha, chalo koyee aankh to nam rahi chalo koyee dar to khula raha shabe intajar ke shahar ka
kisi aur desh ki or ko suna hai Faraz chala gaya sabhi dukh samet ke shahar ke sabhi karj utar ke shahar ka ...
Pichhale saal august mahine mein mainne ek nazm post ki thi jisaka shirshak tha ajab pagal si ladaki hai..... use kisane likha ye us waqt nahin pata tha. aaj mai jab is nazm ko pad raha tha to pata chala ki isake lekhak vahin hain jinhonne ajab pagal si ladaki hai.... likhi thi. ji han, in donon nazmon ko likha hai pakistan ke naujavan shayar Aatif Saeed sahab ne. Aatif Saeed ka apana yek jal prshth bhi hai jisaka labh aap tabhi utha sakate hain jab aap urdu lipi ke janakar hon.
aaj unaki jo najm aap ke sath bant raha hoon vo yakin hai ki aapake liye naee hogi. aaj antarajal par jab bhatak raha tha to roman mein ye mujhe likhi mili. ye najm unhonne apani naee kitab 'tumhen mausam bulate hain' ke unvan mein likhi hai. najm pyar ke hasas jajbaton se labarej hai. apane prem aur mausam ki badalati ruton ko aapas mein behad behatarin tarike se guntha hai shayar ne. vishvas nahin hota to khud hi padakar dekhiye na..
mere andar bahut din se ki jaise jang jari hai ajab beikhtiyari hai
main na chahoon magar fir bhi, tumhari soch rahati hai har ik mausam ki dastak se tumhara aks banata hai kabhi barish tumhare shabanami lahaje mein dhalati hai
kabhi sharma ke ye raten tumhare sard hothon ka dahakata lams lagati hain
kabhi patajhada... tumhare panvon se raunde huye patton ki aavajen sunata hai
kabhi mausam gulabon ka tumhari muskurahat ke sare manjar jagata hai mujhe behad satata hai
kabhi palaken tumhari dhoop ode jism o jan par sham karati hain kabhi aankhen, mere likhe huye misaron ko apane nam karati hain
main khush hoon ya udasi ke kisi mausam se lipata hoon koee mahafil ho tanahaee mein ya mahafil mein tanaha hoon ya apani hi lagaee aag mein bujh-bujh kar jalata hoon
mujhe mahasoos hota hai mere andar bahut din se ki jaise jang jari hai ajab beikhtiyari hai
aur is beikhtiyari mein mere jajbe, mere alafaj mujh se rooth jate hain main kuchh bhi kah nahin sakata, main kuchh bhi likh nahin sakata udasi odh leta hoon aur in lamahon ki muththi mein tumhari yad ke juganu kahin jab jagamagate hain ye bite vakt ke saye meri bekhvab aankhon mein, kaee dipak jalate hain mujhe mahasoos hota hai mujhe tum ko batana hai ki rut badale to panchhi bhi gharon ko laut aate hain suno janan chale aao tumhen mausam bulate hain....
agar aapako ye najm pasand aaee to yakinan aap inhen bhi padana pasand karenge...
Zindagi mein koee jab itana karib ho jae ki aap us shakhs ke saye mein bhi usakee khushaboo mahasoos karane lagen.. door se aate usake padachapon ko sun kar aapake hriday kee dhadkan tivr gati se chalane lage, gahe-bagahe aapakee aankhon ke samane usi kee chhavi ubharane lage, tab samajh lijie ki aap bhagavan kee banaee sabase hasin niyamat 'prema' kee giraft mein hain.
Aisi hi bhavanaon ko lekar mashahoor shayar Kaifi Azmi ne 1964 mein film haqiqat mein ek pyara sa nagma likha tha. 'haqikata' bharat chin yuddh ke paripekshy mein chetan aanand dvara banaee gaee thi jo is tarah kee pahali film thi. yuddh kee asafalata se aahat bharatiy janamanas par is film ne ek maraham ka kam kiya tha. film to sarahi gaee hi isamein diya Madanmohan ka sangeet behad charchit raha.
vaise to sara geet hi prem ras se sarabor hai par geet ka mukhada dil mein aesi tasir chhodta hai jise lafjon se bayan kar pana mushkil hai.
zara si aahat hoti hai to dil sochata hai, kahin ye vo to nahin...
ise kitani hi dafa gunagunate rahen man nahin bharata...
do mahan kalakaron madanmohan aur lata kee jodi kee adbhut saugat hai ye geet..
to pahale sunie ye geet
zara si aahat hoti hai to dil sochata hai kahin ye vo to nahin, kahin ye vo to nahin zara si aahat hoti hai ...
chhup ke sine mein koee jaise sada deta hai sham se pahale diya dil ka jala deta hai hai usi kee ye sada, hai usi kee ye ada kahin ye vo to nahin ...
shakl firati hai nigahon mein vo hi pyari si meri nas-nas mein machalane lagi chingari si chhoo gaee jism mera kisake daman kee hava kahin ye vo to nahin ...
aasha hai is geet ko sun kar aapaka mood roomani ho gaya hoga. to kyoon na chalate chalate ek ghazal bhi padhata chaloon jisake bhav bahut kuchh is geet se milate julate hain... aur jab bhi ye geet sunata hoon ye ghazal khud b khud man ke jharokhon se nikal kar samane aa jati hai..
aahat si koee aae to lagata hai ki tum ho saya koee laharae to lagata hai ki tum ho
jab shakh koee hath lagate hi chaman mein sharamae, lachak jae to lagata hai ki tum ho
raste ke dhundhalake mein kisi mod pe kuchh door ik lau si chamak jae to lagata hai ki tum ho
odhe hue taaron kee chamakati huee chadar nadiya koee bal khae to lagata hai ki tum ho
jab raat gae koee kiran mere barabar chup chap se so jae to lagata hai ki tum ho (shayar - unknown)
Char saal pahle antarajal par ek nazm padane ko mili thi, shayari ke ek manch par. likhne vale the Vinay ji jinake bare men mujhe bas itana maloom tha ki vo kanpur se hain. aksar unaki ghazalon aur nazmon ko us manch par ham saraha karate the.
aaj achanak unaki ek saadi si magar behad asaradar nazm ki kuchh panktiyan yad aa gayeen jo pahali bar padhne ke bad aksar gahe bagahe fir se laut kar hothon par aa jati hain. isiliye aaj socha ki kyoon na fir purani sanchikaon se nikal kar unhen aap tak laya jaye.
poori nazm men shayar apani mashooka se door jane ki baat karata hai, par nazm ki aakhiri do panktiyan us ki manasik sthiti ko behad khoobasoorati se vyakt kar deti hain...
mere sar khamoshi ka koyee ilajam bhi nahin tumhare nam ab mera koyee paigam bhi nahin waqt e maji ki ab koee tasavir nahin hai tumhare vaste kaghaz pe koyee taharir nahin hai
ab door se mujhako tum sada mat dena bujhate huye sholon ko hava mat dena jo masayal hain mere sulajhane do mujhe jata hoon agar door to jane do mujhe
manjilen aur bhi to hain jinhen pana hai tumhein chand taron se bhi oopar jana hai tumhein mere vaste kabhi koyee gam nahin karna hausala apana kabhi bhi kam nahin karna
ab hamesha ke liye tum bhula dena mujhko dil ke khali kisi kone men sula lena mujhko ye alag bat hai zara nashad hoon main pankh kat gaye mere par aazad hoon main
Vinay ji se pichhale char salon se meri net par mulakat nahin huee. aasha hai vo jahan bhi honge sakushal honge. chalate chalate unaka ek behatarin sher arj hai
ye to nahin kahata ki main shakhs badanasib tha magar hara hoon jab kabhi main jeet ke karib tha Click Here to post your comments
main raat ka prani hoon aur aap mein se bahutere aur bhi honge. mainne subah ugate sooraj ki lali to birale hi dekhi hai par ratri ki bela mein chand taron ke samrajy ko bina kisi uddeshy ke ghanton apalak nihara hai. isaliye jab koee geet rat ki baten karata he to usamein khayalat dil par purajor asar karate hain.
to aaj ho jaye ik ratri geet vo bhi ऍsi rat jab chand apani snigdh chandani ke prakash se sari dharati ko prakashaman kar raha ho. is ujale mein jab door tak dikhati pangadandiyon mein kisi ke aane ki aas ho aur dil mein halka halka pyar ka suroor ho to kaun sa geet gana chahenge aap yahi na..
chandani ratein ..chandani ratein ..sab jag soye, ham jagen taron se kare baten, chandani ratein ..chandani ratein ..
is geet mein ek mithi si shikayat hai par jab aap ise gate hain to sidhe sahaj par man ko chhoone vale shabdon ki masti mein doob jate hain. sabase pahale is geet ko gaya tha sur ki malika noorajahan ne ! recording purani hai isaliye aavaj ki gunavatta vaisi nahin hai. noorajahan shuruaat ek qata se karati hain aur fir shuru hota hai ye pyara sa nagma
ik hook si dil mein uthati hai. ik dard sa dil mein hota hai. ham raton ko uth kar rote hain jab sara aalam sota hai
chandani ratein ..chandani ratein .. sab jag soye, ham jagen taron se kare baten chandani ratein ..chandani ratein ..
takte takte tooti jaye aas piya na aaye re, takte takte sham savere, dard anokhe uthe jiya ghabaraye re, sham savere raton ne meri neend loot li, din ke chain churaye dukhiya aankhen doondh rahi hai, kahe pyar ki baten chandani ratein ..chandani ratein ..
pichhali raat mein ham uth uth ke chupake chupake roye re, pichhali rat mein sukh ki nind mein geet hamare desh paraye soye re sukh ki nind mein dil ki dhadakanen tujhe pukaren aa ja balam aaee baharen baith ke tanahaee mein kar len sukh dukh ki do baten chandani ratein ..chandani ratein ..
