Mehdi Hasan is known as king of Ghazals. But how many of you know that besides ghazal singing he was one of the most sought after play back singer in Pakistani film industry between 1960-80. Even today his old songs are quite popular.
The two songs which I will talk about today were written by lyricist Masroor Anwar. Out of these two songs
Mujhe tum nazar se gira to raho ho mujhe tum kabhi bhi bhula na sakoge na jane mujhe kyun yakeen ho chala hai mere pyar ko tum mita na sakoge
is quite popular in India also.The other one is equally soulful
Ik sitam aur meri jaan abhi jaan baki hai dil mein ab tak teri ulfat ka nishaan baki hai
Bahir Badra is a name whose popularity in Indian subcontinent is never in doubt. He uses simple language which is easy to understand but at the same time his verse has deep rooted meaning.
Kabhi yoon bhi aa is one of his famous ghazal sung by Jagjit Singh. But have you heard it in voice of Mohammad Hussain and Ahmad Hussain ?
Kabhi Yun Bhi Aa Meri Aankh Mein,
Ke Meri Nazar Ko Khabar Na Ho
Mujhe Ek Raat Nawaz De ,
Magar Uske Baad Saher Na Ho
Woh Bara Raheem-o-Kareem Hai, Mujhe Yeh Sifat Bhi Ata Kare Tujhe Bhoolne Ki Dua Karoon,
To Dua Mein Meri Asar Na Ho
Kabhi Din Ki Dhoop Mein Jhoom Ke,
Kabhi Shab Ke Phool Ko Choom Ke
Yun Hi Saath Saath Chalein sada,
Kabhi Khatam Apna Safar Na Ho
Mere Paas Mere Habeeb Aa,
Zara Aur Dil Ke Qareeb Aa,
Tujhe Dhadkano Mein Basa loon Main,
Ke Bichhadne Ka Kabhie Dar Na Ho
Saiffudin Saif.... I didn't know much about the poet until I happened to listen to Garche sou baar gham e hijra se jaan gujri hai..phir bhi dil pe jo guzarni thi kahan guzri hai in the soothing voice of Runa Laila. As I started searching about Saif I found that he was a well known poet in Amritsar in pre partition era. After independence he moved to Pakistan and became part of film industry there. He wrote several memorable lyrics. If you are interested in reading more about Saif Click Here.
Some of his songs are even popular to this date. It is a well known fact that Saif was heart broken when his lady love left him to go to another city. In her memory Saif wrote jab tere shahar se guzarta hoon... Its a long nazm but when one goes through it, the reader gets the glimpses of emotional upheaval which the poet had gone through.. I have written the whole nazm here in Hindi.
If you are not familiar to the language , listen to my recitation of the nazm.
Kareeb saal dedh saal pahle munnavar rana ki ek kitab kharidi thi.nam tha 'ghar akela ho gaya'.pichhale saal se main is kitab men rana ji ki likhi 112 ghazalon ko tukadon men padhta aaya hoon.shayari ki kitabon ke saath ek baat jo mainne mahasoos ki hai vo ye ki agar aap usaka poora lutf uthana chahate hain to ek baar men na padhein .har ghazal ka apana ek mood hota hai jo shayad pahle ki ghazal se bilkul na mel khata ho.isaliye padhtesamay man men uthate vichaaron pe nirantarta nahin aa paati.ek ghazal aapako kuch sochane par mazaboor karati hai to doosare ko padhte hi pahle vaale vichaar ekadam se gaddamagad ho jaate hain.
ab jabaki itane lanbe samay ke baad ye kitab nibatai ja chuki hai to socha aaj isake shayar aur is pustak ke baare men kuch baaten ho jaayen।
navanbar 1952 men rayabareli men janme munnavar rana ka poora nam 'saiyad munnavar ali rana' hai.sath ki umr ke paas pahunchte is shayar ke darjan bhar se jyada ghazal sangrah chhap chuke hain aur ye unki badhati lokapriyata ka saboot hain.munnavar saahab ne apani shayari men jis bhasha ka prayog kiya hai use samajhne ke liye aapako urdu ka prakaand pandit hone ki aavashyakta nahin.is maamale men main unakaki shayari ko basheer badra ki shayari ke kareeb paata hoon.par jab baat ghazal men vyakt kiye ge masayalon ki aati hai to ye samaanta khatm ho jaati hai.
Munnavar Rana ki shayari unake dil men desh ki siyasat ke prati unki nafarat ka ijahaar baar baar karati hai.munnavar ka manna hai ki rajaneeti men paith rakhne vaale pattharadil hain jo desh ki janta se kutton sa vyavahaar karte hain।
masalan in ashaaron ko dekhiye..
siyasat se adab ki dosti bemel lagti hai kabhi dekha hai patthar pe bhi koi bel lagti hai।
ya fir... hukoomat munh bharaai ke hunar se khoob vaakaif hai ye har kutte ke aage shahi tukada dal deti hai।
rajaneeti men sarvavidit bhrashtaachaar ko bhi shayar aade haathon lete hue likhte hain.. vo shayar hon ki aalim hon ki tajir ya lutere hon siyasat vo jua hai jisamen sab paise lagaate hain
munasib hai ki pahle tum aadamakhor ban jaao kahin sansad men khane peene koi chaval dal jata hai
dangon men netaon ki bhoomika se munnavar aahat rahe hain.inka ye dard aur aakrosh in misaron men saf jhalakta hai
agar dangaiyon par tera bas nahin chalta to sun le ai hukoomat ham tumhen namard kahate hain
mazahabi majadoor sab baithe hain inako kaam do ek imarat shahar men kafi purani aur hai khamoshi kab chikh ban jaaye kise maaloom hain julm kar lo jab talak ye bezabani aur hai
apani kaum ko shak ki nigaah se dekhe jaane ka unamen rosh hai usaka andaaja aap unake is sher se laga sakte hain.... bas itani si baat par usane hamen balavaai likkha hai hamare ghar ke baratan pe aaiesaai likkha hai
makabool shayar vali aasi saahab is pustak ki bhoomika men kahate hain ki munavvar rana ek dukhi aatma ka nam hai.munnavar ke dukhon ka kaaran kya hai? apne is mizaj ke baare men unki kalam khaud kya kahati hai vo padh len.... miyan main sher hoon sheron ki gurrahat nahin jaati main lahaja narm bhi kar loon to jhunjhalahat nahin jaati main ek din bekhyali men kahin sach bol baitha tha main koshish kar chuka hoon, munh ki kadavahat nahin jaati
Munnawar ji ke hridaya ki ye talkhiyan sirf siyasat aur netaon tak hi seemit nahin hai.masalan aakhair shayar ke dukhon ka kaaran kya hai? ye dukh unki aaj ki jindagi se jude hain?
munnavar ki aaj ki jindagi ki rooparekha pustak men janab vali aasi saahab kuch yoon dete hain..
logon ko usaki zaindagi men badi chamak dikhaai deti hai.kalakatte aur dilli se poore mulk men faila hua usaka karobar, havai jahaajon, rail ke eyar kandishnad dibbon aur chamakti hui karon men usaka safar, sitaaron vaale hotalon men usaka kayam, usaka sukhi ghar sansaar, jahan usaki jeevan sangini, hansati hui gudiyon jaisi bachchiyan aur kilakariyan bharte hue fool jaise masoom aur chaand jese pyar bete ke aalava zaindagi ko aaram-o -asaaish se guzarne ke liye ne se naya aur achchhe se achchha saamaan maujood hai, lekin usaka sabse bada dukh gaanv se nata toot jaane ka hai.vah aur aise bahut se dukh use satate hain.
bahut zamana hua, gautam ne inhin dukhon se chhutakara paane ke liye sansaar ko tyag diya tha, lekin munachanavar rana ka dukh yah hai ki vah rat ke andhere men chup kar kahin na ja saka, vah sansaar ko tyag nahin saka, shayad yahi vajah hai ki usane shayari ke daman men panah dhoondh li aur apane dukhon ko is tarah hifazat se rakha jaise auraten apane gahane sanbhaal kar rakhati hain.
Wali saahab ki baat kitani sahi hai usaka andaza aap is kitab ko padh kar laga sakte hain। desh men gaanv se shaharon ki or hota palayan, gaanvon aur shaharon men logon ke naitik moolyon men hota avamoolyan bhi shayar ko chintit karta hai aur ye chinta unake kai ashaaron men mukhar ho uthati hai.....
saza kitani badi hai gaanv se baahar nikalne ki main mitti goonthta tha ab dabalaroti banata hoon
main apane gaanv ka mukhiya bhi hoon bachchon ka katil bhi jala kar doodh kuch logon ki khatir ghi banata hoon
munnavar ji bhale hi aaj ek achchhe khase karobar ke malik hain par ye amiri unhonne garibi aur badahali ki jindagi se sangharsh kar paai hai। aapako jaankar hairani hogi ki munnavar rana ke pita ek trak chaalak the। pita ko kai baar kafi dinon ke liye baahar rahana padta aur unake lautne tak poora parivar khane ko bhi mohataj ho jaya karta tha। munnavar ne gareeb aur ameer tabke ke jeevan ko kareeb se dekha hai.aaj ameeron ke bich unka uthana baithana hai fir bhi vo inki jindagi ke khokhalepan v mukhiton ke andar ke charitra se vaakif hain. mainne fal dekh ke insan ko pahachaana hai jo bahut meethe hon andar se sade hote hain
labon par muskurahat dil men bezari nikalti hai bade logon men hi aksar ye beemari nikalti hai
vahin apani jadon ko unki shayari kabhi nahin bhoolti.munnvar ki lekhani ki dhaar in ashaaron men spasht dikhati hai।
mainne dekha hai jahan mitti ke ghade rahate hain kad men chhote hon magar log bade hote hain।
bhatakti hai havas din rat sone ki dukaanon men
garibi kaan chhidavaati hai tinka dal deti hai
so jaate hain futapaath pe akhabaar bichha kar mazadoor kabhi nind ki goli nahin khate
ghar ke kathin haalaaton ko dekhakar maan har vakt baithi duaaen hi maangti rahati thi.mujhe bachapan men nind men chalne ki beemari thi.isi vajah se maan ratabhar jaagti thi, vo darati thin ki kahin rat men chalte hue kuen men jaakar n gir jaaoon.mainne maan ko hamesha dua maangate hi dekha hai isiliye unka kiradaar mere jehan men ghoomata rahata hai aur shayari ka vishaya banta hai।
ghar akela ho gaya men bhi ऍसे kai sher hain kuch ki baangee dekhiye
jab bhi kashti mere sailaab men aa jaati hai
maan dua ban kar mere khavab men aa jaati hai।
lipat jata hoon maan se aur mausi muskuraati hai
main urdu men ghazal kahata hoon hindi muskuraati hai
munnavar maan ke aage yoon kabhi khul kar nahin rona
jahan buniyad ho, itani nami achchhi nahin hoti
poori kitab men kai jagah aaj ke haalaaton ke madde nazar rana saahab ke ashaaron ki shakal men kiye ge chutile vyangya man ko moh lete hain। kalam sone ka rakhne men koi buraai nahin lekin koi tahareer bhi nikale to darabaari nikalti hai
munh ka maja badalne ke liye sunte hain vo ghazal
tebul ke daalamoth ki soorat hoon in dinon
har shakhas dekhne laga shak ki nigaah se
main paanch sau ke not ki soorat hoon in dinon
kul milakar agar aap ghazal ko prem kavya na maankar ek aisa madhyam maante hain jisake dvara shayar samaj se jude sarokaron ko saamane laaye to ye kitab aapke liye hai.chalte chalte is kitab ke sheershak ke nam munnavar rana saahab ka ye sher sunte jaiye
aisa lagata hai ki jaise khatm mela ho gaya
ud gai aangan se chidiya ghar akela ho gaya
pustak ke baare men
nam :ghar akela ho gaya
Moolya :Rs. 125 only
31 mahinon ka antaraal aur fir vahi bam dhamaka. is par munbaivasiyon ko grih mantri ki peeth thokani chaahiye ya fir oopar vaale ka shukriya ada karana chaahiye. itana to sahi hai ki shivaraj paatil ke zamane men aam janta men jo lachari aur nairashya ka bhaav charam par tha usamen pichhale kuch saalon men kafi kami aai thi. aaj chidambaram ke hisab se desh ka koi kona surakshit nahin hai. par ismen naya kya hai। rahul baba kahate hain ki ham aise haadason ko rok nahin sakte। mujhe inase asahamat hone ka koi kaaran nahin dikhta। ye sab to ham bharatavasi achchhi tarah jaante hi hain। par in hukmaranon ke munh se aisa sunana achchha nahin lagata.
agar rahul itani hi saafagoi baratana chahate the to unhen ye bhi jodana chaahiye tha ki khaaskar tab jab yahin ke log baahari shaktiyon se mil jaayen . aisa pulis v khufiya tantra majaboot kar dene bhar se hi nahin hoga. usake liye spasht neetiyon ki aavashyakta hoti hai aur usase bhi adhik unhen tezi se karyanvit karne ki ickhha shakti.pichhale kai saalon se to yahi dekhta aaya hoon ki ye sarkaar do kadam aage badhati hai fir char kadam peechhe bhi hatati nazar aati hai.
aaj jab sarkaar ki or se mayoosi aur nirasha ke svar ubhar rahe hain to mujhe javed akhtar saahab ki do saal pahle munbai hamale ki barsi par likhi ye nazam yad aa rahi hai jo nirasha ke is maahaul men bhi hamari ummeed aur hausle ko jagaaye rakhati hai. javed saahab ne is nazam men vahi bhavanaayen, vahi aakrosh vyakt kiya hain hai jo aise haadason ke baad hamare jaise aam jan apane dil men mahasoos karte hain..
mujhe poora yaki hain ki javed saahab ki aavaaz men jab aap ye nazam sunenge to bahut der tak unake kahe shabd aapke dilo dimaag ko jhinjhod kar rakh denge..
mahaveer aur buddh ki,
nanak aur chishti ki,aur gaandhi ki dharati par,
main jab aatnk ke aise nazaare dekhta hoon to,
main jab apani zamin par apane logon ke lahu ke bahate dhaare dekhta hoon to,
mere kanon men jab aati hain un mazaboor gam se larazati maaon ki chikhen,
ki jinake bete yah kahakar ge the, shaam se pahle hi ghar laut aaenge ham to,
main jab bhi dekhta hoon sooni aur ujadi hui maangen,
ye sab hairaan se chehare, ye sab bheengi hui aankhen,
to meri aankhen harasu dhoondhati hain un darindon ko,
jinhonne tren men, bas men, jinhonne sadako men, baajaron men bam aake hain fode,
jinhonne aspatalon par bhi apani goliyan barasaai, mandir aur masjid tak nahin chhode,
jinhonne mere hi logon ke khoon se mere shaharon ko rnga hai,
vo jinka hona hi haivaniyat ki intaha hai,
mere logon jo tum sabaki tamanna hai, vahi meri tamanna hai,
ki in jaise darindon ki har ek saazish ko main nakaam dekhoon,
jo hona chaahiye inka main vo anjaam dekhoon ,
magar kanoon aur insaf jab anjaam ki jaanib inhen le ja rahe hon to,
main inamen se kisi bhi ek se ik baar milna chahta hoon.
mujhe yah poochhana hai,
door se dekhoon to tum bhi jaise ek insan lagate ho,
tumhaare tan men fir kyoon bhediyon ka khoon bahata hai ?
tumhari saans men saanpon ki ye funkar kabse hai ?
tumhari soch men yah zahar hai kaisa ?
tumhen duniya ki har neki har ik achchhaai se inkar kabse hai?
chaand ki 'tamanna' karne vaale shayaron ki kabhi kami nahin rahi. ab gulzar ki hi baat karen unake geet hon ya nazamen ghoom fir kar baat chaand par hi aa tikti hai। par har baar vo chaand ko ek alag hi andaaz bhinna bhinna roopakon men is khoobasoorati se hamare samaksh rakhte hain ki kuch doharaya hua sa nahin lagata. baat gar pakistani shayaron ki ho to chaand premi shayaron men ibne insha bhi aage khade dikhaai dete hain. chaand ibne insha ke priya pratikon men to tha hi unhonnen chaand ko kendrabindu men rakhakar kai nazamen kahin। masalan katik ka chaand, usi chaand ki khoj men, udas rat ke aangan men, us aangan ka chaand. par ibne insha ki chaand par kahi nazamon men mujhe chaand ke tamannaai padhna sabse zayada sukoon deta hai.
to chaliye aaj aapako roobaru karavate hain ibne insha ki is pyari nazam se pahle isake bhaavon se aur fir apani aavaaz se.....
shahar-e-dil ki galiyon men
shaam se bhatakte hain
chaand ke tamannaai
bekaraar saudaai
dilagudaaz tariki
jaangudaaz tanhaai
ruh-o-jaan ko dasati hai
ruh-o-jaan men basati hai
ye dil ek chalta firta shahar hi to hai jis ki galiyon men dil o jaan ko pighalane vala andhera hai. ur usamen pasari hai door door tak faili tanhaai jo us hansi chaand ki khoj men baavle hue dilon ko andar hi andar khaaye ja rahi hai.
shahar-e-dil ki galiyon men...
tak-e-shab ki belon par
shabanami sarishkon ki
bekaraar logon ne
beshumaar logon ne
yaadgaar chhodi hai
itani baat thodi hai ?
sadahazaar baaten thin
heel-e-shakebai
sooraton ki jaebai
kamaton ki ranaai
in syaah raton men
ek bhi n yad aai
ja-b-ja bhatakte hain
kis ki raah takte hain
chaand ke tamannaai
dil ki in vaadiyon ne vo vasant bhi dekha tha jab inhin galiyon se tarah tarah ke banaav shrringar ke saath vo khoobasoorat chehare gujra karte the. raat ki ugti belon par in hasi cheharon ki yaden os ki boonde ban kar aaj bhi ubhara karati hain। par vo din to kabke beet ge. aaj to is dil men ek ajeeb si veerani hai। par man hai ki bhatakna chahta hai is ummeed men shayad vo chaand fir dikhe...
ye nagar kabhi pahle
is qadar n veeran tha
kahane vaale kahate hain
kariya-e-nigaran tha
khaair apane jeene ka
ye bhi ek saamaan tha
aaj dil men veerani
abr ban ke ghir aai
aaj dil ko kya kahiye
baavafa n harajaai
fir bhi log deevaane
aa ge hain samajhane
apani vahshat-e dil ke
bun liye hain afsane
khushakhayal duniya ne
dil roopi ye nagar itana khali khali kabhi na tha. ye to ek pyara sa gaanv tha jisamen zaindagi hansi khushi basar ho rahi thi। aaj man roopi aakash men ek tarah ki shoonyata hai jise udaasi ke baadalon ne charon or se gher rakha hai। hridaya ke is khali ghade men na to pyar ki koi jyot jal rahi hai aur na hi bevafaai se upaji peeda. par logon ka kya hai vo to dil ke is mijaaz ko bhaanpe bina apani khamakhayali se kitani kahaniyan gadhte ja rahe hain।
garmiyan to jaati hain vo ruten bhi aati hain jab malool raton men doston ki baaton men ji n chain paayega aur oob jaayega aahaton se goonjegi shahar-e-dil ki pinhaai aur chaand raton men chaandani ke shaidaai har bahaane nikalenge aazmaane nikalenge aaraju ki giraai dhoondhane ko rusavaai sard sard raton ko zard chaand bakhshega behisaab tanhaai behijab tanhaai shahar-e-dil ki galiyon men... shaam se bhatakte hain chaand ke tamannaai
mausam beetate jaate hain। garmiyan sardiyon men tabdeel ho gayi hain। par raaten to vahi hain jinamen ab sannaton ki goonj hai। dil un gamageen raton men doston ki sohabat me bhi sukoon nahin paata। chaandani raton men chaand ki aas rakhne vaale ye ekaki man isi tanhaai men apane aap ko dubo lena chahate hain। apane jazabaaton ko fir se tatolna chahate hain। shayad sardiyon ka ye peela chaand unake man ki ye muraad poori kare। vaise bhi us chaand se tanaha bhala aur kaun hai?
Bachapan se bade hote hote aisi kai shakhasiyat hamare jeevan men aati hain, jinase ham khasa prabhavit rahate hain। unase milne ki, dekhne ki aur do baate karne ki hasarat man men paale rahate hain। par jab kisi sukhad sanyog se hamari ye manokamna poori ho jaati hai to apane us prerna srot ke saamane apane aap ko niahshabd paate hain। par aisa sirf mere aapke jaise aam logon ke saath hi hota hai aisa bhi nahin hai। bade bade celebrity bhi jab apane pasandida vyaktitva ke paas apane aap ko paate hain to unki haalat bhi kuch vaisi hi ho jaati hai।
ek aisa hi kissa yad aata hai jo jaani mani abhinetri shabana azmi ne ek baar apane sakshatkar men apane priya shayar faiz ahmad 'faiz' ki yad men sunaya tha। jaisa ki aapako maaloom hoga ki ye saal faaiz ki janmashati varsh bhi hai to mainne socha kyoon na us rochak kisse ko aap sab se saajha kiya jaaye। shabaana ji ke liye faaiz, sheksapiyar, kits aur gaalib jaise ustad kaviyon shayaron se bhi jyada pasandida shayar rahe hain। ab unhin ki jubani suniye ki jab faaij se unki pratyaksh mulakaat hui to usaka unake dil o dimaag par kya asar pada...
"ek baar aisa hua tha ki mascow film festival ke dauraan mujhe pata chala ki faiz saahab bhi vahin hain to main bahut khushi se gai unase milne ke liye। to fir unhonne kaha ki beta tum shaam ko aao mujhase milne to main fir gai unake kamare men। to unhonne kaha ki kuch sher ho ge hain lo padho bilkul ne hain। menne zara sa khisiyate hue, sar khujate hue kaha ...
faiz chacha main urdu nahin padh sakti। vo ekadam se aagababoola ho ge aur kahane lage...
kya matalab hai tumhara ? namakool hain tumhaare maan baap ...
(yaad rahe ki shabana azmi maqbool aur azaeem shayar kaifi azmi ki beti hain aur faaiz unake mata pita ke achchhe mitron men se the। aisi ulahana aatmeeya mitron ko hi di ja sakti hai )
mainne safaai dete hue kaha ki aisa nahin hai। magar main shayari khoob achchhi tarah samajh sakti hoon। aap ki bahut badi prashansak hoon aur main urdu samajhti hoon। sirf likh padh nahin sakti। aap ki poori shayari mujhe munhajaubani yad hai। jaise ki.. jaise ki.. aur us vakat mujhe kuch bhi yad nahin aa raha tha। mainne kaha jaise ki
"dekh ki dil ki jaan se uthata hai
ye dhuaan sa kahan se uthata hai...."
to unhonne ek kash lete hue kaha. ki bhai ....vo to meer ka kalam hai...
mainne kaha ki nahin nahin mera matalab vo thodi tha matalab...
"baat karni kabhi mujhe mushkil kabhi aisi to na thi.."
to fir unhonne apani sigaret rakhi aur kaan khujate hue kaha ki dekhiye Meer ki had tak to theek tha par Bahadur Shah Zafar ko main shayar nahin maanta...
itana sunana tha ki mera chehara sharm se lal ho gaya aur kisi tarah munh chhupaate hue main kamare se nikal gai। mainne socha ye sachamuch samajhenge ki mujhe kuch nahin aata aur main baahar gai aur unki tamaam shayari mujhe pat pat pat pat pat yad aa gai। par us vakat main itana ghabada gai thi ki mujhe kuch yad nahin aaya। faaij chacha se mulakaat ka ye ek aisa vaakaya hai jo main jindagi bhar nahin bhooloongi।"
vaise kya aapako pata hai ki shabaana ek kushal abhinetri ke saath saath ek achchhi gaayika hain? suniye unki aavaaz faaiz ki ye mashahoor nazam jo hamesha se logon ki aavaaz ko hukmaranon tak pahunchaane ke liye prerit karati rahi hai। kuch varshon pahle mainne is nazam ko teena sani ki aavaaz men aap tak pahunchaya tha
Do saal pahle ibne insha ki rachanaaon kopadhte samay unki ye lanbi si kavita padhi thi. ek baar padhne ke baad kavita itani pasand aai thi ki kai kai baar padhi aur har baar antim panktiyon tak pahunchte pahunchte man men ek tees ubhar aati thi. kavita to sahej kar rakh li thi aur socha tha ki is saal bal divas ke avasar par aap tak ise jaroor pahunchaoonga par pichhale do hafton men ghar ke baahar rahane ki vajah se ye karya samay par sanbhav na ho saka.
pakistan ke is mashahoor shayar aur vyangyakaar ki nazamon aur kavitaon men ek aisi saadagi rahati hai jisake aakarshan men kya khaas, kya aam sabhi khinche chale aate hain. sher mohammad khan ke nam se ludhiyane men janme ibne insha ki ginti ese chuninda kaviyon men hoti hai jinhen hindi aur urdu donon bhashaon par samaan roop se maharat thi. isaliye kabhi kabhi unki rachanaaon ko kavita ya nazam ki paribhasha men baandhana mushkil ho jata hai.
ibne insha ne ye kavita sattar ke dashak men aae ithipoya ke akaal men peedit ek bachche ka chitra dekh kar likhi thi. bachche ki is avastha ne ibne insha ji ko itana vichalit kiya ki unhonne us bachche par itani lanbi kavita likh dali.
saat chhndon ki is kavita men ibne insha bachche ki badahali ka varnan karte hue badi khoobi se pathakon ke dilon ko jhakajhorte hue unka dhyaan vishva men faili aarthik asamaanta par dilaate hain aur fir ve ye sandesh bhi dena nahin bhoolte ki vibhinn mazahabon aur deshon ki seemaon men bante hone ke baavazaood ham sab usi aadam ki santaane hain jisase ye srishti shuru hui thi. lihaza duniya ka har bachcha hamara apana bachcha hai aur usaki jarooraton ko poora karne ka daayitva is vishb ki samast manav jaati par hai.
is kavita ko padhna apane aap men ek anubhooti hai. shayad ise padh sun kar aap bhi ibne insha ke khayalaton men apane aap ko doobata paayen
1. yah bachcha kaisa bachcha hai
yah bachcha kala-kala-sa yah kala-sa matiyala-sa yah bachcha bhookha bhookha-sa yah bachcha sookha sookha-sa yah bachcha kiska bachcha hai yah bachcha kaisa bachcha hai jo ret pe tanha baitha hai na isake pet men roti hai na isake tan par kapada hai na isake sar par topi hai na isake pair men joota hai na isake paas khilaunon men koi bhaalu hai koi ghoda hai na iska ji bahalane ko koi lori hai koi jhoola hai na isaki jeb men dhela hai na isake haath men paisa hai na isake ammi-abbu hain na isaki aapa-khaala hai yah saare jag men tanha hai yah bachcha kaisa bachcha hai
2.
yah sahara kaisa sahara hai na is sahara men baadal hai na is sahara men barakha hai na is sahara men baali hai na is sahara men khaosha (anaj ka guchha) hai na is sahara men sabza hai na is sahara men saya hai
yah sahara bhookh ka sahara hai yah sahara maut ka sahara hai
3.
yah bachcha kaise baitha hai yah bachcha kab se baitha hai yah bachcha kya kuch poochhata hai yah bachcha kya kuch kahata hai yah duniya kaisi duniya hai yah duniya kisaki duniya hai
4.
is duniya ke kuch tukadon men kahin fool khile kahin sabza hai kahin baadal ghir-ghir aate hain kahin chashma hai kahin dariya hai kahin oonche mahal atariya hain kahin mahafil hai, kahin mela hai kahin kapadon ke baazaar saje yah resham hai, yah diba hai kahin galle ke anbaar lage sab gehoon dhaan muhayya hai kahin daulat ke sandook bhare haan taamba, sona, roopa hai tum jo maango so haazir hai tum jo chaho so milta hai is bhookh ke dukh ki duniya men yah kaisa sukh ka sapana hai ? vo kis dharati ke tukade hain ? yah kis duniya ka hissa hai ?
5.
ham jis aadam ke bete hain yah us aadam ka beta hai yah aadam ek hi aadam hai vah gora hai ya kala hai yah dharati ek hi dharati hai yah duniya ek hi duniya hai sab ik data ke bande hain sab bandon ka ik data hai kuch poorab-pachchhim fark nahin is dharati par hak sabka hai
6.
yah tanha bachcha bechaara yah bachcha jo yahan baitha hai is bachche ki kahin bhookh mite {kya mushkil hai, ho sakta hai) is bachche ko kahin doodh mile (haan doodh yahan bahutera hai) is bachche ka koi tan dhaanke (kya kapadon ka yahan toda[abhav] hai ?) is bachche ko koi god men le (insan jo ab tak zinda hai) fir dekhiye kaisa bachcha hai yah kitana pyara bachcha hai
7.
is jag men sab kuch rab ka hai jo rab ka hai, vah sabka hai sab apane hain koi gaair nahin har cheez men sabka saajha hai jo badhataa hai, jo ugata hai vah dana hai, ya meva hai jo kapada hai, jo kambal hai jo chaandi hai, jo sona hai vah sara hai is bachche ka jo tera hai, jo mera hai
yah bachcha kiska bachcha hai ? yah bachcha sabka bachcha hai
Jagjit Singh ki gaai ghazalon ke safar men aaj aapako liye chalte hain assi ke dashak ki shuruaat men jab Jagjit Chitra ki jodi The Unforgettables ki safalta ke baad lokapriyata ke ne aayam sthapit kar rahi thi. Assi ki shuruaat men is jodi ne char pramukhalbums release kiye.. A Milestone (1980) ,The Latest (1982), Ecstasies (1984), A Sound Affair (1985).
A Milestone jahan janab Qateel shifaai ki likhi ghazalon par kendrit tha vahin The Latest Jagjit Chitra ki jodi ne Sudarshan Faakir ki ghazalon ko apani aavaaz di thi. Wahin anya do album smen Jagjitji ne alag alag shayaron ki ghazalon ko liya tha.
Baki albums to mainne unake release hone ke bahut baad men suna par Ecstasies ki cassette 84-85 ke dauraan ghar par aa chuki thi. Iss album ki jyadatar ghazalen halke fulke mijaaz ki thin. album ki shuruaat madanapal ki likhi ghazal
javaan hai raat saakiya, sharab la sharab la jara si pyas to bujha sharab la sharab la
..se hoti thi. High School ke un dinon men is ghazal ki dhun aur gaayiki se main is qadar prabhavit tha ki ise tarannum men gunagunana behad bhala lagata tha. To chaliye sunte hain na ek baar fir is ghazal ko
is album se judi ek yad chitra ji ki gaai ghazal... pasine pasine hue ja rahe ho ye bolo kahan se chale aa rahe ho ? ...se judi hai.
Meri badi di ne ye ghazal patna ke shrikrishna memoriyal haul men college ke ek karyakram men gaai thi. Di ne bataya tha ki jab vo stage par ga rahi thin to pichhali panktiyon men khade shrota pankha haank rahe the. Darasal is album ki jyadatar gazalen aisi thin jo saamaanya janon ko apani or badi aasaani se jod leti thin.
Is lihaaz se album ki do aur gazalen yad aa rahi hain. Pahali ghazal bade pyare lahaze men aapako ye pata karne men madad karati hai ki aap laveriya jaisi beemari se grasit hain ya nahin..
mere jaise ban jaaoge to ishk tumhen ho jaayega deevaron se takaraaoge jab ishk tumhen ho jayega
har baat gavara kar loge mannat bhi utara kar loge tabijen bhi bandhavaaoge jab ishk tumhen ho jayega
Agar Saeed Rahi ki likhi ye ghazal dil ko gudagudati thi to Bekal Utsahi ka ye kalam bhi ye sochane par mazaboor kar deta tha ki kamabakht ham kab tabaah honge?
jab se ham tabaah ho gaye tum jahaanpanah ho gaye
husn par nikhar aa gaya aaine sayaah ho gaye
Par itane dashakon baad agar aaj mujhe is album ki sabse behatareen peshakash bataane ko kaha jaaye to main Side B ki ant men Salam Machhalishehari ko dil ko chhoo jaane vali nazm bahut dinon ki baat hai ka hi jikra karana chahoonga. vo samay ho ya aaj ka waqt ye nazm hamesha dil ke kareeb hi rahi hai.
The Latest ki apani pasandida ghazalon 'charag o aafatam gum badi haseen rat thi', 'shayad main zaindagi ki sahar le ke aa gaya' ka jikra main sudarshan faakir ko di hui shrriddhanjali men main pahle hi kar chuka hoon. Sudarshan faakair ki tarah hi Qateel shifaai ki ghazalon ko Jagjitne kafi gaya hai. sirf kateel ko le ke banaya unka album A Milestone to sachamuch hi meel ka patthar saabit hua tha. aakhir
sadama to hai mujhe bhi ki tujh se juda hoon main lekin ye sochta hoon ki ab tera kyoon hoon main
aur
pareshan rat saari hai sitaaron tum to so jaao sukoot e marg tari hai sitaaron tum to so jaao
..jaisi bemisaal ghazalon aur Jagjitji ki umda adaegi ko bhala kaun bhool sakta hai ? Qateel ki shayari par aadhaarit shrrinkhala men in ghazalon ko sunava hi chuka hoon. jahan tak A Sound affair ki baat yad karoon to sirf do gazalen jaehan men ubharati hain . Ek to firaq gorakhapuri ki ghazal ye to nahin ki gam nahin aur doosari janab shahid meer ki likhi ye ghazal.
ai khauda ret ke sehara ko samandar kar de ya chhalakti hui aankhon ko bhi patthar kar de
tujhako dekha nahin mahasoos kiya hai mainne aa kisi din mere ehasaas ko paikar1 kar de 1 aakriti pradaan karana
aur kuch bhi mujhe darakar nahin hai lekin meri chaadar mere pairon ke barabar kar de
Ghazal ke har sher se nikala dard Jagjitki aavaaz men andar tak ghulta hua mahasoos hota hai. vaise ye bata doon ki ise likhne vaale shahid meer ek shikshak hain jinhonne aushadheeya vanaspati jaise vigyaan se jude vishay mein men Phd ki hui hai.
Jagjit ki gaai ghazalon ki is shrrinkhala ki agli kadi men hogi ek paheli jo taya karegi ki aapane Jagjit Singh ki ghazalon ko kitani dhyaan se aur kitana jyada suna hai....
Jagjit Singh par aadhaarit is shrinkhala men baat ho rahi thi unki gaai das sabse behatareen nazmon ki. pichhali post men mainne inamen se paanch nazmon ke baare men aapase baat ki. aaj baari hai baki ki nazmon ki. pichhali baar ki nazmon men jahan ek aashik ka dard rah rah kar baahar aa raha tha vahin aaj ki nazmon men isake aalava aapako ek filasafikal soch bhi milegi. in nazmon ne mujhe aur nisandeh aapako bhi baraha apani ab tak ki gujari hui jindagi ke baare men sochane par mazaboor kiya hoga. to aaj ki is kadi ki shuruaat karte hain nida faazali ki likhi is nazm se
Aapako yad hoga assi ki shuruaat men ek kanpani kalar tivi ke utpaad ko la kar baajaar men teji se ubhari thi. ye kanpani thi 'vestan'. isi kanpani ne 1994 men Jagjit ka ekalbum nikaala tha jiska nam tha 'Insight'. isalbum ki khaasiyat thi ki ismen sirf nida saahab ki kritiyon ko shamil kiya gaya tha. dohon v gazalo se saje isalbum men nida ji ki do ek nazmen bhi thin. unhi nazmon men se ek men jindagi ke nichod ko chand shabdon me jis salike se nida ji ne baandha tha ki ek baar sunkar hi man vichalit sa ho gaya tha.
Jagjit ka sangeet sanyojan bhi achchha tha. nazm ki shuruaat guitar (vaadak : arashad ahamad) aur saath men voilin (vaadak : deepak pandit) ki sammilit dhun se hoti hai. jaise jaise ye nazm aage badhati hai Jagjit nazm ki bhavanaaon ke saath nazm ka tenpo badalte hain aur jab Jagjit nazm ke aakhir men nahin dubara ye khel hoga... teen baar doharate hain to shayar ki baat aapke mastishk se hoti hui dil men achchhi tarah se sama chuki hoti hai. to gaur kijie nida faazali ke shabdon aur Jagjit ji ki gaayiki ki sammilit jaadoogari par...
ye zindagi..
ye zindagi.. tumhari aavaaz men gale se nikal rahi hai tumhaare lafazon men dhal rahi hai ye zindagi.. ye zindagi ..
ye zindagi jaane kitani sadiyon se yoon hi shaklen, badal rahi hai ye zindagi.. ye zindagi ..
badalti shaklon, badalte jismon chalta-firta ye ik sharara jo is ghadi nam hai tumhara isi se saari chahal-pahal hai isi se roshan hai har nazara sitare todo ya ghar basao kalam uthao ya sar jhukao tumhari aankhon ki roshni tak hai khel sara ye khel hoga nahin dubara ye khel hoga nahin dubara ye khel hoga nahin dubara
jahan nida faazali ne jeevan ko apani daarshanikta bhari nazm men baandha vahi mazaj lakhanavi ne apani jindagi ki hatasha aur nirasha ko apani mashahoor nazm 'aavara' men jyon ka tyon chitrit kiya hai aur fir Jagjit ne majaaz ke usi dard ko bakhoobi kahakashan men gaai apani is nazm men kaaid kiya hai. is nazm ki taakat ka andaza isi baat se lagata hai ki man ise sunkar hi nahin par ise पढ़ने se hi gamageen ho jata hai...
shahar ki rat aur main nashad-o-nakara firoon jagamagati jaagti sadakon pe aavara firoon gair ki basti hai kab tak dar-b-dar mara firoon ? ai gam-e-dil kya karoon, ai vahashat-e-dil kya karoon ?
raaste men ruk ke dam le loon, meri aadat nahin laut kar vapas chala jaaoon, meri fitarat nahin aur koi hamanavaan mil jaaye, ye kismat nahin ai gam-e-dil kya karoon ? ai vahashat-e-dil kya karoon ?
vaise Jagjit ne mazaj saahab ki is nazm ke kuch hi hisse gaaye hain.
mere is sankalan ki teesari nazm haialbum 'Face to Face' ki jisaki cassette mainne 1993 men kharidi thi. isalbum men ek nazm thi sabeer datt saahab ki. yah vahi datt saahab hain jinki rachna 'ik barahaman ne kaha hai ki ye saal achchha hai........' un dinon behad mashahoor hui thi. haal hi men mujhe is chitthe ki ek pathika ne mail kar ye saval poochha ki ye nazm kya ek chirstian geet hai?
sach kahoon to is prashn ko padhne ke pahle tak ye khyal kabhi mere jaehan men nahin ubhara tha ki is nazm ko aisa kaha ja sakta hai.
ismen koi shak nahin hariyana ke nami shayar Sabir Dutt saahab ne is nazm men bhagavan jeesas ki zaindagi ki ghatanaaon ko liya hai par vo yahan sirf ek prateek, ek bimb ke roop men istemaal hua hai. darasal Sabir ji ki ye nazm aaj ke daur ke is beimaan aur bhrasht samaj ka aaina hai. bhagavan Jesus ke roopak ka istemaal karte hue ve ye batana chahate hain ki jeevan men satya aur imanadari ki raah par chalne vaalon ko har tarah ki kathinaiyon ka saamna karana padta hai. nazm ke ant men hamare samaj par bataur kataksh karte hue sabeer logon ko sach na bolne ki salah de daalte hain. Jagjit ji ki is nazm ka sangeet sanyojan bhi apani tarah ka hai. is nazm men samooh svar ka istemaal bhi behad prabhavi dhng se kiya gaya hai.
sachchi baat kahi thi mainne logon ne sooli pe chadhaya mujh ko zahar ka jaam pilaya fir bhi un ko chain n aaya sachchi baat kahi thi mainne
le ke jahan bhi, vakt gaya hai zulm mila hai, zulm saha hai sach ka ye inam mila hai sachchi baat kahi thi mainne
sab se behatar kabhi n banana jag ke rahabar kabhi n banana peer payambar kabhi n banana
chup rah kar hi vakt gujaaro sach kahane pe jaan mat vaaro kuch to seekho mujh se yaro sachchi baat kahi thi mainne...
aur agar in sab nazmon ko sunane ke baad aapaka man kuch bhari ho gaya ho to kyoon na bachapan ki yaadon ko taza kar aapke mood ko badala jaaye. sudarshan faakair saahab ne kya umda nazm likhi thi ham sabke masoom bachapan ko kendra men rakhakar. jab bhi is nazm ko sunta hoon unki lekhani ko salam karne ko ji chahta hai.
Jagjit saahab jab bhi kaansarts men chir parichit dhun ke saath is nazm ka aagaaz karte the poora maahaul taaliyon se goonj uthata tha. vaise to baad kealbumon men is nazm ka sangeet thoda badal gaya v chitra ji ki aavaaz ki jagah sirf Jagjit ka solo hi sunane ko milta raha par aaj yahan main usi purane varsan ko aapke saamane prastut karana chahoonga
ye daulat bhi le lo, ye shoharat bhi le lo, bhale chheen lo mujhase meri javani magar mujhako lauta do bachapan ka savan, vo kaagaz ki kashti, vo barish ka pani
mohalle ki sabse nishani purani, vo budhiya jise bachche kahate the nani, vo nani ki baaton men pariyon ka dera, vo chehare ki jhurriyon men sadiyon ka fera, bhulae nahin bhool sakta hai koi, vo chhoti-si raaten vo lambi kahani
kadi dhoop men apane ghar se nikalna vo chidiya, vo bulabul, vo titali pakadana, vo gudiya ki shadi pe ladana-jhagadana, vo jhoolon se girana, vo gir ke sanbhalna, vo peetal ke chhallon ke pyare-se tohafe, vo tooti hui choodiyon ki nishani.
kabhi ret ke oonche teelon pe jana gharaunde banana,bana ke mitana, vo masoom chahat ki tasveer apani vo khvaabon khilaunon ki jagir apani, n duniya ka gham tha, n rishton ka bandhan, badi khoobasoorat thi vo zindagani
sach sudarshan ji us zindagi ka bhi apana hi ek maja tha..
das nazmon ke is sankalan ka samapan main javed akhtar ki likhi is nazm se karana chahoonga jise Jagjit ji ne apanealbum silasile ka hissa banaya tha. yealbum 1998 men aai thi par javed saahab ne is nazm men un ahasasaat ko apane shabd de diye hain jinase yakinan ham sabhi kabhi na kabhi jaroor gujar chuke hain ya gujarenge. is maaene men ye nazm samay ki seemaon se pare hai aur isi vajah se aaj ki in paanch nazmon men sabse jyada priya hai. Jagjit saahab ne apane ruhani svar se ise hamesha hamesha ke liye azar amar kar diya hai.
main bhool jaaoon tumhen main bhool jaaoon tumhen ab yahi munasib hai magar bhoolana bhi chahoon to kis tarah bhooloon ki tum to fir bhi hakikat ho koi khavab nahin
yahan to dil ka ye aalam hai kya kahoon kamabakht bhula saka n ye vo silasila jo tha hi nahin vo ik khayal jo aavaaz tak gaya hi nahin vo ek baat jo main kah nahin saka tum se vo ek rabt jo ham men kabhi raha hi nahin mujhe hai yad vo sab jo kabhi hua hi nahin agar ye haal hai dil ka to koi samajhaaye tumhen bhulana bhi chahoon to kis tarah bhooloon ki tum to fir bhi hakikat ho koi khavab nahin...
to janab Jagjit ki gaai meri das pasandida nazmen to ye thin
baat nikalegi to fir door talak jaaegi..
bahut dinon ki baat hai...
tere khushabu me base khat main jalata kaise..
koi ye kaise bataaye, ki vo tanaha kyon hai..
ab mere paas tum aai ho to kya aai ho?
ye zindagi jaane kitani sadiyon se yoon hi shaklen, badal rahi hai...
sachchi baat kahi thi mainne..
ye daulat bhi le lo ye shoharat bhi le lo
aye ghame dil kya karoon aiye vahashate dil kya karoon...
ujhe bhulana bhi chahoon to kis tarah bhooloon
janna chahoonga ki inamen se ya inake itar Jagjit ki gaai kis nazm ko aapane apane dil men basaya hai?
Jagjit Singh par apani shrinkhala ko aage badhate hue aaiye baat karen unki nazmon ki. par iska matalab ye nahin ki unki gaai gajalon ki baat khatm ho gai. darasal unki gaai hui pasandida gajalon ki ferahist itani lanbi hai ki kabhi kabhi samajh nahin aata ki is athah sagar men se kya chunoon aur kya chhodoon. par gajalon ki apeksha unki gaai nazmen kam hain aur unamen se adhikaansh bas kamaal hain. isiliye Jagjit saahab ke sangrah se apani das pasandida nazmon ko chunane men mujhe koi takalif nahin hui. to aaj ki post men baat karte hain inamen se paanch nazmon ki..
pichhali baar jab aapase Jagjit ji ke album The Unforgettable ki baat ho rahi thi to mainne aapase us album ki ek behatareen nazm ki charcha agli post tak ke liye multavi kar di thi. aaj ki baat usi nazm se shuru karte hain.
Agar aapako is baat ka udaaharan dena ho ki sirf ek nazm ke chalte kisi shayar ka nam varshon liya jata rahe to is nazm ki misaal di ja sakti hai. yoon to kafeel aazar bahut saalon tak filmon ke liye bhi likhte rahe, kai behatareen gazalen bhi kahin par baat nikalegi to fir door talak jaaegi...... ne unki kahi baat ko pichhale teen dashakon se lakhon gajal premiyon ne apane dil se nikalti aavaaz mana hai. dukh isi baat ka hai dilli men supurd-e-khak kiye ge is shayar ko vo shoharat unki zindagi men na mil saki jo ise gakar ham tak pahunchaane vaale Jagjit ji ko mili. pichhale hafte jab 'Universal' dvara nikaale ge rafi saahab ke gaaye kuch antim geeton ki charcha ho rahi thi to ye bhi baat anayas hi pata chali ki sangeetakaar chitragupt ne ye saare geet kafeel aazar se likhavaaye the. baharahaal kafeel ki kuch gazalen bhi lajavab sa kar deti hain. ab unake likhe in chand ashaaron ki baangee len..
dekh lo khvaab magar khvaab ka charcha n karo log jal jaayenge sooraj ki tamanna n karo
waqt ka kya hai kisi par bhi badal sakta hai ho sake tum se to tum mujh pe bharosa n karo
kirchiyan toote hue akas ki chubh jaayengi aur kuch roz abhi aaina dekha n karo
bekhyali men kabhi ungaliyan jal jaayengi rakh guzare hue lamhon ki kureda n karo
Jagjit apani mahafilon men is nazm ki kahani sunaate hue kahate hain ki unhonne ise pahali baar shama patrika men padha tha aur tabhi utaar liya tha. aapako jaan kar acharaj hoga ki aaj ham aur aap jis nazm ko Jagjit ji ki sabse behatareen gaai hui nazmon men ginte hain use Jagjit ji ne bataur sangeet nirdeshak bhoopendra se gavaya tha. voalbum nahin aaya , fir ek film bani usamen bhi ye nazm record hui par vo film beech men hi ruk gai. par Jagjit ko is nazm men bahati bhavanaaon ki gaharaai ka andaaz tha isaliye jaise hi HMV vaalon ne ek naye album ko nikaalne ke liye unako sveekriti di Jagjit ne ise sabse pahle record kiya.
kya bataayen ki kitani mohabbat thi mujhe is nazm se high school ke zamane se. ise sunte , gunagunaate aur na jaane man kaisa kaisa ho jata. shayar ke man men chahe jiska bhi dard raha ho vo, is nazm ke lafazon ko sunkar pahle to man men sahanubhuti ka bhaav umadta ghumadta aur fir vo kab na jaane apane dard men ekakar ho jata iska pata hi nahin lagata tha. Jagjit ji ki bemisaal gaayiki ke deevaane bhi shayad ham sab tabhi hue the.
baat nikalegi to fir door talak jaaegi log bevajah udaasi ka sabab poochhenge ye bhi poochhenge ki tum itani pareshan kyoon ho ungaliyan uthengi sookhe hue baalon ki taraf ik nazar dekhenge gujre hue saalon ki taraf choodiyon par bhi kai tanz kiye jaayenge kaanpte haathon pe bhi fikare kase jaayenge log zalim hain har ik baat ka tana denge baaton baaton me mera zikra bhi le aaenge unki baaton ka zara sa bhi asar mat lena varna chehare ke tasur se samajh jaayenge chahe kuch bhi ho savalat n karana unase mere baare men koi baat n karana unase
baat nikalegi to fir door talak jaaegi
kafeel saahab ki nazm ka jo mood tha jo kaifiyat thi usase milte julte ahasason se hi judi ek nazm uttar pradesh ke machhalishahar se taalluk rakhne vaale shayar salam machhalishehari ki bhi thi jise Jagjit saahab ne apane album Ecstasies (1984) ka hissa banaya tha. ye nazm kya thi saade zabaan men pahle mile pyar aur fir dutkar ki kahani thi. par Jagjit ki adaegi ka andaaz aisa tha ki nazm ke ant ki in panktiyon tak aate aate aavaaz rundhne si lagti thi.
vahi haseen shaam hai bahaar jiska nam hai chala hoon ghar ko chhodkar n jaane jaoonga kidhar koi nahin jo rokkar koi nahin jo tokkar kahe ke laut aaiye meri kasam n jaiye... poori nazm ko aap yahan padh aur sun sakte hain.
par Ecstasies ke baazaar men aane ke pahle anka ek auralbum Milestone aaya jisaki ek nazm 1982 men aai film 'arth' ka hissa bani thi. bhala rajendranath rahabar ki likhi vo nazm koi bhool sakta hai. vaise to rahabar saahab ki gajalon ko aaj bhi Jagjit Singh apanealbumon men shamil karte hain par rahabar saahab ko jo shoharat bataur shayar ke rup men mili hai usamen is nazm ka khasa haath raha hai. aaj bhale hi haath se likhi chitthiyan itihas ka hissa banti ja rahi hon par haath se likhe shabd sirf unake arth tak simat nahin jaate the balki use likhne vaale shakhs ki us vakat ki manahsthiti ka aaina hote the. aaj ke is e mail ke yug men agar aapako meri baat nagavar gujre to bas Jagjit ki aavaaz men is nazm ko sun ke dekh lijie.
jinako duniya ki nigahon se chhupaaye rakha, jinako ik umr kaleje se lagaaye rakha, deen jinako jinhen iman banaaye rakha
jinka har lafz mujhe yad tha pani ki tarah, yad the mujhako jo paigaam-ai-jubani ki tarah, mujh ko pyare the jo anamol nishani ki tarah,
toone duniya ki nigahon se jo bachkar likhe, saalaha-saal mere nam barabar likhe, kabhi din men to kabhi rat ko uthakar likhe,
tere khushabu me base khat main jalata kaise, pyar me doobe hue khat main jalata kaise, tere haathon ke likhe khat main jalata kaise,
tere khat aaj main ganga men baha aaya hoon, aag bahate hue pani men laga aaya hoon
aur jab film arth ka jikra hua ho to fir kaifi aazmi ki ye nazm jo tanahaai ki kitani shaamon ki saathi rahi, kaise bhulaai ja sakti hai.
koi ye kaise bataaye, ki vo tanaha kyon hai vo jo apana tha, vahi aur kisika kyon hai yahi duniya hai to fair, aisi ye duniya kyon hai yahi hota hai to, aakhir yahi hota kyon hai
ik jara haath badha de to, pakad le daman usake seene me sama jaaye, hamari dhadakan itani kurabat hai to fair, faasla itana kyon hai?
dil-e-barabad se nikala nahi abatak koi ik lute ghar pe diya karta hai dastak koi aas jo toot gayi hain, fair se bandhata kyon hai?
tum masarrat ka kaho ya ise gam ka rishta kahate hai pyar ka rishta hai janam ka rishta hai janam ka jo ye rishta to badalta kyon hai?
aapako yad hoga ki nabbe ke dashak ke praranbh men TV serial kahakashan men mazaj lakhanavi ki likhi nazm thi ab mere paas tum aai ho to kya aai ho? urdu faarsi ke tamaam jatil shabdon se bhari ye gajal apane aap men ek alag aalekh maangti hai. par yahan main sirf itana kahana chahoonga ki bina lafazon ke sahi mayane samajhe hue bhi jab Jagjit ki aavaaz men ye panktiyan kanon men goonjati thin....
vo gudaaz-e-dil-e-marahoom kahan se laaoon ab mai vo jazaba-e-masoom kahan se laaoon ab mere paas tum aai ho to kya aai ho?
.....to dil jaar jaar ho jaya karta tha.
aapane ik baat gaur ki hogi ki is aalekh men menne jo paanch nazmen chuni vo sab prem men toote hue dil ki vyatha ko chitrit karati hain. hamari peedhi par inka jaadu agar sar chadhkar bola to usaki ek vajah ye thi ki hamane ise kishoravastha se yuvaavastha ki seedhiyon ko chadhte hue suna. kam se kam mere liye aur mere jaise bahuton ke liye ye vo din the jab ekakipan ke lamahe hamen kaatne ko daudate the. aaj bhi ye nazmen un dinon ki smritiyan vapas le aati hain. aapaka kya khyal hai inake baare men ..jaroor bataiyega.
agli baar baki ki paanch nazmon ke saath punah haazir hota hoon.
Jagjit Singh ne ghazal gaayiki men jis mukaam ko chhua vo unhen aasaani se mila ho aisi baat nahin hai. char bahanon aur do bhaiyon ke bade parivar se taalluk rakhne vaale Jagjit Singh ke pita sardaar Amar Singh Dheeman ek sarakari mulazim the aur ve chahate the ki unka putra prashasanik seva men jaaye. par Jagjit ji ko sangayeet men bachapan se hi ruchi thi. pita unki is ruchi men aade nahin aae. shri ganganagar men shri chhaganlal sharma se aaranbhik shiksha lene ke baad Jagjit ji ne shastriya sangayeet ki shiksha ustad zamaal khan se li.
Vigyaan se intar karne ke baad vo jaalndhar chale aae. yahin colej ke karyakramon men vo hissa lene lagaye. Jagjit ji ke sakshatkaron men mainne unhen ye kahate suna hai ki aise hi ek karyakram men jab unhonne gana khatm kiya to log unki gaayiki se itane abhibhoot ho gaye ki unhen rok kar paise dene lagaye. un chhote chhote noton ko Jagjit ji shayad hi kabhi bhool paayen kyoonki shrotaon se mile is pyar ne unake man men ek ऍसे sapane ka sanchaar kar diya tha jisako poora karne ke liye unhonne kafi mehanat ki.
1965 men vo mumbai pahunche. shuruaati din bade kathinaai bhare the. vigyapanon ke jingles, shadiyon aur filmi partiyon men jahan bhi gane ke liye unhen nyauta mila unhonne asveekar nahin kiya. sangharsh ke in hi dinon men unki mulakaat chitra ji se hui aur 1969 men unhonne unase vivaah kar liya. sattar ke dashak men jab bhi koi ghazalon ki baat karta tha, sab ki jubaan par noorajahaan, begam akhatar, ke el sahagal, talat mahamood aur mahadi hasan jaise kalakaron ka nam aata tha. tab ghazal gaayiki ka apana ek alag shastriya andaaz hua karta tha par ye bhi tha ki tabaki ghazal gaayiki aam avaam se kahin door kuch niji mahafilon ki shobha bankar hi seemit ho gai thi.
Jagjit Singh ki dooradarshita ka hi ye kamaal tha ki unhonne is doori ko samajha aur ghazalon ke saath ek ne tarah ke sangayeet, halke bolon aur ghazalon men melodi ka put bharne ki koshish ki aur use janta ne haathon haath liya. 1976 men unka rileasehue album The Unforgettable ka neele rang ka kaiset kavar mujhe aaj tak yad hai. yoon to is album ki tamaam gazalen aur nazamen charchit hui thin. par is album ko yaadgaar banane men mukhya bhoomika rahi thi ameer meenaai ki ghazal sarakti jaaye hai rukh se.. aur ek utani hi sanvedansheel nazam se.
par inki baat karne se pahle baaten is album ki kuch anya ghazalon ki jinake kuch ashaaron ko gunagunane men ab bhi vahi aanand aata hai jo tab aaya karta tha. misaal ke taur par jigar muradabaadi ki is ghazal ko len. kya dil ka dard jubaan tak aata nahin mahasoos hota aapako?
dard badh kar fugan1 na ho jaaye ye zamin aasamaan na ho jaaye 1. aartanaad
dil men dooba hua jo nashtar2 hai mere dil ki jaubaan na ho jaaye 2. khanjar
fir tarik badayunni ke kalam ko chitra ne is karine se gaya hai ki kanon men sangayeet ki shama khud b khud jal uthati hai
ik na ik shamma andhere men jalae rakhiye subah hone ko hai maahaul banaaye rakhiye
jin ke haathon se hamen zakhm-e-nihan 3pahunche hain vo bhi kahate hain ke zakhmon ko chhupaye rakhiye 3. chhupe hue jakham
chitra ji ki gaai sudarshan faakair ki ghazal ke ye ashaar bhi mujhe hamesha yad rahate hain
kisi ranjish ko hava do ki main zainda hoon abhi mujhako ahasaas dila do ki main zainda hoon abhi
mere rukne se meri saans bhi ruk jaayengi faasle aur badha do ki main zainda hoon abhi
par jab baat sarakti jaaye.... ki aati hai to mood pahle chahe jaisa bhi rahe ekadam se badal jata hai. Jagjit ji ki ye ghazal unake album men to thi hi, apani kaansarts men bhi vo ise badi tabiyat se gaate the. mere paas unka royal alabart haul men gaya hua varsan bhi hai jisamen vo ameer meenaai ki ghazal ki shuruaat ke pahle ye pyara silasila shuru karte the...
mazare kais par jab ruh-e-laila ek din aai to aramaanon ke murajhaaye hue kuch fool bhi laai lagi jab fool rakhne to kabr se aavaaz ye aai chadhana phool jaaneman magar aahista aahista
aur usake baad shuru hoti thi ameer meenaai saahab ki ghazal jisake char ashaaron ko gakar hi Jagjit man men aisa jaadu jagaate the ki dil sachamuch men baag baag ho jata tha. Jagjit khud maante hain ki ye pahali ghazal thi jisaki vajah se log unhen pahachanane lage.
sarakti jaaye hai rukh4 se naqaab aahista aahista nikalta aa raha hai aafatab5 aahista aahista 4. chehare, 5. sooraj
javaan hone lagaye jab vo to hamse kar liya parada haya yaqlakht6 aai aur shabaab aahista aahista 6. turant
shab-e-furqat7 ka jaaga hoon farishton ab to sone do kabhi fursat men kar lena hisab, aahista aahista 7. viyog ki rat
Live concert men Jagjit ne is makate ke ek alag hi mizaj ka jikra kiya tha. Jagjit ka kahana tha ki doosare misare men 'hujoor' aur 'janab' ke prayog men vahi antar hai jo ki lakhanoo aur punjab ke adab men. Jagjit ne jis andaaz men ye antar gakar samajhaya hai use sunkar aap muskuraya bina nahin rah paayengaye..
vo bedardi se sar kaaten ‘ameer’ aur main kahoon unase huzoor aahista aahista janab aahista aahista
is ghazal men ameer meenaai ke chand sher aur hain jinhen Jagjit ji ne gaya nahin hai.
saval-e-vasl8 pe unako udu9 ka khauf hai itana dabe honthon se dete hain javab aahista aahista 8.milne ki baat par, 9. pratidvndi
hamare aur tumhaare pyar men bas fark hai itana idhar to jaldi-jaldi hai udhar aahista aahista
vaise is ghazal se to aap vaakif hongaye hi par ye bataayen ki isake shayar ameer meenaai ke baare men aap kitana jaante hain? aksar ham in lazavab ghazalon ko likhne vaalon ko apani yaadadasht se nikaal dete hain. par agar aisi gazalen likhi hi nahin jaatin to Jagjit jaise mahaan fanakar ham tak inhen pahunchate kaise? to chaliye jaanen ameer saahab ke baare men.
Ameer meenaai ki paidaish 1826 men Lucknow men hui thi . janab mujaffar ali aseer ki shagirdi men unki kavyatmak pratibha ka vikas hua. 1857 ke vidroh ke baad ve rampur chale gaye jahan pahle ve navab yoosuf ali khan aur fir kalab ali khan ke darabaar men rahe. unki adhikaansh kritiyan isi kaalakhand ki hain.
ameer meenaai ki shayari ko jitana mainne पढ़ा hai usamen mujhe mohabbat aur rusavaai ka rang hi jyada nazar aaya hai. unake likhe kuch ashaar pe gaur karen
zabt kamabakht ne aur aa ke gala ghonta hai ki use haal sunaoon to suna bhi na sakoon
bewafa likhte hain vo apani kalam se mujhako ye vo kismat ka likha hai ki mita bhi na sakoon
aisa hi kuch rang yahan bhi dikhta hai
kah rahi hai hasr men vo aankh sharamaai hui haaye kaise is bhari mahafil men rusavaai hui
main to raj e dil chhupaaoon par chhipa rahane bhi de jaan ki dushman ye zalim aankh lalachai hui
gard udi aashik ki turabat se to jhunjhala ke kaha vaah sar chadhne lagi paanv ki thukaraai hui
ameer saahab ki shayari ke do sankalan 'maraf ul ghazab' aur 'sanam khan e ishq' bataaye jaate hain. unhonne ek urdu shabdakosh bhi banaya jo kisi vajah se prakashit nahin ho paaya. rampur ke navaabon ke intakaal ke baad ameer, Hyderabad men nijaam ke darabaar men chale gaye. par haidarabad ki aabohava unhen ras nahin aai aur 1900 men ve chal base.
Jagjit ki jis doosari peshakash ki wajah se ye album kabhi na bhoolne vala ban gaya hai usaki charcha karenge agli post men...
