par is baat ka santosh hai ki hindi film sangeet ke parshvagayakon ko mauka dene vaale sa re ga ma pa ke manch ne ek khaalis gajal gayak ko bhi apani pratibha ham tak pahunchaane ka mauka diya। aaj ke meediya ki sabse badi kami yahi hai ki ve hamari shandaar saangitik virasat aur vibhinn vidhaon men maharat haasil kiye hue kalakaron ko sahi manch pradaan nahin karati। shastriya gaayiki ho ya soofi sangeet, lokageet hon ya bhakti sangeet, gazalen hon ya kavvaaliyan inhen bhi tivi aur redio ke vibhinn chainalon men utani hi tavazajah ki darakaar hai jitane purane nagmon aur aaj ke hindi film sangeet ko। par meediya ke sangeet v anya chainal sheela ki javani aur munni ki badanami se hi itane pareshaan hai ki is or bhala unka dhyaan kahan ja paata hai? jab tak sangeet ki hamari is anamol virasat ko fanakaron ke madhyam se nai peedhi tak nahin pahunchaya jaayega ye ummeed bhi kaise ki ja sakti hai ki unki tathakathit saangitik abhiruchi badalegi?
isiliye jab ranjeet ko aadishan ke vakat ye dil ye pagal dil mera ....gane par bhi chun liya gaya to mujhe behad khushi hui। sa re ga ma pa men unka safar aur umda ho sakta tha agar maananeeya mentaron ne unki pratibha se nyay karte hue unhen sahi geet ya gazalen di hotin। aaj ka yug vishishtataon ka yug hai। gaayiki ke is daur men rafi, kishor , manna de jaise harafanamaula gayak aapako kam hi milenge। pichhale dashak ke jaane maane gaayakon jaise sonu nigam, abhijeet, udit narayan, kumar shanu, alka yagnik, kavita krishnamoorti filmon men kam aur stej sho men jyada sune jaate hai। aaj to haalat ye hain ki har nami sangeetakaar khud hi gayak ban baitha hai। vishal bharadvaj, vishal, shekhar, saleem,shankar mahadevan isaki kuch jeeti jaagti misalen hain। in kathin haalaaton men sirf un gaayakon ke liye pahachaan banane ke avasar hain jinki gaayan shaili vishisht hai। soofiyat ka tadaka lagaana ho to rahat fateh ali khan, shafakat amaanat ali, kailash kher, rekha bharadvaj,richa sharma sarikhi aavazon ka sahaara liya jata hai। oonche suron vaale geet hon to fir sukhavindar aur daler paji apana kamaal dikhala jaate hain। meethe sur to shreya ghoshal aur hip hop to sunidhi chauhaan। jo jis shreni men avval hai usase vaisa hi kaam liya ja raha hai।
sa re ga ma pa ke manch se jab ranjeet rajavada ne gulam ali ki teen char gazalen badi kaabiliyat se ga lin to hamare moordhanya sangeetakaar vishal ji ko laga ki unake gaayan men koi vividhata nahin hai। bataiye vividhata ki baat vo shakhas kar raha hai jo khud sirf hip hop vaale vaise geeton ko gata raha hai jisamen khoob urja (bahut logon ko lagega ki shor sahi shabd hai) ki aavashyakta hoti hai। agar rajavada se vividhata ke nam par gulam ali ke alava anya mashahoor gajal gaayakon ya purani hindi filmon ki gazalen gavaai jaati to ye fanakar sama baandh deta par unhen kaha gaya ki haaramoniyam chhod kar kuch doosari tarah ka geet chuniye। lihaza ranjeet ne kuch filmi geeton par bhi mazabooran haath aazmaya। natija sifar raha। vo to unki gajal gaayiki se mil rahi lokapriyata thi jo unhen itani saadharan prastuti ke baad bhi bacha le gai।
ranjeet rajasthan ke ek nimn madhyam vargeeya parivar se taalluk rakhte hain। pita ko sangeet ka shauk tha par sangeet ke kshetra men kuch karne ki lalak ko vo falibhoot na kar sake। par bete men jab unako vo pratibha nazar aai to unhen laga ki jo vo apani zidagi men na kar paaye shayad beta kar de। ranjeet ne bhi hotal men kaam karne vaale apane pita ko nirash nahin kiya। chirnji lal tanavar se sangeet seekh rahe ranjeet ne pahle chhoti moti pratiyogitaayen jeeti aur fir 2005 men tatkaaleen rashtrapati se baalashri ka khitab paaya। agale saal aal indiya rediyo dvara bhi sarvashreshth gayak ka inam bhi jeeta। lata di aur sonu nigam jaise maane hue kalakar unhen yahan aane se pahle sun chuke hain। agar aapane abhi tak ranjeet ko gaate dekha suna nahin to ye kaam avashya karen।
dikhne men duble patle aur dame ki beemari se peedit jab ranjeet gaate hain to ek or to haaramoniyam par usaki oongaliyan thirakti hain to doosari taraf gajal ki bhavanaaon ke anuroop usaki aankhon ki putaliyan। ranjeet ne gajal gaayiki ke purane swaroop ko bade salike ke saath in chand hafton men sangeet premi janta tak pahunchaane ka jo kaam kiya hai, usake liye unki jitani prashansa ki jaaye kam hai। aaj antarajaal par jagah jagah log ranjeet rajavada ki gaayiki ki misalen dete nahin thak rahe hain aur khushi ki baat ye hai ki iska bahut bada hissa vaise yuvaaon ka hai jinhonne gajal ko kabhi theek se suna hi nahin।
sa re ga ma pa ke is safar men ranjeet ne jyadatar apane pasandida gajal gayak gulam ali ki gazalen gaayeen। hangama hain kyoon barapa thodi si jo pi li hai...., chupke chupke rat din aansu bahaana yad hai..., ye dil ye pagal dil mera.... , aaj jaane ki jid na karo... in sab ki prastutiyon men unhonne khoob taaliyan batori par mujhe unki sabse behatareen prastuti tab lagi jab unhonne yad piya ki aae gaya। raghubeer yaadav ke sammukh gaaye is geet men ranjeet ko deepak pandit ki voyalin aur baansuri par paaras jaise nami saajakaron ke saath gane ka mauka mila aur unhonne is avasar par apane suron men koi kami nahin hone di। to suniye ranjeet ki ye prastuti
ranjeet aapako ek baar fir se apane atharahaven janmadin ki badhaai। meri shubhakamna hai aap gajal gaayiki men jis mukaam par itani chhoti umr men pahunche hain usamen aap khoob tarakki karen aur riyaz ke saath saath apane swasth ka bhi dhyaan rakhen।
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