Annual Music Countdown 2010 Song No. 6: Tere Mast Mast Do Nain....

Kuch saal pahle ki baat hai janab amazad islam amazad saahab ka ik sher padha tha. saalana sangeetamala ki chhathi poyadaan par virajamaan is geet ko dekh kar vahi sher barabas yad aa jata hai

jaati hai kisi jheel ki gaharaai kahan tak

aankhon men teri doob ke dekhenge kisi din

sach kisi bhi chehare ki jaan hoti hain ye aankhen. isiliye shayaron ki kalam jab bhi inki tarif men chali hai..chalti hi gai hai. aur natija ye hai ki

in aankhon ki masti ke mastaane hajaron hain

in aankhon ke vaabasta afsane hajaron hain

unhin afsanon ko aur samriddh karta faiz anavar ka likha film dabng ka ye geet aise hi do manachale shokh nayanon ki kahani kah raha hai. vaise bhi nainon ke var se aashik janm janmaantar se ghaayal hote rahe hain. jagajeet ji ki gaai gajal ki vo panktiyan yad hai na aapako

unki ik nazar kaam kar gai

hosh ab kahan hosh e yar men

dabng ka ye geet saal ke sabse charchit men se ek raha hai aur isaki mukhya vajah hai saazid vazid ki behad karnapriya dhun aur rahat ki gaayiki. vaise kya aapako pata hai ki in bhaiyon ki sangeetakaar jodi men kaun bada hai aur kaun chhota? chaliye aapki mushkil main aasaan kiye deta hoon. bade hain saazid jinhen ridam men khaas maharat haasil hai vahin chhote bhaai vazid shastriya sangeet seekhe hue gayak hain. sangeet inake parivar men kaipeedhiyon se juda raha hai. inake pita ustad sharafat khan maane hue tabla vaadak hain.

is jodi ne jis tarah poore geet men table aur intaralyoods men gitar ka istemaal kiya hai vo ek baar sun kar hi man mohit ho jata hai. par geet ko lokapriyata ke is mukaam tak pahunchaane men rahat ki gaayiki ka bhi barabar ka haath raha hai. vaise is geet ko rahat se gavaane ke liye saazid vazid ko kafi mashakkat uthani padi thi. munbai men jab rikarding karne ka samay aaya to rahat ko bharat aane ka visa nahin mil paaya. fir geet ki rikarding pakistan men hui to usaki gunavatta se saazid vazid santusht nahin hue. ant men saazid vazid ne rahat ko landan bulakar rikarding karavaai.

unki gaayiki par itana vishvaas rakhne vaale in sangeetakaron ke is parishram ko rahat ne vyarth jaane nahin diya aur sammilit prayason se jo natija nikala vo geet ke baajaar men aate hi har sangeetapremi shakhas ke hothon par tha. to aaiye ek baar fir se aanand len is geet ka.

taakate rahate tujhako saanjh savere

nainon men... haaye, nainon men..... haaye...

taakate rahate tujhako saanjh savere

nainon men basiyan jaise nain ye tere

nainon men basiyan jaise nain ye tere

tere mast mast do nain

mere dil ka le gaye chain

mere dil ka le gaye chain

tere mast mast do nain

pahle pahal tujhe dekha to dil mera

dhadka haaye dhadka, dhadka haaye

jal jal utha hoon main, shola jo pyar ka

bhadka haaye bhadka, bhadka haaye

neendon men ghul gaye hain sapane jo tere

badle se lag rahe hain andaaz mere

badle se lag rahe hain andaaz mere

tere mast mast do nain...

mahi beaab sa, dil ye betab sa

tadapa jaaye tadapa, tadapa jaaye

nainon ki jheel men, utra tha yoon hi dil,

dooba jaaye dooba, dooba jaaye

hosho havaas ab to khone lage hain

ham bhi deevaane tere hone lage hain

ham bhi deevaane tere hone lage hain

tere mast mast do nain...

taakate rahate tujhako saanjh savere

nainon men bansiya jaise nain ye tere

nainon men bansiya jaise nain ye tere

tere mast mast do nain.....

aur geet ka video jo salman aur sonakshi sinha par filmaya gaya hai ye raha.



sonakshi kahati hain ki vo sirf sapane men sochti thi ki unki aankhon ko kendra men rakhakar koi geet filmaya jaaye. aur dekhiye unka sapana kitani jaldi poora ho gaya. chalte chalte unake nayanon ke liye to bas yahi kahana chahoonga ki

doob ja un hasin aankhon men faraaz

bada haseen samandar hai khudakushi ke liye

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Annual Music Countdown 2010 Song No. 7: Sureeli ankhiyon vaale, suna hai teri ankhiyon se...

Ankhiyan bhi kya surili ho sakti hain? sach kahoon to kabhi aankhon ke surilepan ko jaanchane ki koshish ki hi kahan mainne? shayad usake liye Gulzar jaisi shayarana tabiyat ki jaroorat thi. haan ye jaroor hai ki jab se Gulzar ne aankhon ke liye is visheshan ka istemaal apane likhe is geet men kar diya hai tabse main bhi ek jodi surile nayanon ki talash men hoon. dekhoon dhoondh paata hoon ya nahin :)!

shayaron ki yahi to khaasiyat hai ki aise aise roopakon ko istemaal karte hain jinhen sun kar sunane vala pahle to ye sochta hai ki ye khayal usake man men pahle kyoon nahin aaya aur fir lipatata chala jata hai shayar dvara bichhaaye ge kalpanaaon ke jaal men. vaarshik sangeetamala ki saatavin poyadaan par film veer ka ye geet hridaya men kuch aisa hi ahasaas de kar chala jata hai.

Sajid Wajid vaise to bataur sangeetakaar pichhale barah saalon se film udyog se jude hain. par unake dvara rache ge pahle ke sangeet men ऍसी koi baat dikhati nahin thi ki unhen sangeetakaron ki bheed se alag drishti se dekha jaaye. is liye jab nirdeshak anil sharma ko angreji raj ke zamane ki is ऍतिहासिक prem katha ke sangeet rachane ke liye Sajid Wajid ka nam salman khan dvara sujhaya gaya to vo man se isake liye taiyaar nahin the. par Sajid Wajid ki jodi ne apane baare men unki soch ko badalne par mazaboor kar diya. geetakar Gulzar jinhonne pahali baar Sajid Wajid ke saath is film men kaam kiya ne pichhale saal skreen patrika men diye ge ek sakshatkar men kaha tha ki

Sajid Wajid behad pratibhashali hain. inhen inake hunar ke liye jo sammaan milna chaahiye vo ab tak unhen nahin mila. shayad is film ke baad logon men vo apani ek alag pahachaan banane men safal hon. pahali mulakaat men hi inhonne mujhe prabhavit kar diya. unnisavin shatabdi ke british raj men upaji is prem kahani ko paashchaatya aur lok dhunon ke jis sammishran ki aavashyakta thi vo in donon ne bhali bhanti poori ki hai.

khud bhaiyon ki ye sangeetakaar jodi maanti hain ki ye film unhen sahi samay par mili. agar kairiyar ki shuruaat men aisi film milti to usake saath ve poora nyay nahin kar paate. is film ko karte hue unhonne apane ek dashak se jyada ke anubhav ka istemaal kiya. sangeet ke har tukadon ko rachane ke liye poora vakt liya aur sahi asar paida karne ke liye geet ki 'laaiv' rikarding bhi ki.

gitar aur piyano ki parshva dhun se shuru hote is geet ko jab gulajaar ke bahate shabdon aur rahat ki sadhi hui gaayiki ka saath milta hai to mood romaantik ho hi jata hai. geet ke peechhe ke sangeet sanyojan men kam se kam vaadya yantron ka istemaal hua hai par usaki madhurta aur bahaav geet ki bhavanaaon ke anuroop hai. film ke pashchimi parivesh ki vajah se geet ka ek antra angreji men likha gaya hai jise soojan dimelo ne apani aavaaz se sanvara hai.

to aaiye doobate hain Gulzar ke shabdon ke saath rahat ji ke dvara gaaye hue is bemisaal geet men..

surili ankhiyon vaale, suna hai teri ankhiyon se

bahati hain neenden...aur neendon men sapane

kabhi to kinaron pe, utar mere sapanon se

aaja zameen pe aur mil ja kahin pe

mil ja kahin, mil ja kahin samay se pare

samay se pare mil ja kahin

too bhi ankhiyon se kabhi meri ankhiyon ki sun

surili ankhiyon vaale, suna hai teri ankhiyon se...

jaane too kahan hai

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Annual Music Countdown 2010 Song No. 12: Kanha Bairan Huyi...bansuri

Barahavi paaydaan par pahali baar is saal ki sangeetamala men pravesh kar rahe hain sangeetakaar saazid vazid.par film dabng ke liye nahin balki saal ke shuru men aai film 'veer' ke liye.geet ke bol likhe hain gulazaar saahab ne aur ise apani aavaaz di hai rekha bharadvaj ne.jab bhi kisi geet ke kredit men rekha ji ka nam aata hai geet ki prakriti ke baare men bahut kuch andaaj mil jata hai.soofi sangeet se apane kairiyar ki shuruaat aur pahachaan banane vali rekha ji ne jahan pichhale kuch varshon men lokageet ke rang men samaaye theth geet gaaye hain vahin up shastriya geeton men bhi unki aavaaz aur layakari kamaal ki rahi hai।

apane usi andaaz ko rekha ji ne veer film ki is 'thumari' men barakaraar rakha hai.vaise shastriya sangeet se jyada nahin jude logon ke liye up shastriya sangeet ki is vidha ke baare me kuch baaten janna rochak rahega.shastriya sangeet ke jaanakar unnisavi shatabdi ko thumari ka udbhav kaal batate hain.thumari se jude geet roomani bhaavon se otaprot hote hue bhi saatvik prem par aadhaarit hote hain aur aksar in geeton men nayak ke roop men bhagavaan krishn yaani hamare kanha hi nazar aate hain.thumari ki lokapriyata lakhanoo men navab vazid ali shah ke shasankaal men badhi.

thumari men ragon ke sammishran aur adakari ka bada mahatatva hai.vaise to aksar thumariyan rag khamaaz,peelu v kafi par aadhaarit hoti hain par sangeetakaar saazid vazid ne is thumari ke liye ek alag rag chuna.apane is geet ke baare men vo kahate hain

hamane is thumari men kisi ek thaat ka prayog nahin kiya jaisa ki praayah hota hai.jis tarah hamane is geet men mishrit rag se vishuddh rag nand men pravesh kiya vo rekha ji ne khoob pasand kiya.geet men tabla usi tarah bajaya gaya hai jaisa aaj se dedh sau varshon pahle bajaya jata tha.hamane aisa isaliye kiya taki jis kaal parivesh men ye film rachi gai vo usake sangeet men jhalke।

thumari uttarapradesh me pali badhi is liye is roop men rache geet brijabhasha men hi likhe ge.gulazaar saahab ne thumari ka vyakaran to vahi rakha par geet ke bolon se (khaaskar antaron men) kisi ko bhi gulazarish bhavanaaon ki jhalak mil jaaegi.kanha ki yad men vikal nayika ki virah vedna ko jab din ke ujiyare, saanjh ki aabha aur andhiyari rat ki kaalima jaise prakritik binbon ka saath milta hai to vo aur pragadh ho jaati hai.

geet ek koras se shuru hota hain jisamen aavaaze hain shareeb toshi aur shabaab saabari ki.fir rekha ji ki kanha ko dhoondhati aavaaz dilo dimaag ko shaant aur geet men dhyanamagn sa kar deti hai.mukhade aur koras ke baad geet ka tempo ekadam se badal jata hai aur man geet ki laya ke saath jhoom uthata hai.vaise bhi gulazaar ki lekhani me..saanjh samay jab saanjh lipatave, lajja kare baawari. jaise bolon ko rekha ji ka svar milta hai to fir kahane ko aur rah bhi kya jata hai..

pavan udave batiyan ho batiyan, pavan udave batiyan

tipo pe n likho chithiya ho chithiya, tipo pe n likho chithiya

chitthiyon ke sandese videse javenge jalengi chhatiyan

kanha aa.. bairan huyi baansuri

ho kanha aa aa.. tere adhar kyoon lagi

ang se lage to bol sunave, bhaye n munhalagi kanha

din to kata, saanjh kate, kaise kate ratiyan

pavan udave batiyan ho batiyan, pavan udave batiyan..

roko koi roko din ka dola roko, koi doobe, koi to bachave re

mathe likhe maare, kare andhiyare, koi aave, koi to mitave re

saare band hai kivade, koi aare hai n paare

mere pairon men padi rasiyan

kanha aa.. tere hi rang men rngi

ho kanha aa aa... haaye saanjh ki chhab saanwari

saanjh samay jab saanjh lipatave, lajja kare baawari

kuch na kahe apane aap se aapi karen batiyan

din tera le gaya sooraj, chhod gaya aakash re

kanha kanha kanha.....

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