Annual Music Countdown 2010 Song No. 11: Des mera rangarez ye babu....

Vaarshik sangeetamala ki gyarahavin poyadaan par svaagat kijie sangeet band ' Indian Ocean' ka jo pahali baar kisi sangeetamala ka hissa ban raha hai. pichhale kai mahinon se inake dvara banaaye is geet ke madhyam se aap apane desh ke rang rngile prajatantra ke vibhinn roopon ki jhalak dekhte rahe hai. vaise bhi is baat men kya shak ho sakta hai ki 'des mera rangarez ye babu ghaat-ghaat yahan ghatata jaadu.....'.

nirdeshika anusha rizavi ne peepali laaiv ke jin do geeton ke liye 'Indian Ocean' ko chuna unamen se ye vala geet unake elabam 'jhini' men shamil tha. haan ye jaroor hua ki moolatah sanjeev sharma ke likhe is geet ke bolon men peepali laaiv ke liye geetakar swanand kirakire ne kuch badalav kiye aur jo natija nikala vo film rileez hone ke pahle hi desh ki janta ki jubaan par aa gaya.

apane desh ki visangatiyon ko ye geet vyangyaatmak drishti se dekhta jaroor hai par ek baaharavaale ke nazariye se nahin balki ek aam bharateeya ke paripekshya se. geet ke bolon men jahan desh ki mitti ka sondhapan hai vahi yah geet desh ke vaastavik haalaaton ka aaina bhi pesh karta hai. ab inhin panktiyon ko len jinamen desh ka dard samaya sa lagata hai..

sookhe naina, rukhi ankhiyan

dhundhala dhundhala sapana

aansu bhi namakeen hai pyare

jo tapake so chakhna

rahul ki aavaaz ki taakat aur gaharapan is zamini hakikat ko aur pukhta karta hai.

aaiye is geet ke anya pahaluon par charcha karne ke pahle is baind se aapaka parichay kara doon. baind 1984 men gitar vaadak susmit sen aur gayak aseem chakravarti jo ki tal vaadyon men bhi praveen the ne shuru kiya. 1990 men baind ka namakaran Indian Ocean kiya gaya. 1991 men rahul ram jo aaj kal is baind ke mukhya gayak hain, iska hissa bane. 1994men amit kilam dramar ke roop men baind men aae. disanbar २००९ men aseem ka hridaya gati ruk jaane se asaamayik nidhan ho gaya. aajakal ye baind apane ne elabam '16/330 khajoor rod' ke laanch men vyast hai.

poore geet men baind ne tal vaadyon aur gitar ka behatareen istemaal kiya hai. mukhade ke baad hi table, dholak , damaru ka jo sammilit svar ubharta hai vo aapako ekadam se deshi vaatavaran men kheench le jata hai. rahul ram aur unake saathi ppap para ra..dhoom tatak dhin ke koras ke saath geet men ek josh aur urja si bharte hain.

par geet ki sabse sundar tan susmit sen ki ungaliyon se nikalti hain. geet shuru hone ke 2.50 minat baad lagabhag chalis sekend tak susmit apani thirakti oongaliyon se vo jaadu paida karte hain ki man mantramugdh aur thaga sa rah jata hai. lagata hai gitar aur sitaar ka antar hi samapt ho gaya. susmit apane sangeet ko apane anubhavon ka nichod batate hain. unhe jaaz aur rok se jyada hindustani shastriya sangeet pasand aata hai.(chitra saujanya)

vaise kya aap jaante hain ki baind ke mukhya gayak rahul ram jo apani lanbi dadhi aur alag si vesh bhoosha se apani alag si pahachaan rakhte hain ke paas peeechadi ki upadhi bhi hai. aur to aur rahul narmada bachaav aandolan ka bhi hissa rah chuke hain. ab agar rahul apane aap ko buddhijiviyon men ginte hon to ismen kya galat ho sakta hai. yahi vajah he ki unake saathi unhen 'lojik baba' aur 'gyanadev' ke nam se bulate hain. (chitra saujanya)

to aaiye sunen is geet ko

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

des mera rangarez ye babu

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

raai pahaad hai kankar-shankar

baat hai chhoti bada batangad

raai pahaad hai kankar-shankar

baat hai chhoti bada batangad

indiya sar yah cheez dhurandhar

indiya sar yah cheez dhurandhar

rang rngila parajatantar

rang rngila parajatantar

p p re .....

saat rang satarnga mela

badarnga sa bada jhamela

saat rang satarnga mela

badarnga sa bada jhamela

gira gagan se khajoor ne jhela

such-duahkh pakadam-pakadi khela

hai..ek rang guniyon ka nirala

ek rang agyani

rang rang main hod lagi hai

rangarangi manamani

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

des mera rangarez ye babu

ghaat-ghaat yahan ghatata jaadu

sookhe naina, rukhi ankhiyan

dhundhala dhundhala sapana

aansu bhi namakeen hai pyare

jo tapake so chakhna

dhundhala dhundhala sapana pyare

dhundhala dhundhala sapana

sookhe naina, rukhi ankhiyan

sookhe naina, rukhi

dhundhala dhundhala sapana pyare

dhundhala dhundhala sapana

des mera rangarez ye babu he....

aur agar aamir khan ko dramar ka rol sanbhaalte dekhna chaahen to geet ka vidio ye raha...

---

Click Here to read this post in Hindi devnagari script.

Click Here to post your reactions on this article. You can post your comment in English or Romanised Hindi/Urdu also .

---

Annual Music Countdown 2010 Song No. 12: Kanha Bairan Huyi...bansuri

Barahavi paaydaan par pahali baar is saal ki sangeetamala men pravesh kar rahe hain sangeetakaar saazid vazid.par film dabng ke liye nahin balki saal ke shuru men aai film 'veer' ke liye.geet ke bol likhe hain gulazaar saahab ne aur ise apani aavaaz di hai rekha bharadvaj ne.jab bhi kisi geet ke kredit men rekha ji ka nam aata hai geet ki prakriti ke baare men bahut kuch andaaj mil jata hai.soofi sangeet se apane kairiyar ki shuruaat aur pahachaan banane vali rekha ji ne jahan pichhale kuch varshon men lokageet ke rang men samaaye theth geet gaaye hain vahin up shastriya geeton men bhi unki aavaaz aur layakari kamaal ki rahi hai।

apane usi andaaz ko rekha ji ne veer film ki is 'thumari' men barakaraar rakha hai.vaise shastriya sangeet se jyada nahin jude logon ke liye up shastriya sangeet ki is vidha ke baare me kuch baaten janna rochak rahega.shastriya sangeet ke jaanakar unnisavi shatabdi ko thumari ka udbhav kaal batate hain.thumari se jude geet roomani bhaavon se otaprot hote hue bhi saatvik prem par aadhaarit hote hain aur aksar in geeton men nayak ke roop men bhagavaan krishn yaani hamare kanha hi nazar aate hain.thumari ki lokapriyata lakhanoo men navab vazid ali shah ke shasankaal men badhi.

thumari men ragon ke sammishran aur adakari ka bada mahatatva hai.vaise to aksar thumariyan rag khamaaz,peelu v kafi par aadhaarit hoti hain par sangeetakaar saazid vazid ne is thumari ke liye ek alag rag chuna.apane is geet ke baare men vo kahate hain

hamane is thumari men kisi ek thaat ka prayog nahin kiya jaisa ki praayah hota hai.jis tarah hamane is geet men mishrit rag se vishuddh rag nand men pravesh kiya vo rekha ji ne khoob pasand kiya.geet men tabla usi tarah bajaya gaya hai jaisa aaj se dedh sau varshon pahle bajaya jata tha.hamane aisa isaliye kiya taki jis kaal parivesh men ye film rachi gai vo usake sangeet men jhalke।

thumari uttarapradesh me pali badhi is liye is roop men rache geet brijabhasha men hi likhe ge.gulazaar saahab ne thumari ka vyakaran to vahi rakha par geet ke bolon se (khaaskar antaron men) kisi ko bhi gulazarish bhavanaaon ki jhalak mil jaaegi.kanha ki yad men vikal nayika ki virah vedna ko jab din ke ujiyare, saanjh ki aabha aur andhiyari rat ki kaalima jaise prakritik binbon ka saath milta hai to vo aur pragadh ho jaati hai.

geet ek koras se shuru hota hain jisamen aavaaze hain shareeb toshi aur shabaab saabari ki.fir rekha ji ki kanha ko dhoondhati aavaaz dilo dimaag ko shaant aur geet men dhyanamagn sa kar deti hai.mukhade aur koras ke baad geet ka tempo ekadam se badal jata hai aur man geet ki laya ke saath jhoom uthata hai.vaise bhi gulazaar ki lekhani me..saanjh samay jab saanjh lipatave, lajja kare baawari. jaise bolon ko rekha ji ka svar milta hai to fir kahane ko aur rah bhi kya jata hai..

pavan udave batiyan ho batiyan, pavan udave batiyan

tipo pe n likho chithiya ho chithiya, tipo pe n likho chithiya

chitthiyon ke sandese videse javenge jalengi chhatiyan

kanha aa.. bairan huyi baansuri

ho kanha aa aa.. tere adhar kyoon lagi

ang se lage to bol sunave, bhaye n munhalagi kanha

din to kata, saanjh kate, kaise kate ratiyan

pavan udave batiyan ho batiyan, pavan udave batiyan..

roko koi roko din ka dola roko, koi doobe, koi to bachave re

mathe likhe maare, kare andhiyare, koi aave, koi to mitave re

saare band hai kivade, koi aare hai n paare

mere pairon men padi rasiyan

kanha aa.. tere hi rang men rngi

ho kanha aa aa... haaye saanjh ki chhab saanwari

saanjh samay jab saanjh lipatave, lajja kare baawari

kuch na kahe apane aap se aapi karen batiyan

din tera le gaya sooraj, chhod gaya aakash re

kanha kanha kanha.....

---

Click Here to read this post in Hindi devnagari script.

Click Here to post your reactions on this article. You can post your comment in English or Romanised Hindi/Urdu also .

---

Annual Music Countdown 2010 Song No. 13: Chamcham Jhilmilate Ye Sitaron Wale Hath...

Vaarshik sangeetamala ki terahavin paaydaan par prem ki sondhi sondhi khushabu failata hua ye pyara sa nagma.is nagme ko aap men se jyadatar ne nahin suna hoga kyoonki jis film men ye nagma tha vo mukhyatah mltiplekson ki shobha kuch din badhakar chalti bani.ye film thi 'straikar'.ab is straikar se ise koi maar dhad vali film na maan leejiyega.ye straikar kairamabord vala hai aur film bhi kairam khelne vaale ek khiladi ki kahani kahati hai।

ye baat dhyaan dene ki hai ki leek se hatkar filmen banane vaale nirdeshak aajakal sangeet men jis vividhata aur prayog ki chhoot apane sangeetakaron ko dete hain vo mukhyadhara ke nami nirmata nirdeshakon se dekhne ko nahin milti.ab Striker ko hi len.nirdeshak chandan aroda ne film ke aath geeton ke liye chhah alag alag sangeetakaron ka chuna.inamen vishal bharadvaj aur swanand kirakire ke sangeetabaddh geet bhi the.par in geeton men jo geet sangeetamala men jagah bana paaya hai vo hai ek nai maraathi geet sangeetakaar jodi ka.is geet ke sangeetakaar hain shailendra barve aur geetakar hain jeetendra joshi।

jeetendra joshi ek bahumukhi pratibha vaale kalakar hai.maraathi filmon, natakon aur seeriyalon men bataur abhineta ka kaam karte hain aur kavitaayen likhne ka shauk bhi rakhte hain.pune se apani aanranbhik aur colej ki shiksha prapt karne vaale jeetendra gulazaar aur vishal bharadvaj ke bade prashansak hain.ye geet dekhakar un dinon ki yad dila dete hai jab pyar sanvaad se nahin par mook bhavanaaon, aankhon ke ishare aur chhat par patthar se baandh ke fenke ge khaton se aage badhata tha।

joshi aur barve ko bhi film men ek aisi paristhiti di gai jahan nayak apane theek saamane ke ghar men rahane vali el ladaki ke mohajaal men is kadar doob jata hai ki din rat usaki har ik gatividhi ka saajhidaar ho jata hai.ye to aap bhi maanenge ki jab prem sanvaadaviheen hota hai to usaki gaharaai din dooni rat chauguni kulaanche bharne lagti hai.aap kisi ke baare men sochna shuru karte hain, din rat sochte hain to aapki kalpanaaon ke pankh lag jaate hain.apane premi ka har kritya aapako is avastha men adbut sa nazar aata hai.joshi nayak ke man men chal rahi kalpanaaon ki udan ko apane lafajon men is tarah bunte hain ki man ka har kona roomaniyat ke rangon se bheeng jata hai.

shailendra barve ne is geet men prem ke sachche aur bhole swaroop ko jaagrrit karne ke liye soofi sangeet ka rang dene ka prayas kiya hai.hindustani vaadya yantra aur tali ke sammilit sangeet sanyojan ke saath unhonne geet ka tempo dheema rakha hai jisase har shabd ko ek khinchaav ke saath gana padta hai.is geet ko nibhane ke liye ek aise kalakar ki aavaaz ki jaroorat thi jo kuch naya karne men vishvaas rakhta ho aur isiliye gayak ke taur par sonu nigam ko chuna gaya.sonu ne is kathin geet ko is behatareen tarike se nibhaya hai ki unki gaai har pankti, har aalaap par bas vaah vaah hi nikalti hai.sonu nigam khaud is geet ko apane dvara gaaye geeton men sabse achchhon men se ek ginte hain।

to aaiye sunte hain is pyare se geet ko isake lajavab bolon ke saath

ho jannaton ke dar khule, kuch baashinde the chale

le aae vo, nanhi jaan

us khauda ka ik payam

tab se too hai zahan men

banake raunak yahan ki meri jaan

khavahishon se bhi aage jo khaushi ka mile vo aramaan

ra re ra ra aa..

chamacham jhilamilaate,ye sitaaron vaale haath

bhini bhini khushabu, jaise teri meethi baat

ujala ujala sa ye tan, jaisa mahaka ho chandan

baahon men teri gujre, mera ye sara jeevan

teri ada men masoomiyat hai

fir bhi hai shokhi, ranginiyat hai

taron se bhar doon main, aanchal tera

rab se bhi pyara hai, chehara tera, chehara tera, chehara tera

ra re ra ra aa...

fool honthon pe khile, chaand aankhon men mile

fool honthon pe khile, chaand aankhon men mile

bikhare moti jubaan ki jaise kiranen teri yah muskaan

noor barase nazar se noori tujhamen basi hai meri jaan

noor barase nazar se noori tujhamen basi hai meri jaan

teri jhalak ki pyasi nazar hai, deevangee ye tera asar hai

roohaane rangon ka ye aanchal tera

sapano iraadon ka ye baadal mera baadal mera baadal mera

ra re ra ra aa

dheere dheere sar chadha, tera jaadu, aage badha

dheere dheere sar chadha, tera jaadu, aage badha

hua khud se juda fir bhi tujhape fida main meri jaan

ishk le le too le le ,le le too mera imtihaan

ishk le le too le le ,le le le le mera imtihaan

soone safar ki too sohabat hai.

bakhshi khuda ne, yah milakiyat hai

aaja saja de gori aangan mera

jaise sajaya toone lamaha mera

ra re ra ra aa....

ye geet ek aisa geet hai jiska nasha dheere dheere chadhta hai isaliye ise jab bhi suniega fursat se suniega...

chalte chalte is geet ke filmaankan ke baare men kuch baaten.do sate sate gharon ke bich hote premapoorn bhavanaaon ke aadaan pradaan ko meri peedhi ne apani aankhon se dekha aur mahasoos kiya hai.geet men bhi is vaastavikta ka bakhoobi chitran hua hai.shooting ke dauraan ek bada majedaar vaakaya hua. 

nayak ko apana prem patra kaagaj ke tikone jahaj ke roop men aisa fenkna tha ki vo saamane ki bolakoni men khadi nayika ke paas gire.par pahle char tekon men bachchon vala ye maamooli kaam nayak anjaam nahin de paaye.do baar vo jahaj nayika ke ghar ke khapadail ki chhat par ja pahuncha aur do baar neeche ja gira.:)

to aaiye dekhte hain is geet ka video..

---

Click Here to read this post in Hindi devnagari script.

Click Here to post your reactions on this article. You can post your comment in English or Romanised Hindi/Urdu also .

---