Hindi film sangeet ki trasadi yahi hai ki agar film nahin chaali to kaee bar film ka sangeet achchha hone ke bavjood aam jaanta se door rah jaya karta hai. Pichhaale saal aisi hi ek film aaee thi Haal-e-Dil jisamein kaee nami sangeetkar Vishal Bhardwaj, Anand Raj Anand, Pritam aadi ne film ke vibhinn geeton ki dhunen taiyar ki thin. Ajay devagan ke bhaee Anil devagan ki ye film box office par buri tarah piti jisaka khamiyaza isake geeton ko uthana pada tha.
Iss film mein Vishal Bhardwaj ne Munna Dhiman ke likhen shabdon par ek behatarin composition banaee thi jo Rahat Fateh Ali Khan ki gayiki se aur nikhar gaee thi. Vishal Bhardwaj yoon to aksar Gulzar ke bolon pe apana hunar dikhlate rahe hain par Munna Dhiman ke sath bhi unki jugalbandi khoob baithti hai.Yaad hai na 2007 mein nishabd film ke geet jis mein pahli bar munna dhiman ki charcha is chitthepar huee thi. Phir pichhaale sal 'U ME aur HUM' mein bhi ye jodi kuchh had tak safal huee thi. Dil ka haal kahte huye is nagme ko apane bolon, sundar sangeet sanyojaan aur Rahat Fateh Ali Khan ki bemisaal gayiki ki vajah se main is jodi dvara rachi gaee ab tak ki sabase nayab composition manta hoon.
Darasal munna is geet ki roomani panktiyon mein ek aisi gaharaee late hain jo is geet ka star ek doosare dharatal par le jata hai. Misaal ke taur par in panktiyon ko dekhen..
Aur fir kitna adbhut hai Vishal Bhardwaj ka sangeet sanyojaan ! Mukhde ke theek pahle taal vadyon ki thap se man jhoom hi raha hota hai ki Rahat ka ruhani svar ubharata hai aur man geet mein ram sa jata hai. Vishal geet ke pichhe ki beats ko bina kisi jyada chhed chhad ke chalate rahne dete hain. Phir interlude mein guitar ka unaka prayog dhyan kheenchta hai. Waise bhi Rahat ka soofi andaj hamesha se dil ko chhoota raha hai. to aaiye pahle sunen Rahat ko..
jaan ve jaan le , haal e dil
jaan ve bol de , haal e dil
aaja tere sine mein sans sans pighloon main
aaja tere hothon se bat bat nikloon main
tu meri aag se raushani chhant le
ye jameen aasaman jo bhi hai baant le
jaan ve jaan le , haal e dil
jaan ve bol de , haal e dil
aaja mahiya aa ja...aaja mahiya aa ja...
bebasiyan aa ja...aaja mahiya aa ja...
din jogi ratan, sab dasiyan aa ja
teri jholiyan paoon ghar galiyan aa ja
aaja mahiya aa ja...aaja mahiya aa ja...
aaja tere mathe pe chand ban ke utaroon main
aaja teri aankhon se khvab khvab gujaroon main
rag rag pe hain tere saye ve, rag rag pe hain tere saye
rang tera chad chad aaye ve rang tera chad chad aaye
jaan ve jaan le , haal e dila...
aaja tujhe hathon pe kismaton sa likh loon main
aaja tere kandhe pe umr bhar ko tik loon main
teri ankhiyon ke do gahane ve teri ankhiyon ke do gahane
firate hain pahane pahane ve firate hain pahane pahane
jaan ve jaan le , haal e dil...
aaja mahiya aa ja...aaja mahiya aa ja...
aaja tere sine mein sans sans pighaloon main....
Rekha Bharadvaj ne bhi is geet ka doosara version gaya hai jisamein antare thodi tabdili ke sath gaye gaye hain. Munna Dhiman ek bar fir usi form mein hain. Vishal ki parshv beats yahan apekshakrit tez hain. Interlude mein guitar ki jagah bansuri bajti sunaee deti hai. Rekha ji ki gayiki ka anootha andaj to hamesha se man ko sohta hai par kul milakar Rahat Fateh Ali Khan vala varsion jyada asar chhodta hai. to suniye Rekha ji ko isi geet mein..
aa ja rakh le
ud tak le aaja rakh le
man ve.. haye.. kuchh kah de
kuchh sun le jaan ve
jaan ve jaan le , haal e dila...
aaja tere kohare mein dhoop ban ke kho jaoon
tere bhesh tere hi roop jaisi ho jaoon
rag rag pe hain tere saye ve, rag rag pe hain tere saye
rang tera chad chad aaye ve rang tera chad chad aaye
jaan ve jaan le , haal e dila...
tu hi meri nindon mein jagata hai sota hai
tu hi mere aankhon ke paniyon mein hota hai
teri ankhiyon ke do gahane ve teri ankhiyon ke do gahane
firate hain pahane pahane ve firate hain pahane pahane
Iss film mein Vishal Bhardwaj ne Munna Dhiman ke likhen shabdon par ek behatarin composition banaee thi jo Rahat Fateh Ali Khan ki gayiki se aur nikhar gaee thi. Vishal Bhardwaj yoon to aksar Gulzar ke bolon pe apana hunar dikhlate rahe hain par Munna Dhiman ke sath bhi unki jugalbandi khoob baithti hai.Yaad hai na 2007 mein nishabd film ke geet jis mein pahli bar munna dhiman ki charcha is chitthe
Darasal munna is geet ki roomani panktiyon mein ek aisi gaharaee late hain jo is geet ka star ek doosare dharatal par le jata hai. Misaal ke taur par in panktiyon ko dekhen..
aaja teri aankhon se khvab khvab gujroon main..
aaja tujhe hathon pe
kismaton sa likh loon ve..
aaja tere hothon se baat baat nikloon main..
aaja tere kohare mein dhoop ban ke kho jaoon..
Aur fir kitna adbhut hai Vishal Bhardwaj ka sangeet sanyojaan ! Mukhde ke theek pahle taal vadyon ki thap se man jhoom hi raha hota hai ki Rahat ka ruhani svar ubharata hai aur man geet mein ram sa jata hai. Vishal geet ke pichhe ki beats ko bina kisi jyada chhed chhad ke chalate rahne dete hain. Phir interlude mein guitar ka unaka prayog dhyan kheenchta hai. Waise bhi Rahat ka soofi andaj hamesha se dil ko chhoota raha hai. to aaiye pahle sunen Rahat ko..
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jaan ve jaan le , haal e dil
jaan ve bol de , haal e dil
aaja tere sine mein sans sans pighloon main
aaja tere hothon se bat bat nikloon main
tu meri aag se raushani chhant le
ye jameen aasaman jo bhi hai baant le
jaan ve jaan le , haal e dil
jaan ve bol de , haal e dil
aaja mahiya aa ja...aaja mahiya aa ja...
bebasiyan aa ja...aaja mahiya aa ja...
din jogi ratan, sab dasiyan aa ja
teri jholiyan paoon ghar galiyan aa ja
aaja mahiya aa ja...aaja mahiya aa ja...
aaja tere mathe pe chand ban ke utaroon main
aaja teri aankhon se khvab khvab gujaroon main
rag rag pe hain tere saye ve, rag rag pe hain tere saye
rang tera chad chad aaye ve rang tera chad chad aaye
jaan ve jaan le , haal e dila...
aaja tujhe hathon pe kismaton sa likh loon main
aaja tere kandhe pe umr bhar ko tik loon main
teri ankhiyon ke do gahane ve teri ankhiyon ke do gahane
firate hain pahane pahane ve firate hain pahane pahane
jaan ve jaan le , haal e dil...
aaja mahiya aa ja...aaja mahiya aa ja...
aaja tere sine mein sans sans pighaloon main....
Rekha Bharadvaj ne bhi is geet ka doosara version gaya hai jisamein antare thodi tabdili ke sath gaye gaye hain. Munna Dhiman ek bar fir usi form mein hain. Vishal ki parshv beats yahan apekshakrit tez hain. Interlude mein guitar ki jagah bansuri bajti sunaee deti hai. Rekha ji ki gayiki ka anootha andaj to hamesha se man ko sohta hai par kul milakar Rahat Fateh Ali Khan vala varsion jyada asar chhodta hai. to suniye Rekha ji ko isi geet mein..
|
aa ja rakh le
ud tak le aaja rakh le
man ve.. haye.. kuchh kah de
kuchh sun le jaan ve
jaan ve jaan le , haal e dila...
aaja tere kohare mein dhoop ban ke kho jaoon
tere bhesh tere hi roop jaisi ho jaoon
rag rag pe hain tere saye ve, rag rag pe hain tere saye
rang tera chad chad aaye ve rang tera chad chad aaye
jaan ve jaan le , haal e dila...
tu hi meri nindon mein jagata hai sota hai
tu hi mere aankhon ke paniyon mein hota hai
teri ankhiyon ke do gahane ve teri ankhiyon ke do gahane
firate hain pahane pahane ve firate hain pahane pahane
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