Raat Pahadon Ki Kuch Aur Hoti Hai : Gulzar

Pahadon par kaun nahin jaata . Kabhie maidanon ki bheesan garmi se nizaat pane ke liye to kabhi barf ke girte phaahon ke beech apne dil ko thodi thandak pahuchane. Pahadon par guzari koyi subah ya khushnuma sa din to shayad hum sab ke khayalon mein ho. Par pahadon par guzari raat ka anand lena ho to Gulzaar ki is poori  nazm ko padhein neeche di huyi link par

 रात पहाड़ों पर कुछ और ही होती है

Waise meri aawaaz mein ise sunna chahein to yahan sun sakte hain.

 एक शाम मेरे नाम पर गुलज़ार की पसंदीदा नज़्में

•  कैसे देखते हैं गुलज़ार 'बारिश' को अपनी नज़्मों में... (Barish aur Gulzar)
• रात भर बुझते हुए रिश्ते को तापा मैंने
• बहुत दिन हो गए सच्ची तेरी आवाज़ की बौछार में भींगा नहीं हूँ मैं
• पूरे का पूरा आकाश घुमा कर बाजी देखी मैंने
• बस एक लमहे का झगड़ा था
• तेरे उतारे हुए दिन टँगे है लॉन में अब तक
•  मोड़ पर देखा है वह बूढ़ा सा इक पेड़ कभी
• शहतूत की शाख पे बैठी मीना बुनती है रेशम के धागे
  

ESMN April Posts : Gulzar, Mehdi Hassan, Blog Anniversary and more

So what happened on Ek Shaam Mere Naam during last month. After completion of Annual Musical Countdown for the year 2012 it was time to discuss a bit of poetry and literature.

Gulzar and Vivek Ranade combined to produce a magical Calendar for the year 2013. Vivek Ranade's superb pics (related to the ways we use our good old newspaper) were given a new dimension by Gulzar's poetry. If you have not seen the calendar do see it here in my article Raddi Ka Akhbaar Aur Gulzar with my take on it.

I was avid reader of noted Bangla writer Bimal Mitra. His simple writing style and interesting plots always made me finish his novels in a few days. But recently when I read his book Aur Ek Yudhisthir , it disappointed me. If u want to know why read on..

Mehdi Hassan is always a class act when it comes to Ghazal singing. Incidentally while tuning to a cricket commentary quarter century ago I first heard Meer's soulful Ghazal Dekh to Dil ki Jaan se uthta hai..Ye Dhuan sa kahan se uthta hai. Read my memoirs of the ghazal along with meaning of this great ghazal in my article Cricket, Radio Aur Mehdi Hassan  :Dekh to Dil ki Jaan se uthta hai. You will be surprised to know that this Ghazal was used in one of the masterpiece of Hindi Film Cinema Pakeezah. Do you know who sang this version ? It was Naseem Bano Chopra.

Mehdi Hassan & Naseem Bano Chopra

And lastly your favourite blog has completed 7 years of its existence. Here is Birthday Celebration post with synopsis of top 10 read post during last year.

Mujhe Jaan Na Kaho Meri Jaan : The darker side of Geeta Dutt guru Dutt relationship.

Guru Dutt and Geeta Roy were both great personalities in their own right. But even great personalities do flounder on their personal front. It is a well known fact that Geeta Dutt's career in playback singing was in dire straits when she was offered Anubhav by Kanu Roy.

Geeta Dutt showed great depth in singing all  her numbers from the movies. But the pain which comes in her voice when she croons Meri jaan mujhe jaan na kaho meri jaan is to be heard to be believed . A question simply comes to a listener's mind whether all the pain and humiliation she faced in his martial life came to the fore while singing this song written by Gulzar.

Do read the my detailed post  which partly explains the circumstances which lead to dipping of her career graph here.

Mera Dil jo Mera Hota..How Kanu Roy used to narrate his tunes?

Kany Roy used Geeta Dutt in four of his songs. Out of these four songs, two were written by Gulzar Sahab. Though Mujhe jaan na kaho meri jaan is immensely popular among Gulzar & Kanu Da's fans, Mera dil jo mera hota is not heard that much. Kanu Da has used minimal instruments to focus on Gulzar's flowing poetry in the song. The use of sitar along with Geeta Dutt's naughty voice is just a pleasure to behold for any listener.

And what can be said of Gulzar when he mesmerizes us with these beautifully written lines..

Suraj ko masal kar main, chandan ki tarah malti

sone ka badan le kar kundan ki tarah jalti

is gore se chehre par aaina fida hota

mera dil jo mera hota..

In one of his interview Gulzar has recollected how Kanu da used to narrate the tune of the song in his own typical way.  

If you are interested you can read my detailed post about Kanu Da here.

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Jab bhi ye dil udas hota hai : Jab geet ka mukhda bana ghazal ka matla

Kuchh geeton ka canvas film ki paridhiyon se kahin door phaila hota hai. We kahin bhi sune jayein, kabhie bhi gune jayein we apne ird gird khud wahi mahoul bana dete hain. Isiliye situational songs ki tulna mein ye geet kabhie boodhe nahin hote.Gulzar ka film Seema ke liye likha ye nagma ek aisa hi geet hai. Na jaane kitne karod ekaaki hridyon ko is geet ki bhaavnayein un udas lamhon mein sukoon pahucha chuki hongi.

Gulzar ka likha ye geet to aapne Md Rafi ki aawaaz mein baraha suna hoga
.

jab bhii ye dil udaas hotaa hai
jaane kaun aas paas hotaa hai
jab bhii ye...

ho.nTh chup chaap bolate ho jab
saa.Ns kuchh tez tez chalatii ho
aa.Nkhe.n jab de rahii ho.n aavaaze.n
Tha.nDii aaho.n me.n saa.Ns jalatii ho
jab bhii ye...

aa.Nkho.n me.n tairatii hai tasviire.n
teraa cheharaa teraa khayaal liye
aainaa dekhataa hai jab mujhako
ek maasuum saa savaal liye
jab bhii ye...

koii vaadaa nahii.n kiyaa lekin
kyuu.N teraa i.ntazaar rahataa hai
bevajah jab karaar mil jaye
dil ba.Daa bekaraar rahataa hai
jab bhii ye..

Par kya aapko pata hai ki Gulzar ne isi mukhde par ek Ghazal bhi likhi hai jiska matla is geet ka mukhda hai. Us ghazal ke chand sher

go barasati nahin sada aankhein
abra to barah maas hota hai

Zakhm kahte hain dil ka gahna hai
dard dil ka libaas hota hai

Click  to read my detailed post including the complete ghazal here

Bas Ek Chup si Lagi Hai...Hemant Da voice with Gulzar words

Whenever the name of Gulzar & Hemant da comes together the first movie which comes to mind is Khamoshi. How can one forget those immortal songs like..Pyar ko pyar hi rehne do koyi naam na di, tumhara intezaar hai pukar lo and Wo shaam kuch ajeeb thi.

But in general we forget about another score in which these maestro came together. The film was Sannata which was released three years before release of Khamoshi . Most of the song of the film were sung by Lata ji. But my favourite among them was a song sung by Hemant Da.

Hearing even the mukhda of the song was enough to get in that melancholy mood. A song with simple  yet effective words with minimal instrumental and soul stirring voice of Hemant da you can't help but mumble along..

Bas Ek Chup Si Lagi Hai

Nahin Udaas Nahin

Kahin Pe saans Ruki Hai, Nahin Udaas Nahin...

Complete lyrics in Hindi

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Panchan aur unki 'Mada'l tarang...

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Pancham da ek aise sangeetakaar the jo sangeet sanyojan men nit naye prayog kiya karte the. vaise to pancham, kishor aur gulazaar ki tikadi ke jaane kitane hi geet sattar ke dashak ke mere sarvapriya geeton men rahe hain par unake kuch geet aise hain jo unamen prayukt dhunon aur taalon ki vajah se yaadon se kabhi door nahin hote. aaj 1978 men bani film 'ghar' ka aisa hi geet yad aa raha hai jiska mukhada aur saath men bajte 'madal' ki anoothi tal aur usake saath spainish gitar ka adbhut sanyojan geet ko ek alag hi pahachaan deta tha. ye geet tha svar kokila lata mangeshkar ka gaya nagma tere bina jiya jaaye na.... to isase pahle ki main aap ko ye bataoon ki pancham da ne is geet men naya kya kiya tha, ye jaan lena jaroori hoga ki aakhir madal vaadya yantra hai kya?

madal bharat ke anya paaranparik tal vaadyon ki tarah hi dikhta hai par hai ye nepal ki bhoomi men panapa vaadya yantra, jiska vahan ke pahadi log lok geeton men prayog karte the. bharat ke uttar poorvi ilakon aur uttar bangal men bhi iska prayog hota raha. dholak aur pakhavaj ki tarah hi madal ko donon taraf se bajaya jata hai par inki tulna men madal chhota aur halka hota hai. isake bade vaale chhor se neeche ke sur nikalte hain jabaki chhote vaale chhor se oopar ke.

pancham ko is nepaali vaadya yantra se parichit karane ka shreya nepal ke madal vaadak ranjeet gazmer ko jata hai jinhen pancham 'kaanchabhai' bhi kahate the. pancham da ko is vaadya yantra se kitana lagaav tha ye isi baat se spasht hai ki unhonne kaanchabhai ko apani aarkestra ka sthayi sadasya bana diya tha.

vividh bharti par pancham ki sangeet yatra vaale karyakram men aasha v gulazaar ji se is geet men kiye ge apane prayog ke baare men baat karte hue pancham ne kaha tha..

ye badi majedaar cheez hai. jis sur men gane ki pankti khatm hoti ho, usi sur men... usi sur ka tabla baje. jaise hamare yahan tabla tarang hai to ham logon ne koshish ki ki use madal tarang men bajaya jaaye...

yaani jis tarah tabla tarang men ek saath kai tabalon ko alag alag suron men laga kar ek saath bajaya jata hai vaisa hi yahan madal ke saath kiya gaya. madal tarang ko dekhna chahate hon to yahan dekh sakte hain.

pancham ne is geet ke aaranbhik tees sekend men jo gitar ki dhun pesh ki hai use jab bhi main sunta hoon ise baar baar sunane ka dil karta hai aur fir geet ke pachasaven sekend ke baad se pancham ki madal par ki gai kalakari (jiska oopar jikra kiya gaya) sunane ko milti hai aur man pancham ko unki bemisaal pratibha ke liye dad diye bina nahin maanta. geet sunane ke baad bhi geet ka mukhada aur pancham ki dhun ghanton dilo dimaag par apana asar banaaye rakhati hai. oopar ki rikarding men aapane lata ke saath kishor ko bhi ek alag tarike se gaate suna. aaiye ab sunte hain lata ji dvara gaya ye nagma.

tere bina jiya jaaye na

bin tere tere bin saajana

saans men saans aae na

tere bina ...

jab bhi khayalon men too aae

mere badan se khushabu aae

mahake badan men raha n jaaye

raha jaaye na, tere bina ...

reshami raaten roz

n hongi

ye saugaaten roz n hongi

zaindagi tujh bin ras n aae

ras aae na, tere bina ...

chalte chalte pancham aur unake madal prem se juda ek aur kissa batata chaloon. 1974 men ek film aai thi 'ajnabi'. pancham ko usake geet record karne the. par hua yoon ki theek usi waqt film jagat men saajakaron ki hadatal ho gai. intaralyoods men sangeet sanyojan men aarkestra ka hona tab ek aam baat thi. ab gana to rikard hona tha to kiya kya jaaye. par pancham to aakhir pancham the. unhonne ek raasta dhoondh nikaala. pancham ne geet ke antre men bajte madal ke ridam yaani tal ko intaralyoods men bhi barakaraar rakha aur saath men jod di tren ki aavaaz aur gana ho gaya supar hit. aap samajh rahe hain na kis geet ki baat ho rahi hai? ji haan ye geet tha lata v kishor ki yugal aavaaz men gaya nagma ham donon do premi duniya chhod chale...

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Annual Music Countdown 2010 Sartaaz Geet: Dil to bachcha hai jee...

To bhaiyon evam bahanon vaarshik sangeetamala ke dhaai mahine ke safar ke baad vakat aa gaya hai sarataji bigul bajaane ka. yahan sangeetakaar v geetakar ki vahi jodi hai jisane pichhale saal bhi milkar sarataj geet ka khitab jeeta tha. vaise to pahali paanch poyadanon ke geet apane aap men kamaal hain par pahali poyadan ka ye geet har lihaaz men alahada hai. baki poyadanon ke geeton ko oopar neeche ke kram men sajaane men mujhe kafi mashakkat karni padi thi. par pahali sidhi par virajamaan ishkiya film ka ye geet kabhi apani jagah se tas se mas nahin hua. is geet ke bolon ka asar dekhiye ki saal poora hua nahin ki geet ke mukhade ko lekar ek nai film rileez bhi ho gai.

ji haan is saal ek shaam mere naam ki vaarshik sangeetamala ka sarataj banane ka gaurav haasil kiya hai gulzar ke likhe, vishal bharadvaj dvara sangeetabaddh aur rahat fateh ali khan dvara gaaye geet dil to bachcha hai ji ne... is geet ke baare men naseer bhaai (jin par ye gana filmaya gaya hai)ki tippani dilachasp hai. naseer kahate hain..

"gane ka kaam hai film men mood ko kriet karana. jo jazabaat us waqt haavi hain film men, usako rekhaankit (underline) karna. mujhe nahin maaloom tha ki ye gana film men background men hoga ki main ise gaoonga. ek tarah se ye achchha hi hua ki mainne gaya nahin kyoonki isase usase us aadami (kiradaar) ke dil ke khayalat aur zahir hue."

gulzar ke baare men naseer kahate hain 

"aadami utna hi javaan ya boodha hota hai jitana aap use hone dete hain aur gulzar bhaai dil se naujavaan hain. bahut kuch aisa hai gulzar men jo aadami unse apeksha nahin kar sakta aur yahi ek sachche kalakar ki nishani hai."

sach, kaun nahin jaanta ki pyar karne ki koi umr nahin hoti. aur ye bhi ki prem men pad jaane ke baad hamara mastishk man ka das ho jata hai. par un sarvavidit ahasason ko gulzar itani nafasat se geet ki panktiyon men utarte hain ki sunkar man thaga sa rah jata hai.

gulzar ki kalakari isi baat men nihit hain ki vo hamare aas paas ghatit hone vali chhoti se chhoti baat ko badi safaai se pakadate hain . ab isi geet men prem ke manovigyaan ko jis tarah unhonne samajha hai usaki ummeed sirf gulzar se hi ki ja sakti hai. ab geet ki is pankti ko len

haaye jor karen, kitana shor karen

bevaja baaton pe ain ve gaur karen

bataiye is 'ai ve' ki anubhooti to ham sab ne ki hai. kisi ki bevajah ki bakavaas ko bhi mantramugdh hote hue suna hai. bol kya raha hai vo sun nahin rahe par usaki aavaaz aur adaen hi dil ko lubha rahi hain aur man khush.. bahut khush.. hua ja raha hai. par kya kabhi socha tha ki koi geetakar prem men hone vaale in sahaj se ahasason ko geet men dhaalega?

gulzar ki kisi jazabe ko dekhne aur mahasoos karne ki adbhut kshamata to hai hi par saath hi unake binb bhi bade prabhavashali hote hain.mukhade men dhalti umr ka ahasaas dilane ke liye unka kahana daant se reshami dor katati.. nahin...man ko lajavab kar deta hai.

sangeetakaar vishal bharadvaj ne is geet ka sangeet ek retro ki feel deta hai. aisa lagata hai ki aap sath ke dashak ka gana sun rahe hain. vaadya yantron ke nam par kahin halka sa gitar to kahin tali ko sangat deta hua haaramoniyam sunaai de jata hai. rahat fateh ali khan ko aksar sangeetakaar vaise geet dete hain jisamen soofiyat ke saath oonche suron ke saath khelne ki rahat ki maharat istemaal ho. par vahin vishal ne isase theek ulat si paristhiti vaale (jhijhakte sharmate fusafusaate se geet men) men rahat ka istemaal kiya aur kya khoob kiya. to aaiye pahle sunen aur gunen ye geet

aisi ulajhi nazar unase hatati nahin...

daant se reshami dor katati.. nahin...

umr kab ki baras ke sufed ho gayi

kari badari javani ki chhatati nahin

varna yah dhadakan badhane lagi hai

chehare ki rangat udne lagi hai

dar lagata hai tanha sone men ji

dil to bachcha hai ji...thoda kachcha hai ji

kisako pata tha pahalu men rakha

dil aisa paji bhi hoga

ham to hamesha samajhte the koi

ham jaisa haji hi hoga

haay jor karen, kitana shor karen

bevaja baaton pe ain ve gaur karen

dil sa koi kameena nahin..

koi to roke , koi to toke

is umr men ab khaaoge dhokhe

dar lagata hai ishk karne men ji

dil to bachcha hai ji

aisi udaasi baithi hai dil pe

hansane se ghabra rahe hain

saari javani katra ke kaati

beedi men takara ge hain

dil dhadakta hai to aise lagata hai voh

aa raha hai yahin dekhta hi na ho

prem ki maren katar re

tauba ye lamhe katate nahin kyoon

aankhen se meri hatate nahin kyoon

dar lagata hai tujhase kahane men ji

dil to bachcha hai ji,thoda kachcha hai ji

par geet ko poori tarah mahasoos karana hai is geet ka video bhi dekhiye. geet ka filmaankan badi khoobasoorati se kiya gaya hai. naseer munh se kuch nahin bolte par unki aankhen aur chehare ke bhaav hi sab kuch kah jaate hain..

isi ke saath vaarshik sangeetamala ka ye saalana aayojan yahin samapt hota hai. jo saathi is safar men saath bane rahe unka bahut aabhaar.  

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Annual Music Countdown 2010 Song No. 7: Sureeli ankhiyon vaale, suna hai teri ankhiyon se...

Ankhiyan bhi kya surili ho sakti hain? sach kahoon to kabhi aankhon ke surilepan ko jaanchane ki koshish ki hi kahan mainne? shayad usake liye Gulzar jaisi shayarana tabiyat ki jaroorat thi. haan ye jaroor hai ki jab se Gulzar ne aankhon ke liye is visheshan ka istemaal apane likhe is geet men kar diya hai tabse main bhi ek jodi surile nayanon ki talash men hoon. dekhoon dhoondh paata hoon ya nahin :)!

shayaron ki yahi to khaasiyat hai ki aise aise roopakon ko istemaal karte hain jinhen sun kar sunane vala pahle to ye sochta hai ki ye khayal usake man men pahle kyoon nahin aaya aur fir lipatata chala jata hai shayar dvara bichhaaye ge kalpanaaon ke jaal men. vaarshik sangeetamala ki saatavin poyadaan par film veer ka ye geet hridaya men kuch aisa hi ahasaas de kar chala jata hai.

Sajid Wajid vaise to bataur sangeetakaar pichhale barah saalon se film udyog se jude hain. par unake dvara rache ge pahle ke sangeet men ऍसी koi baat dikhati nahin thi ki unhen sangeetakaron ki bheed se alag drishti se dekha jaaye. is liye jab nirdeshak anil sharma ko angreji raj ke zamane ki is ऍतिहासिक prem katha ke sangeet rachane ke liye Sajid Wajid ka nam salman khan dvara sujhaya gaya to vo man se isake liye taiyaar nahin the. par Sajid Wajid ki jodi ne apane baare men unki soch ko badalne par mazaboor kar diya. geetakar Gulzar jinhonne pahali baar Sajid Wajid ke saath is film men kaam kiya ne pichhale saal skreen patrika men diye ge ek sakshatkar men kaha tha ki

Sajid Wajid behad pratibhashali hain. inhen inake hunar ke liye jo sammaan milna chaahiye vo ab tak unhen nahin mila. shayad is film ke baad logon men vo apani ek alag pahachaan banane men safal hon. pahali mulakaat men hi inhonne mujhe prabhavit kar diya. unnisavin shatabdi ke british raj men upaji is prem kahani ko paashchaatya aur lok dhunon ke jis sammishran ki aavashyakta thi vo in donon ne bhali bhanti poori ki hai.

khud bhaiyon ki ye sangeetakaar jodi maanti hain ki ye film unhen sahi samay par mili. agar kairiyar ki shuruaat men aisi film milti to usake saath ve poora nyay nahin kar paate. is film ko karte hue unhonne apane ek dashak se jyada ke anubhav ka istemaal kiya. sangeet ke har tukadon ko rachane ke liye poora vakt liya aur sahi asar paida karne ke liye geet ki 'laaiv' rikarding bhi ki.

gitar aur piyano ki parshva dhun se shuru hote is geet ko jab gulajaar ke bahate shabdon aur rahat ki sadhi hui gaayiki ka saath milta hai to mood romaantik ho hi jata hai. geet ke peechhe ke sangeet sanyojan men kam se kam vaadya yantron ka istemaal hua hai par usaki madhurta aur bahaav geet ki bhavanaaon ke anuroop hai. film ke pashchimi parivesh ki vajah se geet ka ek antra angreji men likha gaya hai jise soojan dimelo ne apani aavaaz se sanvara hai.

to aaiye doobate hain Gulzar ke shabdon ke saath rahat ji ke dvara gaaye hue is bemisaal geet men..

surili ankhiyon vaale, suna hai teri ankhiyon se

bahati hain neenden...aur neendon men sapane

kabhi to kinaron pe, utar mere sapanon se

aaja zameen pe aur mil ja kahin pe

mil ja kahin, mil ja kahin samay se pare

samay se pare mil ja kahin

too bhi ankhiyon se kabhi meri ankhiyon ki sun

surili ankhiyon vaale, suna hai teri ankhiyon se...

jaane too kahan hai

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Annual Music Countdown 2010 Song No. 12: Kanha Bairan Huyi...bansuri

Barahavi paaydaan par pahali baar is saal ki sangeetamala men pravesh kar rahe hain sangeetakaar saazid vazid.par film dabng ke liye nahin balki saal ke shuru men aai film 'veer' ke liye.geet ke bol likhe hain gulazaar saahab ne aur ise apani aavaaz di hai rekha bharadvaj ne.jab bhi kisi geet ke kredit men rekha ji ka nam aata hai geet ki prakriti ke baare men bahut kuch andaaj mil jata hai.soofi sangeet se apane kairiyar ki shuruaat aur pahachaan banane vali rekha ji ne jahan pichhale kuch varshon men lokageet ke rang men samaaye theth geet gaaye hain vahin up shastriya geeton men bhi unki aavaaz aur layakari kamaal ki rahi hai।

apane usi andaaz ko rekha ji ne veer film ki is 'thumari' men barakaraar rakha hai.vaise shastriya sangeet se jyada nahin jude logon ke liye up shastriya sangeet ki is vidha ke baare me kuch baaten janna rochak rahega.shastriya sangeet ke jaanakar unnisavi shatabdi ko thumari ka udbhav kaal batate hain.thumari se jude geet roomani bhaavon se otaprot hote hue bhi saatvik prem par aadhaarit hote hain aur aksar in geeton men nayak ke roop men bhagavaan krishn yaani hamare kanha hi nazar aate hain.thumari ki lokapriyata lakhanoo men navab vazid ali shah ke shasankaal men badhi.

thumari men ragon ke sammishran aur adakari ka bada mahatatva hai.vaise to aksar thumariyan rag khamaaz,peelu v kafi par aadhaarit hoti hain par sangeetakaar saazid vazid ne is thumari ke liye ek alag rag chuna.apane is geet ke baare men vo kahate hain

hamane is thumari men kisi ek thaat ka prayog nahin kiya jaisa ki praayah hota hai.jis tarah hamane is geet men mishrit rag se vishuddh rag nand men pravesh kiya vo rekha ji ne khoob pasand kiya.geet men tabla usi tarah bajaya gaya hai jaisa aaj se dedh sau varshon pahle bajaya jata tha.hamane aisa isaliye kiya taki jis kaal parivesh men ye film rachi gai vo usake sangeet men jhalke।

thumari uttarapradesh me pali badhi is liye is roop men rache geet brijabhasha men hi likhe ge.gulazaar saahab ne thumari ka vyakaran to vahi rakha par geet ke bolon se (khaaskar antaron men) kisi ko bhi gulazarish bhavanaaon ki jhalak mil jaaegi.kanha ki yad men vikal nayika ki virah vedna ko jab din ke ujiyare, saanjh ki aabha aur andhiyari rat ki kaalima jaise prakritik binbon ka saath milta hai to vo aur pragadh ho jaati hai.

geet ek koras se shuru hota hain jisamen aavaaze hain shareeb toshi aur shabaab saabari ki.fir rekha ji ki kanha ko dhoondhati aavaaz dilo dimaag ko shaant aur geet men dhyanamagn sa kar deti hai.mukhade aur koras ke baad geet ka tempo ekadam se badal jata hai aur man geet ki laya ke saath jhoom uthata hai.vaise bhi gulazaar ki lekhani me..saanjh samay jab saanjh lipatave, lajja kare baawari. jaise bolon ko rekha ji ka svar milta hai to fir kahane ko aur rah bhi kya jata hai..

pavan udave batiyan ho batiyan, pavan udave batiyan

tipo pe n likho chithiya ho chithiya, tipo pe n likho chithiya

chitthiyon ke sandese videse javenge jalengi chhatiyan

kanha aa.. bairan huyi baansuri

ho kanha aa aa.. tere adhar kyoon lagi

ang se lage to bol sunave, bhaye n munhalagi kanha

din to kata, saanjh kate, kaise kate ratiyan

pavan udave batiyan ho batiyan, pavan udave batiyan..

roko koi roko din ka dola roko, koi doobe, koi to bachave re

mathe likhe maare, kare andhiyare, koi aave, koi to mitave re

saare band hai kivade, koi aare hai n paare

mere pairon men padi rasiyan

kanha aa.. tere hi rang men rngi

ho kanha aa aa... haaye saanjh ki chhab saanwari

saanjh samay jab saanjh lipatave, lajja kare baawari

kuch na kahe apane aap se aapi karen batiyan

din tera le gaya sooraj, chhod gaya aakash re

kanha kanha kanha.....

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Chupke Se Chupke Se Raat Ki Chadar Tale....

A R Rahman ne bataur geetakar gulzar ke saath kai filmen ki hain aur javed saahab ke saath bhi. par javed akhtar ke bolon ko unake sangeet ke saath mainne jyada aatmasaat hote paaya hai. yahi vajah hai ki sढ़adesh, lagaan aur jodha akbar men is jodi dvara diya gaya geet sangeet man ke behad kareeb raha hai. par gulzar saahab ke lafajon ke saath rahman saahab vo prabhaav paida nahin kar paate hain jo vishal bharadvaj kara lete hain. vaise ye bhi nahin ki ravan, dil se, saathiya, guru ya fir slumdog millionaire men is jodi ne hamen achchha sangeet nahin diya. guru ka ai hairte aashiki aur dil se ka satrangi re... rahman ki behatareen compositions men gina jata hai. par jab in jaisi vibhootiyan saath hoti hain to hamari apekshaen kuch jyada hi badh jaati hain aur yahi vajah hai ki ye album poori tarah dil men ghar nahin kar paate.


saal 2002 men jab saathiya pradarshit hui thi to usaka mukhya geet saathiya, saathiya maddham maddham teri geeli hansi.. behad lokapriya hua tha. is geet ki har ek pankti par gulzar ki amit chhaap thi. vahin o hamdam suniyo re men gulzar ke shabdon se kahi jyada rahman ka vaadya sanyojan is qadar haavi tha ki geet men chupke se chaand nange paanv aa kar kab gujar jata tha iska pata hi nahin lagata tha.


in aath saalon men is film ko jo geet mere saath hamesha hi saath saath zehan ki vaadiyon men sair karta raha hai vo hai sadhana saragam ka gaya chupke se chupke se raat ki chaadar tale... geet ke mukhade ke pahle ka chorus mujhe hamesha college ke dinon ki taraf kheench le jata hai. dost yaron ki vo ekatarafa kissa goi, kisi ka rah rah kar thndi aahen bharana aur kisi ka bilavazah tadapana ya usaka abhinay karna. par un prem men doobe dilon ki vyatha men shareek hona bhi hamen tab khushi khushi manjoor hota tha.

Chorus ke baad is geet men rah jaate hain to gulazaar ke hridaya ko sahalate shabd aur saadhana saragam ka geet ki bhavanaaon men bahata svar. taajajub nahin ki sangeet premi is geet ko hamesha hi saadhana saragam ke gaaye das behatareen geeton men shumar karte hain. isase pahle ki is geet ki or rukh karen kuch baaten isaki gaayika ke baare men..

maharashtra se taalluk rakhne vali sadhaa ghanekar ne apani maan neelataai ghanekar se sangeet ki aaranbhik shiksha li. bharateeya shastriya sangeet inhonne pandit jasaraj se seekha. hindi film sangeet men paanv rakhte hi vo saadhana saragam ke naam se mashahoor hui. fir teri kahani yad aai, jurm, jo jeeta vahin sikandar, 1947 Earth men sadhana ke gaaye geet hamesha se sangeetapremiyon ki jubaan par rahe hain. par hindi film jagat ne unhen vo mauke nahin diye jo unhen dakshin bharat men jaakar mile. saadhana saragam aaj tak 24 jaubaanon men geet ga chuki hain. aur to aur dakshin ka na ho ke bhi varsh 2007 men tamil aur telagu ki sarvashrashth parshvagayika ka khaitab jeet chuki hain. a r rahman umaki gaayiki se itane prabhavit rahe hain ki apane ek sakshatkar men unhonne kaha tha ki

usaki ginti main aisi kuch gaayikaon men karta hoon jinhonne apani adaegi se mujhe har mod par achanbhit kiya hai. bahut saare gayak is baat men nipun hote hain ki mainne jaisa kaha use vo hoo bahu apani gaayiki men utaar dete hain. par vo to mere anudeshon se kahin aage geet ko itani saralta se ek aise dharatal par le jaati hai jo mujhe chakit to karta hi hai aur saath hi unake saath kaam karne ke aanand ko bhi badhata hai.

to aaiye sunte hain is geet ko jise sabse pahle saadhana ne tamil men varsh 2000 men film snehidhne ke liye gaya tha. to pahle suniye ye tamil version




aur usake baad saathiya ke liye hindi men gaya vahi geet..





dosto se
dosto se jhoothi-moothi doosaron k nam le ke
teri meri baaten karana
yara rat se din karana
lanbi judaai teri
bada mushkil hai aahon se dil bharana
yara rat se din karana
kab ye poori hogi door ye doori hogi
kab ye poori hogi door ye doori hogi
roz safar karana
yara rat se din karana

chupke se chupke se rat ki chaadar tale
chaand ki bhi aahat na ho baadal ke peechhe chale
jale katra-katra gale katra-katra
rat bhi na hile aadhi aadhi
rat bhi na hile aadhi aadhi ye
chupke se chupke se rat ki chaadar tale


farawari ki sardiyon ki dhoop men
moondi-moondi ankhiyon se dekhna
haath ki aad se
nimi-nimi thand aur aag men
haule-haule marva ke rag men
meer ki baat ho
din bhi n doobe rat na aaye shaam kabhi na dhale
shaam dhale to subah n aaye rat hi rat chale
chupke se chupke se rat ki chaadar tale.....

tujh bina pagli puravai
tujh bina pagli puravai
aake meri chunri men bhar gai
too kabhi aise hi gale lag jaise ye puravai
aa gale lag jaise ye puravai
saathiya sun too
kal jo mujhako nind na aaye paas bula lena
god men apani sar rakh lena lori suna dena

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Mod pe dekha hai vah boodha-sa ik ped kabhi?..Gulzar explores human bondage with the environment around us...

April ka mausam kabhi itani kadi dhoop ka talabadaar na tha. khaaskar us pradesh men jiska namakaran hi jangal aur jhadiyon ke nam par kiya gaya ho. pahle desh ka sarvadhik tapamaan dekhne ke liye rajasthan ke shaharon ke tapamaan par nazar daudani hoti thi par ab to itani mashakkat karne ki zara si bhi jaroorat nahin. bokaro dhanbad se lekar devghar aur jamshedpur tak poora jharakhand aprail ke mahine men hi 45 se 47 degreei ki chilachilati dhoop men jhulas raha hai.

Waise to kamobesh poore bharat ki yahi sthiti hogi par prakritik sanpada se paripoorit is pradesh ka ye haal chaunkaane vala jaroor hai. iska sidha-sidha arth yahi hai ki kahin na kahin ham sabhi apane aas paas ki prakriti ko nasht hote dekh ke bhi sanvedanaheen hue ja rahe hain.

Aarthik vikas ki is daud men kankreet ke jangalon ke bich vo purani aabo hava kahin kho si gai hai. kya ham bhool ge un pedon ko, jinki chhaanv ne har garmi men tapate sooraj ki in jhulasaati kiranon ka raasta roka. jinki vishalakaay moti shakhen bachapan men hamare jhoolon ka avalanb banin. jinake tanon par chadh utar kar hamane na jaane kitani mastiyan ki.

Ghar ke aangan ya ahate men palte badhate ye vriksh bhi hamare saath hi badhate ge aur saath hi unake seene men samaati gin ve aanandadayak smritiyan. bachapan beeta, thikaane badalte rahe aur vo ped.... vo to ab aas paas rahe hi nahin. so unase judi yaden to ksheen honi hi thin. par jab jab ham apane purane aashiyane men vapas laute, un ped paudhon ko dekh vo yaden is teevrata se vapas aa gayeen jese kabhi gai hi na hon. aakhir kyoon hua aisa !

Darasal hamen ehasaas ho na ho anajaane men hi ham apani aas-paas ki prakriti se ek rishta bana lete hain. ek aisa mazaboot rishta jisaki girahen katne se hamen vaisi hi peeda hoti hai jaise kisi insani rishte ke tootne par hoti hai.

Gulzar saahab ki likhi ek kavita yad aa rahi hai jo aise hi ek rishte ki kahani kahati hai. Gulzar ne jis khoobi se apane jindagi ke sabse haseen lamahon ko gali ke kinare khade us ped se joda hai, vo aap is kavita ko padh kar hi mahasoos kar sakte hain. is kavita ko bolte hue padhna ek poore anubhav se gujarne jaisa hai. to aaiye mere saath padhiye is kavita ko...

mod pe dekha hai vah boodha-sa ik ped kabhi?
mera vaakif hai, bahut saalon se main use jaanta hoon

jab main chhota tha to ik aam udane ke liye
parli deevar se kandhe par chadha tha usake
jaane dukhati hui kis shakh se ja paanv laga
dhaad se fenk diya tha mujhe neeche usane
mainne khunnas men bahut fenke the patthar us par

meri shadi pe mujhe yaad hai shakhaen dekar
meri vedi ka havan garm kiya tha usane
aur jab haamila thi 'beeba' to dopahar men har din
meri bivi ki taraf kairiyan fenki thin isi ne

waqt ke saath sabhi phool, sabhi patte ge
tab bhi jal jata tha jab munne se kahati 'beeba'
'haan usi ped se aaya hai too, ped ka fal hai'
ab bhi jal jata hoon, jab mod gujarte men kabhi
khaanskar kahata hai, 'kyon sar ke sabhi bal gaye?'

subah se kaat rahe hain vo 'committee' vaale
mod tak jaane ki himmat nahin hoti mujhko...

Kya aapako nahin lagata ki jis prakriti ke beech ham pale badhe hain, usake saath bane rishton ne hamare jeevan men jaise anamol pal diye hain vaisa hi kuch apane bachchon ko bhi ham uplabdh karaen?

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Annual Musical Countdown 2009 -Sartaaz Geet- Ek Dil Se Dosti Thi Wo Huzoor Bhi Kameene...

Teen mahinon ke is safar ko poora karte hue vakat aa pahuncha hai Vaarshik Sangeetmala 2009 ke sarataji bigul ke bajane ka. jaisa ki mainne pahle bhi kaha hai ki vaarshik sangeetmala ke pratham paanchon geet ka aapasi faasla behad maamooli tha. saal ke sarataj geet ke aasan par mainne us geet ko baithaya jo mere dil ko apekshakrit jyada kareeb se chhoo gaya.

Waise ye janna aapke liye dilachasp hoga ki mere sabse chahete geetakar aur priya sangeetkaar ke hote hue bhi, sangeetamala ki pahali paaydaan par pichhale chhah saalon par pahali baar is geetakar-sangeetkaar ki jodi ka kabja ho raha hai. isase pahle varsh 2006 men is jodi ne teesari paaydaan tak ka safar taya kiya tha.



To kaun hai vo jodi? geetakar ka nam to aap samajh hi ge honge ji haan vahi haradilazaeez gulazaar saahab (jinhen is chitthe par pichhale mahine karaaye ge chunaav men sabse jyada mat aap logon ne diye hain) aur choti par khade is geet men unka saath de rahe gayak v sangeetakaar vishal bharadvaj. film kameene ka ye geet jab mainne pahali baar suna tha to main isaki girafat men aa gaya tha. par aakhir kya baat hai is geet men?

Jeevan men apane lakshyon ko poora karne men mili safalataon ka shreya ham aksar apani mehanat aur lagan ko dete hain aur vahin jab vifalataayen hamara raasta kaatati hain to sara dosharopan apani footi kismat aur apane aasapaas ke logon ke matthe madh dete hain.

Par ye dhokha apane aap ko koi shakhas kab tak deta rahega? fursat ke un ekaki lamahon men jab ham apane aatmavalokan ke liye majaboor hote hain tab hamen lagata hain ki khaud hamare chune raaste, hamari chhichhali soch aur hamare karm bhi in haalaaton ke liye kam jimmevar nahin. darasal zaindagi ke itane vistrit kainvas men hamara man kitani baar kaminepan ki in hadon ko paar karta hai iska andaza samay rahate ham kai baar nahin laga paate.

Hamare isi man ka khaka kheenchti, saathi chitthakar vishva deepak 'tanaha' ki in panktiyon par zara gaur karen jo unhonne haal filahaal men kahi hain..

"....yah jo mera agam-agochar-
alasaya-sa adbhut man hai.......

mujhe sanvaare, mujhe nikhare
mujhako mera sach batala de
aisa kahan koi darpan hai..

aur kya kahoon,
yahi bahut hai..
mujhe jaanane vaale kahate
kabhi ram
to kabhi vibhishan
aur kabhi mujhamen ravan hai.. ...."

Gulzar saahab ne har vyakti men apane man aur karmon ko tatolne ke liye chalte is maun vaartalaap ko is geet men is sanvedanasheelta se abhivyakt kiya hai ki aap in shabdon ko sunkar ekabaaragi sochane par majaboor jaroor ho jaate hain. misaal ke taur par geet ke mukhade par gaur karen

kya kare zindagi, isako ham jo mile
isaki jaan kha gaye, rat din ke gile
rat din gile...
meri aaraju kamini, mere khwab bhi kameene
ik dil se dosti thi, ye hujoor bhi kameene......

Kya ye sach nahin ki zaindagi se hamari apekshaen apane karmon ke pratifal se kahin aage chali jaati hain? ek safalta mili nahin ki doosari ke peechhe bhaagna shuru. insan ki isi manovriti ko gulazaar saahab, apane chiraparichit binbon ke aaine men kuch yoon pesh karte hain...

kabhi zaindagi se maanga
pinjre men chaand la do
kabhi lalaten le ke
kaha aasamaan pe taango

jeene ke sab karine
the hamesha se kameene
kameene...kameene..kameene
meri dastan kamini

mere raaste kameene
ik dil se dosti thi
ye hujoor bhi kameene

Aur choonki ham aise hain to apane doston aur apane samaj se kya ummeed rakhen...

jiska bhi chehara chheela
andar se aur nikala
masoom sa kabootar,
nacha to mor nikala
kabhi ham kameene nikale,
kabhi doosare kameene
meri dosti kamini,
mere yar bhi kameene
ik dil se dosti thi
ye hujoor bhi kameene


Vishal bharadvaj ne geet ke kaifiyat ke hisab se sangeet rachna to ki hi hai, saath hi film ke is sabse behatareen geet ko gane ka lobh sanvaran nahin kar paaye hain. par kul milakar mujhe lagata hai ki aaj ke is yug men ham, aap yaani ki ham sabhi is geet ko apani apani zaindagi se jod ke dekh sakte hain. ye geet hamen apane andar jhankne aur apana moolyankan karne par majaboor karta hai.

Is geet se na mujhe behad pyar hai balki gulazaar svayam ise kameene ki behatareen rachna maante hain. geet men 'kameene' shabd ke prayog ke baare men gulazaar kahate hain

Ham apane jeevan men kameene shabd ka prayog bataur gaali ke kam aur ek apanatva se di hui jhidaki ke taur par jyada karte hain. mujhe to om puri ki baat yad padati hai jisane mere yahan apana pasandida nashta karne ke baad ye kaha ki aapane mujhe aaj ek baar bhi 'kameena' nahi kaha. meri samajh se to kameena kahana kisi ke kandhe par aatmeeyata se thapathapaane ya fir halki sa mook chapat lagane jaisa hai jo ye ingit karta hai ki ye chapat bhi isaliye hai ki mujhe abhi bhi tumhari fikra hai.gulazaar, vishal ke sangeet men vahi chamak paate hain jo ek zamane men unhonne pancham ke saath kaam karte hue mahasoos ki thi.

Khushi to tab hui jab is geet ke baare men meri bhavanaayen gulazaar ke ek sakshatkar men pratidhvanit hui. angreji dainik ko diye sakshatkar men gulazaar ne kaha

Jab bhi main vishal ke saath kaam karta hoon ham donon mil kar hindi film sangeet ke ne aayamon ko talashane ki koshish karte hain. kameene men bhi mainne kuch naya likhne ki koshish ki hai. itana spasht kar doon ki 'dhan ta nan' mera is film ka pasandida geet nahin hai. ye alag baat hai ki aajakal tej ridam par aadhaarit geet hi jyada chalte hain. mujhe to vishal ka gaya hua film ka sheershak geet hi sabse pyara lagata hai kyoonki vahan mainne jin shabdon ka chayan kiya hai unhen sunkar shrotaon ke man men ek soch to paida hogi hi. par ye bhi hai ki aajakal shabdon ko dhyaan se sunta kaun hai?

dil ki baat kah di gulazaar saahab ne...

Vaarshik sangeetamalaon ke madhyam se aaj ke sangeet men jo kuch sunane aur charcha karne yogya ho raha hai use aap tak pahunchaane ki koshish karta raha hoon. varsh 2004 se lekar aaj 2009 tak vaarshik sangeetamalaon ke chhah ank ho chuke hain. mujhe vishvaas hai ki vaarshik sangeetamala 2009 men pichhale teen mahinon men prastut geeton ne sangeet, gaayiki aur bolon ki drishti se aapaka man jeeta hoga. yakaeen maaniye saal ke ye shuru ke teen mahine blaging ki drishti se mere liye behad shramasadhya hote hain. teen mahinon ke is lambe safar ko kayam rakhne ke liye aapaka prem ek utprerak ke roop men kaam karta raha hai. shuru se aakhir tak prastut geeton par apani raay dene ke liye main ranjana ji, himaanshu, priynk jain, susheel, sameer ji, gautam, abhishek, kanchan, apoorv, sagar, raj bhatiya v anya saathiyon ka hardik aabhaari hoon ! inhin shabdon ke saath sangeetamala ki is lanbi shrrinkhala ka samapan karne ki izajat deejie.

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Annual Musical Countdown 2009 - Song No. 16- Umeed ab kahin koi dar kholti nahin...

Vaarshik sangeetamala 2009 ki 16 vin paayadaan svagat kar rahi hai pichhale saal ki ekmaatra filmi ghazal ka jo is saal ke mere pachchis manapasand geeton men apani jagah bana saki hai. nandita das dvara nirdeshit film firak ki is gajal ki rachna ki hai ek bar fir gulazaar sahab ne. gujarat ke dangon par bani is gambheer film ke geeton men jis samvedanasheelta ki jaroorat thi
use gulzar ne bakhoobi nibhaya hai.



ab aap hi bataiye dangon se hairaan pareshan aadami apana kasht lie prashasan ke pas jaaye aur agar use dutkar aur pratadana ke aalava kuch na mile to vo kya karega ? naummeed ho kar apana dard man men chhupaaye maun hi to rah jaaega na. gulazaar ne in bhavanaaon ko gajal ke matle men shabd dete hue likha aur kya lajavab likha....

ummeed ab kahin koi dar kholti nahin
jalne ke bad shama aur bolti nahin

charon or hinsa aur aagajani se pasare sannate ko gulazaar ne agale do ashaaron men sametne ki koshish ki hai

jo saans le rahi hai har taraf vo maut hai
jo chal rahi hai sine men vo jindagi nahin

har ek cheej jal rahi hai shahar men magar
andhera badh raha hai kahin raushni nahin

jalne ke bad shama aur bolti nahin
ummeed ab kahin koi dar kholti nahin...

ye ek aisi gajal hai jo film ki hi bhanti hamen ye sochne par majaboor karti hai ki insan jab haivaniyat ki chadar odh leta hai to ek jivant shahar ko lashon aur rakh ka dher bante der nahin lagti.

is gajal ka sangeet diya hai ek navodit sangeetakar jodi peeyoosh kanaujiya aur rajat dholakiya ne . ye vahi razat dholakiya hain jinhonne pancham ke intakaal ke bad 1942 a love story ka sangeet poorn kiya tha. ve dharavi, holi aur mirch masaala jaisi leek se hatkar banaai gi film ka sangeet bhi de chuke hain. haal filahaal men dilli 6 men rahman ke sath unka nam bhi sah sangeet nirdeshak ki haisiyat se tha. chahe mukhade ke pahle ki baat kare ya ashaaron ke beech ka filar har jagah gajal ka sangeet man men gahari udasi ka rng bharta nazar aata hai. rekha bharadvaj ek bar fir apani utkrisht gaayiki dvara gajal ke mizaj ko hoobahu pakadane men safal rahi hain.

to agar aapke pas kuch fursat ke lamahe hon to koshish kijie is gajal ki bhavanaaon men doobane ki...

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Annual Musical Countdown 2009 : Song no. 17 : Bhanwra bhanwra aaya Re...yani Jab gulzar karein AIDS ki baat !

Vaarshik sangeetamala 2009 ka ek mahine ka safar taya karte hue aaj ham a pahunche hain 17 vin poyadaan par. pichhali poyadaan par aapane dekha ki kis tarah peeyoosh mishra ne apne geet ko tatkaaleen rashtriya aur antararashtriya masalon ko janta ke samane pesh karne ka madhyam banaya tha. aaj ka ye yugal geet rajanitik nahin par ek samajik sandesh jaroor de raha hai aur vo bhi is andaz men jise sunane ka man bar bar karta hai.

Iss yugal geet ke sath pahali bar is geetamala men apani upasthiti darj kara rahe hain aaj ke yug ke do bemisaal gayak Sukhwindar Singh aur Kailash Kher. in donon maharathiyon ko ek sath sunana kisi bhi sangeetapremi ke lie sone par suhaga jaisi baat hoti hai. vaise to in gaayakon ki khasiyat rahi he ki aam se geet ko bhi apani adaegi se khas bana den par jab bol Gulzar ke hon aur dhun Vishal Bharadvaj ki to unka kam aur aasaan ho jata hai.

Kamine film ke is geet ne jitani chunauti gaayakon ke lie thi usase kahin jyada geetakar sangeetakar ki jodi ke lie. geet likhna tha ek aisi sthiti par jisamen nayak jo ek samajik karyakarta hai , ghoom ghoom kar red lait eriya men kandom ka vitaran kar raha hai aur sath hi logon ko eds ke khatre ke bare men bata raha hai. kisi bhi geetakar ke lie is vishaya ko bina upadeshatmak hue kavita men baandhana ek tedhi kheer thi. Par Gulzar ne is kam ko bade salike se anjaam diya. vahin vishal ka sangeet sanyojan aur fatak shabd ka geet ki laya ke sath behatareen istemaal shrotaon ka dhyaan sahaj hi aakarshit kar leta hai.

to aaiye sunen kailash aur sukhavindar ki aavaaz men ye nagma

ki bhnvara bhnvara aaya re fatak fatak
gun gun karta aaya re
sun sun karta galiyon se
ab tak koi na bhaya re

sauda kare saheli ka
sar par tel chameli ka
kan men itar ka faha re
ki bhnvara bhnvara aaya re fatak fatak.. ..

ginti na karana isaki yaron men
aavara ghoome galiyaaron men
ye chipaku hamesha sataayega
ye jaaega fir laut aaega
khoon ke maile katre hain
jaan ke sare khatre ...
ki aaya rat ka jaya re..fatak ...

jitana bhi jhooth bole thoda hai
kidon ki basti ka makauda hai
ye raton ka bichchhu hai kaatega
ye zaharila hai zahar chatega
daravaje men kunde do
dafa karo ye gunde ye shaitan ka saya re fatak fatak..

ye ishk nahin aasaan, aji AIDS ka khatra hai
patavar pahan jana ye aag ka dariya hai

ye naiya doobe na ye bhnvara kate na
ye naiya doobe na ye bhnvara kate na ...

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Annual Musical Countdown 2009 : Song no. 23 : Gulzar, Pritam aur Abhijeet jab chahein Khuda Ki khairiyat...

Vaarshik sangeetamala ki 23 vin position par ek nayi tikadi virajamaan hai. Yahan sangeetakar Pritam hain par gayak Neeraj Shridhar nahin, Gulzar hain par Vishal Bharadvaj nahin aur to aur Abhijeet ka sath dene ke lie Alka Yagnik bhi nahin maujaood. Nirdeshak Priyadarshan ne Gulzar aur Pritam ko ye soch kar anubandhit kiya ki film ke geet aise hon jo jinamen aaj ke sangeet ki jhalak to ho par sath men bhavanaayen bhi ho jo dil ko chhu sake.

Waise is tikadi ne is geet men Priyadarshan ko nirash nahin kiya isiliye ve kahate hain ki ye geet unki banaai filmon ka ye sabse behatareen geet hai. Pritam,Gulzar aur Abhijeet da ne milkar ek aise geet ki rachna ki hai jisamen rumaniyat to hai hi, sath hai behatareen melody .


Geet guitar ki madhur tan se shuru hota hai. fir aata hai ladakiyon ka koras aur usamen se ubharta abhijeet da ka makhamali svar. ye to nahin kahoonga ki Gulzar ne apne shabdon men kuch ne binbon ka istemaal kiya hai fir bhi unka karishma itana jaroor hai ki geet ko sunkar isake mukhade ko gunagunaate rah jaen.

To aakhir ye geet kaun sa hai? Ye geet hai saal ke shuru men surkhiyan batorne vali film billu ka aur agar ab tak aapane ise nahin suna to main to bas itana hi kahoonga ki khudaya khair :)...

Pritam ne is geet ke banane ki baaton ko yad karte hue kahate hain

Mainne is geet ki shuruaat o rabba ho oo oo..se karne ki sochi thi par Gulzar ne use khudaya khaieeer kar geet ka prabhav hi badha diya. main apne giton ka koi hissa khali nahin chhodta, yaani mere giton men aarkestraiseshan khoob hota hai. par is geet men mainne apne bahut sare vadya yantra hata kiye to make it simple.

Darasal Pritam ki ye 'imposed simplicity' hamare jaise sunane vaalon ke kanon ko sukoon dene vali ho gi. to aaiye sunen pahle Abhijeet da ki aavaaz men is geet ko

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isi geet ke doosre version ko gaya hai Soham Chakravarti,Aakriti Kakkad aur Monali ne. par mujhe doosre version se kahin jyada Abhijeet ka solo prabhavit karta hai.

raton rat tara koi, chaand ya sitara koi
gire to utha lena
o suniyon re
tara chamakila hoga,chaand sharmila hoga
nath men laga lena

jara si saanwari hai vo
zara si bawari hai vo
vo surame ki tarah meri
aankhon men hi rahati hai

subah ke khwab se udai hai
palakon ke niche chhupaai hai
maano na maano tum
sote sote khvabon men bhi khwab dikhaati hai
maano na maano tum
pari hai vo pari ki kahaniyan sunati hai

khudaya khair, khudaya khair, khudaya khair, khudaya khair

raton rat tara koi...nath men laga lena

tu hava main zami, tu jahan main vahin
jab ude mujhe le ke kyoon udati nahi
tu ghata main zami,tu kahin main kahin
kyon kabhi mujhe leke barasati nahi

jara si saanwari hai vo... rahati hai
subah ke khwab....khudaya khair

jab daant men oongli dabaye
ya oongli pe lat lipataye
badal ye chadhta jaaye, ho...

kuch kar ke vo baat ko tale
jab mathe pe vo bal dale
ambar yah sikudta jaaye ho........

vo jab naakhoon kutarati hai,to chanda ghatne lagata hai
vo pani par kadam rakhe, sagar bhi hat jata hai

subah ke khwab....
khudaya khair,khudaya khair,khudaya khair,khudaya khair

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Shahatoot ki shakh pe baithi Meena bunti hai resham ke dhage : Gulzar on Meena Kumari...

Kuchh log gham ki duniya men jine ke liye bane hote hain. Meena Kumari ki shakhsiyat bhi kuchh aisi hi thi. Parde ki tragedy queen ne kab apani zindagi men gamon se khelana shuru kar diya shayad unhen bhi pata nahin chala. Mahazabin ke naam se janmi aur garibi men pali badi is adakara ne apane abhinay ka sikka pachas aur sath ke dashak men is tarah chalaya ki kisi bhi film se unaka judav hi usake hit ho jane ka sabab ban jata tha.

Apne career ki oonchaee ko chhu rahi Meena ji ke Kamaal Amrohi sahab se prem, fir vivah aur kuchh salon bad talaq ki katha to ham sabhi janate hi hain. Meena ji ka thos vyaktitva, unaki aazadakhyali, apani zindagi ke nirnay khud lene ki kshamata aur abhinay ke prati lagan unhen jis mukam par le gaee thi vo shayad Kamaal sahab se unake khatte hote rishton ki vajah bhi bani. Rishton ko na sanbhal pane ke dard aur akelepan se nizaat pane ke liye Meena Kumari ji ne apane aap ko sharab men dubo diya.

Yoon to Meena kumari apane dil men umadate jazbon ko diaryi ke pannon men hamesha vyakt kiya karati thin par unaka akelapan, unaki peeda aur hamasafar ki bevafaee unaki ghazalon aur nazmon men rah rah kar ubhari. Misal ke taur par unaki is nazm ko len.Meena ji ke kavy se mera pahala parichay unaki is dil ko chhu lene vali najm se huaa tha

tukade-tukade din beeta, dhajji-dhajji raat mili
jisaka jitana aanchal tha, utani hi saugat mili
jab chaha dil ko samajhen, hansne ki aavaj suni
jaise koee kahata ho, lo fir tumako ab maat mili
baten kaisi ? ghaten kya ? chalate rahana aath pahar
dil-sa sathi jab paya,bechaini bhi sath mili

39 varsh ki aayu men is duniya se rukhasat hote huye vo apani 25 niji diaries ke panne Gulzar sahab ko vasiyat kar gaeen. Gulzar ne unaki ghazalon aur nazmon ki kitab hind pocket books dvara prakashit karaee hai. Pichhle mahine jab ranchi ke pustak mele se guzra to usamen Meena kumari ki shayari ke aalava kuchh aur bhi padhne ko mila aur vo bhi Gulzar ki lekhani se.

Gulzar is kitab men unake bare men likhate hain ..

Meena ji chali gaeen. kahati thin
rah dekha karega sadiyon tak,
chhod
jayenge yah jahan tanha
Aur jate huye sachmuch sare jahan ko tanaha kar
gaeen; ek daur ka daur apane sath lekar chali gaeen. Lagata hai, duaa men thin.
duaa khatm huee, aamin kaha, uthin, aur chali gaeen. Jab tak zinda thin, sarapa
dil ki tarah zinda rahin. dard chunati rahin, batorati rahin aur dil men samoti
rahin.Samandar ki tarah gahara tha dil. vah chhalak gaya, mar gaya aur band ho
gaya, lagata yahi ki dard lavaris ho gaye, yatim ho gaye, unhen apananevala koee
nahin raha. Mainne ek bar unaka portrait nazm karke diya tha unhen. likha tha...

shahatoot ki shakh pe baithi Meena
bunati hai resham ke
dhage
lamaha-lamaha khol rahi hai
patta-patta been rahi hai
ek-ek
sans bajakar sunati hai saudayan
ek-ek sans ko khol ke, apane tan
par
lipatati jati hai
apane hi tagon ki qaidi
resham ki yah shayar ik din
apane hi tagon men ghutakar mar jayegi.

Padhakar hans
padin. kahane lagin–‘janate ho na, ve tage kya hain ? unhen pyar kahate hain.
mujhe to pyar se pyar hai. Pyar ke ehasas se pyar hai, pyar ke nam se pyar hai.
Itana pyar koee apane tan se lipatakar mar sake, to aur kya chahiye ?’
unhin
ka ek panna hai mere samane khula huaa. likha hai....

pyar socha tha, pyar dhoondha tha
thandi-thandi-si hasaraten dhoondhi
sondhi-sondhi-si, rooh ki mitti
tapate, nokile, nange raston par
nange pairon ne daudakar, thamakar,
dhoop men senkin chhanv ki chotein
chhanv men dekhe dhoop ke chhale

apane andar mahak raha tha pyar
khud se bahar talash karte the

Apani aur Meena kumari ji ki chand panktiyon ke dvara Gulzar sahab ne unake jatil vyaktitv ko kitani aasani se pathakon ke liye paradarshi bana diya hai. Agar Gulzar ne Meena ji ke kavi man ko tatolane ki koshish ki hai to sangeetakar Khayyam ko Meena ji ke dil ki vyatha ko unaki aavaj ke madhyam se nikalane ka shrey jata hai.

Khayyam dvara sangitabaddh album I write I recite EMI/HMV mein, Meena ji ne apani dil ki manobhavanaon ko badi bareeki se apane svar men dhala hai. Is album se li gaee unaki ye ghazal mujhe behad pasand hai. Aasha hai aapako bhi pasand aayegi


aaGhaaz to hotaa hai anjaam nahiiN hotaa
jab merii kahaanii meN vo naam nahiiN hotaa

jab zulf kii kaalikh meN ghul jaaye ko’ii raahii
bad-naam sahii lekin gum-naam nahiiN hotaa

haNs haNs ke javaaN dil ke ham kyouN na chune TukRe
har shaKhs kii qismat meN ina’am nahiiN hotaa

bahte hu’e aaNsuu ne aaNkhoN se kahaa tham kar
jo mae se pighal jaaye vo jaam nahiiN hotaa

din Duube haiN yaa Duubii baaraat liye kashtii
saahil pe magar ko’ii kohraam nahiiN hotaa

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