Annual Music Countdown 2010 Song No. 9: Man ke 'mat' pe mat chalio, ye jeete ji marva dega

Vaarshik sangeetamala ki navin poyadaan par ek baar fir aa rahe hain janab Rahat Fateh Ali Khan . rahat idhar kuch galat karanon se samaachaar patron men surkhiyan bator rahe the. apani roohani aavaaz se jo shakhas man ko shaant aur mudit kar deta hai usase is tarah ke aacharan ki ummeed kam se kam ham aur aap jaise prashansak to nahin hi kar sakte. aasha hai rahat is ghatna se sabak lenge aur bhavishya men jab bhi unki charcha ho to sirf unki gaayiki ke liye...

jab rahat ka pichhala geet solahavin poyadaan par baja tha to menne aapase kaha tha ki is saal ki vaarshik sangeetamala men rahat ne apane geeton se jo dhoom machai hai usaki misaal pahle ki kisi bhi sangeetamala men dekhne ko nahin mili. rahat ki gaayiki ke dabadabe ka andaaz aap isi baat se laga sakte hain ki is saal ke pratham das geeton men se paanch unake dvara gaaye nagme hain.

to ab baat karen navin poyadaan ke is geet ki jo liya gaya hai film 'aakrosh' se. anupam amod ki aavaaz men is film ka ek aur pyara geet sauda udanon ka hai ya aasamaanon ka hai, le le udanen meri.. aap pahle hi sangeetamala men sun chuke hain. aakrosh ka sangeet diya hai pritam ne aur likha hai Irshad kamil ne. darasal rahat ki gaayiki to apani jagah hai hi par is geet ki jaan hai Irshad kamil ke bol. roomaniyat bhare geeton men Irshad kamaal karte hain vo to aap pichhale saalon men jab vi met, lav aaj kal, ajab prem ki gajab kahani aur is saal Once Upon A Time In Mumbai sarikhi filmon men pahle hi dekh chuke hain. par aakrosh ke is geet men Irshad geet ke bolon men ek daarshanik chintan ka bhi sootrapaat karte hain. vaise to geet ke har antre men Irshad apani lekhani se chamatkrit karte hain par khaas taur par unki likhi ye panktiyan man ko lajavab sa kar deti hain.

"..man se thodi anaban rakhna,
man ke aage darpan rakhna
manava shakal chhupa lega.."

Irshad Kamil aaj hindi film sangeet men apani ek vishisht pahachaan banate ja rahe hain. par agar unake pita ki chalti to vo aaj injiniyaron ki jamat men khade hote. rasaayan shastra ke profesar ke putra hone ke nate unhen colej men ganit aur vigyaan vishayon ko jabaran chunana pada. aruchikar vishayon ka saath aur usake saath char char tyooshan karne ki baadhyata Irshad ko nagavar guzari. colej ki us vyast dinacharya men kamil kuch sukoon ki talash men rangamanch men ruchi lene lage. saal ke ant men jab nateeje nikale to vo ganit aur bhautiki men fel ho ge the. kamil ke pita ke liye vo nirasha ka din tha par kamil ise apani jindagi ki sabse achchhi asafalataon men ginte hain kyoonki is asafalta ne hi unhen jeevan ki nai disha pradaan ki.

vaise to manav man ki vichitrataon par pahle bhi geet likhe ja chuke hain aur Irshad saahab ka ye geet usi kadi men ek ullekhaneeya prayas hai. pritam sangeet ke saath yahan jyada prayog nahin karte aur geet ke fakirana mood ko apani dhun se barakaraar rakhte hain.

vaise man ke bhatakaav ke baare men sab jaante samajhte bhi kya ham isaki ichchhaaon ke aage ghutne nahin tek dete, isake das nahin ban jaate. khaaskar tab jab hamare hridaya men kisi ke prati prem ki vaitarani bahane lagti hai. to aaiye sunte hain is arthapoorn geet ko rahat ji ke svar men..



is geet ko aap yahan bhi sun sakte hain

ishk mushk pen jor na koi
manase badhakar chor na koi
bin aag badan sulaga dega
ye rag rag rog laga dega


man ke 'mat' pe mat chalio, ye jeete ji marva dega
man ke 'mat' pe mat chalio, ye jeete ji marva dega
maashook mohalle men jaake besabra roj daga dega
ho. man ki mandi, man vyapari, man hi man ka mol kare
ha ha ha...
bhool bhal ke nafa munafa, nain taraju tol kare
nain taraju tol kare
khud hi mol badha de manava, khud hi maal chhupa de manava
khud hi bhaav gira dega


man ke mat pe mat chalio, ye jeete ji marva dega


man bahakaaye, man bhatakaaye, man batalae sau raste
man ki mat men pyar hain manhaga, pran pakheru hain saste
pran pakheru hain saste
man se thodi anaban rakhna, man ke aage darpan rakhna
manava shakal chhupa lega
man ke mat pe chalio..

chalte chalte Irshad kamil ki likhi in panktiyon ke saath aapako chhodana chahoonga

jo saamane hai saval banake…
kabhi mila tha khayal banake…
degi use kya misaal duniya …
jo ji raha ho misaal banake

Irshad bataur geetakar ek misaal ban kar ubharen, meri unake liye yahi shubhakamanaayen hain.

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Annual Music Countdown 2010 Song No. 16 : Tum jo aaye zindagi mein bat ban gayi

Vaarshik sangeetamala ki solahavin poyadaan par is saal pahali baar tasharif la rahe hain janab rahat fateh ali khan saahab.rahat ne is saal ki geetamala par kitani gahari chhaap chhodi hai vo aap geetamala ke safar ke aakhair tak pahunchte pahunchte dekh hi lenge.film paap ke geet 'lagan lagi tumse man ki lagan' se munbaiya filmon men apane geeton ka safar shuru karne vaale rahat aaj apani bemisaal gaayiki ke zariye har sangeetakaar ki pahali pasand ban ge hain.par is pasand ki vajah kya hai?

darasal soofi gaayiki men maharat rakhne vaale rahat ne jab aapani aavaaz hindi filmon men deni shuru ki tabhi sangeetakaron ko samajh aa gaya tha ki is surili aavaaz ke taane baane men aise geet rache ja sakte hain jo tab tak maujaood gaayakon se nahin gavaaye ja sakte the.aaj har sangeetakaar gaayiki men unki aavaaz ke kamaal, lanbi pahunch, oonche suron ki jabaradast pakad ke hisab se geet taiyaar karta hai.rahat un geeton men apani or se bhi kuch naveenta late hain.alag alag tarah se gaaye ek hi geet ko sangeetakaron ko ve bhej dete hain aur sangeetakaar film ki sthitiyon ke hisab se unamen se ek ka chunaav kar lete hain.agar aapako saangitik samajh rakhne vala itana guni fanakar mil jaaye to fir aapako kya chaahiye।

solahavin poyadaan par film Once Upon a Time in Mumbai ke geet ko geetamala ke is mukaam tak pahunchaane men bhi rahat ki gaayiki ka bahut bada haath hai.saath hi sangeetakaar pritam ki bhi tarif karne hogi ki unhonne is geet men rahat ki aavaaz ke saath koras ka behatareen istemaal kiya hai.

paaya mainne paaya tumhen

rab ne milaya tumhen

honthon pe sajaya tumhen

nagme sa gaya tumhen

paaya mainne paaya tumhen

sab se chhupaaya tumhe

sapana banaya tumhen

neendon men bulaya tumhen

koras ki tej raftar aur karnapriya gaayiki bas aapaka mood ekadam se mast kar deti hai.vigyaan ke asafal vidyarthi se lekar hindi kavita men doctaret ki upadhi ka safar taya karne vaale irashad kamil jab geetakar honge to hi ishk men din ko sona aur rat ko chaandi men tabdeel hone ki soch to dekhne ko milegi hi। rahat ke liye likhe ge antaron men bhi unki panktiyan sidhe dil par asar karati hain.sahagayika ke roop men rahat ka saath diya hai tulsi kumar ne. par navodit gaayika ke roop men tulsi ne bhi rahat jaise manje kalakar ke saath gaate hue apana hissa bade karine se nibhaya hai.haan ye jaroor hai ki agar ye hissa shreya ghoshal ko diya gaya hota to mujhe is geet ko sunane men shayad jyada aanand aaya hota.

vaise aap men se bahuton ko shayad maaloom na ho ki tulsi, ti sirij ke malik svargeeya gulashan kumar ki suputri hain। apani gaayiki ka safar unhonne bhajan v bhakti geet se shuru kiya tha.dekhna hai ki hindi film sangeet men unka aage ka safar kaisa rahata hai.to aaiye geet ke bolon ke saath aanand len rahat ki adbhut gaayiki ka

tum jo aaye zindagi men baat ban gayi

ishk mazahab, ishk meri jat ban gayi

paaya mainne paaya tumhen...

tum jo aaye zindagi men baat ban gayi

sapane teri chaahaton ke

sapane teri chaahaton ke

sapane teri chaahaton ke dekhati hoon ab kai

din hai sona aur chaandi rat ban gayi

paaya mainne paaya tumhen...

chaahaton ka maza faasalon men nahin

aa chhupa loon tumhen hausalon men kahin

sabse oopar likha hai tere nam ko

khvahishon se jude silasilon men kahin

khvahishen milne ki tumse

khvahishen milne ki tumse roz hoti hai nayi

mere dil ki jeet meri baat ban gayi

ho tum jo aaye zindagi men baat ban gayi

paaya mainne paaya tumhen, rab ne milaya tumhen

zindagi bevafa hai ye mana magar

chhod kar raah men jaaoge tum agar

chheen laoonga main aasamaan se tumhe

soona hoga n ye do dilon ka nagar

raunake hain dil ke dar pe

raunake hain dil ke dar pe dhadakne hain suramai

meri kismat bhi tumhari saath ban gayi

ho tum jo aaye zindagi men baat ban gayi

ishk mazahab, ishk meri jat ban gayi

sapane teri chaahaton ke...ban gayi

paaya mainne paaya tumhen...

solahavi poyadaan ke saath is geetamala ka ek mahattvapoorn padaav samapt ho raha hai.bas itana kahana chahoonga ki isake oopar aane vaale pandrahon geet kisi na kisi drishti se vilakshan hai.mujhe yakeen hai ki in pandrah geeton men har ek ke saath ek shaam kya aapaka poora hafta gujar sakta hai to bane rahiye geetamala ke aane vaale in nageenon ke saath...

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Annual Music Countdown 2010 Song No. 18 : Pee loon , tere neele neele nainon se shabnam

Door se aata aalaap. gitar ki dhun men ghulta sa hua aur usamen se nikalti mohit chauhaan ki roomaniyat men doobi aavaaz ! vaarshik sangeetamala ki atharahavin poyadaan ke mukhade ko isi tarah paribhaashit kiya ja sakta hai. ab agar main ye kahoon ki is geet ko mujhe aapako sunana nahin balki is meethe se nagme ki chashni aapako pilani ho to kya aap is geet ko nahin pahachaan jaayenge? ji haan vaarshik sangeetamala 2010 ki 18 vin sidhi par baitha hai film Once Upon A Time In Mumbai ka geet. 19 vin poyadaan ki tarah hi is poyadaan par bhi sangeetakaar pritam aur geetakar irashad kamil ki jodi kaabiz hai.

irashad kamil aur pritam ne is geet men mil kar dikha diya hai ki jab arthapoorn bhavanatmak shabdon ko karnapriya dhunon ka sahaara mil jaaye to geet men char chaand lag jaate hain. geet ke mukhade men irashad kahate hain..

pi loon , tere neele neele nainon se shabnam

pi loon , tere geele geele hothon ki saragam

to man manachala ban hi jata hai ...geet ke ras ko aur peene ke liye

mukhade ke baad ke koras ka soofiyana andaaj bhi dil ko bhata hai.

tere sang ishk tari hai

tere sang ik khumari hai

tere sang chain bhi mujhako

tere sang bekarari hai

darasal ek premi ki maanasik avastha ko geet ki ye panktiyan bakhoobi ukerati hain.

pichhale saal diye apane ek sakshatkar men irashad kamil ne kaha tha ki aajakal ke tamaam geeton ke mukhade to dhyaan kheenchte hain par antaron men jaan nahin ho paane ke kaaran vo sunane vaalon ke dilon tak nahin pahunch paate. hona ye chaahiye ki jo bhavna ya vichaar mukhade ke zariye shrotaon tak pahuncha hai us bhaav ka vistar antre men dekhne ko mile.

irashad kamil ne is geet men bhi yahi karana chaha hai. irashad, premika ke aanligan ko ek bahati nadi ke sagar men mil jaane ke prakritik roopak men dhaalte hain vahin doosare antre men shrotaon ko prem ki parakashtha par le jaate hue kahate hain

pi loon teri dhimi dhimi laharon ki chhamachham

pi loon teri saundhi saundhi saanson ko haradam ...

pritam ke intaralyoods geet ke asar ko aur pragadh karne men safal rahe hain aur mohit ki aavaaz to ऍसे geeton ke saath hamesha se khoob fabati rahi hai. to aaiye aankhen band karen aur man ko geet ke saath bhatakne den. shayad bhatakte bhatakte aap apane un tak pahunch jaayen...

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Annual Music Countdown 2010 Song No. 19 : Sauda ummidon ka hai khvaabon ka neendon ka hai...

Sangeetamala ki agli sidhi par is saal pahali baar pravesh le rahe hain pritam ek ne nam anupam amod ke saath. 19 vin poyadaan ka ye geet hai film aakrosh se jisamen geetakar irashad kamil aapako sikha rahe hai ki kaisi ki jaaye dil ki saudebaaji ? vaise itana to pakka hai ki ye saudebaaji nam ki hai kyoonki ham sabhi jaante hain ek baar dil ka rog lag jaaye to use paane ke liye koi kya nahin nyochhavar kar deta. apani madhur dhun, behatareen bol aur achchhi gaayiki ki vajah se ye geet aajakal har jagah khoob bajta sunaai deta hai.

pritam ne is saal apane sangeet nirdeshan men kam hi filmen ki hain aur aakrosh unamen se ek hai. saudebaaji men pritam ka diya gaya sangeet sanyojan behad karnapriya aur dil ko rijhanevala hai. geet men koras ka bhi behatareen istemaal hua hai.yoon to is geet ko elabam men do alag alag gaayakon anupam amod aur javed ali ne gaya hai par mujhe anupam vala varjan jyada pasand aaya. shayad isaki vajah anupam amod ki aavaaz ka nayapan ho.

pahali baar mainne jab ye geet suna to laga ki gayak kahin roop kumar rathaud to nahin par meri ye dhaarna geet poora sunte hi badal gai. vaise anupam ekadam ne hon aisa bhi nahin hai. sach to ye hai ki vo munbai ke sangeet jagat se pichhale ek dashak se jude hain. varsh 2001 men vo MTV ki 'vidiyo ga ga pratiyogita' ko jeetne ki vajah se charcha men aae the. ustad munnavar ali khan se sangeet ki aaranbhik shiksha lene vaale anupam aksar sangeet karyakramon men desh aur videsh men shirakat karte rahe hain. gaayika elisha chenoy aur ila arun ka saangitik maargadarshan bhi anupam ko shuru se milta raha hai.

irashad kamil teji se arthapoorn geeton ko likhne vaale kuch khaas geetakaron men apani jagah banate ja rahe hain. jab vi met,lav aaj kal aur ajab prem ki gajab kahani men likhe unake geet beete saalon ki sangeetamalaon men apani jagah banate rahe hain. is geet men bhi unki shabd rachna kamaal ki hai. misaal ke taur par is antre ko hi len..

sauda udanon ka hai ya aasamaanon ka hai

le le udanen meri, le mere par bhi le

sauda ummidon ka hai khvaabon ka neendon ka hai

le le too neenden meri, nainon men bhar bhi le

dil ka ye sauda kitana ekatarafa hai isako kitani khoobi se vyakt kiya hai irashad ji ne. to chaliye lutf uthaya jaaye is pyare se nagme ka...

sidhe saade sara sauda sidha sidha hona ji

mainne tumako paana hai ya toone main..ko khona ji

aaja dil ki kare saudebazi kya narazi

are aa re aa re aa

sauda hai dil ka ye too kar bhi le

mera zahan baahon men too bhar bhi le

saude men de kasam, kasam bhi le

aake too nigahon men sanvar bhi le

sauda udanon ka hai ya aasamaanon ka hai

le le udanen meri le mere par bhi le

sauda ummidon ka hai khvaabon ka neendon ka hai

le le too neenden meri nainon men bhar bhi le

sidhe saade..

dil kahe tere main honthon se baaton ko chupke se loon utha

us jagah dheere se haule se geeton ko apane main doon bitha

sauda kararon ka hai dil ke fasanon ka hai

le le tarane mere honthon pe dhar bhi le

sauda ujaalon ka hai roshan khyalon ka hai

le le ujaale mere aaja nazar bhi le

sidhe saade..

main kabhi bhooloonga na tujhe chahe too mujhako dena bhula

aadaton jaisi hai too meri aadaten kaise bhooloon bhala

sauda ye vaadon ka hai yaadon iraadon ka hai

le le too vaade, chahe too to mukar bhi le

sauda isharon ka hai, chahat ke maaron ka hai

le le ishare mere, inka asar bhi le

sidhe saade..

vaise javed ali vala varsan sunana chaahen to vo ye raha...

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Annual Musical Countdown 2009 : Song no. 3 : Tera Hone laga Hoon, Khone Laga Hoon..Alisha Chinoy & Atif Aslam

To chaliye vaarshik sangeetamala 2009 ki teesari paaydaan par aaj vishuddh bolivud romantic melody ka svaad chakhne. ye gana pichhale saal ke ant men aaya aur har jagah chha gaya aur aaj bhi ise sunane par ek meetha meetha sa ahasaas man men tari rahata hai aur aap ise gunagunane ka lobh sanvaran nahin kar sakte. tarif karni hogi sangeetakaar Pritam ki jinhonne ek behatareen dhun ke saath Alisha Chinoy aur Atif Aslam ko is geet ko gane ko chuna.

Geet shuru hota hai angreji jubaan men. pritam apane geeton men angreji ki panktiyan, hindi antaron ke bich men pahle bhi daalte aae hain. varsh 2006 men unhonne film 'pyar ke said efektas' ke liye ek geet racha tha jaane kya chahe man baavara.. jise main unki behatareen kamposhisan men se ek maanta hoon. vahan bhi angreji ka ek antra theek isi tarah lagaya tha unhonne!

Man sochta hai ki kya isaki jaroorat thi? shayad aaj ke angrejidaan yuva varg ko geet se jodana unka makasad raha ho. kai jagah sangeetapremiyon dvara isaki aalochna bhi padhi. par mera mat to yahi hai ki ye agar na bhi karte to bhi chalta aur agar kiya bhi hai to vo antra is geet ke saath bhavanatmak taur par juda hi dikhta hai.


Khair, Irshad Kamil is geet men apani shahad si aavaaz ka jaadu bikhera hai alisha chinoy ne. alisha ki baat karne par un purane dinon ki yad karana lazimi ho jata hai jab ham skool ki dahaleez paar kar colej men jaane ko taiyaar ho rahe the. vo vakat 'med in indiya' ki lokapriyata ke pahle ka tha. hindi pop jagat men un dinon bebi daul ke nam se mashahoor alisha indiyan medona ki chhavi ko banane men vyast thin. apani jebakharch se mainne pahla kaiset unhin ka kharida tha par usake baad unka pop sangeet mujhe vishesh ras nahin aaya. par filmi geeton men alisha bich bich men sunaai deti rahin. 'mera dil gaaye ja joobi joobi joobi...' se lekar 'kajarare kajarare...' tak sangeet jagat teen dashakon ka safar poora karne vali alisha ki is baat par dad deni hogi ki itane lanbe samay men bhi unki aavaaz men vahi khanak barakaraar hai jo tees saal pahle thi.

Unake baare men ek rochak tathya ye hai jise aap alisha ke nam se jaante hain, unka vaastavik nam 'sujata' tha jise baad men unhonne apani bhatiji ke nam par badal kar alisha kar liya. is geet ke romaantik mood ko pukhta karne men bhi alisha ki aavaaz ka mahati yogadaan hai. rahe aatif saahab to unki aavaaz aur lokapriyata ke baare men main pahle hicharcha kar chuka hoon.

to aaiye ek baar fir sarabor ho len is geet ki roomaniyat men..

shining in the sand n sun like a pearl upon the ocean
come and feel me, girl feel me
shining in the sand n sun like a pearl upon the ocean
come and heal me, girl heal me
thinking abt the love we making n the life we sharing
come and feel me, girl feel me
shining in the sand n sun like a pearl upon the ocean
come and feel me, comon heal me

hua jo tumhen mera mera
tera jo ikaraar hua
to kyoon na main bhi kah doon kah doon
hua mujhe bhi pyar hua

tera hone laga hoon khone laga hoon
jab se mila hoon
shining in the sand n sun like a pearl upon the ocean
come and feel me, girl feel me
shining in the sand n sun like a pearl upon the ocean
come and heal me, girl heal me

vaise to man mera,
pahle bhi raton men
aksar hi chahat ke haan
sapane sanjota tha
pahle bhi dhadakan ye
dhun koi gaati thi
par ab jo hota hai vo
pahle na hota tha

hua hai tujhe jo bhi jo bhi
mujhe bhi is baar hua
to kyoon na main bhi kah doon kah doon
hua mujhe bhi pyar hua tera hone laga hoon khone laga hoon...
aankhon se chhoo loon
ki baahen tarasati hain
dil ne pukara hai haan
ab to chale aao

aao ki shabanam ki boonde barasati hain
mausam ishara hai haan
ab to chale aao

baanhon men dale baanhen baanhen
baanhon ka jaise haar hua
haan mana mainne mana mana
hua mujhe bhi pyar hua

tera hone laga hoon khone laga hoon...
shining in the sand n sun like a pearl upon the ocean...

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Annual Musical Countdown 2009 - Song No. 10- Kaise Batayein Kyun Tujhko Chahein...?

Waqt a gaya hai vaarshik sangeetamala ki antim das sidhiyon ko chadhne ka. ye dason nagme sunane men bahut pyare hain. ye jaroor hai ki inamen se kuch ek khas mood men jyada bhale lag sakte hain. in das men se chhah geet aise hain jo aap sab ne pichhale saal khoob sune honge aur baki aise jinhen aapane kam ya bahut kam suna hoga.

to baat dasavin poyadaan ke geet ki jisane pichhale saal ke ant men aakar kuch hi samay men sabke dil men ghar kar liya. maze ki baat hai ki sangeetakar pritam ne is geet ko teen alag alag gaayakon se gavaya. ek men kailash kher the to doosre men soham chakravarti par sabse jyada sunane men aaya aatif asalam vala varsan. geet to aap pahachan hi ge honge isaliye ye kahane ki jaroorat ab nahi padegi ki tu jaane na...



saval ye hai ki aatif asalam (jo har saal bas ek ya do filmen karte hain) ke geet bharat men itne lokapriya kyoon ho jate hain jabaki gaayiki ke lihaz se hamare sare varishth gayak unase bees hi hain?

iska uttar janane ke lie kisi sangeetapremi ko jyada mashakkat karne ki jaroorat nahin padegi. darasal aatif asalam aur kai anya pakistani gaayakon ki lokapriyata ki mukhya vajah unki aavaaz ka yahan ke gaayakon ki apeksha 'alag' tarah ka hona hai. isi tonal kvaliti ke chalte unki aavaaz ka asar sunane vale par sheeghr hota hai. vaise kya aapako pata hai ki aatif asalam bachapan men ek gayak ki jagah imaraan khan jaisa tej gendabaaj banana chahate the. vo kissa mainne aapke sath baanta tha vaarshik sangeetamala 2006 ke dauraan jab aatif pahali bar meri kisi sangeetamala ka hissa bane the.

baharahaal ajab prem ki gajab kahani ki chaupat kahani ko agar kisi ne sanbhala to vo tha iska karnapriya sangeet. is geet men aatif asalam ka asar to apani jagah hai hi par geet ki shuruaat ka koras bhi man ko mohta hai. vaise irashad kamil ne bhi is geet ke madhyam se kuch aise prashn uthaaye hai jo har kishor aur yuva insan ki zindagi men kabhi na kabhi umadate ghumadate hain hi.

yaani vahi chir shashvat prashn ki koi achanak hi itana achha hamen kyoon lagne lagata hai? aur jab vo lagne hi lagata hai to chahakar bhi ham apani baat ko us tak pahunchaane men itana asahaay sa kyoon mahasoos karte hain? aur fir man hi man usase saval karte hen aur fir apne hi man se udhar ka javab bhi pa jate hain. kabhi ye kalpanik javab hothon par anayas hi muskurahat le aate hain to kabhi dher sara gam! aur fir apani manasik sthiti ko apne tak seemit rakhakar ham ye bhi kahane se nahin chookte ki tu jaane na....

to aaiye ek bar fir sab mil jul kar gunagunaayen is behad romantic geet ko

kaise bataayen
kyoon tujhako chaahen
yara bata n paen
baaten dilon ki
dekho jo baki
aake tujhe samajhaen
tu jaane na ...tu jaane na

mil ke bhi, ham n mile
tumse n jaane kyoon, meelon ke
hain faasle tumse n jaane kyoon
anajaane hain silasile
tumse n jaane kyoon, sapane hain
palakon tale tumse n jaane kyoon

kaise batayen
kyoon tujhako chaahen
yara bata n payen
baaten dilon ki
dekho jo baki
aake tujhe samajhaen
tu jaane na tu jaane na

a .......
nigahon men dekho
meri jo hai bas gaya
vo hai milta tumse hu-b-hu
o ho o
jaane teri aankhen thi
ya baaten thi vajah
hue tum jo dil ki aaraju
tum pas ho ke bhi
tum aas ho ke bhi
ehasaas ho ke bhi
apne nahin, aise hain
hamako gile
tumse n jaane kyoon, meelon ke
hain faasle tumse n jaane kyoon oon oon oon ...
tu jaane na tu jaane na....

u ... jaane na jaane na jaane na
ha a a... tu jaane na
khyalon men lakhon baaten,
yoon to kah gaya
bola kuch n tere samane
o o ... hue n begane bhi
tum ho ke aur ke
dekho tum n mere hi bane
afsos hota hai, dil bhi ye rota hai
sapane sanjota hai, pagla hua, soche ye
ham the mile tumse n jaane kyoon
meelon ke, hain faasle tumse n jaane kyoon
anajaane, hain silasile
tumse n jaane kyoon, sapane hain
palakon tale tumse n jaane kyoon
ho o o o ...

kaise batayen
kyoon tujhako chaahen
yara bata n paen
baaten dilon ki
dekho jo baki
aake tujhe samajhayen
tu jaane na tu jaane na....


to chaliye mangalavar ko aapase fir milenge is geetamala ke agale geet se jise shayad aapane pahle na suna ho. bhala bhutaha filmon ke giton par koi dhyaan deta hai kya? :)

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Annual Musical Countdown 2009 - Song No. 13- Ye Dooriyan..in raahon ki dooriyan

Vaarshik sangeetamala ka safar taya karte karte ham a pahunche hain thik isake beecho beech. yaani 12 poyadanon ka safar poora karake geetamala ki 13 vin position tak. abhi bhi sabse oopar ki 12 seedhiyon ki chadhai baki hai. aaj ki position par ka geet ek aisa geet hai jise is saal kafi lokapriyata mili. mohit chauhaan ki gaayiki ka andaz , pritam ka karnapriya sangeet aur irashad kamil ke bolon ki roomaniyat ne logon ke hriday ko is geet se jod diya.

darasal shayad hi ham men se koi ho jisane apne ajizon se door rahane ki vyatha na jheli ho. isaliye insani rishton men dooriyon ki baat karta ye geet jald hi sabke jehan men sama gaya. jab lav aaj kal ka sangeet racha ja raha tha to sabse pahle isi geet par kam shuru hua. nirdeshak imtiyaz ali ise mohit chauhaan se hi gavana chahate the. shayad mohit ka unki film jab vi met men gaya gana na hai kuch khona na pana hi hai.. unako behad prabhavit kar gaya tha. sangeetakar pritam ko mohit ko traik karne men do mahine ka vakat jaroor laga par mohit nirdeshak aur sangeetakar ke vishwas par bilkul khare utre.



vaise kya aapako pata hai ki himachal ke rahane vale mohit chauhaan ne kabhi bhi sangeet ki vidhivat shiksha nahin li. bilasapur ,mandi aur nahan ke colejon se vicharte hue unhonne apani parasnatak ki upadhi dharmashala se li. sangeet jagat ki surkhiyon men vo tab aae jab bataur mukhya gayak unake kam ko baind silk root ke elabam boonden men saraha gaya. vaise is chitthe par unake bare men charcha unake gaaye geeton gunacha ab koi mere nam kar diya aur na hai kuch khona na pana hi hai ki vajah se pahle bhi ho chuki hain.

vaise shiksha ki drishti se geet ke geetakar irashad kamil bhi peechhe nahin hain. hindi men doctaret ki upadhi se vibhooshit irashad, imtiyaz ali aur pritam ke sath pahle bhi kam kar chuke hain. unase sakshatkar men jab poochha gaya ki geetakar ke lihaz se sabse kathinaai bhari baat vo kise mante hain to unka javab tha

mere lie sabse kathin kisi roomani geet ko rachna hai. aisa isaliye ki is vishaya par itana zayada aur itani gaharaayee se likha ja chuka hai ki lagata hai ki kuch kahane ko bacha hi nahin hai. mainne to apani dikshanri se dil,dhadakan, zigar, ikaraar, intazaar in sabhi shabdon ko hata rakha hai. agar apani pasand ki baat karoon to mujhe soofiyat aur akelepan ka put lie roomani geeton ko likhna jyada santosh deta hai.

irashad ki yahi soch mohit dvara is geet ki adaegi men dikhaai deti hai. jindagi ke akelapan men purani smritiyon ke saaye man men jo tees ubharte hain ye geet usi ki ek abhivyakti hai. to aaiye sunen film love aaj kal ka ye nagma

ye dooriyan, ye dooriyan,ye dooriyan

in rahon ki dooriyan
nigahon ki dooriyan
ham rahon ki dooriyan
fana ho sabhi dooriyan

kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe

ye dooriyan....fana ho sabhi dooriyan

ye dooriyan, ye dooriyan

kabhi hua ye bhi,
khali rahon pe bhi
tu tha mere sath
kabhi tujhe mil ke
lauta mera dil yah
khali khali hath
yah bhi hua kabhi
jaise hua abhi
tujhako sabhi men pa liya
tera mujhe kar jati hai dooriyan
sataati hain dooriyan
tarasati hain dooriyan
fana ho sabhi dooriyan

kaha bhi n mainne
nahin jeena mainne
tu jo n mila
tujhe bhoole se bhi
bola n main ye bhi
chahoon faasla, bas faasla rahe
ban ke kasak jo kahe
ho aur chahat ye zavan
teri meri mit jani hai dooriyan
begani hai dooriyan
hat jani hain dooriyan
fana ho sabhi dooriyan

kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe

ye dooriyan....fana ho sabhi dooriyan
ye dooriyan, ye dooriyan, ye dooriyan

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Annual Musical Countdown 2009 : Song no. 23 : Gulzar, Pritam aur Abhijeet jab chahein Khuda Ki khairiyat...

Vaarshik sangeetamala ki 23 vin position par ek nayi tikadi virajamaan hai. Yahan sangeetakar Pritam hain par gayak Neeraj Shridhar nahin, Gulzar hain par Vishal Bharadvaj nahin aur to aur Abhijeet ka sath dene ke lie Alka Yagnik bhi nahin maujaood. Nirdeshak Priyadarshan ne Gulzar aur Pritam ko ye soch kar anubandhit kiya ki film ke geet aise hon jo jinamen aaj ke sangeet ki jhalak to ho par sath men bhavanaayen bhi ho jo dil ko chhu sake.

Waise is tikadi ne is geet men Priyadarshan ko nirash nahin kiya isiliye ve kahate hain ki ye geet unki banaai filmon ka ye sabse behatareen geet hai. Pritam,Gulzar aur Abhijeet da ne milkar ek aise geet ki rachna ki hai jisamen rumaniyat to hai hi, sath hai behatareen melody .


Geet guitar ki madhur tan se shuru hota hai. fir aata hai ladakiyon ka koras aur usamen se ubharta abhijeet da ka makhamali svar. ye to nahin kahoonga ki Gulzar ne apne shabdon men kuch ne binbon ka istemaal kiya hai fir bhi unka karishma itana jaroor hai ki geet ko sunkar isake mukhade ko gunagunaate rah jaen.

To aakhir ye geet kaun sa hai? Ye geet hai saal ke shuru men surkhiyan batorne vali film billu ka aur agar ab tak aapane ise nahin suna to main to bas itana hi kahoonga ki khudaya khair :)...

Pritam ne is geet ke banane ki baaton ko yad karte hue kahate hain

Mainne is geet ki shuruaat o rabba ho oo oo..se karne ki sochi thi par Gulzar ne use khudaya khaieeer kar geet ka prabhav hi badha diya. main apne giton ka koi hissa khali nahin chhodta, yaani mere giton men aarkestraiseshan khoob hota hai. par is geet men mainne apne bahut sare vadya yantra hata kiye to make it simple.

Darasal Pritam ki ye 'imposed simplicity' hamare jaise sunane vaalon ke kanon ko sukoon dene vali ho gi. to aaiye sunen pahle Abhijeet da ki aavaaz men is geet ko

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isi geet ke doosre version ko gaya hai Soham Chakravarti,Aakriti Kakkad aur Monali ne. par mujhe doosre version se kahin jyada Abhijeet ka solo prabhavit karta hai.

raton rat tara koi, chaand ya sitara koi
gire to utha lena
o suniyon re
tara chamakila hoga,chaand sharmila hoga
nath men laga lena

jara si saanwari hai vo
zara si bawari hai vo
vo surame ki tarah meri
aankhon men hi rahati hai

subah ke khwab se udai hai
palakon ke niche chhupaai hai
maano na maano tum
sote sote khvabon men bhi khwab dikhaati hai
maano na maano tum
pari hai vo pari ki kahaniyan sunati hai

khudaya khair, khudaya khair, khudaya khair, khudaya khair

raton rat tara koi...nath men laga lena

tu hava main zami, tu jahan main vahin
jab ude mujhe le ke kyoon udati nahi
tu ghata main zami,tu kahin main kahin
kyon kabhi mujhe leke barasati nahi

jara si saanwari hai vo... rahati hai
subah ke khwab....khudaya khair

jab daant men oongli dabaye
ya oongli pe lat lipataye
badal ye chadhta jaaye, ho...

kuch kar ke vo baat ko tale
jab mathe pe vo bal dale
ambar yah sikudta jaaye ho........

vo jab naakhoon kutarati hai,to chanda ghatne lagata hai
vo pani par kadam rakhe, sagar bhi hat jata hai

subah ke khwab....
khudaya khair,khudaya khair,khudaya khair,khudaya khair

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