Annual Music Countdown 2010 Song No. 18 : Pee loon , tere neele neele nainon se shabnam

Door se aata aalaap. gitar ki dhun men ghulta sa hua aur usamen se nikalti mohit chauhaan ki roomaniyat men doobi aavaaz ! vaarshik sangeetamala ki atharahavin poyadaan ke mukhade ko isi tarah paribhaashit kiya ja sakta hai. ab agar main ye kahoon ki is geet ko mujhe aapako sunana nahin balki is meethe se nagme ki chashni aapako pilani ho to kya aap is geet ko nahin pahachaan jaayenge? ji haan vaarshik sangeetamala 2010 ki 18 vin sidhi par baitha hai film Once Upon A Time In Mumbai ka geet. 19 vin poyadaan ki tarah hi is poyadaan par bhi sangeetakaar pritam aur geetakar irashad kamil ki jodi kaabiz hai.

irashad kamil aur pritam ne is geet men mil kar dikha diya hai ki jab arthapoorn bhavanatmak shabdon ko karnapriya dhunon ka sahaara mil jaaye to geet men char chaand lag jaate hain. geet ke mukhade men irashad kahate hain..

pi loon , tere neele neele nainon se shabnam

pi loon , tere geele geele hothon ki saragam

to man manachala ban hi jata hai ...geet ke ras ko aur peene ke liye

mukhade ke baad ke koras ka soofiyana andaaj bhi dil ko bhata hai.

tere sang ishk tari hai

tere sang ik khumari hai

tere sang chain bhi mujhako

tere sang bekarari hai

darasal ek premi ki maanasik avastha ko geet ki ye panktiyan bakhoobi ukerati hain.

pichhale saal diye apane ek sakshatkar men irashad kamil ne kaha tha ki aajakal ke tamaam geeton ke mukhade to dhyaan kheenchte hain par antaron men jaan nahin ho paane ke kaaran vo sunane vaalon ke dilon tak nahin pahunch paate. hona ye chaahiye ki jo bhavna ya vichaar mukhade ke zariye shrotaon tak pahuncha hai us bhaav ka vistar antre men dekhne ko mile.

irashad kamil ne is geet men bhi yahi karana chaha hai. irashad, premika ke aanligan ko ek bahati nadi ke sagar men mil jaane ke prakritik roopak men dhaalte hain vahin doosare antre men shrotaon ko prem ki parakashtha par le jaate hue kahate hain

pi loon teri dhimi dhimi laharon ki chhamachham

pi loon teri saundhi saundhi saanson ko haradam ...

pritam ke intaralyoods geet ke asar ko aur pragadh karne men safal rahe hain aur mohit ki aavaaz to ऍसे geeton ke saath hamesha se khoob fabati rahi hai. to aaiye aankhen band karen aur man ko geet ke saath bhatakne den. shayad bhatakte bhatakte aap apane un tak pahunch jaayen...

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Annual Music Countdown 2010 Song No. 21 : Man Lafanga Bada Apne Man Ki Kare...

Vaarshik sangeetamala ki 21 st position par ek aisa geet hai jisake sangeetakaar pahali baar 'ek shaam mere nam' ki kisi sangeetamala men dakhil ho rahe hain. dakhil hote bhi kaise? isake pahle unhonne 1997 men ek hindi film 'jor' ka sangeet nirdeshan kiya tha. hindi film sangeet se inka vanvas, bhagavaan ram ke vanvas se ek saal kam yaani terah saalon ka raha. par in varshon men ye bilkul sangeet se door rahe hon aisa bhi nahin hai. in terah saalon men ye kai vigyapanon geeton ke liye sangeet rachte rahe. bachapan se hi vina bajaane men ruchi rakhne vaale aur injiniyaring men padhte vakat gitar bajaane men maharat haasil karne vaale ye sangeetakaar hain aar anadh.

pradeep sarkaar, jo khud vigyapan jagat se jude rahe hain ne film lafnge parinde ke liye anadh ko sangeetakaar chuna. chennai se taalluk rakhne vaale aar anadh, rahman ke sahapaathi rah chuke hain. film to sameekshakon dvara jyada sarahi nahin gai par apane sangeet ke liye jaroor ye charcha men rahi. is sangeetamala men is film ke do geet shamil hain. 21 vin sidhi ke geet ko apane shabd diye hain swanand kirakire ne aur aavaaz hai mohit chauhaan ki.

swanand kirakire ne is geet men ek aam insan ke man ki fitarat ko vyakat karne ki koshish ki hai. hamara man kab chanchal ho uthata hai aur kab udvign, kab udas ho jaaye aur kab bechain ....kya ye hamare bas men hai? khaaskar tab jab ye kisi ke prem men girafatar ho jaaye. sach, man to apani marji ka malik hai aur isaki isi lafngai ko swanand ne bade khoobasoorat andaaj men ubhara hai geet ke mukhade aur do antaron men. jab swanand likhte hain ki

dhimi si aanch men ishk sa pakta rahe

ho teri hi baaton se pighalta hai

chaay men chini jaise ghulta hai

to man sach poochhiye geet men aur ghulne lagata hai.

sangeetakaar aar anadh ne geet ke intaralyood men gitar ki madhur dhun rachi hai vaise poore geet men hi gitar ka prayog jagah - jagah hua hai. mohit ki aavaaz aise roomani geeton ke liye ekadam upayukt hai. vo geet ke bolon se man ko udas bhi karte hain aur fir gunagunane par bhi majaboor karte hain. haan ye jaroor hai ki ye geet dheere dheere aapke man men ghar banata hai. to aaiye sunen lafnge parinde film ka ye geet

man lafnga bada, apane man ki kare

ho yoon to mera hi hai, mujhase bhi na dare

ho bheege bheege khyalon men dooba rahe

main sanbhal ja kahoon, fisalta rahe

ishk manhaga pade, fir bhi sauda kare

man lafnga bada, apane man ki kare

jaane kyoon udaasi isako pyari lage, chahe kyoon nai si koi beemari lage

bechaini raton ki neendon men aankhen jage, lamha har lamha kyoon bojh sa bhari lage

o bhnvara sa ban kar machalta hai

bas tere peechhe peechhe chalta hai

junoon sa lahu men ubalta hai

luchcha bebaat hi uchhalta hai

ho bheege bheege khyalon ..apane man ki kare

ho ambar ke paar ye jaane kya takta rahe, baadal ke gaanv men baki bhatakta rahe

teri hi khushabu men ye to mahakta rahe.......

dhimi si aanch men ishk sa pakta rahe

ho teri hi baaton se pighalta hai,chaay men chini jaise ghulta hai

deevana aisa kahan milta hai, pyar main yaro sab chalta hai

ho bheege bheege khyalon ..apane man ki kare

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Annual Music countdown Song No. 23 : Yadon ke nazuk paron par chala aaya pyar

Vaarshik sangeetamala ki 23 vin paaydaan par hai ek pyara sa meetha sa romaantic nagma jise gaya hai mohit chauhaan ne। film 'aashaayen' ke is geet ko sangeet se sanvara hain saleem sulemaan ki jodi ne। saleem sulemaan ne apane sangeetabaddh is geet men man ko shaant kar dene vala sangeet racha hai। geet ki shuruaat piaano ki dhun se hoti hai। poore geet men sangeetakaar dvaya ne vestarn feel banaaye rakha hai jo unake sangeet ki pahachaan raha hai। bharatiyata ka put bharne ke liye table ka bich bich men achchha istemaal hua hai।

par is geet ka sabse majaboot pahalu hai mohit chauhaan ki gaayiki aur meer ali husain ke bol। meer ali husain ek geetakar ke roop men behad charchit nam to nahin par char saal pahle vo tab pahali baar surkhiyon men aae the jab film dor ka geet sangeet khoob saraha gaya tha। husain ko jyada mauke saleem sulemaan ne hi diye hain aur unhonne mile in chand maukon par apane hunar ka parichay diya hai। sahaj shabdon men husain aam sangeet premi ke dilon ko chhoone ka madda rakhte hain। misaal ke taur par ye panktiyan mohabbat ka dariya ajooba nirala..jo bekhaauf dooba vahi to pahunch paaya paar  ya fir kabhi jeet usaki hai sab kuch gaya ho jo haar turant hi sunane men achchhi lagne lagti hain।

aur jab mohit doobate utarate se yaadon ke najuk paron par udate hue hamare kanon men prem ke mantra fookte hain to barabas hothon se geet foot hi padta hai। to aaiye sunen aur man hi man gunen mohit chauhaan ke saath is geet ko

khavaabon ki laharen, khushiyon ke saaye

khushabu ki kiranen, dhime se gaye

yahi to hai hamadam, vo  saathi, vo  dilabar, vo yar

yaadon ke najauk paron pe chala aaya pyar

chala aaya pyar, chala aaya pyar

mohabbat ka dariya ajooba nirala

jo thahara, vo paaya kabhi na kinara

jo bekhaauf dooba vahi to pahunch paaya paar

yaadon ke najauk paron pe chala aaya pyar

chala aaya pyar, chala aaya pyar

kabhi zindagi ko sanvaare sajaye

kabhi maut ko bhi gale se lagaye

kabhi jeet usaki hai sab kuch gaya ho jo haar

yaadon ke najauk paron  pe chala aaya pyar

chala  aaya  pyar, chala  aaya  pyar

khavaabon ki laharen, khushiyon ke saaye.....

film men is geet ko jaan abraham par filmaya gaya hai

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Annual Musical Countdown 2009 - Song No. 13- Ye Dooriyan..in raahon ki dooriyan

Vaarshik sangeetamala ka safar taya karte karte ham a pahunche hain thik isake beecho beech. yaani 12 poyadanon ka safar poora karake geetamala ki 13 vin position tak. abhi bhi sabse oopar ki 12 seedhiyon ki chadhai baki hai. aaj ki position par ka geet ek aisa geet hai jise is saal kafi lokapriyata mili. mohit chauhaan ki gaayiki ka andaz , pritam ka karnapriya sangeet aur irashad kamil ke bolon ki roomaniyat ne logon ke hriday ko is geet se jod diya.

darasal shayad hi ham men se koi ho jisane apne ajizon se door rahane ki vyatha na jheli ho. isaliye insani rishton men dooriyon ki baat karta ye geet jald hi sabke jehan men sama gaya. jab lav aaj kal ka sangeet racha ja raha tha to sabse pahle isi geet par kam shuru hua. nirdeshak imtiyaz ali ise mohit chauhaan se hi gavana chahate the. shayad mohit ka unki film jab vi met men gaya gana na hai kuch khona na pana hi hai.. unako behad prabhavit kar gaya tha. sangeetakar pritam ko mohit ko traik karne men do mahine ka vakat jaroor laga par mohit nirdeshak aur sangeetakar ke vishwas par bilkul khare utre.



vaise kya aapako pata hai ki himachal ke rahane vale mohit chauhaan ne kabhi bhi sangeet ki vidhivat shiksha nahin li. bilasapur ,mandi aur nahan ke colejon se vicharte hue unhonne apani parasnatak ki upadhi dharmashala se li. sangeet jagat ki surkhiyon men vo tab aae jab bataur mukhya gayak unake kam ko baind silk root ke elabam boonden men saraha gaya. vaise is chitthe par unake bare men charcha unake gaaye geeton gunacha ab koi mere nam kar diya aur na hai kuch khona na pana hi hai ki vajah se pahle bhi ho chuki hain.

vaise shiksha ki drishti se geet ke geetakar irashad kamil bhi peechhe nahin hain. hindi men doctaret ki upadhi se vibhooshit irashad, imtiyaz ali aur pritam ke sath pahle bhi kam kar chuke hain. unase sakshatkar men jab poochha gaya ki geetakar ke lihaz se sabse kathinaai bhari baat vo kise mante hain to unka javab tha

mere lie sabse kathin kisi roomani geet ko rachna hai. aisa isaliye ki is vishaya par itana zayada aur itani gaharaayee se likha ja chuka hai ki lagata hai ki kuch kahane ko bacha hi nahin hai. mainne to apani dikshanri se dil,dhadakan, zigar, ikaraar, intazaar in sabhi shabdon ko hata rakha hai. agar apani pasand ki baat karoon to mujhe soofiyat aur akelepan ka put lie roomani geeton ko likhna jyada santosh deta hai.

irashad ki yahi soch mohit dvara is geet ki adaegi men dikhaai deti hai. jindagi ke akelapan men purani smritiyon ke saaye man men jo tees ubharte hain ye geet usi ki ek abhivyakti hai. to aaiye sunen film love aaj kal ka ye nagma

ye dooriyan, ye dooriyan,ye dooriyan

in rahon ki dooriyan
nigahon ki dooriyan
ham rahon ki dooriyan
fana ho sabhi dooriyan

kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe

ye dooriyan....fana ho sabhi dooriyan

ye dooriyan, ye dooriyan

kabhi hua ye bhi,
khali rahon pe bhi
tu tha mere sath
kabhi tujhe mil ke
lauta mera dil yah
khali khali hath
yah bhi hua kabhi
jaise hua abhi
tujhako sabhi men pa liya
tera mujhe kar jati hai dooriyan
sataati hain dooriyan
tarasati hain dooriyan
fana ho sabhi dooriyan

kaha bhi n mainne
nahin jeena mainne
tu jo n mila
tujhe bhoole se bhi
bola n main ye bhi
chahoon faasla, bas faasla rahe
ban ke kasak jo kahe
ho aur chahat ye zavan
teri meri mit jani hai dooriyan
begani hai dooriyan
hat jani hain dooriyan
fana ho sabhi dooriyan

kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe

ye dooriyan....fana ho sabhi dooriyan
ye dooriyan, ye dooriyan, ye dooriyan

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Annual Musical Countdown 2009 : Song No. 24- Kahan se Aayi Ye Masakkali ?

Varshik sangeet mala ki 24 vin paayadaan par swagat kijie Mohit Chouhaan, A.R.Rahman aur Prasoon Joshi ki tikadi ka. Is tikadi ka hi kamaal hai ki Masakkali ke madhyam se inhonne kabootar jaise paalatu pakshi ki or ham sabka dhyaan fir se aakarshit kar diya.:)

Waise purani dilli ki chhaton par to nahin par kanpur ke apne nanihaal vale ghar men kabootaron ko paalne aur padosiyon ke kabootar ko apani mandali men tarah tarah ki aavaaze nikalkar aakarshit karne ke jugad ko kareeb se dekha hai. Itana hi nahin sham ke waqt unhin aavaajon ke sahaare jharokhon se masakakaliyon ko bhi nikalte dekh bachapan men main hairaan rah jata aur sochta kya ye gur mama hamen bhi sikhaayenge.

Aap bhi soch rahe honge ki geet ke bare men kuch baaten na kar ye main kya kabootaron ki kahani le kar baith gaya. Ab kya karen pahali bar jab TV ke parde par masakali ko saloni Sonam Kapoor ke oopar fudakte dekha to man kabootar kabootari ki jodi par atak gaya aur geet ke bol unke peechhe bhatak gaye. Geet sunte samay mujhe ye laga tha ki pahle antre men manamani manamani kahate kahate mohit ki aavaaz vaise hi atak gi hai jaise purane record players ki atakti thi.


Wo to bhala ho Colors vaalon ka jinhonne December ke mahine men jab ye film dikhaai to fir is geet ko gaur se sunane ka mauka mila. Ye bhi samajh aaya ki Prasoon kabootar ke sath kam aur nayika roopi kabootari se jyada baaten kar rahe hain is geet ke madhyam se. Prasoon ki visheshata hai ki unka hindi bhasha jyaan aaj ke geetakaron se kahin jyada samriddh hai. Isaliye vo jab pyare kintu sahaj hindi shabdon ka chayan apne geeton men karte hain to geet nikhar uthata hai. Par kahin kahin 'meter' se bahar jaane ki vajah se geet ko nibhane men jo kathinaai aai hai use Mohit Chouhaan ne chunauti ke roop men lekar ek behatareen prayas kiya hai.

Waise aap ye jaroor janane ko utsuk honge ki ye masakakali shabd aaya kahan se . Is geet ki utpatti ke bare men prasoon ne 'mid de' ko die apne ek sakshatkar men bataya tha

'Masakakali' shabd ka nirman to anayas hi ho gaya. Rahman apani ek dhun computer par baja rahe the ki unake munh se ye shabd nikala. Mainne poochha ye kya hai to vo muskura diye. Par vo shabd mere dimag men is tarah rach bas gaya ki mainne use apne geet men istemaal karne ki sochi aur isiliye kabootar ka nam bhi masakakali rakha gayae.

Aur to aur ek majedaar tathya ye bhi hai ki prasoon ke is geet ne 'laka' prajati ke kabootaron ke dam dilli ke bajaron men aath guna tak badha diye aur log videshi kabootaron se jyada ise hi lene ke peechhe pade rahe.

Mohit chahaun ki gaayiki aur Rahman ki dhun ki badaulat se ye geet ja pahuncha hai meri is geetamala ki 24 vin paayadaan par. to is geet ko suniye dekhiye kahin masakakali ki tarah aapaka man hiloren hiloren lete lete furr furr karne ke lie machal na uthe.




e masakakali masakakali, thoda matakakali matakakali
e masakali masa masa kali, thoda matakakali matakakali

zara pankh jhatak gayi dhool atak
aur lachak machak ke door bhatak
ud dagar dagar kasbe kooche nukkad basti
tadi se mud ada se ud
kar le poori dil ki tamanna, hava se jud ada se ud
purr bhurr bhurr furr, tu hai heera panna re
masakakali masakakali, thoda matakakali matakakali

ghar tera saloni, badal ki colony
dikha de thenga in sabako jo udana na jaane
udiyo na dariyo kar manamani manamani manamani
badhiyo na mudiyo kar nadani
ab than le , muskaan le, kah san nanananan hava
bas than le tu jaan le,kah san nanananan hava

e masakakali masakakali, thoda matakakali matakakali
e masakali masa masa kali, thoda matakakali matakakali

tujhe kya gam tera rishta, gagan ki baansuri se hai
pavan ki gufatagu se hai, sooraj ki roshni se hai
udiyo na dariyo kar manamani manamani manamani
badhiyo na mudiyo kar nadani

e masakali masakali, ud matakakali matakakali
e masakali masa masa kali, ud matakali matakali
ab than le , muskaan le, kah san nanananan hava
bas than le tu jaan le,kah san nanananan hava

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