सोमवार, मार्च 07, 2011

Annual Music Countdown 2010 Song No. 8: Tu Na Jane Aas Paas Hai Khuda...

Chaliye badhate hain vaarshik sangeetamala ki aathavin paaydaan par. ham sab ke jeevan men ek vakat aisa bhi aata hai jab har baaji aapke khilaf palatati nazar aati hai. sangi saathi sab aapaka saath ek ek kar ke chhodane lagate hain. hatasha aur akelepan ki is ghadi men aage sab kuch dhundhala hi dikhta hai. aathavin poyadaan ka geet ek aisa geet hai jo zaindagi ke aise daur men vishvaas aur aasha ka sanchaar ye kahate hue karta hai mushkil ke in palon men aur koi nahin to vo ooparavala tumhaare saath hai.

film 'anajana anajaani' ke is geet ko gaya hai rahat fateh ali khan ne aur sangeet rachna hai vishal shekhar ki. vishal shekhar ko is geet ko banane ke pahle nirdeshak ne sirf itana kaha tha ki aapako aisa geet banana hai jisamen bhagavaan khaud insan ko apane hone ka ahasaas dila rahe hain. vishal shekhar ki jodi ke shekhar ravajiyaani ne jhatapat mukhada rach dala too na jaane aas paas hai khuda…. par is mukhade ke baki antre vishal dadalani ne likhe hain.

vishal shekhar ki jyadatar sangeetabaddh dhunen hindustani aur vestarn rok ke sammishran se bani hoti hain. darasal jahan shekhar ne vidhivat shastriya sangeet ki shiksha li hai vahin vishal munbai ke rok baind pentagram ke gayak rahe hain. is alag alag parivesh se aane ka prabhaav unake sangeet par spasht dikhta hai.


par jahan pichhale geet men irashad kamil ke bolon ko mainne geet ki jaan mana tha yahan vo shreya poori tarah se rahat fateh ali khan ko jata hai. unhonne poore geet ko itana doob kar gaya hai ki shrota geet ki bhavanaaon se apane aapako ekakar paata hai. mukhade ki unki adaegi itani jabaradast hai ki unki aavaaz ki prabalta aapako bhavavibhor kar deti hai aur man apane aap se gunagunane lagata hai too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…. vishal shekhar ke gitar ke intaralyoods man ko sukoon dete hain. rahat se har sangeetakaar koi saragam koi aalaap apane geeton men gavata hi hai. rahat yahan bhi apani usi maharat ka bakhoobi pradarshan karte hain.

to aaiye sunen is geet ko


dhundhala jaayen jo manzilen, ik pal ko too nazar jhuka
jhuk jaaye sar jahan vahin, milta hai rab ka raasta
teri kismat too badal de, rakh himmat, bas chal de
tere saath hi mere kadamon ke hain nishan

too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…
khud pe dal too nazar, haalaaton se haar kar kahan chala re
haath ki lakeer ko modta marodta hai, hausla re
to khud tere khvaabon ke rang men too apane zahan ko bhi rang de
ki chalta hoon main tere sang men, ho shaam bhi to kya
jab hoga andhera, tab paayega dar mera
us dar pe fir hogi teri subah
too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…

mit jaate hain sab ke nishan, bas ek vo mitata nahin, haay
maan le jo har mushkil ko marzi meri, haay
ho hamasafar na tera jab koi, too ho jahan rahoonga main vahin
tujhase kabhi na ek pal bhi main juda
too na jaane aas paas hai khuda…too na jaane aas paas hai khuda…

film men ye geet ranaveer kapoor aur priyanka chopada par filmaya gaya hai.




शनिवार, मार्च 05, 2011

Annual Music Countdown 2010 Song No. 9: Man ke 'mat' pe mat chalio, ye jeete ji marva dega

Vaarshik sangeetamala ki navin poyadaan par ek baar fir aa rahe hain janab Rahat Fateh Ali Khan . rahat idhar kuch galat karanon se samaachaar patron men surkhiyan bator rahe the. apani roohani aavaaz se jo shakhas man ko shaant aur mudit kar deta hai usase is tarah ke aacharan ki ummeed kam se kam ham aur aap jaise prashansak to nahin hi kar sakte. aasha hai rahat is ghatna se sabak lenge aur bhavishya men jab bhi unki charcha ho to sirf unki gaayiki ke liye...

jab rahat ka pichhala geet solahavin poyadaan par baja tha to menne aapase kaha tha ki is saal ki vaarshik sangeetamala men rahat ne apane geeton se jo dhoom machai hai usaki misaal pahle ki kisi bhi sangeetamala men dekhne ko nahin mili. rahat ki gaayiki ke dabadabe ka andaaz aap isi baat se laga sakte hain ki is saal ke pratham das geeton men se paanch unake dvara gaaye nagme hain.

to ab baat karen navin poyadaan ke is geet ki jo liya gaya hai film 'aakrosh' se. anupam amod ki aavaaz men is film ka ek aur pyara geet sauda udanon ka hai ya aasamaanon ka hai, le le udanen meri.. aap pahle hi sangeetamala men sun chuke hain. aakrosh ka sangeet diya hai pritam ne aur likha hai Irshad kamil ne. darasal rahat ki gaayiki to apani jagah hai hi par is geet ki jaan hai Irshad kamil ke bol. roomaniyat bhare geeton men Irshad kamaal karte hain vo to aap pichhale saalon men jab vi met, lav aaj kal, ajab prem ki gajab kahani aur is saal Once Upon A Time In Mumbai sarikhi filmon men pahle hi dekh chuke hain. par aakrosh ke is geet men Irshad geet ke bolon men ek daarshanik chintan ka bhi sootrapaat karte hain. vaise to geet ke har antre men Irshad apani lekhani se chamatkrit karte hain par khaas taur par unki likhi ye panktiyan man ko lajavab sa kar deti hain.

"..man se thodi anaban rakhna,
man ke aage darpan rakhna
manava shakal chhupa lega.."

Irshad Kamil aaj hindi film sangeet men apani ek vishisht pahachaan banate ja rahe hain. par agar unake pita ki chalti to vo aaj injiniyaron ki jamat men khade hote. rasaayan shastra ke profesar ke putra hone ke nate unhen colej men ganit aur vigyaan vishayon ko jabaran chunana pada. aruchikar vishayon ka saath aur usake saath char char tyooshan karne ki baadhyata Irshad ko nagavar guzari. colej ki us vyast dinacharya men kamil kuch sukoon ki talash men rangamanch men ruchi lene lage. saal ke ant men jab nateeje nikale to vo ganit aur bhautiki men fel ho ge the. kamil ke pita ke liye vo nirasha ka din tha par kamil ise apani jindagi ki sabse achchhi asafalataon men ginte hain kyoonki is asafalta ne hi unhen jeevan ki nai disha pradaan ki.

vaise to manav man ki vichitrataon par pahle bhi geet likhe ja chuke hain aur Irshad saahab ka ye geet usi kadi men ek ullekhaneeya prayas hai. pritam sangeet ke saath yahan jyada prayog nahin karte aur geet ke fakirana mood ko apani dhun se barakaraar rakhte hain.

vaise man ke bhatakaav ke baare men sab jaante samajhte bhi kya ham isaki ichchhaaon ke aage ghutne nahin tek dete, isake das nahin ban jaate. khaaskar tab jab hamare hridaya men kisi ke prati prem ki vaitarani bahane lagti hai. to aaiye sunte hain is arthapoorn geet ko rahat ji ke svar men..



is geet ko aap yahan bhi sun sakte hain

ishk mushk pen jor na koi
manase badhakar chor na koi
bin aag badan sulaga dega
ye rag rag rog laga dega


man ke 'mat' pe mat chalio, ye jeete ji marva dega
man ke 'mat' pe mat chalio, ye jeete ji marva dega
maashook mohalle men jaake besabra roj daga dega
ho. man ki mandi, man vyapari, man hi man ka mol kare
ha ha ha...
bhool bhal ke nafa munafa, nain taraju tol kare
nain taraju tol kare
khud hi mol badha de manava, khud hi maal chhupa de manava
khud hi bhaav gira dega


man ke mat pe mat chalio, ye jeete ji marva dega


man bahakaaye, man bhatakaaye, man batalae sau raste
man ki mat men pyar hain manhaga, pran pakheru hain saste
pran pakheru hain saste
man se thodi anaban rakhna, man ke aage darpan rakhna
manava shakal chhupa lega
man ke mat pe chalio..

chalte chalte Irshad kamil ki likhi in panktiyon ke saath aapako chhodana chahoonga

jo saamane hai saval banake…
kabhi mila tha khayal banake…
degi use kya misaal duniya …
jo ji raha ho misaal banake

Irshad bataur geetakar ek misaal ban kar ubharen, meri unake liye yahi shubhakamanaayen hain.



बुधवार, मार्च 02, 2011

Annual Music Countdown 2010 Song No. 10: Sakhi saiyan to khoobai kamat hain, manhagaai dayan khayat jaat hai...

Waqt aa gaya hai vaarshik sangeetamala ke antim das men pravesh karne ka aur yahan vo geet hai jo is saal ka sabse prasangik geet saabit hua hai. ji haan sahi pahachaana aapane ye geet ya yoon kahen ki ye lokageet hai sakhi saiyan to khoobai kamat hain, manhagaai dayan khayat jaat hai... manhagaai to saal dar saal sattadhari dalon ki sarakaron ka nasoor banti rahi hai. par jab ye bundelakhandi lokageet peepali laaiv ke liye rikard kiya gaya to petrol se le ke khadyannon ki keematen nirantar badhati ja rahi thin.

geet ke mool lekhak gaya prasad prjapati v geetakar swanand kirkire ki tarif karni hogi ki chand panktiyon men unhonne manhagaai ke chalte desh ke aam nagarikon aur visheshakar kisaanon ko ho rahi pareshaniyon ko is tarah chhua ki ye geet poore desh ki aavaaz ban gaya. geet ke pahle antre men jahan vo badhati manhagaai se ho rahi garibon ki durdasha ka chitran karte hain

har mahina uchhale petrol
dijal ka uchhala hai rol
shakkar bhaai ke ka bol
roosa bhaat, maati dhaan hamari jaan hai
manhagaai dayan khayat jaat hai.

vahin doosare antre men ve apratyashit badalte mausamon ki vajahon se ho rahi fasalon ki tabaahi aur kisaanon par aae sankat ko bhi bakhoobi vyakt karte hain...

soyabeen ka haal behaal
garami se pichake hain gaal
gir ge patte, pak ge bal
aur makka ji bhi khaaye ge maat hain
manhagaai dayan khayat jaat hai.

sangeetakaar ram sampat ne is geet men bas ye dhyaan rakha ki gaanv ki chaupaalon ya keertan mandaliyon ke saath jis tarah ka sangeet bajta hai usase tanik bhi chhed chhad na ki jaaye. isaliye aapako geet ke saath sirf dholak, jhal, majire aur haaramoniyam ka svar sunaai deta hai. bilakul vaisa hi jaisa aapane apane gali mohalle men suna hoga.


par mujhe geet ke asali heero lagate hain charitra abhineta raghuveer yadav. raghubeer yadav ne jis andaaz men is geet ko apani aavaaz di hai usase logon ko yahi lagega ki koi manja hua lokagayak ga raha hai. vaise dilachasp baat ye ki is geet ko rat men khule aasamaan ke neeche rikard kiya gaya tha. geet men kuch vividhataayen raghuveer ji ne khud jodi thin aur geet bina kisi ritek ke hi oke kar liya gaya tha.

aapako ye jaankar hairani hogi ki film maisi saab aur tivi dharavahik mungeri lal ke haseen sapane se apane kairiyar ke aaranbhik dinon men charcha men aaya ye shakhas vaastav men jabalpur ke ek kisan parivar se taalluk rakhta hai. aur to aur pandrah saal ki umr men jab raghuveer apane gaanv ko chhodakar nikale the to abhineta banane nahin balki ek gayak ke roop men apana kairiyar banane ke liye.

par bhagya ko kach aur manjoor tha. rozi roti ke jugad men pahle unhonne ek parsi thietar kanpani men chhah saalon tak kaam kiya. fir teen saal neshanal skool aur drama men aur adhyayan karne ke baad vo ek dashak tak vahan पढ़ाते rahe. fir filmon men kaam milna shuru hua to gayak banane ka khavab, khavab hi rah gaya. par aaj bhi unhen sangeet se pyar hai kyoonki achchha sangeet unhen man ki shanti deta hai. ek kalahapoorn damapatya jeevan ki vajah se kort,kachahari aur yahan tak ki jel ki hava kha chukne vaale raghuveer yaadav ko peepali laaiv men abhinaya ke aalava gaayiki ke liye jo vaahavahi mil rahi hai vo un jaise guni kalakar ke liye aage bhi safalta ki raah kholegi aisi meri manokamna hai.

aaiye filahaal to sunte hain ye geet.





chalte chalte geet se jude do rochak tathya aur. film vaise to ek kaalpanik gaanv peepali ki kahani kahati hai par is is geet ke saath jo gaayan mandali hai vo madhyapradesh ki rajadhani bhopal ke paas sthit gaanv badavaai se taalluk rakhati hai. vahin is film ki shooting bhi hui. film ki lokapriyata badhane par is gaanv ke logon ne film ke nirmata aamir se aspatal, vidyalay, sadak ki maang nahin ki balki ek abhinaya sikhane vaale sansthan kholne ki peshakash ki. shayad gaayan mandali ko bataur paarishramik mile chhah lakh rupaye isaki vajah rahe hon.