Vaarshik sangeetamala ki terahavin paaydaan par prem ki sondhi sondhi khushabu failata hua ye pyara sa nagma.is nagme ko aap men se jyadatar ne nahin suna hoga kyoonki jis film men ye nagma tha vo mukhyatah mltiplekson ki shobha kuch din badhakar chalti bani.ye film thi 'straikar'.ab is straikar se ise koi maar dhad vali film na maan leejiyega.ye straikar kairamabord vala hai aur film bhi kairam khelne vaale ek khiladi ki kahani kahati hai।
ye baat dhyaan dene ki hai ki leek se hatkar filmen banane vaale nirdeshak aajakal sangeet men jis vividhata aur prayog ki chhoot apane sangeetakaron ko dete hain vo mukhyadhara ke nami nirmata nirdeshakon se dekhne ko nahin milti.ab Striker ko hi len.nirdeshak chandan aroda ne film ke aath geeton ke liye chhah alag alag sangeetakaron ka chuna.inamen vishal bharadvaj aur swanand kirakire ke sangeetabaddh geet bhi the.par in geeton men jo geet sangeetamala men jagah bana paaya hai vo hai ek nai maraathi geet sangeetakaar jodi ka.is geet ke sangeetakaar hain shailendra barve aur geetakar hain jeetendra joshi।
jeetendra joshi ek bahumukhi pratibha vaale kalakar hai.maraathi filmon, natakon aur seeriyalon men bataur abhineta ka kaam karte hain aur kavitaayen likhne ka shauk bhi rakhte hain.pune se apani aanranbhik aur colej ki shiksha prapt karne vaale jeetendra gulazaar aur vishal bharadvaj ke bade prashansak hain.ye geet dekhakar un dinon ki yad dila dete hai jab pyar sanvaad se nahin par mook bhavanaaon, aankhon ke ishare aur chhat par patthar se baandh ke fenke ge khaton se aage badhata tha।
joshi aur barve ko bhi film men ek aisi paristhiti di gai jahan nayak apane theek saamane ke ghar men rahane vali el ladaki ke mohajaal men is kadar doob jata hai ki din rat usaki har ik gatividhi ka saajhidaar ho jata hai.ye to aap bhi maanenge ki jab prem sanvaadaviheen hota hai to usaki gaharaai din dooni rat chauguni kulaanche bharne lagti hai.aap kisi ke baare men sochna shuru karte hain, din rat sochte hain to aapki kalpanaaon ke pankh lag jaate hain.apane premi ka har kritya aapako is avastha men adbut sa nazar aata hai.joshi nayak ke man men chal rahi kalpanaaon ki udan ko apane lafajon men is tarah bunte hain ki man ka har kona roomaniyat ke rangon se bheeng jata hai.
shailendra barve ne is geet men prem ke sachche aur bhole swaroop ko jaagrrit karne ke liye soofi sangeet ka rang dene ka prayas kiya hai.hindustani vaadya yantra aur tali ke sammilit sangeet sanyojan ke saath unhonne geet ka tempo dheema rakha hai jisase har shabd ko ek khinchaav ke saath gana padta hai.is geet ko nibhane ke liye ek aise kalakar ki aavaaz ki jaroorat thi jo kuch naya karne men vishvaas rakhta ho aur isiliye gayak ke taur par sonu nigam ko chuna gaya.sonu ne is kathin geet ko is behatareen tarike se nibhaya hai ki unki gaai har pankti, har aalaap par bas vaah vaah hi nikalti hai.sonu nigam khaud is geet ko apane dvara gaaye geeton men sabse achchhon men se ek ginte hain।
to aaiye sunte hain is pyare se geet ko isake lajavab bolon ke saath
ho jannaton ke dar khule, kuch baashinde the chale
le aae vo, nanhi jaan
us khauda ka ik payam
tab se too hai zahan men
banake raunak yahan ki meri jaan
khavahishon se bhi aage jo khaushi ka mile vo aramaan
ra re ra ra aa..
chamacham jhilamilaate,ye sitaaron vaale haath
bhini bhini khushabu, jaise teri meethi baat
ujala ujala sa ye tan, jaisa mahaka ho chandan
baahon men teri gujre, mera ye sara jeevan
teri ada men masoomiyat hai
fir bhi hai shokhi, ranginiyat hai
taron se bhar doon main, aanchal tera
rab se bhi pyara hai, chehara tera, chehara tera, chehara tera
ra re ra ra aa...
fool honthon pe khile, chaand aankhon men mile
fool honthon pe khile, chaand aankhon men mile
bikhare moti jubaan ki jaise kiranen teri yah muskaan
noor barase nazar se noori tujhamen basi hai meri jaan
noor barase nazar se noori tujhamen basi hai meri jaan
teri jhalak ki pyasi nazar hai, deevangee ye tera asar hai
roohaane rangon ka ye aanchal tera
sapano iraadon ka ye baadal mera baadal mera baadal mera
ra re ra ra aa
dheere dheere sar chadha, tera jaadu, aage badha
dheere dheere sar chadha, tera jaadu, aage badha
hua khud se juda fir bhi tujhape fida main meri jaan
ishk le le too le le ,le le too mera imtihaan
ishk le le too le le ,le le le le mera imtihaan
soone safar ki too sohabat hai.
bakhshi khuda ne, yah milakiyat hai
aaja saja de gori aangan mera
jaise sajaya toone lamaha mera
ra re ra ra aa....
ye geet ek aisa geet hai jiska nasha dheere dheere chadhta hai isaliye ise jab bhi suniega fursat se suniega...
chalte chalte is geet ke filmaankan ke baare men kuch baaten.do sate sate gharon ke bich hote premapoorn bhavanaaon ke aadaan pradaan ko meri peedhi ne apani aankhon se dekha aur mahasoos kiya hai.geet men bhi is vaastavikta ka bakhoobi chitran hua hai.shooting ke dauraan ek bada majedaar vaakaya hua.
nayak ko apana prem patra kaagaj ke tikone jahaj ke roop men aisa fenkna tha ki vo saamane ki bolakoni men khadi nayika ke paas gire.par pahle char tekon men bachchon vala ye maamooli kaam nayak anjaam nahin de paaye.do baar vo jahaj nayika ke ghar ke khapadail ki chhat par ja pahuncha aur do baar neeche ja gira.:)
to aaiye dekhte hain is geet ka video..
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