Deepavali ek aisa tyohar hai jiski gahamagahami men blog ki or bhi rukh karane ko ji nahin chahata. Saal ke in dinon men purani smrtiyon se gujarna achchha lagata hai. Aap kahenge deepavali se purani smrtiyon ka kya lena dena? Darasal jab bhi ghar ki saaf safaee men apane aap ko lagata hoon, kuchh purane khaton, tasaviron,kaghazaaton aur unase judi yadon se apane aap ko ghira pata hoon. Deep se lekar patakhe jalane tak men apane bachche ke sath khud bhi bachcha banane ki khvahish rahati hai meri. Phr bhala ek bar net se door jane par blog ki baat bhi kyoon yad aaye?
Par ab to Deepavali ko khatma huye ek hate se zyada ho gaya hai. Aur shukr ki bat hai ki is bar ki Deepavali kisi manav nirmit hadase ke bina hi gujar gaee. Par man abhi bhi anmana sa hai. Kyoon hai ye anamanapan pata nahin. Shayad chhuttiyon se laut kar fir dainik dinacharya se bandhane ki kheej hai ya man men atka koee bina bat ka fitoor. Deepavali ke pahale Faiz ke ek qalam ko dhoondh kar rakha tha tabiyat se sunne ke liye aur aaj vahi kar bhi raha hoon ...
Aur jab Faiz ki ghazal ke kuchh ashaaaron ko Runa laila ki khanakati aawaz ka sahara ho to ghazal ki taseer hi kuchh aur ho jati hai
aaye kuchh abra1 kuchh sharab aaye
usake bad aaye jo ajaba2 aaye
1-badal, 2-musibat
bam-e-mina3 se mahataba4 utare
dast-ye-saqi5 men aafataba6 aaye
3 - svarg ki chhat, 4- chandani, 5 - saki ke hathon men, 6 - soory kiranein
har rag-e-khoon mein fir charagan ho
samane fir vo benaqab aaye
kar raha tha gam-e-jahan ka hisab
aaj tum yaad behisab aaye
na gaee tere gam ki sardari7
dil men yoon roz inaqilab aaye
7 - tandav, aatank
is tarah apani khamoshi goonji
goya har simat8 se javab aaye
8 - taraf
‘Faiz’ thi rah sar-basar manjil
ham jahan pahunche kamayab aaye
Aisi aawaaz aisi composition ko sune ab arsa beet gaya. Waise pichhale mahine Runa ji music today ke vibhinn avasaron men gaye jane vale punjabi geeton ke is album ke liye das saal baad bharat ki yatra par aaeen thin. Runa ji ne us dauran diye gaye ek sakshatkar men bataya
Mainne jab gana shuru kiya to main barah sal ki bhi nahin thi. Uss zamane ki filmen parivaronmukh samajik parivesh se judi hoti thin. Aisa nahin ki aaj ki filmen aisi nahin hain par aajakal dhyan stunt aur sundar sthalon par ki jane vali shooting par kahin jyada hai. Uss zamane ki baat karoon to sangeet behad aham hissa huaa karata tha filmon ka. Uss waqt log sangeet sunne ke liye film dekhte the. Sangeet recording ek samajik utsav lagta tha jahan sab apne kirdaron ko bina thodi si galati ke nibhana apana kartavy samajhte the.
Aaj to studio men aaye poochha gana kya hai, alag alag panktiyan ya kabhi kabhi to shabd ga diye aur ho gaya ji geet taiyaar. Ye behad aasan hai par mujhe lagta hai ki aisa karate waqt hum un bhavanaon ko kho dete hain jo poore geet ko ek sath gane men aati hain.
Bilkul waziib farmaya roona laila ji ne ! vaise mujhe to lagata hai ki aaj bhi log achchhe sangeet ki vajah se cinema dekhane jana chahate hain. par vaisa sangeet dene ke liye jis mehnat ki jaroorat hai us maapdand ko saal men char panch filmen hi poori tarah paida kar pati hain. Agar hamare roona laila jaise shaidaiyon ki khushakismati rahi to hindi film jagat men bhi Runa ji ki aavaj ko sunne ka mauka ek bar fir mil payega.
Par ab to Deepavali ko khatma huye ek hate se zyada ho gaya hai. Aur shukr ki bat hai ki is bar ki Deepavali kisi manav nirmit hadase ke bina hi gujar gaee. Par man abhi bhi anmana sa hai. Kyoon hai ye anamanapan pata nahin. Shayad chhuttiyon se laut kar fir dainik dinacharya se bandhane ki kheej hai ya man men atka koee bina bat ka fitoor. Deepavali ke pahale Faiz ke ek qalam ko dhoondh kar rakha tha tabiyat se sunne ke liye aur aaj vahi kar bhi raha hoon ...
Aur jab Faiz ki ghazal ke kuchh ashaaaron ko Runa laila ki khanakati aawaz ka sahara ho to ghazal ki taseer hi kuchh aur ho jati hai
aaye kuchh abra1 kuchh sharab aaye
usake bad aaye jo ajaba2 aaye
1-badal, 2-musibat
bam-e-mina3 se mahataba4 utare
dast-ye-saqi5 men aafataba6 aaye
3 - svarg ki chhat, 4- chandani, 5 - saki ke hathon men, 6 - soory kiranein
har rag-e-khoon mein fir charagan ho
samane fir vo benaqab aaye
kar raha tha gam-e-jahan ka hisab
aaj tum yaad behisab aaye
na gaee tere gam ki sardari7
dil men yoon roz inaqilab aaye
7 - tandav, aatank
is tarah apani khamoshi goonji
goya har simat8 se javab aaye
8 - taraf
‘Faiz’ thi rah sar-basar manjil
ham jahan pahunche kamayab aaye
Aisi aawaaz aisi composition ko sune ab arsa beet gaya. Waise pichhale mahine Runa ji music today ke vibhinn avasaron men gaye jane vale punjabi geeton ke is album ke liye das saal baad bharat ki yatra par aaeen thin. Runa ji ne us dauran diye gaye ek sakshatkar men bataya
Mainne jab gana shuru kiya to main barah sal ki bhi nahin thi. Uss zamane ki filmen parivaronmukh samajik parivesh se judi hoti thin. Aisa nahin ki aaj ki filmen aisi nahin hain par aajakal dhyan stunt aur sundar sthalon par ki jane vali shooting par kahin jyada hai. Uss zamane ki baat karoon to sangeet behad aham hissa huaa karata tha filmon ka. Uss waqt log sangeet sunne ke liye film dekhte the. Sangeet recording ek samajik utsav lagta tha jahan sab apne kirdaron ko bina thodi si galati ke nibhana apana kartavy samajhte the.
Aaj to studio men aaye poochha gana kya hai, alag alag panktiyan ya kabhi kabhi to shabd ga diye aur ho gaya ji geet taiyaar. Ye behad aasan hai par mujhe lagta hai ki aisa karate waqt hum un bhavanaon ko kho dete hain jo poore geet ko ek sath gane men aati hain.
Bilkul waziib farmaya roona laila ji ne ! vaise mujhe to lagata hai ki aaj bhi log achchhe sangeet ki vajah se cinema dekhane jana chahate hain. par vaisa sangeet dene ke liye jis mehnat ki jaroorat hai us maapdand ko saal men char panch filmen hi poori tarah paida kar pati hain. Agar hamare roona laila jaise shaidaiyon ki khushakismati rahi to hindi film jagat men bhi Runa ji ki aavaj ko sunne ka mauka ek bar fir mil payega.
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