Ankhiyan bhi kya surili ho sakti hain? sach kahoon to kabhi aankhon ke surilepan ko jaanchane ki koshish ki hi kahan mainne? shayad usake liye Gulzar jaisi shayarana tabiyat ki jaroorat thi. haan ye jaroor hai ki jab se Gulzar ne aankhon ke liye is visheshan ka istemaal apane likhe is geet men kar diya hai tabse main bhi ek jodi surile nayanon ki talash men hoon. dekhoon dhoondh paata hoon ya nahin :)!
shayaron ki yahi to khaasiyat hai ki aise aise roopakon ko istemaal karte hain jinhen sun kar sunane vala pahle to ye sochta hai ki ye khayal usake man men pahle kyoon nahin aaya aur fir lipatata chala jata hai shayar dvara bichhaaye ge kalpanaaon ke jaal men. vaarshik sangeetamala ki saatavin poyadaan par film veer ka ye geet hridaya men kuch aisa hi ahasaas de kar chala jata hai.
Sajid Wajid vaise to bataur sangeetakaar pichhale barah saalon se film udyog se jude hain. par unake dvara rache ge pahle ke sangeet men ऍसी koi baat dikhati nahin thi ki unhen sangeetakaron ki bheed se alag drishti se dekha jaaye. is liye jab nirdeshak anil sharma ko angreji raj ke zamane ki is ऍतिहासिक prem katha ke sangeet rachane ke liye Sajid Wajid ka nam salman khan dvara sujhaya gaya to vo man se isake liye taiyaar nahin the. par Sajid Wajid ki jodi ne apane baare men unki soch ko badalne par mazaboor kar diya. geetakar Gulzar jinhonne pahali baar Sajid Wajid ke saath is film men kaam kiya ne pichhale saal skreen patrika men diye ge ek sakshatkar men kaha tha ki
Sajid Wajid behad pratibhashali hain. inhen inake hunar ke liye jo sammaan milna chaahiye vo ab tak unhen nahin mila. shayad is film ke baad logon men vo apani ek alag pahachaan banane men safal hon. pahali mulakaat men hi inhonne mujhe prabhavit kar diya. unnisavin shatabdi ke british raj men upaji is prem kahani ko paashchaatya aur lok dhunon ke jis sammishran ki aavashyakta thi vo in donon ne bhali bhanti poori ki hai.
khud bhaiyon ki ye sangeetakaar jodi maanti hain ki ye film unhen sahi samay par mili. agar kairiyar ki shuruaat men aisi film milti to usake saath ve poora nyay nahin kar paate. is film ko karte hue unhonne apane ek dashak se jyada ke anubhav ka istemaal kiya. sangeet ke har tukadon ko rachane ke liye poora vakt liya aur sahi asar paida karne ke liye geet ki 'laaiv' rikarding bhi ki.
gitar aur piyano ki parshva dhun se shuru hote is geet ko jab gulajaar ke bahate shabdon aur rahat ki sadhi hui gaayiki ka saath milta hai to mood romaantik ho hi jata hai. geet ke peechhe ke sangeet sanyojan men kam se kam vaadya yantron ka istemaal hua hai par usaki madhurta aur bahaav geet ki bhavanaaon ke anuroop hai. film ke pashchimi parivesh ki vajah se geet ka ek antra angreji men likha gaya hai jise soojan dimelo ne apani aavaaz se sanvara hai.
to aaiye doobate hain Gulzar ke shabdon ke saath rahat ji ke dvara gaaye hue is bemisaal geet men..
surili ankhiyon vaale, suna hai teri ankhiyon se
bahati hain neenden...aur neendon men sapane
kabhi to kinaron pe, utar mere sapanon se
aaja zameen pe aur mil ja kahin pe
mil ja kahin, mil ja kahin samay se pare
samay se pare mil ja kahin
too bhi ankhiyon se kabhi meri ankhiyon ki sun
surili ankhiyon vaale, suna hai teri ankhiyon se...
jaane too kahan hai
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