Annual Musical Countdown 2009 - Runners Up- Beeda duji thali ka lage bada masaledaar..

Lagabhag teen mahinon ka safar taya kar vaarshik sangeetamala 2009 ja pahunchi hai doosari paayadaan par. aur vaarshik sangeetamala 2009 ke ranars ap geet ka sehara bandha hai us geet ke sar jo badi theth jubaan men ham sabamen paai jaane vali manovriti ko apane khoobasoorat bolon ke madhyam se ubharta hai. kaun si manovriti ! are vahi

beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak ...

Ab padosi ki kar ho ya ardhaangini, kitani baar unako dekhakar aapane apane man ko chakamakate paaya hai? khair chhodiye aap bhi kahenge sab jaan boojh kar kyoon khule aam ye saval kiya ja raha hai ? mukhya baat ye hai ki aajakal ke geet sirf prem, virah tyag, dosti, saundarya jaise vishayon par nahin likhe ja rahe hain par hamare samaj ki us paksh par chutaki le rahe hain jo syaah hai, dhundhala hai jise jaante boojhte hue bhi ham un par baat karne men asahaj hain.



Par is geet ki khaasiyat bas itani nahin hain. peeyoosh mishra ke is geet ke sangeet sanyojan aur bolon men lokageet vali mithas hai vahin rekha bharadvaj ne is andaaz men is geet ko gaya hai ki lagata hai sachamuch kisi muzarevali ke saamane baith kar ye geet sun rahe hon. aanchalikta ke hisab se bhinn bhinn shabdon ko unake dvara diya loch, mood ko geet ke rang men rang dalta hai. yoon to saidabaar ki voting men aap logon men se jyadatar ne shankar mahadevan aur shreya ghoshal ko saal ka shreshth gavaiya chuna hai par meri nazar men ek gavaiye ke taur par ye saal rekha bharadvaj ka rahega. gulal, firak aur dilli 6 men unake gaaye geet kafi dinon tak yad kiye jaayenge.

Meri ek sangeet mitra hain suparna. aksar vo mujhe apane pasandida geeton ke baare men bataati rahati hain. saal ke shuru men jab ye film rileez bhi nahin hui thi, mujhe unake dvara is geet ki do panktiyon se roobaru hone ka mauka mila tha aur mai unhen padhkar thaga sa rah gaya tha. vo panktiyan thin

sankat aisa silavat se koi haal bhaanp le ji
karavat aisi doori se koi haath taap le ji

Piyush mishra ke in shabdon ka jaadu kuch aisa tha jo mujhe film ke aate hi thiyetar tak le gaya. kitane sahaj binbon ka prayog kiya hai peeyoosh ne. aise binb jo hamari rojamarra ki jindagi se liye ge hain. par inase jo baat unhonne kahani chahi hai vo log tarah tarah ke shabdajaal jod kar bhi nahin kah paate. to sunen aur thumake lagaayen gulal ke is chakamakate geet ke saath..

beeda duji thali ka lage bada masaledaar

man bole chakamak haaye chakamak ...
haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

khaaye..khaaye to machal gayi re ho kajarari naar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

hamako duniya ki laj saram ka dar lage hai ho ji
hamako duniya ke lok dharam ka dar lage hai ho ji
par is jalte karejava pe koi foonk maar do ji
par is manava ki agiya pe koi chheent maar do ji
ho ho ho o ...ho ho ho o
meethi.. meethi si kasak chhod kar chala gaya bhartar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

jugani jaan gayo re maan gayo re beedo ki taseer
are kurbaan gayo halakaan ke masla sabr pat ganbheer
kaise deve re ilajaam ki too bhi sankat men aakhir
main to poora rajasthan gayo na tere jaisi beed

sankat aisa silavat se koi haal bhaanp le ji
karavat aisi doori se koi haath taap le ji
nikale sisaki jaise botal ka kaag jo uda ho
dhadakan aisi jaise chanbal men ghoda bhaag jo pada ho

ho ho ho o ...ho ho ho o
angiya.... angiya bhi lage hai jaise sau sau man ka bhaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

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Annual Musical Countdown 2009 - Song No. 6- Ye Duniya Agar Mil bhi Jaye to kya Hai ; Piyush Mishra

Vaarshik sangeetamala ki chhathi paaydaan par ek baar fir hai film Gulal ka ek aur geet. is geet ke tino pakshon yaani bol, sangeet aur gaayiki men jaan daalne vala ek hi shakhas hain aur vo hain Piyush mishra!



Gwalior men janme aur pale badhe Piyush Mishra, bahumukhi pratibha ke dhani ek kamaal ke kalakar hain. natakakaar, charitra abhineta, sanvaad lekhak, geetakar, sangeetakaar, gayak ke roop men to saare sangeetapremi unhen jaan hi ge hain. par kya aap jaante hain ki Piyush ko apane andar ke kalakar ko dhoondhane ke liye kitani mashakkat karni padi? paanch saal tak sitaar vaadan men lage rahe to bhi sukoon nahin mila. fir gwaliyar ke shilp mahavidyalay men dakhila liya par vahan bhi baat nahin bani. man tha ki rachanatmakta ke kuch aur aayam talashane men laga tha. aakhirkaar unki pratibha ko uchit manch rashtriya natya vidyalay men pravesh lene ke saath mil gaya.

Piyush filmon men pahali baar 1998 men mani ratnam ki film 'dil se' men dikhe. Mumbai men apane vidyalay ke purane saathiyon vishal bharadvaj, aashish vidyarthi, anuraag kashyap, manoj vajapeyi ki vajah se natakon men kaam milta raha par unhen munbai se pyari dilli hi lagti rahi. jab paarivaarik jimmedariyan unhen sataane lagin to vo munbai aa ge. ye nahin ki rangamanch se unhonne nata tod liya hai par samay rahate unhonne ye mahasoos kar liya ki aarthik sthayitva unhen film udyog hi de sakta hai.

Pichhale saal vaarshik sangeetamala men Piyush, sukhavindar sinh ke gaaye mastamaula nagme dil haara re... ki vajah se charcha men aae the. vaise blaik fraide ke charchit geet o ruk ja re bande ke rachayita bhi vahi the. par is baar unhonne gulal ke geet likhakar ye dikhala diya ki ek geetakar ko agar nirdeshak dvara khuli chhoot di jaaye to vo leek se alag hatkar bhi bahut kuch de sakta hai. Piyush kahate hain ki anuraag kashyap ke nirdeshan men bani is film ke geeton ko rachane men unhen maatra ek hafte ka samay laga.

Paaydaan sankhya 18 par main unake likhe political muzre ki charcha kar chuka hoon. chhathi paaydaan par virajamaan aaj ka ye geet Piyush ne mashahoor geetakar aur shayar saahir ludhiyanavi ke azar amar geet ye duniya agar mil bhi jaaye to kya hai se prerit ho kar likha hai aur unhin ko ye geet samarpit bhi kiya hai. mohammad rafi jaise mahaan gayak ne saahair ke shabdon ki sanvedanaaon ko pakadate hue itane behatareen tarike se us geet ko apani aavaaz bakhshi thi ki shayad hi koi us geet ko bhool paayega.

Piyush ne apane is geet men saahir ki bhavanaaon ko aaj ke paripekshya men dekhne ki koshish ki hai. vaise tab aur ab ki duniya ki samasyaaon men fark kuch jyada nahin aaya hai. saahir ne apani kaalajayi rachna men garibi, samajik aur aarthik asamaanta, vyakti ke bhavanatmak aur naitik avamoolyan ki baat ki thi. Piyush bhi aaj ke samaj ki bhautikavadi maanasikta ka jikra apane geet men karte hain jo insan ko satta, dhan ke moh jaal men kaaid kiye hue hai. film gulal ke ant men parshva men bajane vala ye geet dil ko jhakajhorata sa nikal jata hai aur hamen kuch sochane par mazaboor kar deta hai.

to aaiye padhein aur sunen Piyush mishra ji ko


o ri duniya, o ri duniya…
ai o ri duniya….
ai suramayi aankhon ke pyalon ki duniya o duniya,
suramayi aankhon ke pyalon ki duniya o duniya,
satarangi rangon gulalon ki duniya o duniya,
satarangi rangon gulalon ki duniya o duniya,
alasaai sejon ke phoolon ki duniya o duniya re,
angadaai tode kabootar ki duniya o duniya re,
ai karavat le soi hakikat ki duniya o duniya,
deevani hoti tabiyat ki duniya o duniya,
khvahish men lipti zarurat ki duniya o duniya re,
ai insan ke sapanon ki niyat ki duniya o duniya,
o ri duniya, o ri duniya,
o ri duniya, o ri duniya,
ye duniya agar mil bhi jaaye to kya hai, ye duniya agar mil bhi jaaye to kya hai,
ye duniya agar mil bhi jaaye to kya hai…

mamata ki bikhari kahani ki duniya o duniya,
bahanon ki sisaki javani ki duniya o duniya,
aadam ke havva se rishte ki duniya o duniya re,
ai shayar ke fike lafzon ki duniya o duniya ,
o...............o...............

gaalib ke momin ke khavaabon ki duniya,
mazazon ke un inkalabon ki duniya,
faiz, firako, saahir v makhadoom,
meer, ki zaauk, kitabon ki duniya,
ye duniya agar mil bhi jaaye to kya hai, ye duniya agar mil bhi jaaye to kya hai,
ye duniya agar mil bhi jaaye to kya hai…

pal chhin men baaten chali jaati hain hain,
pal chhin men raaten chali jaati hain hain,
rah jata hai jo savera vo dhoondhe,
jalte makaan men basera vo dhoondhe,
jaisi bachi hai vaisi ki vaisi bacha lo ye duniya,
apana samajh ke apanon ke jaisi utha lo ye duniya,
chhitaput si baaton men jalne lagegi sanbhalo ye duniya,
katakut ke raton men palne lagegi sanbhalo ye duniya,

o ri duniya, o ri duniya,
vo kahe hain ki duniya ye itani nahin hai,
sitaaron se aage zahan aur bhi hain,
ye ham hi nahin hain vahan aur bhi hain,
hamari har ek baat hoti vahin hain,
hamen aitaraaz nahin hain kahin bhi,
vo aalim hain faazil hain honge sahi hi,
magar falasafa ye bigad jata hai jo vo kahate hain,
aalim ye kahata vahan ishwar hai,
faazil ye kahata vahan allah hai,
kaabil yah kahata vahan isa hai,
manjil ye kahati tab insan se ki tumhari hai tum hi sanbhalo ye duniya,
ye bujhte hue chand baasi charaagon, tumhaare ye kaale iraadon ki duniya,
he o.... ri duniya…

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Annual Musical Countdown 2009: Song no. 18 : Piyush Mishra takes on Uncle Sam..

Vaarshik sangeetamala ki 18 vin paydaan par ka geet thoda alag hat kar hai. Aaj jis tarah yuva nirdeshak nai-nai theemon par filmen bana rahe hain usi tarah kuch sangeetakaar bhi leek se alag hatkar chalne ko taiyaar hain. vaise jab film ka geet aur sangeetakaar ek hi shakhas ho aur nirdeshak ko usaki kaabiliyat par poora vishvaas ho to ne prayog karne ka saahas aur badh jata hai. Iss liye to Piyush Mishra ko jab nirdeshak anuraag kashyap ne 'Gulaal' film ka geet sangeet rachane ki kamaan saunpi to ishk aur husn se labarez filmi muzaron ki jagah ek polatikal muzara (Political Mujra) hi likh diya.

Piyush ne apane likhe is geet men desh aur vishva se jude kuch masalon par apane shabd baanon se karare vyangya kase hain.

chahe vo aatankavaad ke nam par america ki irak aur afaganistan men ghusapaith ho..

ya fir desh men sheetal peya ke baazaar men adhik sendh lagane vaale lok lubhavan vigyapan hon..

ya sabako apane vichaar rakhne ki aazadi dene ke lokatantra ki buniyadi usool par aae din lagne vaale pratibandhon dvara ki ja rahi aadharbhoot chot ho..

ya fir uchch varg men angrejidaan sanskriti ka andhanukaran karne ki hod ho..

Iss geet men Piyoosh sab par safalta poorvak nishana saadhate nazar aae hain. to kya fitar चढ़ा rangamanch se saalon saal jude is geetakar ke man men. antarajaal par saleema poonavala ko diye ge sakshatkar men is geet ke baare men baat karte hue Piyooshkahate hain...

Film jagat men koi jaldi kuch naya karana nahin chahta. sabhi istemaal kiye hue safal faarmoolon ka doharav karne ko aatur hain. mainne 'ranaji' isaliye likha kyonki main ek 'Political Mujra' likhna chahta tha. fir anya geeton ki apeksha film ki paristhiti ke hisab se is geet men kuch naya karne ka avasar jyada tha. vaise bhi jo kuch hamare agal bagal ho raha hai, jo bhi ghatanaayen ghat rahi hain kya ye jaroori nahin ki unhen sunane vaalon tak geet ke madhyam se pahunchaya jaaye. main chahta tha ki jab aane vali pedhiyan is geet ko sune to unhen aaj ki vaastavikta ko jaanane ka mauka mile.

Ye to hui is geet ke peechhe upaje vichaaron ki baat. Piyoosh ne is muzare men rajasthani lok sangeet ka jo rang bhara hai vo rekha bharadvaj ki aavaaz men aur nikhar ke saamane aaya hai. tal vaadyon ki adbhut jugalabandi ke saath jab rekha ji ka aalaap ubharta hai jo sahaj hi shrota ko geet ke mood se ekakar kar deta hai. gaayiki ke lihaaz se ye saal rekha ji ke liye behatareen saalon men se ek raha hai. unki gaayiki ke baare men baate aage bhi hongi filahaal to is geet ka aanand lijie

ranaji mhaare, gusse men aae, aiso bal khaaye, agiya barasaaye, ghabaraaye mhaaro chain
jaise door des ke,
jaise door des ke, tavar men ghus jaaye re eroplen
ranaji mhaare ...

ranaji mhaare, eso gurraaye, eso tharraaye, bhar aaye mhaare nain
jaise sare aam hi,
jaise sare aam irak men jaake jam ge ankal saim
ranaji mhaare...

ranaji mhari saas nanad ke taane, ranaji mhaare jeth sasur ki bani
ranaji thape bhoot paret ki chhaya, ranaji thape il bil jin ka saya
sajani ko diyar bole, tharre ko beeyar bole, maange hai inglis boli, maange hai inglis choli
maange hai inglis jayapur, inglis beekaner
jaise bisaleri ki ,
jaise bisaleri ki botal pi ke ban ge inglis main
ranaji mhaare...

ranaji mhari sautan ko ghar le aaye
poochhe to bole frend hamari hai haaye
ranaji ne thnda chakku yoon khola
bole ki haaye thnda maane koka kola
ranaji bole moron ki basti men hai shor rani
kyon ki ye dil maange mor, mor rani, mor rani, mor rani ..
mhari to bich bajariya, haaye badanami ho gayi
mhari to lal chunariya, saram se dhaani ho gayi
mhaaro to dhak dhak hove, jo jo beete rain
jaise har ik baat pe ...
jaise har ik baat pe dimokrisi men lagne lag gayo bain ...

jaise door des ke, tavar men ghoos jaaye re eroplen
jaise sare aam irak men jaake jam ge ankal saim
jaise bina baat afaganistan ka
jaise bina baat afaganistan ka baj gaya bhaiya baind

jaise door des ke, tavar men ghus jaaye re eroplen
ranaji mhaare ...
(English word are written not as per their spellings but as pronounced in song)

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