Waise to maansoon kerala men dhoom macha raha hai par thodi thodi hi sahi barish ki kabhi halki aur kabhi tez fuharen yahan bhi man ko gudaguda jaroor rahi hain. shayad isi mausam ka asar hai ki idhar kuch dinon se men lata ji ka film parakh ke liye gaya ye atyant madhur geet baraha hothon par aa raha hai. aaj socha kyoon na barish ki ladiyon se bheenge geet ki sondhi mahak se aapako bhi sarabor karoon.
Lata ji ke gaaye geet ko sunane ke baad bas dil men ek bhavna rah jaati hai..kuch adbhut sa mahasoos kar lene ki। geetakar shailaindra ke shabd barish ki roomaniyat men vikal hoti taruni ke man ko badi khoobasoorati se padhte hain. vaise bhi barish ki fuharen jab hamare aas paas ki prakriti ko apane svachh jal se dho kar hara bhara karne lagti hain to unhen dekh kar hare bhare pedon ki tarah apani hi masti men kisi ka dil bhi jhoomne lage to usamen usaka kya dosh. aur fir, ye hridaya to ek virahani ka hai to vo to jalega hi... saajan ke prem ko aatur ankhiya to tarasengi hi..
yahan ye batana jaroori hoga ki is geet ko sadhana par filmaya gaya tha. par ye sadhana, 'saadhanacut' ke pahle ki saadhana thin. saadagi se bhare saundarya ki pratimoorti. is film ko dekhanevaale jab bhi is geet ki baat karte hain unake man men saadhana ki ye pyari chhavi bhi jaroor ubharati hai। aap bhi dekhiye ..
o sajana barakha bahaar aai
ras ki fuhaar laai
ras ki fuhaar laai, ankhiyon me pyar laai
o sajana barakha bahaar aai
ras ki fuhaar laai, ankhiyon me pyar laai
o sajana ...
tumako pukare mere man ka papihara
tumako pukare mere man ka papihara
meethi meethi agani men, jale mora jiyara
o sajana ...
aisi rimajhim men o sajan, pyase pyase mere nayan
tere hi, khwab men, kho ge...
aisi rimajhim men o sajan, pyase pyase mere nayan
tere hi, khwab men, kho ge
saanvali saloni ghata, jab jab chhaai
saanvali saloni ghata, jab jab chhaai
ankhiyon men raina gai, nindiya n aai
o sajana ...
is geet ke sangeetakaar the salil chaudhari. purane daur ke geeton ka bhi apana adaaz tha. isi geet ko len. geet ki shuruaat pe gaur karen barish ki boondon ke saath kito patangon ka shor sirf char sekend tak hi bajta hai par tab tak aapaka man varshamaya ho chuka hota hai. aur fir sitaar ki dhun ekadam se aa jaati hai. ek baar lata ji ka divya svar kanon men padta hai to man geet ke bolon men ramane lagata hai ki table ki thaap aur ant men aata pashchimi shastriya andaaz liye koras bilkul gaun ho jaate hain. salil da ne lata ji ko jis andaaz men aisi rimajhim men o sajan, pyase pyase mere nayan, tere hi, khwab men, kho ge gavaya hai vo gane ki khoobasoorati ko aur badha deta hai.
salil da us zamane men bhi aaj ke daur ki tarah pahle dhunen banate the aur baad men us par geet likhavaate the. unhonne apani kai dhunon ka istemaal bengali aur hindi dono bhashaon ke geeton ke liye kiya. yaani dhun ek aur geet ke bhaav alag alag. parakh film ke is geet ki dhun bhi unhonne pahle is bengaali geet ke liye rachi thi jise lata ji ne hi gaya tha . to aaiye vo geet bhi sunte chalen...
'ek shaam mere nam' par sangeet par mausam 'baarishana'
- sharabi sharabi ye savan ka mausam....suman kalyanapur
- nanhi nanhi bundiya re savan ka mera jhoolna... malini avasthi
- barasaat ki bheengi raton men....talat azaeej
- lagi aaj savan ki fir vo jhadi hai
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