Waqt aa gaya hai vaarshik sangeetamala ke antim das men pravesh karne ka aur yahan vo geet hai jo is saal ka sabse prasangik geet saabit hua hai. ji haan sahi pahachaana aapane ye geet ya yoon kahen ki ye lokageet hai sakhi saiyan to khoobai kamat hain, manhagaai dayan khayat jaat hai... manhagaai to saal dar saal sattadhari dalon ki sarakaron ka nasoor banti rahi hai. par jab ye bundelakhandi lokageet peepali laaiv ke liye rikard kiya gaya to petrol se le ke khadyannon ki keematen nirantar badhati ja rahi thin.
geet ke mool lekhak gaya prasad prjapati v geetakar swanand kirkire ki tarif karni hogi ki chand panktiyon men unhonne manhagaai ke chalte desh ke aam nagarikon aur visheshakar kisaanon ko ho rahi pareshaniyon ko is tarah chhua ki ye geet poore desh ki aavaaz ban gaya. geet ke pahle antre men jahan vo badhati manhagaai se ho rahi garibon ki durdasha ka chitran karte hain
har mahina uchhale petrol
dijal ka uchhala hai rol
shakkar bhaai ke ka bol
roosa bhaat, maati dhaan hamari jaan hai
manhagaai dayan khayat jaat hai.
vahin doosare antre men ve apratyashit badalte mausamon ki vajahon se ho rahi fasalon ki tabaahi aur kisaanon par aae sankat ko bhi bakhoobi vyakt karte hain...
soyabeen ka haal behaal
garami se pichake hain gaal
gir ge patte, pak ge bal
aur makka ji bhi khaaye ge maat hain
manhagaai dayan khayat jaat hai.
sangeetakaar ram sampat ne is geet men bas ye dhyaan rakha ki gaanv ki chaupaalon ya keertan mandaliyon ke saath jis tarah ka sangeet bajta hai usase tanik bhi chhed chhad na ki jaaye. isaliye aapako geet ke saath sirf dholak, jhal, majire aur haaramoniyam ka svar sunaai deta hai. bilakul vaisa hi jaisa aapane apane gali mohalle men suna hoga.
par mujhe geet ke asali heero lagate hain charitra abhineta raghuveer yadav. raghubeer yadav ne jis andaaz men is geet ko apani aavaaz di hai usase logon ko yahi lagega ki koi manja hua lokagayak ga raha hai. vaise dilachasp baat ye ki is geet ko rat men khule aasamaan ke neeche rikard kiya gaya tha. geet men kuch vividhataayen raghuveer ji ne khud jodi thin aur geet bina kisi ritek ke hi oke kar liya gaya tha.
aapako ye jaankar hairani hogi ki film maisi saab aur tivi dharavahik mungeri lal ke haseen sapane se apane kairiyar ke aaranbhik dinon men charcha men aaya ye shakhas vaastav men jabalpur ke ek kisan parivar se taalluk rakhta hai. aur to aur pandrah saal ki umr men jab raghuveer apane gaanv ko chhodakar nikale the to abhineta banane nahin balki ek gayak ke roop men apana kairiyar banane ke liye.
par bhagya ko kach aur manjoor tha. rozi roti ke jugad men pahle unhonne ek parsi thietar kanpani men chhah saalon tak kaam kiya. fir teen saal neshanal skool aur drama men aur adhyayan karne ke baad vo ek dashak tak vahan पढ़ाते rahe. fir filmon men kaam milna shuru hua to gayak banane ka khavab, khavab hi rah gaya. par aaj bhi unhen sangeet se pyar hai kyoonki achchha sangeet unhen man ki shanti deta hai. ek kalahapoorn damapatya jeevan ki vajah se kort,kachahari aur yahan tak ki jel ki hava kha chukne vaale raghuveer yaadav ko peepali laaiv men abhinaya ke aalava gaayiki ke liye jo vaahavahi mil rahi hai vo un jaise guni kalakar ke liye aage bhi safalta ki raah kholegi aisi meri manokamna hai.
aaiye filahaal to sunte hain ye geet.
chalte chalte geet se jude do rochak tathya aur. film vaise to ek kaalpanik gaanv peepali ki kahani kahati hai par is is geet ke saath jo gaayan mandali hai vo madhyapradesh ki rajadhani bhopal ke paas sthit gaanv badavaai se taalluk rakhati hai. vahin is film ki shooting bhi hui. film ki lokapriyata badhane par is gaanv ke logon ne film ke nirmata aamir se aspatal, vidyalay, sadak ki maang nahin ki balki ek abhinaya sikhane vaale sansthan kholne ki peshakash ki. shayad gaayan mandali ko bataur paarishramik mile chhah lakh rupaye isaki vajah rahe hon.
geet ke mool lekhak gaya prasad prjapati v geetakar swanand kirkire ki tarif karni hogi ki chand panktiyon men unhonne manhagaai ke chalte desh ke aam nagarikon aur visheshakar kisaanon ko ho rahi pareshaniyon ko is tarah chhua ki ye geet poore desh ki aavaaz ban gaya. geet ke pahle antre men jahan vo badhati manhagaai se ho rahi garibon ki durdasha ka chitran karte hain
har mahina uchhale petrol
dijal ka uchhala hai rol
shakkar bhaai ke ka bol
roosa bhaat, maati dhaan hamari jaan hai
manhagaai dayan khayat jaat hai.
vahin doosare antre men ve apratyashit badalte mausamon ki vajahon se ho rahi fasalon ki tabaahi aur kisaanon par aae sankat ko bhi bakhoobi vyakt karte hain...
soyabeen ka haal behaal
garami se pichake hain gaal
gir ge patte, pak ge bal
aur makka ji bhi khaaye ge maat hain
manhagaai dayan khayat jaat hai.
sangeetakaar ram sampat ne is geet men bas ye dhyaan rakha ki gaanv ki chaupaalon ya keertan mandaliyon ke saath jis tarah ka sangeet bajta hai usase tanik bhi chhed chhad na ki jaaye. isaliye aapako geet ke saath sirf dholak, jhal, majire aur haaramoniyam ka svar sunaai deta hai. bilakul vaisa hi jaisa aapane apane gali mohalle men suna hoga.
par mujhe geet ke asali heero lagate hain charitra abhineta raghuveer yadav. raghubeer yadav ne jis andaaz men is geet ko apani aavaaz di hai usase logon ko yahi lagega ki koi manja hua lokagayak ga raha hai. vaise dilachasp baat ye ki is geet ko rat men khule aasamaan ke neeche rikard kiya gaya tha. geet men kuch vividhataayen raghuveer ji ne khud jodi thin aur geet bina kisi ritek ke hi oke kar liya gaya tha.
aapako ye jaankar hairani hogi ki film maisi saab aur tivi dharavahik mungeri lal ke haseen sapane se apane kairiyar ke aaranbhik dinon men charcha men aaya ye shakhas vaastav men jabalpur ke ek kisan parivar se taalluk rakhta hai. aur to aur pandrah saal ki umr men jab raghuveer apane gaanv ko chhodakar nikale the to abhineta banane nahin balki ek gayak ke roop men apana kairiyar banane ke liye.
par bhagya ko kach aur manjoor tha. rozi roti ke jugad men pahle unhonne ek parsi thietar kanpani men chhah saalon tak kaam kiya. fir teen saal neshanal skool aur drama men aur adhyayan karne ke baad vo ek dashak tak vahan पढ़ाते rahe. fir filmon men kaam milna shuru hua to gayak banane ka khavab, khavab hi rah gaya. par aaj bhi unhen sangeet se pyar hai kyoonki achchha sangeet unhen man ki shanti deta hai. ek kalahapoorn damapatya jeevan ki vajah se kort,kachahari aur yahan tak ki jel ki hava kha chukne vaale raghuveer yaadav ko peepali laaiv men abhinaya ke aalava gaayiki ke liye jo vaahavahi mil rahi hai vo un jaise guni kalakar ke liye aage bhi safalta ki raah kholegi aisi meri manokamna hai.
aaiye filahaal to sunte hain ye geet.
chalte chalte geet se jude do rochak tathya aur. film vaise to ek kaalpanik gaanv peepali ki kahani kahati hai par is is geet ke saath jo gaayan mandali hai vo madhyapradesh ki rajadhani bhopal ke paas sthit gaanv badavaai se taalluk rakhati hai. vahin is film ki shooting bhi hui. film ki lokapriyata badhane par is gaanv ke logon ne film ke nirmata aamir se aspatal, vidyalay, sadak ki maang nahin ki balki ek abhinaya sikhane vaale sansthan kholne ki peshakash ki. shayad gaayan mandali ko bataur paarishramik mile chhah lakh rupaye isaki vajah rahe hon.
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