Vaarshik sangeetamala 2010 men bache hain ab bees aur nagme aur beesavin poyadaan par hai soofiyat ki rang men rnga vo geet jisase khauda ka noor tapak raha hai. hindi film sangeet men dakshin bharat ke sangeetakaar to rah rah kar apani upasthiti darz karate rahe hain par dakshin bharateeya geetakaron ki upasthiti na ke barabar hi rahi hai. isaliye jab mainne is soofi geet ke geetakar ke roop men ek tamil ka nam dekha to man aashcharya mishrit harsh se bhar utha. jis tarah 21 vin poyadaan par aap mile the ek ne sangeetakaar aar anadh se usi tarah beesavin poyadaan par svaagat kijie is ne geetakar 'niranjan ayngar' ka.
geetakar ki haisiyat se niranjan ka munbai ki filmi duniya men safar jayadeep saahani se milta julta raha hai. geetakar se jyada aaj bhi ve sanvaad lekhak ke roop men jaane jaate hain. karan zaauhar ki filmon 'kabhi alavida na kahana' aur 'kal ho na ho' ke sanvaad lekhan se jude rahane ki vajah se unhen film ke liye kiye jaane vaale sangeet satron ka hissa banana pada. in sangeet satron ke dauraan niranjan ki upasthiti ka faayda unake mauke par likhe ge kachche geeton (jise bolivud ki chaalu jabaan men dami liriks kaha jata hai) se liya jata raha. antatah to in filmon men geeton ko pakka karne ka kaam javed saahab ko hi diya gaya.
par jab maai nem ij khan (My Name is Khan) men yahi prakriya doharaai gai to niranjan ke likhe ye kachche geet karan jauhar ko itane achchhe lage ki ve bina kisi jyada badalav ke film ka hissa ban ge.
lagabhag aisa hi vaakaya film kurbaan ki sangeet rachna ke samay bhi hua aur ye sanvaad lekhak ek geetakar bhi ban gaya. par apana pahla geet unhonne maai nem ij khan ke liye hi likha. vo geet to is geetamala ke pratham das geeton ke saath bajega aur us geet ki charcha ke samay niranjan ke baare men kuch aur baaten aapasi baanti jaayengi.
aaj is poyadaan par usi film ka ek doosara geet hai 'noor e khauda...'. jise gaya hai shankar mahadevan,adanan sami aur shreya ghoshal ki tikadi ne. niranjan jab is duniya ke lachar aur bebas logon ki taraf se bhagavaan se fariyad karte hain to baat sidhe dil par lagti hai.
ujade se lamahon ko aas teri, zakhmi dilon ko hai pyas teri
har dhadakan ko talash teri, tera milta nahin hai pata
khali aankhen khud se saval karen, aman ki cheekh behaal karen,
bahata lahu fariyad karen, tera mitata chala hai nishan,
shankar mahadevan ki gaayiki ki bulandiyan se to sabhi sangeet premi bhali bhanti parichit hain hi par adanan aur shreya ne bhi apana hissa theek thaak hi nibhaya hai. par mujhe is geet ka sabse majaboot pahalu lagata hai geet ke antaron ke bich aata noor e khauda ka koras jise doharakar aap apane aap ko ooparavaale se kuch aur kareeb paate hain. poore geet men shankar ahasaan loy ka sangeet lafajon ke peechhe hi rahata hai taki unase nikalti bhavanaayen ki vajah se sangeet se shrotaon tak pahunchne ke pahle bhatak na jaayen.
to aaiye is geet ke madhyam se yad karen us khauda ko jo paas rahakar bhi jeevan ke kathin kshanon men door jata sa prateet ho raha hai...
noor e khauda noor e khauda ...
ajanabi mod hai,khauf har aur hai
har nazar pe dhuaan chha gaya
pal bhar men jaane kya kho gaya ?
aasamaan zard hai, aahen bhi sard hai,
tan se saya juda ho gaya
pal bhar men jaane kya kho gaya ?
saans ruk si gayi, jism chhil sa gaya
toote khvaabon ke manzar pe tera zahan chal diya
noor e khauda noor e khauda ...
too kahan chhupa hai hamen ye bata
noor e khauda noor e khauda ...
yoon na hamse nazaren fira.
noor e khauda ...
nazar-e-karam farama hi de, deenon-dharam ko jaga hi de
jalti hui tanhaiyan, roothi hui parachhaiyan
kaisi udi ye hava, chhaya ye kaisa samaan
ruh jam si gai, vakat tham sa gaya
toote khvaabon ke manzar ...noor e khauda noor e khauda ...
ujade se lamahon ko aas teri, zakhmi dilon ko hai pyas teri
har dhadakan ko talash teri, tera milta nahin hai pata
khali aankhen khud se saval karen, aman ki cheekh behaal karen,
bahata lahu fariyad karen, tera mitata chala hai nishan,
ruh jam si gai,vakat tham sa gaya
toote khvaabon ke manzar ...noor e khauda noor e khauda ...
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