Vaarshik sangeetamala ka sarataj bigul bajane men ab sirf do poyadanon ki doori hai. yaani aaj hai teesari poyadaan ki baari. geetamala ki is sidhi par jo geet hai usaki khaas baat ye hai ki ye geetakar ka racha pahla geet hai. geetakar vahi jo noor e khauda ke saath aapase beesavin poyadaan par mukhatib hue the. ji haan film My Name Is Khan ka likha geet sajada niranjan ayngar ka bataur geetakar racha pahla geet hai.
niranjan ke kachche geeton se pakke geetakar banane ka vaakaya main aapase pahle hi baant chuka hoon. sangeetakaar shankar ahasaan loe ne film ki patakatha ke hisab se ek aise geet ki darakar thi jisamen prem ke saath soofiyat ka rang bhi ho aur jisaki shuruaat sajada jaise shabd se ho. niranjan ko isi aadhar par ek kachche geet ko likhne ka kaam saunpa gaya. niranjan ne jo geet racha use jab karan zaauhar ghar le ke ge to geet ke bol sun kar unki maan ne poochha kya ise javed saahab ne likha hai? baad men karan aur shankar ekamat hue ki jo geet niranjan ne likha hai vo hi film men jaayega.
par kya aapke man men ye prashn nahin aa raha ki ek tamil hote hue bhi niranjan ayngar ne apane pahle kuch geeton men hi soofiyat ka itana pyara rang kaise dal diya? darasal niranjan ko soofi aur urdu kaviyon ki rachanaayen shuru se bhati rahi hain aur ve bulle shah, gulam farid, zigar muradabaadi aur ahamad faraaz jaise shayaron ko nirantar padhte rahe hain.
sajada ek aisa geet hai jiska sangeet sanyojan aur gaayiki avval darje ki hai. geet shuru hota hai ॠचा sharma ke gahare svar men. richa prem men apane rom rom doob jaane ki baat khatm karati hi hain ki rahat apani ruhani aavaaz men sajada shabd ko is tarah uthate hain ki dil vaah vaah kar uthata hai. par jab in gaayakon ke surile svar ke baad koras ubharta hai ye geet ek alag hi dharatal par pahunch jata hai aur kya aam kya khaas sabhi sangeetapremi ise gunagunane nazar aate hain.
shankar ahasaan loe ne intaralyoods men sinthesaaijar aur table ke sanyojan se jo dhun nikali hai vo sahaj hi aapaka dhya
n kheenchti hai. shankar is geet ke baare men kahate hain ki ek sahaj geet ko sangeetabaddh karana mushkil hota hai. khaaskar tab jab vo dil ko chhoote vo ek sahi aur pyari si baat bhi kahata chale. par is mushkil kaam ko nibhane men shankar ahasaan loe ki jodi safal rahi hai.
aaiye sunen ye nagma jo prem ki baat ko ek aadhyatmik rang deta hua chala jata hai...
rom rom tera nam pukare
ek hue din rain hamare
ham se ham hi chhin ge hain
jab se dekhe nain tihaare
sajada ….
teri kali ankhiyon se zaind meri jaage
dhadakan se tej daudoon, sapanon se aage
ab jaan lut jaaye, ye zahan chhoot jaaye
sang pyar rahe, main rahoon na rahoon
sajada tera sajada, din rain karoon .na hi chain karoon
sajada tera sajada, lakh baar karoon meri jaan karoon
ab jaan ....sajada tera sajada....
ranjhana.. naino ke teer chal ge..
saajana.. saanson se dil sil ge…
palakon men chhupa loon, tera sajada karoon
seene men sama loon, din rain karoon
palakon men chhupa loon, seene men sama loon
tere ang ang rang mera bole
ab jaan ....sajada tera sajada....
beliya…kya hua jo dil kho gaya
maahiya.. ishk men khauda mil gaya
jara ankh se pila de..tera sajada karoon
jara khavab saja de..o din rain karoon
ab jaan ....sajada tera sajada....
teri kali ... na rahoon
sajada tera sajada.....
vaise is geet ke dauraan shaharukh aur kajol ki shadi ko filmaya jana tha. shooting sthal tha colej aaf faain aartas kailifornia. par shadi ke liye sajavat ke liye rang birange kapade se pandal sajana tha. par shooting ke dauraan hava itani tej ho gai ki shadi ko ek bade ped ke neeche shoot karana pada.
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