Annual Music Countdown 2010 Sartaaz Geet: Dil to bachcha hai jee...

To bhaiyon evam bahanon vaarshik sangeetamala ke dhaai mahine ke safar ke baad vakat aa gaya hai sarataji bigul bajaane ka. yahan sangeetakaar v geetakar ki vahi jodi hai jisane pichhale saal bhi milkar sarataj geet ka khitab jeeta tha. vaise to pahali paanch poyadanon ke geet apane aap men kamaal hain par pahali poyadan ka ye geet har lihaaz men alahada hai. baki poyadanon ke geeton ko oopar neeche ke kram men sajaane men mujhe kafi mashakkat karni padi thi. par pahali sidhi par virajamaan ishkiya film ka ye geet kabhi apani jagah se tas se mas nahin hua. is geet ke bolon ka asar dekhiye ki saal poora hua nahin ki geet ke mukhade ko lekar ek nai film rileez bhi ho gai.

ji haan is saal ek shaam mere naam ki vaarshik sangeetamala ka sarataj banane ka gaurav haasil kiya hai gulzar ke likhe, vishal bharadvaj dvara sangeetabaddh aur rahat fateh ali khan dvara gaaye geet dil to bachcha hai ji ne... is geet ke baare men naseer bhaai (jin par ye gana filmaya gaya hai)ki tippani dilachasp hai. naseer kahate hain..

"gane ka kaam hai film men mood ko kriet karana. jo jazabaat us waqt haavi hain film men, usako rekhaankit (underline) karna. mujhe nahin maaloom tha ki ye gana film men background men hoga ki main ise gaoonga. ek tarah se ye achchha hi hua ki mainne gaya nahin kyoonki isase usase us aadami (kiradaar) ke dil ke khayalat aur zahir hue."

gulzar ke baare men naseer kahate hain 

"aadami utna hi javaan ya boodha hota hai jitana aap use hone dete hain aur gulzar bhaai dil se naujavaan hain. bahut kuch aisa hai gulzar men jo aadami unse apeksha nahin kar sakta aur yahi ek sachche kalakar ki nishani hai."

sach, kaun nahin jaanta ki pyar karne ki koi umr nahin hoti. aur ye bhi ki prem men pad jaane ke baad hamara mastishk man ka das ho jata hai. par un sarvavidit ahasason ko gulzar itani nafasat se geet ki panktiyon men utarte hain ki sunkar man thaga sa rah jata hai.

gulzar ki kalakari isi baat men nihit hain ki vo hamare aas paas ghatit hone vali chhoti se chhoti baat ko badi safaai se pakadate hain . ab isi geet men prem ke manovigyaan ko jis tarah unhonne samajha hai usaki ummeed sirf gulzar se hi ki ja sakti hai. ab geet ki is pankti ko len

haaye jor karen, kitana shor karen

bevaja baaton pe ain ve gaur karen

bataiye is 'ai ve' ki anubhooti to ham sab ne ki hai. kisi ki bevajah ki bakavaas ko bhi mantramugdh hote hue suna hai. bol kya raha hai vo sun nahin rahe par usaki aavaaz aur adaen hi dil ko lubha rahi hain aur man khush.. bahut khush.. hua ja raha hai. par kya kabhi socha tha ki koi geetakar prem men hone vaale in sahaj se ahasason ko geet men dhaalega?

gulzar ki kisi jazabe ko dekhne aur mahasoos karne ki adbhut kshamata to hai hi par saath hi unake binb bhi bade prabhavashali hote hain.mukhade men dhalti umr ka ahasaas dilane ke liye unka kahana daant se reshami dor katati.. nahin...man ko lajavab kar deta hai.

sangeetakaar vishal bharadvaj ne is geet ka sangeet ek retro ki feel deta hai. aisa lagata hai ki aap sath ke dashak ka gana sun rahe hain. vaadya yantron ke nam par kahin halka sa gitar to kahin tali ko sangat deta hua haaramoniyam sunaai de jata hai. rahat fateh ali khan ko aksar sangeetakaar vaise geet dete hain jisamen soofiyat ke saath oonche suron ke saath khelne ki rahat ki maharat istemaal ho. par vahin vishal ne isase theek ulat si paristhiti vaale (jhijhakte sharmate fusafusaate se geet men) men rahat ka istemaal kiya aur kya khoob kiya. to aaiye pahle sunen aur gunen ye geet

aisi ulajhi nazar unase hatati nahin...

daant se reshami dor katati.. nahin...

umr kab ki baras ke sufed ho gayi

kari badari javani ki chhatati nahin

varna yah dhadakan badhane lagi hai

chehare ki rangat udne lagi hai

dar lagata hai tanha sone men ji

dil to bachcha hai ji...thoda kachcha hai ji

kisako pata tha pahalu men rakha

dil aisa paji bhi hoga

ham to hamesha samajhte the koi

ham jaisa haji hi hoga

haay jor karen, kitana shor karen

bevaja baaton pe ain ve gaur karen

dil sa koi kameena nahin..

koi to roke , koi to toke

is umr men ab khaaoge dhokhe

dar lagata hai ishk karne men ji

dil to bachcha hai ji

aisi udaasi baithi hai dil pe

hansane se ghabra rahe hain

saari javani katra ke kaati

beedi men takara ge hain

dil dhadakta hai to aise lagata hai voh

aa raha hai yahin dekhta hi na ho

prem ki maren katar re

tauba ye lamhe katate nahin kyoon

aankhen se meri hatate nahin kyoon

dar lagata hai tujhase kahane men ji

dil to bachcha hai ji,thoda kachcha hai ji

par geet ko poori tarah mahasoos karana hai is geet ka video bhi dekhiye. geet ka filmaankan badi khoobasoorati se kiya gaya hai. naseer munh se kuch nahin bolte par unki aankhen aur chehare ke bhaav hi sab kuch kah jaate hain..

isi ke saath vaarshik sangeetamala ka ye saalana aayojan yahin samapt hota hai. jo saathi is safar men saath bane rahe unka bahut aabhaar.  

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Annual Music Countdown 2010 Song No. 3: Sajda tera sajda din rain karoon .na hi chain karoon..

Vaarshik sangeetamala ka sarataj bigul bajane men ab sirf do poyadanon ki doori hai. yaani aaj hai teesari poyadaan ki baari. geetamala ki is sidhi par jo geet hai usaki khaas baat ye hai ki ye geetakar ka racha pahla geet hai. geetakar vahi jo noor e khauda ke saath aapase beesavin poyadaan par mukhatib hue the. ji haan film My Name Is Khan ka likha geet sajada niranjan ayngar ka bataur geetakar racha pahla geet hai.

niranjan ke kachche geeton se pakke geetakar banane ka vaakaya main aapase pahle hi baant chuka hoon. sangeetakaar shankar ahasaan loe ne film ki patakatha ke hisab se ek aise geet ki darakar thi jisamen prem ke saath soofiyat ka rang bhi ho aur jisaki shuruaat sajada jaise shabd se ho. niranjan ko isi aadhar par ek kachche geet ko likhne ka kaam saunpa gaya. niranjan ne jo geet racha use jab karan zaauhar ghar le ke ge to geet ke bol sun kar unki maan ne poochha kya ise javed saahab ne likha hai? baad men karan aur shankar ekamat hue ki jo geet niranjan ne likha hai vo hi film men jaayega.

par kya aapke man men ye prashn nahin aa raha ki ek tamil hote hue bhi niranjan ayngar ne apane pahle kuch geeton men hi soofiyat ka itana pyara rang kaise dal diya? darasal niranjan ko soofi aur urdu kaviyon ki rachanaayen shuru se bhati rahi hain aur ve bulle shah, gulam farid, zigar muradabaadi aur ahamad faraaz jaise shayaron ko nirantar padhte rahe hain.

sajada ek aisa geet hai jiska sangeet sanyojan aur gaayiki avval darje ki hai. geet shuru hota hai ॠचा sharma ke gahare svar men. richa prem men apane rom rom doob jaane ki baat khatm karati hi hain ki rahat apani ruhani aavaaz men sajada shabd ko is tarah uthate hain ki dil vaah vaah kar uthata hai. par jab in gaayakon ke surile svar ke baad koras ubharta hai ye geet ek alag hi dharatal par pahunch jata hai aur kya aam kya khaas sabhi sangeetapremi ise gunagunane nazar aate hain.

shankar ahasaan loe ne intaralyoods men sinthesaaijar aur table ke sanyojan se jo dhun nikali hai vo sahaj hi aapaka dhya

n kheenchti hai. shankar is geet ke baare men kahate hain ki ek sahaj geet ko sangeetabaddh karana mushkil hota hai. khaaskar tab jab vo dil ko chhoote vo ek sahi aur pyari si baat bhi kahata chale. par is mushkil kaam ko nibhane men shankar ahasaan loe ki jodi safal rahi hai.

aaiye sunen ye nagma jo prem ki baat ko ek aadhyatmik rang deta hua chala jata hai...

rom rom tera nam pukare

ek hue din rain hamare

ham se ham hi chhin ge hain

jab se dekhe nain tihaare

sajada ….

teri kali ankhiyon se zaind meri jaage

dhadakan se tej daudoon, sapanon se aage

ab jaan lut jaaye, ye zahan chhoot jaaye

sang pyar rahe, main rahoon na rahoon

sajada tera sajada, din rain karoon .na hi chain karoon

sajada tera sajada, lakh baar karoon meri jaan karoon

ab jaan ....sajada tera sajada....

ranjhana.. naino ke teer chal ge..

saajana.. saanson se dil sil ge…

palakon men chhupa loon, tera sajada karoon

seene men sama loon, din rain karoon

palakon men chhupa loon, seene men sama loon

tere ang ang rang mera bole

ab jaan ....sajada tera sajada....

beliya…kya hua jo dil kho gaya

maahiya.. ishk men khauda mil gaya

jara ankh se pila de..tera sajada karoon

jara khavab saja de..o din rain karoon

ab jaan ....sajada tera sajada....

teri kali ... na rahoon

sajada tera sajada.....

vaise is geet ke dauraan shaharukh aur kajol ki shadi ko filmaya jana tha. shooting sthal tha colej aaf faain aartas kailifornia. par shadi ke liye sajavat ke liye rang birange kapade se pandal sajana tha. par shooting ke dauraan hava itani tej ho gai ki shadi ko ek bade ped ke neeche shoot karana pada.

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Annual Music Countdown 2010 Song No. 6: Tere Mast Mast Do Nain....

Kuch saal pahle ki baat hai janab amazad islam amazad saahab ka ik sher padha tha. saalana sangeetamala ki chhathi poyadaan par virajamaan is geet ko dekh kar vahi sher barabas yad aa jata hai

jaati hai kisi jheel ki gaharaai kahan tak

aankhon men teri doob ke dekhenge kisi din

sach kisi bhi chehare ki jaan hoti hain ye aankhen. isiliye shayaron ki kalam jab bhi inki tarif men chali hai..chalti hi gai hai. aur natija ye hai ki

in aankhon ki masti ke mastaane hajaron hain

in aankhon ke vaabasta afsane hajaron hain

unhin afsanon ko aur samriddh karta faiz anavar ka likha film dabng ka ye geet aise hi do manachale shokh nayanon ki kahani kah raha hai. vaise bhi nainon ke var se aashik janm janmaantar se ghaayal hote rahe hain. jagajeet ji ki gaai gajal ki vo panktiyan yad hai na aapako

unki ik nazar kaam kar gai

hosh ab kahan hosh e yar men

dabng ka ye geet saal ke sabse charchit men se ek raha hai aur isaki mukhya vajah hai saazid vazid ki behad karnapriya dhun aur rahat ki gaayiki. vaise kya aapako pata hai ki in bhaiyon ki sangeetakaar jodi men kaun bada hai aur kaun chhota? chaliye aapki mushkil main aasaan kiye deta hoon. bade hain saazid jinhen ridam men khaas maharat haasil hai vahin chhote bhaai vazid shastriya sangeet seekhe hue gayak hain. sangeet inake parivar men kaipeedhiyon se juda raha hai. inake pita ustad sharafat khan maane hue tabla vaadak hain.

is jodi ne jis tarah poore geet men table aur intaralyoods men gitar ka istemaal kiya hai vo ek baar sun kar hi man mohit ho jata hai. par geet ko lokapriyata ke is mukaam tak pahunchaane men rahat ki gaayiki ka bhi barabar ka haath raha hai. vaise is geet ko rahat se gavaane ke liye saazid vazid ko kafi mashakkat uthani padi thi. munbai men jab rikarding karne ka samay aaya to rahat ko bharat aane ka visa nahin mil paaya. fir geet ki rikarding pakistan men hui to usaki gunavatta se saazid vazid santusht nahin hue. ant men saazid vazid ne rahat ko landan bulakar rikarding karavaai.

unki gaayiki par itana vishvaas rakhne vaale in sangeetakaron ke is parishram ko rahat ne vyarth jaane nahin diya aur sammilit prayason se jo natija nikala vo geet ke baajaar men aate hi har sangeetapremi shakhas ke hothon par tha. to aaiye ek baar fir se aanand len is geet ka.

taakate rahate tujhako saanjh savere

nainon men... haaye, nainon men..... haaye...

taakate rahate tujhako saanjh savere

nainon men basiyan jaise nain ye tere

nainon men basiyan jaise nain ye tere

tere mast mast do nain

mere dil ka le gaye chain

mere dil ka le gaye chain

tere mast mast do nain

pahle pahal tujhe dekha to dil mera

dhadka haaye dhadka, dhadka haaye

jal jal utha hoon main, shola jo pyar ka

bhadka haaye bhadka, bhadka haaye

neendon men ghul gaye hain sapane jo tere

badle se lag rahe hain andaaz mere

badle se lag rahe hain andaaz mere

tere mast mast do nain...

mahi beaab sa, dil ye betab sa

tadapa jaaye tadapa, tadapa jaaye

nainon ki jheel men, utra tha yoon hi dil,

dooba jaaye dooba, dooba jaaye

hosho havaas ab to khone lage hain

ham bhi deevaane tere hone lage hain

ham bhi deevaane tere hone lage hain

tere mast mast do nain...

taakate rahate tujhako saanjh savere

nainon men bansiya jaise nain ye tere

nainon men bansiya jaise nain ye tere

tere mast mast do nain.....

aur geet ka video jo salman aur sonakshi sinha par filmaya gaya hai ye raha.



sonakshi kahati hain ki vo sirf sapane men sochti thi ki unki aankhon ko kendra men rakhakar koi geet filmaya jaaye. aur dekhiye unka sapana kitani jaldi poora ho gaya. chalte chalte unake nayanon ke liye to bas yahi kahana chahoonga ki

doob ja un hasin aankhon men faraaz

bada haseen samandar hai khudakushi ke liye

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Annual Music Countdown 2010 Song No. 7: Sureeli ankhiyon vaale, suna hai teri ankhiyon se...

Ankhiyan bhi kya surili ho sakti hain? sach kahoon to kabhi aankhon ke surilepan ko jaanchane ki koshish ki hi kahan mainne? shayad usake liye Gulzar jaisi shayarana tabiyat ki jaroorat thi. haan ye jaroor hai ki jab se Gulzar ne aankhon ke liye is visheshan ka istemaal apane likhe is geet men kar diya hai tabse main bhi ek jodi surile nayanon ki talash men hoon. dekhoon dhoondh paata hoon ya nahin :)!

shayaron ki yahi to khaasiyat hai ki aise aise roopakon ko istemaal karte hain jinhen sun kar sunane vala pahle to ye sochta hai ki ye khayal usake man men pahle kyoon nahin aaya aur fir lipatata chala jata hai shayar dvara bichhaaye ge kalpanaaon ke jaal men. vaarshik sangeetamala ki saatavin poyadaan par film veer ka ye geet hridaya men kuch aisa hi ahasaas de kar chala jata hai.

Sajid Wajid vaise to bataur sangeetakaar pichhale barah saalon se film udyog se jude hain. par unake dvara rache ge pahle ke sangeet men ऍसी koi baat dikhati nahin thi ki unhen sangeetakaron ki bheed se alag drishti se dekha jaaye. is liye jab nirdeshak anil sharma ko angreji raj ke zamane ki is ऍतिहासिक prem katha ke sangeet rachane ke liye Sajid Wajid ka nam salman khan dvara sujhaya gaya to vo man se isake liye taiyaar nahin the. par Sajid Wajid ki jodi ne apane baare men unki soch ko badalne par mazaboor kar diya. geetakar Gulzar jinhonne pahali baar Sajid Wajid ke saath is film men kaam kiya ne pichhale saal skreen patrika men diye ge ek sakshatkar men kaha tha ki

Sajid Wajid behad pratibhashali hain. inhen inake hunar ke liye jo sammaan milna chaahiye vo ab tak unhen nahin mila. shayad is film ke baad logon men vo apani ek alag pahachaan banane men safal hon. pahali mulakaat men hi inhonne mujhe prabhavit kar diya. unnisavin shatabdi ke british raj men upaji is prem kahani ko paashchaatya aur lok dhunon ke jis sammishran ki aavashyakta thi vo in donon ne bhali bhanti poori ki hai.

khud bhaiyon ki ye sangeetakaar jodi maanti hain ki ye film unhen sahi samay par mili. agar kairiyar ki shuruaat men aisi film milti to usake saath ve poora nyay nahin kar paate. is film ko karte hue unhonne apane ek dashak se jyada ke anubhav ka istemaal kiya. sangeet ke har tukadon ko rachane ke liye poora vakt liya aur sahi asar paida karne ke liye geet ki 'laaiv' rikarding bhi ki.

gitar aur piyano ki parshva dhun se shuru hote is geet ko jab gulajaar ke bahate shabdon aur rahat ki sadhi hui gaayiki ka saath milta hai to mood romaantik ho hi jata hai. geet ke peechhe ke sangeet sanyojan men kam se kam vaadya yantron ka istemaal hua hai par usaki madhurta aur bahaav geet ki bhavanaaon ke anuroop hai. film ke pashchimi parivesh ki vajah se geet ka ek antra angreji men likha gaya hai jise soojan dimelo ne apani aavaaz se sanvara hai.

to aaiye doobate hain Gulzar ke shabdon ke saath rahat ji ke dvara gaaye hue is bemisaal geet men..

surili ankhiyon vaale, suna hai teri ankhiyon se

bahati hain neenden...aur neendon men sapane

kabhi to kinaron pe, utar mere sapanon se

aaja zameen pe aur mil ja kahin pe

mil ja kahin, mil ja kahin samay se pare

samay se pare mil ja kahin

too bhi ankhiyon se kabhi meri ankhiyon ki sun

surili ankhiyon vaale, suna hai teri ankhiyon se...

jaane too kahan hai

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Annual Music Countdown 2010 Song No. 8: Tu Na Jane Aas Paas Hai Khuda...

Chaliye badhate hain vaarshik sangeetamala ki aathavin paaydaan par. ham sab ke jeevan men ek vakat aisa bhi aata hai jab har baaji aapke khilaf palatati nazar aati hai. sangi saathi sab aapaka saath ek ek kar ke chhodane lagate hain. hatasha aur akelepan ki is ghadi men aage sab kuch dhundhala hi dikhta hai. aathavin poyadaan ka geet ek aisa geet hai jo zaindagi ke aise daur men vishvaas aur aasha ka sanchaar ye kahate hue karta hai mushkil ke in palon men aur koi nahin to vo ooparavala tumhaare saath hai.

film 'anajana anajaani' ke is geet ko gaya hai rahat fateh ali khan ne aur sangeet rachna hai vishal shekhar ki. vishal shekhar ko is geet ko banane ke pahle nirdeshak ne sirf itana kaha tha ki aapako aisa geet banana hai jisamen bhagavaan khaud insan ko apane hone ka ahasaas dila rahe hain. vishal shekhar ki jodi ke shekhar ravajiyaani ne jhatapat mukhada rach dala too na jaane aas paas hai khuda…. par is mukhade ke baki antre vishal dadalani ne likhe hain.

vishal shekhar ki jyadatar sangeetabaddh dhunen hindustani aur vestarn rok ke sammishran se bani hoti hain. darasal jahan shekhar ne vidhivat shastriya sangeet ki shiksha li hai vahin vishal munbai ke rok baind pentagram ke gayak rahe hain. is alag alag parivesh se aane ka prabhaav unake sangeet par spasht dikhta hai.

par jahan pichhale geet men irashad kamil ke bolon ko mainne geet ki jaan mana tha yahan vo shreya poori tarah se rahat fateh ali khan ko jata hai. unhonne poore geet ko itana doob kar gaya hai ki shrota geet ki bhavanaaon se apane aapako ekakar paata hai. mukhade ki unki adaegi itani jabaradast hai ki unki aavaaz ki prabalta aapako bhavavibhor kar deti hai aur man apane aap se gunagunane lagata hai too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…. vishal shekhar ke gitar ke intaralyoods man ko sukoon dete hain. rahat se har sangeetakaar koi saragam koi aalaap apane geeton men gavata hi hai. rahat yahan bhi apani usi maharat ka bakhoobi pradarshan karte hain.

to aaiye sunen is geet ko

dhundhala jaayen jo manzilen, ik pal ko too nazar jhuka

jhuk jaaye sar jahan vahin, milta hai rab ka raasta

teri kismat too badal de, rakh himmat, bas chal de

tere saath hi mere kadamon ke hain nishan

too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…

khud pe dal too nazar, haalaaton se haar kar kahan chala re

haath ki lakeer ko modta marodta hai, hausla re

to khud tere khvaabon ke rang men too apane zahan ko bhi rang de

ki chalta hoon main tere sang men, ho shaam bhi to kya

jab hoga andhera, tab paayega dar mera

us dar pe fir hogi teri subah

too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…

mit jaate hain sab ke nishan, bas ek vo mitata nahin, haay

maan le jo har mushkil ko marzi meri, haay

ho hamasafar na tera jab koi, too ho jahan rahoonga main vahin

tujhase kabhi na ek pal bhi main juda

too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…

film men ye geet ranaveer kapoor aur priyanka chopada par filmaya gaya hai.

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Annual Music Countdown 2010 Song No. 9: Man ke 'mat' pe mat chalio, ye jeete ji marva dega

Vaarshik sangeetamala ki navin poyadaan par ek baar fir aa rahe hain janab Rahat Fateh Ali Khan . rahat idhar kuch galat karanon se samaachaar patron men surkhiyan bator rahe the. apani roohani aavaaz se jo shakhas man ko shaant aur mudit kar deta hai usase is tarah ke aacharan ki ummeed kam se kam ham aur aap jaise prashansak to nahin hi kar sakte. aasha hai rahat is ghatna se sabak lenge aur bhavishya men jab bhi unki charcha ho to sirf unki gaayiki ke liye...

jab rahat ka pichhala geet solahavin poyadaan par baja tha to menne aapase kaha tha ki is saal ki vaarshik sangeetamala men rahat ne apane geeton se jo dhoom machai hai usaki misaal pahle ki kisi bhi sangeetamala men dekhne ko nahin mili. rahat ki gaayiki ke dabadabe ka andaaz aap isi baat se laga sakte hain ki is saal ke pratham das geeton men se paanch unake dvara gaaye nagme hain.

to ab baat karen navin poyadaan ke is geet ki jo liya gaya hai film 'aakrosh' se. anupam amod ki aavaaz men is film ka ek aur pyara geet sauda udanon ka hai ya aasamaanon ka hai, le le udanen meri.. aap pahle hi sangeetamala men sun chuke hain. aakrosh ka sangeet diya hai pritam ne aur likha hai Irshad kamil ne. darasal rahat ki gaayiki to apani jagah hai hi par is geet ki jaan hai Irshad kamil ke bol. roomaniyat bhare geeton men Irshad kamaal karte hain vo to aap pichhale saalon men jab vi met, lav aaj kal, ajab prem ki gajab kahani aur is saal Once Upon A Time In Mumbai sarikhi filmon men pahle hi dekh chuke hain. par aakrosh ke is geet men Irshad geet ke bolon men ek daarshanik chintan ka bhi sootrapaat karte hain. vaise to geet ke har antre men Irshad apani lekhani se chamatkrit karte hain par khaas taur par unki likhi ye panktiyan man ko lajavab sa kar deti hain.

"..man se thodi anaban rakhna,
man ke aage darpan rakhna
manava shakal chhupa lega.."

Irshad Kamil aaj hindi film sangeet men apani ek vishisht pahachaan banate ja rahe hain. par agar unake pita ki chalti to vo aaj injiniyaron ki jamat men khade hote. rasaayan shastra ke profesar ke putra hone ke nate unhen colej men ganit aur vigyaan vishayon ko jabaran chunana pada. aruchikar vishayon ka saath aur usake saath char char tyooshan karne ki baadhyata Irshad ko nagavar guzari. colej ki us vyast dinacharya men kamil kuch sukoon ki talash men rangamanch men ruchi lene lage. saal ke ant men jab nateeje nikale to vo ganit aur bhautiki men fel ho ge the. kamil ke pita ke liye vo nirasha ka din tha par kamil ise apani jindagi ki sabse achchhi asafalataon men ginte hain kyoonki is asafalta ne hi unhen jeevan ki nai disha pradaan ki.

vaise to manav man ki vichitrataon par pahle bhi geet likhe ja chuke hain aur Irshad saahab ka ye geet usi kadi men ek ullekhaneeya prayas hai. pritam sangeet ke saath yahan jyada prayog nahin karte aur geet ke fakirana mood ko apani dhun se barakaraar rakhte hain.

vaise man ke bhatakaav ke baare men sab jaante samajhte bhi kya ham isaki ichchhaaon ke aage ghutne nahin tek dete, isake das nahin ban jaate. khaaskar tab jab hamare hridaya men kisi ke prati prem ki vaitarani bahane lagti hai. to aaiye sunte hain is arthapoorn geet ko rahat ji ke svar men..



is geet ko aap yahan bhi sun sakte hain

ishk mushk pen jor na koi
manase badhakar chor na koi
bin aag badan sulaga dega
ye rag rag rog laga dega


man ke 'mat' pe mat chalio, ye jeete ji marva dega
man ke 'mat' pe mat chalio, ye jeete ji marva dega
maashook mohalle men jaake besabra roj daga dega
ho. man ki mandi, man vyapari, man hi man ka mol kare
ha ha ha...
bhool bhal ke nafa munafa, nain taraju tol kare
nain taraju tol kare
khud hi mol badha de manava, khud hi maal chhupa de manava
khud hi bhaav gira dega


man ke mat pe mat chalio, ye jeete ji marva dega


man bahakaaye, man bhatakaaye, man batalae sau raste
man ki mat men pyar hain manhaga, pran pakheru hain saste
pran pakheru hain saste
man se thodi anaban rakhna, man ke aage darpan rakhna
manava shakal chhupa lega
man ke mat pe chalio..

chalte chalte Irshad kamil ki likhi in panktiyon ke saath aapako chhodana chahoonga

jo saamane hai saval banake…
kabhi mila tha khayal banake…
degi use kya misaal duniya …
jo ji raha ho misaal banake

Irshad bataur geetakar ek misaal ban kar ubharen, meri unake liye yahi shubhakamanaayen hain.

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Annual Music Countdown 2010 Song No. 16 : Tum jo aaye zindagi mein bat ban gayi

Vaarshik sangeetamala ki solahavin poyadaan par is saal pahali baar tasharif la rahe hain janab rahat fateh ali khan saahab.rahat ne is saal ki geetamala par kitani gahari chhaap chhodi hai vo aap geetamala ke safar ke aakhair tak pahunchte pahunchte dekh hi lenge.film paap ke geet 'lagan lagi tumse man ki lagan' se munbaiya filmon men apane geeton ka safar shuru karne vaale rahat aaj apani bemisaal gaayiki ke zariye har sangeetakaar ki pahali pasand ban ge hain.par is pasand ki vajah kya hai?

darasal soofi gaayiki men maharat rakhne vaale rahat ne jab aapani aavaaz hindi filmon men deni shuru ki tabhi sangeetakaron ko samajh aa gaya tha ki is surili aavaaz ke taane baane men aise geet rache ja sakte hain jo tab tak maujaood gaayakon se nahin gavaaye ja sakte the.aaj har sangeetakaar gaayiki men unki aavaaz ke kamaal, lanbi pahunch, oonche suron ki jabaradast pakad ke hisab se geet taiyaar karta hai.rahat un geeton men apani or se bhi kuch naveenta late hain.alag alag tarah se gaaye ek hi geet ko sangeetakaron ko ve bhej dete hain aur sangeetakaar film ki sthitiyon ke hisab se unamen se ek ka chunaav kar lete hain.agar aapako saangitik samajh rakhne vala itana guni fanakar mil jaaye to fir aapako kya chaahiye।

solahavin poyadaan par film Once Upon a Time in Mumbai ke geet ko geetamala ke is mukaam tak pahunchaane men bhi rahat ki gaayiki ka bahut bada haath hai.saath hi sangeetakaar pritam ki bhi tarif karne hogi ki unhonne is geet men rahat ki aavaaz ke saath koras ka behatareen istemaal kiya hai.

paaya mainne paaya tumhen

rab ne milaya tumhen

honthon pe sajaya tumhen

nagme sa gaya tumhen

paaya mainne paaya tumhen

sab se chhupaaya tumhe

sapana banaya tumhen

neendon men bulaya tumhen

koras ki tej raftar aur karnapriya gaayiki bas aapaka mood ekadam se mast kar deti hai.vigyaan ke asafal vidyarthi se lekar hindi kavita men doctaret ki upadhi ka safar taya karne vaale irashad kamil jab geetakar honge to hi ishk men din ko sona aur rat ko chaandi men tabdeel hone ki soch to dekhne ko milegi hi। rahat ke liye likhe ge antaron men bhi unki panktiyan sidhe dil par asar karati hain.sahagayika ke roop men rahat ka saath diya hai tulsi kumar ne. par navodit gaayika ke roop men tulsi ne bhi rahat jaise manje kalakar ke saath gaate hue apana hissa bade karine se nibhaya hai.haan ye jaroor hai ki agar ye hissa shreya ghoshal ko diya gaya hota to mujhe is geet ko sunane men shayad jyada aanand aaya hota.

vaise aap men se bahuton ko shayad maaloom na ho ki tulsi, ti sirij ke malik svargeeya gulashan kumar ki suputri hain। apani gaayiki ka safar unhonne bhajan v bhakti geet se shuru kiya tha.dekhna hai ki hindi film sangeet men unka aage ka safar kaisa rahata hai.to aaiye geet ke bolon ke saath aanand len rahat ki adbhut gaayiki ka

tum jo aaye zindagi men baat ban gayi

ishk mazahab, ishk meri jat ban gayi

paaya mainne paaya tumhen...

tum jo aaye zindagi men baat ban gayi

sapane teri chaahaton ke

sapane teri chaahaton ke

sapane teri chaahaton ke dekhati hoon ab kai

din hai sona aur chaandi rat ban gayi

paaya mainne paaya tumhen...

chaahaton ka maza faasalon men nahin

aa chhupa loon tumhen hausalon men kahin

sabse oopar likha hai tere nam ko

khvahishon se jude silasilon men kahin

khvahishen milne ki tumse

khvahishen milne ki tumse roz hoti hai nayi

mere dil ki jeet meri baat ban gayi

ho tum jo aaye zindagi men baat ban gayi

paaya mainne paaya tumhen, rab ne milaya tumhen

zindagi bevafa hai ye mana magar

chhod kar raah men jaaoge tum agar

chheen laoonga main aasamaan se tumhe

soona hoga n ye do dilon ka nagar

raunake hain dil ke dar pe

raunake hain dil ke dar pe dhadakne hain suramai

meri kismat bhi tumhari saath ban gayi

ho tum jo aaye zindagi men baat ban gayi

ishk mazahab, ishk meri jat ban gayi

sapane teri chaahaton ke...ban gayi

paaya mainne paaya tumhen...

solahavi poyadaan ke saath is geetamala ka ek mahattvapoorn padaav samapt ho raha hai.bas itana kahana chahoonga ki isake oopar aane vaale pandrahon geet kisi na kisi drishti se vilakshan hai.mujhe yakeen hai ki in pandrah geeton men har ek ke saath ek shaam kya aapaka poora hafta gujar sakta hai to bane rahiye geetamala ke aane vaale in nageenon ke saath...

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Saajish mein shamil sara jahan hai, har zarre zarre ki ye iltiza hai,o re piya...

Rahat Fateh Ali Khan mausiki ki duniya men ek aisa nam hai jise sunkar hi man is sukoon se bhar uthata hai ki ab jo aavaaz kanon men chhalakegi vo dilo dimaag ko yakinan 'rahat' pahunchaegi. hindi film paap ke apane gaaye geet lagan lagi tumse man ki lagan se.. apana bolivud ka safar shuru karne vaale rahat har saal kuch chuninda gane gaate hain par kamaal ki baat ye hain ki unamen se adhikaansh aam aur khaas donon tarah ke sangeetapremiyon ke dil men samaan asar daalte hain.


Is saal bhi unhonne kuch kamaal ke geet gaaye hain aur is baat ka suboot aap ek shaam mere nam ki vaarshik sangeetamala 2010 men nishchay hi paayenge. par is blog par hone vaale saalana vaarshik sangeetamala ka jalase men to abhi bhi kareeb dhaai mahine ka samay baki hai.

Rahat saahab ka nam aksar unake chacha nusarat fateh ali khan ke saath liya jata hai. kavvaliyon ke betaj baadashah nusarat ki saangitik virasat ko rahat ne aage badhane ki koshish ki hai. par unake saath apani kisi tarah ki tulna ko vo bemani batate hain. rahat ek aise parivar men paida hue jahan sirf sangeet ki taaleem ko asali padhai mana jata tha. saat saal ki aayu se hi unhen sangeet ki shiksha di jaane lagi thi. aur to aur kya aap maanenge ki nau saal ki chhoti umr men hi unhonne apana pahla stej sho de diya tha.

sangeet ke prati unka ye samarpan unki gaayiki men jhalakta hai. ve koi geet tabhi gaate hain jab usake bol unhen pasand aate hai anyatha vo geet gane se hi mana kar dete hain. kisi geet ke bol usaki aatma hote hain. shayad yahi vajah hai ki gaate vakat apane ko geet ki bhavanaaon se is kadar juda paate hain maano geetakar ki kahi hui baaten un par khud hi beet rahi hain.

chaliye aaj aapako rahat saahab ka vo gana sunavate hain jo unhonne varsh 2008 men saleem sulemaan ke sangeetanirdeshan men film 'aaja nach le' ke liye gaya tha. is geet ke bol likhe the jayadeep saahani ne. jayadeep ke is geet men apane piya ke liye ek vikal pukar hai. poore geet ke bolon men jagah jagah haaye shabd ka prayog hua hai. rahat jitani baar 'haaye' kahate hain har baar usaka lahaza aur us se judi tadap rah rah kar ubharati hai.



o re piya haaye..haaye..haaye

udne laga kyoon man baavala re
aaya kahan se ye hausla re
o re piya haaye

vaise bhi jab hava ki chhooti sarasarahat, barish ki machalti boonden sab milkar unki hi yad dilaen to fir man ko masos kar kahan tak rakha ja sakta hai...

tanabaana tanabaana bunti hava haaye..
bunti hava
boonden bhi to aae nahin, baaj yahan haaye..
saajish men shamil sara zahan hai
har zarre zarre ki ye iltiza hai
o re piya, o re piya haaye
o re piya

rahat ki gaayiki ka sabse sukhad pahalu hai, unka apani gaayiki men shastriya sangeet ki seekhi hui vidha ka adbhut prayog. unake lagabhag har geet men ek saragam sunane ko aapako milegi jiska tempo saragam ke saath badhata chala jata hai. geet ke saath jab antre ke baad is saragam ko sunte hain to geet prem ki bhavanaaon se bhi kahin aage aapako ek alag hi duniya men le jata hai. rahat ki gaayiki ka ye pahalu unhen doosare gaayakon se alag kar deta hai.

ni re, re re ga
ga ga ma
ma ma pa
pa ma ga re sa
sa re re sa
ga ga re
ma ma ga
pa pa ma
dha dha pa
ni ni sa sa sa
pa sa ma pa dha ni sa ni
re ni sa sa sa....

nazaren bolen duniya bole
dil ki zabaan haaye dil ki zabaan
ishk maange ishk chahe koi toofan

haaye chalna aahiste ishk naya hai
pahla ye vada hamane kiya hai
o re piya haaye ..

nange pairon pe angaro
chalti rahi haaye chalti rahi
lagata hai ki gairon men
main palti rahi haaye
le chal vahan jo
mulk tera hai
zahil zamana
dushman mera hai
o re piya haaye ..

rahat ko 'live' is geet ko gaate dekhna chahenge....

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Annual Musical Countdown 2009 - Song No. 7- Man baawra Tujhe Dhoondhta, Rahat mesmerizes again with Shahab's brilliant lyrics..

Vaarshik sangeetamala ki saatavin paaydaan par bada hi khoobasoorat nagma hai jo pichhale saal janawari men pradarshit hui film aasamaan sky is the limit... ka hissa tha. yuva kalakaron ko lekar banaai gai ye film jyada to nahin chali par isane hindi film sangeet men sangeetakaar aur geetakar ke roop men do ne nam jaroor jod diye jinase aage bhi aise hi pyare geeton ko sunane ki ummeed rahegi.

Waise Rahat Fateh Ali Khan aksar bade bainaron ki filmon men apani aavaaz ka jaadu bikherte rahe hain. par is chhote bajat ki film ka ye geet unhonne isake hridaya ko chhoone vaale bolon aur behatareen dhun ko dekhakar hi chuna hoga. vaise to rahat ne is saal kuch jyada charchit filmon ke bhi nagme gaaye hain par un sabako sunane ke baad mujhe ye unake dvara sangeetapremiyon ki di hui is saal ki sabse behatareen saugat lagi. ye geet hai man baavara... jise likha Shahab Allahabadi ne aur is geet ki dhun banaai afsaar saazid ki yugal jodi ne.

Geet ke mood ke anuroop geet ke parshva men baansuri aur table ka prayog man ko sohta hai. rahat ki aavaaz ka dard, shastriya gaayiki par unki pakad, shahab ke arthapoorn bolon ko sidhe man ke bheetar le ja kar chhodate hain.

Yakaeen nahin hota to shahab ke bolon ko padhein aur fir aanand len rahat ki bemisaal gaayiki ka...



man baavara tujhe dhoondhata
paane ki khone ki paimaishen1
jeene ki saari meri khavahishen
aasamaan ye zahan, sab lage thahara
man baavara tujhe dhoondhata

1.naap jokh,

badagumaan tha nadan ye dil
dhadakega na kabhi
hosh kho baitha hai pagal
roothi hai zaindagi
khud se baaten kar karake hansna
bheed men bhi tanaha sa lagana
baj rahi hain jalatarangen
saanson ke daramiyan
man baavara tujhe dhoondhata...

unsiyat2 ke khavab chunkar
katati raaten meri
ilataza e deed3 lekar
bhatke aankhen meri
meelon lanbe ye faasle hain
bas tassuvar4 ke silasile hain
ratajage gumasum pade hain
palakon pe rayagan5

2. prem, 3.jhalak, 4. khayal, 5.bekaar

man baavara tujhe dhoondhata ....

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