Barahavi paaydaan par pahali baar is saal ki sangeetamala men pravesh kar rahe hain sangeetakaar saazid vazid.par film dabng ke liye nahin balki saal ke shuru men aai film 'veer' ke liye.geet ke bol likhe hain gulazaar saahab ne aur ise apani aavaaz di hai rekha bharadvaj ne.jab bhi kisi geet ke kredit men rekha ji ka nam aata hai geet ki prakriti ke baare men bahut kuch andaaj mil jata hai.soofi sangeet se apane kairiyar ki shuruaat aur pahachaan banane vali rekha ji ne jahan pichhale kuch varshon men lokageet ke rang men samaaye theth geet gaaye hain vahin up shastriya geeton men bhi unki aavaaz aur layakari kamaal ki rahi hai।
apane usi andaaz ko rekha ji ne veer film ki is 'thumari' men barakaraar rakha hai.vaise shastriya sangeet se jyada nahin jude logon ke liye up shastriya sangeet ki is vidha ke baare me kuch baaten janna rochak rahega.shastriya sangeet ke jaanakar unnisavi shatabdi ko thumari ka udbhav kaal batate hain.thumari se jude geet roomani bhaavon se otaprot hote hue bhi saatvik prem par aadhaarit hote hain aur aksar in geeton men nayak ke roop men bhagavaan krishn yaani hamare kanha hi nazar aate hain.thumari ki lokapriyata lakhanoo men navab vazid ali shah ke shasankaal men badhi.
thumari men ragon ke sammishran aur adakari ka bada mahatatva hai.vaise to aksar thumariyan rag khamaaz,peelu v kafi par aadhaarit hoti hain par sangeetakaar saazid vazid ne is thumari ke liye ek alag rag chuna.apane is geet ke baare men vo kahate hain
hamane is thumari men kisi ek thaat ka prayog nahin kiya jaisa ki praayah hota hai.jis tarah hamane is geet men mishrit rag se vishuddh rag nand men pravesh kiya vo rekha ji ne khoob pasand kiya.geet men tabla usi tarah bajaya gaya hai jaisa aaj se dedh sau varshon pahle bajaya jata tha.hamane aisa isaliye kiya taki jis kaal parivesh men ye film rachi gai vo usake sangeet men jhalke।
thumari uttarapradesh me pali badhi is liye is roop men rache geet brijabhasha men hi likhe ge.gulazaar saahab ne thumari ka vyakaran to vahi rakha par geet ke bolon se (khaaskar antaron men) kisi ko bhi gulazarish bhavanaaon ki jhalak mil jaaegi.kanha ki yad men vikal nayika ki virah vedna ko jab din ke ujiyare, saanjh ki aabha aur andhiyari rat ki kaalima jaise prakritik binbon ka saath milta hai to vo aur pragadh ho jaati hai.
geet ek koras se shuru hota hain jisamen aavaaze hain shareeb toshi aur shabaab saabari ki.fir rekha ji ki kanha ko dhoondhati aavaaz dilo dimaag ko shaant aur geet men dhyanamagn sa kar deti hai.mukhade aur koras ke baad geet ka tempo ekadam se badal jata hai aur man geet ki laya ke saath jhoom uthata hai.vaise bhi gulazaar ki lekhani me..saanjh samay jab saanjh lipatave, lajja kare baawari. jaise bolon ko rekha ji ka svar milta hai to fir kahane ko aur rah bhi kya jata hai..
pavan udave batiyan ho batiyan, pavan udave batiyan
tipo pe n likho chithiya ho chithiya, tipo pe n likho chithiya
chitthiyon ke sandese videse javenge jalengi chhatiyan
kanha aa.. bairan huyi baansuri
ho kanha aa aa.. tere adhar kyoon lagi
ang se lage to bol sunave, bhaye n munhalagi kanha
din to kata, saanjh kate, kaise kate ratiyan
pavan udave batiyan ho batiyan, pavan udave batiyan..
roko koi roko din ka dola roko, koi doobe, koi to bachave re
mathe likhe maare, kare andhiyare, koi aave, koi to mitave re
saare band hai kivade, koi aare hai n paare
mere pairon men padi rasiyan
kanha aa.. tere hi rang men rngi
ho kanha aa aa... haaye saanjh ki chhab saanwari
saanjh samay jab saanjh lipatave, lajja kare baawari
kuch na kahe apane aap se aapi karen batiyan
din tera le gaya sooraj, chhod gaya aakash re
kanha kanha kanha.....
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