Vaarshik sangeetamala ka safar taya karte karte ham a pahunche hain thik isake beecho beech. yaani 12 poyadanon ka safar poora karake geetamala ki 13 vin position tak. abhi bhi sabse oopar ki 12 seedhiyon ki chadhai baki hai. aaj ki position par ka geet ek aisa geet hai jise is saal kafi lokapriyata mili. mohit chauhaan ki gaayiki ka andaz , pritam ka karnapriya sangeet aur irashad kamil ke bolon ki roomaniyat ne logon ke hriday ko is geet se jod diya.
darasal shayad hi ham men se koi ho jisane apne ajizon se door rahane ki vyatha na jheli ho. isaliye insani rishton men dooriyon ki baat karta ye geet jald hi sabke jehan men sama gaya. jab lav aaj kal ka sangeet racha ja raha tha to sabse pahle isi geet par kam shuru hua. nirdeshak imtiyaz ali ise mohit chauhaan se hi gavana chahate the. shayad mohit ka unki film jab vi met men gaya gana na hai kuch khona na pana hi hai.. unako behad prabhavit kar gaya tha. sangeetakar pritam ko mohit ko traik karne men do mahine ka vakat jaroor laga par mohit nirdeshak aur sangeetakar ke vishwas par bilkul khare utre.
vaise kya aapako pata hai ki himachal ke rahane vale mohit chauhaan ne kabhi bhi sangeet ki vidhivat shiksha nahin li. bilasapur ,mandi aur nahan ke colejon se vicharte hue unhonne apani parasnatak ki upadhi dharmashala se li. sangeet jagat ki surkhiyon men vo tab aae jab bataur mukhya gayak unake kam ko baind silk root ke elabam boonden men saraha gaya. vaise is chitthe par unake bare men charcha unake gaaye geeton gunacha ab koi mere nam kar diya aur na hai kuch khona na pana hi hai ki vajah se pahle bhi ho chuki hain.
vaise shiksha ki drishti se geet ke geetakar irashad kamil bhi peechhe nahin hain. hindi men doctaret ki upadhi se vibhooshit irashad, imtiyaz ali aur pritam ke sath pahle bhi kam kar chuke hain. unase sakshatkar men jab poochha gaya ki geetakar ke lihaz se sabse kathinaai bhari baat vo kise mante hain to unka javab tha
mere lie sabse kathin kisi roomani geet ko rachna hai. aisa isaliye ki is vishaya par itana zayada aur itani gaharaayee se likha ja chuka hai ki lagata hai ki kuch kahane ko bacha hi nahin hai. mainne to apani dikshanri se dil,dhadakan, zigar, ikaraar, intazaar in sabhi shabdon ko hata rakha hai. agar apani pasand ki baat karoon to mujhe soofiyat aur akelepan ka put lie roomani geeton ko likhna jyada santosh deta hai.
irashad ki yahi soch mohit dvara is geet ki adaegi men dikhaai deti hai. jindagi ke akelapan men purani smritiyon ke saaye man men jo tees ubharte hain ye geet usi ki ek abhivyakti hai. to aaiye sunen film love aaj kal ka ye nagma
darasal shayad hi ham men se koi ho jisane apne ajizon se door rahane ki vyatha na jheli ho. isaliye insani rishton men dooriyon ki baat karta ye geet jald hi sabke jehan men sama gaya. jab lav aaj kal ka sangeet racha ja raha tha to sabse pahle isi geet par kam shuru hua. nirdeshak imtiyaz ali ise mohit chauhaan se hi gavana chahate the. shayad mohit ka unki film jab vi met men gaya gana na hai kuch khona na pana hi hai.. unako behad prabhavit kar gaya tha. sangeetakar pritam ko mohit ko traik karne men do mahine ka vakat jaroor laga par mohit nirdeshak aur sangeetakar ke vishwas par bilkul khare utre.
vaise kya aapako pata hai ki himachal ke rahane vale mohit chauhaan ne kabhi bhi sangeet ki vidhivat shiksha nahin li. bilasapur ,mandi aur nahan ke colejon se vicharte hue unhonne apani parasnatak ki upadhi dharmashala se li. sangeet jagat ki surkhiyon men vo tab aae jab bataur mukhya gayak unake kam ko baind silk root ke elabam boonden men saraha gaya. vaise is chitthe par unake bare men charcha unake gaaye geeton gunacha ab koi mere nam kar diya aur na hai kuch khona na pana hi hai ki vajah se pahle bhi ho chuki hain.
vaise shiksha ki drishti se geet ke geetakar irashad kamil bhi peechhe nahin hain. hindi men doctaret ki upadhi se vibhooshit irashad, imtiyaz ali aur pritam ke sath pahle bhi kam kar chuke hain. unase sakshatkar men jab poochha gaya ki geetakar ke lihaz se sabse kathinaai bhari baat vo kise mante hain to unka javab tha
mere lie sabse kathin kisi roomani geet ko rachna hai. aisa isaliye ki is vishaya par itana zayada aur itani gaharaayee se likha ja chuka hai ki lagata hai ki kuch kahane ko bacha hi nahin hai. mainne to apani dikshanri se dil,dhadakan, zigar, ikaraar, intazaar in sabhi shabdon ko hata rakha hai. agar apani pasand ki baat karoon to mujhe soofiyat aur akelepan ka put lie roomani geeton ko likhna jyada santosh deta hai.
irashad ki yahi soch mohit dvara is geet ki adaegi men dikhaai deti hai. jindagi ke akelapan men purani smritiyon ke saaye man men jo tees ubharte hain ye geet usi ki ek abhivyakti hai. to aaiye sunen film love aaj kal ka ye nagma
ye dooriyan, ye dooriyan,ye dooriyan
in rahon ki dooriyan
nigahon ki dooriyan
ham rahon ki dooriyan
fana ho sabhi dooriyan
kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe
ye dooriyan....fana ho sabhi dooriyan
ye dooriyan, ye dooriyan
kabhi hua ye bhi,
khali rahon pe bhi
tu tha mere sath
kabhi tujhe mil ke
lauta mera dil yah
khali khali hath
yah bhi hua kabhi
jaise hua abhi
tujhako sabhi men pa liya
tera mujhe kar jati hai dooriyan
sataati hain dooriyan
tarasati hain dooriyan
fana ho sabhi dooriyan
kaha bhi n mainne
nahin jeena mainne
tu jo n mila
tujhe bhoole se bhi
bola n main ye bhi
chahoon faasla, bas faasla rahe
ban ke kasak jo kahe
ho aur chahat ye zavan
teri meri mit jani hai dooriyan
begani hai dooriyan
hat jani hain dooriyan
fana ho sabhi dooriyan
kyoon koi pas hai
door hai kyoon koi
jaane n koi yahan pe
a raha pas ya door main ja raha
janoon n main hoon kahan pe
ye dooriyan....fana ho sabhi dooriyan
ye dooriyan, ye dooriyan, ye dooriyan
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