Baat sattar ke dashak ke uttarardh ki hai jab garmi ki tapati dupahari men hamara parivar do rikshon men savar hokar patna ke 'vaishali cinema haal' me Amol Palekar aur Zarina Bahav ki film 'Gharonda' dekhane gaya tha. sabhi ko film bahut pasand aaee thi. bhala kaun sa madhyamavargiy parivar ek bade makan ka sapana nahin dekhata . isaliye jab film mein in sapanon ko banate banate tootata dikhaya gaya to vo thes kalakaron ke madhyam se sahaj hi ham darshakon ke dil men utar hi gayee thi. us waqt jo geet cinema hall ke bahar tak hamare sath aaya vo tha do divane shahar mein...raat ko aur dopahar men ik aabodana dhoondhate hain.. gayak ne 'aabodana' ki jagah makan kyon nahin kaha, ye prashn bahut dinon tak balaman ko mathata raha tha. ab aabodana ka rahasy :) to bahut baad mein jakar udaghatit huaa.Din beetate gaye aur jab college ke sanay geet sunane ki naee-naee lat lagi to cassetts ki niyamit kharidadari shuru huee. pahali bar tabhi dhyan gaya ki are is gharaunda ke kuchh geet to Gulzar ne likhe hain aur ye bhi pata chala ki 1977 mein do divane shahar mein.... ke liye Gulzar filmfarwr award se sammanit huye the. sare geet bar bar sune gaye aur is bar jo geet dil men baith sa gaya vo Roona laila ji ka gaya ye geet tha. Is nazm yani 'tumhen ho na ho....' ko Naqsh Lyallpuri ne likha tha. kya kamal ke lafj diye the naksh sahab ne.
dil aur dimag ki kashamakash ko bilkul sidhe bolon se man men utar diya tha unhonne.. ....ab dimag apane aham ka shikar hokar lakh mana karata rahe ki vo prem se koson door hai par bechain dil ki harakaten khud ba khud gavahi de jati hain.
is geet ko sangeetabaddh kiya tha jaydev ne. gaur karen ki is geet men dhun ke roop men seeti ka kitana sundar istemal huaa hai. is geet ki bhavanayen, geet men aate thaharavon aur fir anayas badhati tivrata se aur mukhar ho kar samane aati hai. jahan thaharav dil men aate prashnon ko rekhankit karate hain vahin gati dil men prem ke umadate pravah ka pratik ban jati hai. is geet ko film men ek bar poore aur doosari bar aanshik roop men istemal kiya gaya hai. to pahale suniye poora geet
tumhen ho na ho, mujhko to, itana yakin hai
mujhe pyara, tum se, nahin hai, nahin hai
mujhe pyara, tum se, nahin hai, nahin hai
magar mainne ye raj ab tak na jana
ki kyoon, pyari lagati hain, baten tumharin
main kyoon tumase milane ka dhoodhoon bahana
kabhi mainne chaha, tumhein chhu ke dekhoon
kabhi mainne chaha tumhein paas lana
magar fir bhi...
magar fir bhi is bat ka to yakin hai.
mujhe pyara, tum se, nahin hai, nahin hai
fir bhi jo tum.. doora.. rahate ho.. mujhse
to rahate hain dil pe udasi ke saye
koyee, khwab oonche, makanon se jhanke
koyee khwab baitha rahe sar jhukaye
kabhi dil ki rahon.. men faile andhera..
kabhi door tak roshani muskuraye
magar fir bhi...
magar fir bhi is bat ka to yakin hai.
mujhe pyar tum se nahin hai, nahin hai
tumhen ho na ho mujhko to itana yakin hai
mujhe pyar tum se nahin hai, nahin hai
tumhen ho na ho mujhko to itana yakin hai
jaisa mainne pichhali post men bhi kaha ki roona laila ka hindi filmon men gaya ye mera sabase priy geet hai. roona ji ki aavaj geet ke utar chadav ko badi khoobasoorati se prakat karati chalati hai. jab nayak sapanon ke tootane se upaji kheej se modi ko safalata (kahani ka ek patra) ko sidi banane ki baat karata hai to nayika ko lagane lagata hai ki mainne sacha,aise shakhs se prem nahin kiya tha aur geet ke doosare roop men yahin bhavana ubharati hai. roona ji ki aavaj ki gaharaee yahan aankhon ko nam kar deti hai.
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