Zor ka thumka haye zoron se laga : Top 6 dancing numbers of 2010 !

saal ka aakhiri din aur masla saal ke sabse jyada thirakne vaale geeton ko yad karne ka। aaj jashn aur masti ke maahaul ko aap tak pahunchaane ke liye laya hoon is saal ke chhah lokapriya geet jo logon ko thumka lagavaane par majaboor karte rahe।sach poochhiye to jhoomne- jhumaane ke maamale men ye saal pichhale saal se fika jaroor raha hai। pichhale saal pritam ke tvist, chorabaajari aur vishal ke dhain tanan ke aalava peeyoosh mishra ne rajanitik muzara pesh kar jis tarah hamara tan man hilaya tha vo unmaad is saal ke shuruaat ke geet paida nahin kar sake।

is saal geeton men masti ka daur shuru hua ibnabatoota ki vajah se jo apani kabr se achaanak hi joota charamarate hue nikale। ibnabatoota ke joote ki churachurahat sarvaishwar dayal saksena ke prashansakon ke dil ki kirakiri ban gai। tarah tarah ke aarop lage par hamare gulazaar saahab bade itminan se ibn batoota se furra furra chidiya udavate rahe। to aaiye ek baar fir se aanand uthaiye is churamurate aur furafurate se geet ka...

ibn batoota to janawari ki aakhir men aakar nikal ge। isake baad ki kamaan sanbhali shankar ehasaan loe ne film 'kartik kaaling kartik men। kuch aur vikalp na hone ki vajah se log unki is ada pe kuch din hi sahi par jhoomne ke liye vivash hue.

yaani saal ka pahla uttarardh sookha sookha hi gaya। julaai men aai film aai het lav storeez। ab is film ko dekhne se log prem kathaaon se kitane vimukh hue ye to pata nahin par kuch logon ko to sinema haul men jaakar film dekhne se virakti jaroor ho gai। vishal shekhar ka sangeet jaroor yuvaaon men khasa lokapriya hua। khaaskar film ka ye sheershak geet...




par hindi film sangeet men is saal sab se jyada dhamaal machaya 'munni' ne। saajid vajid ne badanaam hui ka mukhada to pahle ban chuke geeton se uthaya par geet ke antaron men aise aise jhatke diye ki aam janon ne ise haathon haath liya। kya dilli kya rajasthan, kya bihar kya yoopi har jagah munni ki badanami ke charche aam ho ge। shilpa v bebo to dhanya ho gayeen ki abhinaya ke liye na sahi par apani adaon se hi kisi filmi geet men unka nam aa to gaya। aur jhndu brand nem vaalon ki to lotari hi khul gai। bina paisa lagaaye hi aisa prachaar mila ki is peedhi ko apane brandanem ki yad dilane ki unhen aage jaroorat hi nahin padegi।

munni kuch jyada yash batorne lagi to saal ke aakhir men vishal shekhar ki jodi ne sheela ko aage khada kar diya। 'sheela ki javani' ka main to kayal nahin hua par is geet ke baajaar men aane ka samay aisa hai ki varsh ke ant men hone vali partiyon men ye geet filahaal apane nayepan ki vajah se  logon ki pasandida list men aaega hi।

par jab saal ka ant kareeb aa raha hai to main aapako ek aise geet ke saath chhodta hoon  jo aapako le jaayega agale saal men daler menhadi aur ॠचा sharma ke diye ge ek jor ke jhatke ke saath ..




chalte chalte ek shaam mere nam ke sabhi pathakon aur mitron ko nav varsh ki hardik shubhakamanaayen। agale saal men milenge vaarshik sangeetamala 2010 ke geeton ke saath...

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Ranjit Rajwada : Ghazal Gayiki ka honhaar sitara...

Pichhale ek hafte se main sa re ga ma pa ke apane pasandida pratibhagiyon ke baare men likhta aa raha hoon। sniti aur sugandha ke baad aaj baari thi is saal ke mere sabse chahete gayak ranjeet rajwada ki। ranjeet ke baare men sochkar man men khushi aur dukh donon tarah ke bhaav aa rahe hain। khushi is sukhad sanyog ke liye ki jab ranjeet ki gaayiki ke baare men ye pravishti likh raha tha to mujhe pata chala ki aaj gajalon ke rajakumar kahe jaane vaale is bachche ka atharahavaan janmadin bhi hai। aur saath hi malal is baat ka bhi ki ranjeet ko sa re ga ma pa men sunane ka saubhaagya ab aage nahin milega kyoonki pichhale hafte sangeet ke is manch se usaki vidaai ho gai।



par is baat ka santosh hai ki hindi film sangeet ke parshvagayakon ko mauka dene vaale sa re ga ma pa ke manch ne ek khaalis gajal gayak ko bhi apani pratibha ham tak pahunchaane ka mauka diya। aaj ke meediya ki sabse badi kami yahi hai ki ve hamari shandaar saangitik virasat aur vibhinn vidhaon men maharat haasil kiye hue kalakaron ko sahi manch pradaan nahin karati। shastriya gaayiki ho ya soofi sangeet, lokageet hon ya bhakti sangeet, gazalen hon ya kavvaaliyan inhen bhi tivi aur redio ke vibhinn chainalon men utani hi tavazajah ki darakaar hai jitane purane nagmon aur aaj ke hindi film sangeet ko। par meediya ke sangeet v anya chainal sheela ki javani aur munni ki badanami se hi itane pareshaan hai ki is or bhala unka dhyaan kahan ja paata hai? jab tak sangeet ki hamari is anamol virasat ko fanakaron ke madhyam se nai peedhi tak nahin pahunchaya jaayega ye ummeed bhi kaise ki ja sakti hai ki unki tathakathit saangitik abhiruchi badalegi?

isiliye jab ranjeet ko aadishan ke vakat ye dil ye pagal dil mera ....gane par bhi chun liya gaya to mujhe behad khushi hui। sa re ga ma pa men unka safar aur umda ho sakta tha agar maananeeya mentaron ne unki pratibha se nyay karte hue unhen sahi geet ya gazalen di hotin। aaj ka yug vishishtataon ka yug hai। gaayiki ke is daur men rafi, kishor , manna de jaise harafanamaula gayak aapako kam hi milenge। pichhale dashak ke jaane maane gaayakon jaise sonu nigam, abhijeet, udit narayan, kumar shanu, alka yagnik, kavita krishnamoorti filmon men kam aur stej sho men jyada sune jaate hai। aaj to haalat ye hain ki har nami sangeetakaar khud hi gayak ban baitha hai। vishal bharadvaj, vishal, shekhar, saleem,shankar mahadevan isaki kuch jeeti jaagti misalen hain। in kathin haalaaton men sirf un gaayakon ke liye pahachaan banane ke avasar hain jinki gaayan shaili vishisht hai। soofiyat ka tadaka lagaana ho to rahat fateh ali khan, shafakat amaanat ali, kailash kher, rekha bharadvaj,richa sharma sarikhi aavazon ka sahaara liya jata hai। oonche suron vaale geet hon to fir sukhavindar aur daler paji apana kamaal dikhala jaate hain। meethe sur to shreya ghoshal aur hip hop to sunidhi chauhaan। jo jis shreni men avval hai usase vaisa hi kaam liya ja raha hai।

sa re ga ma pa ke manch se jab ranjeet rajavada ne gulam ali ki teen char gazalen badi kaabiliyat se ga lin to hamare moordhanya sangeetakaar vishal ji ko laga ki unake gaayan men koi vividhata nahin hai। bataiye vividhata ki baat vo shakhas kar raha hai jo khud sirf hip hop vaale vaise geeton ko gata raha hai jisamen khoob urja (bahut logon ko lagega ki shor sahi shabd hai) ki aavashyakta hoti hai। agar rajavada se vividhata ke nam par gulam ali ke alava anya mashahoor gajal gaayakon ya purani hindi filmon ki gazalen gavaai jaati to ye fanakar sama baandh deta par unhen kaha gaya ki haaramoniyam chhod kar kuch doosari tarah ka geet chuniye। lihaza ranjeet ne kuch filmi geeton par bhi mazabooran haath aazmaya। natija sifar raha। vo to unki gajal gaayiki se mil rahi lokapriyata thi jo unhen itani saadharan prastuti ke baad bhi bacha le gai।

ranjeet rajasthan ke ek nimn madhyam vargeeya parivar se taalluk rakhte hain। pita ko sangeet ka shauk tha par sangeet ke kshetra men kuch karne ki lalak ko vo falibhoot na kar sake। par bete men jab unako vo pratibha nazar aai to unhen laga ki jo vo apani zidagi men na kar paaye shayad beta kar de। ranjeet ne bhi hotal men kaam karne vaale apane pita ko nirash nahin kiya। chirnji lal tanavar se sangeet seekh rahe ranjeet ne pahle chhoti moti pratiyogitaayen jeeti aur fir 2005 men tatkaaleen rashtrapati se baalashri ka khitab paaya। agale saal aal indiya rediyo dvara bhi sarvashreshth gayak ka inam bhi jeeta। lata di aur sonu nigam jaise maane hue kalakar unhen yahan aane se pahle sun chuke hain। agar aapane abhi tak ranjeet ko gaate dekha suna nahin to ye kaam avashya karen।

dikhne men duble patle aur dame ki beemari se peedit jab ranjeet gaate hain to ek or to haaramoniyam par usaki oongaliyan thirakti hain to doosari taraf gajal ki bhavanaaon ke anuroop usaki aankhon ki putaliyan। ranjeet ne gajal gaayiki ke purane swaroop ko bade salike ke saath in chand hafton men sangeet premi janta tak pahunchaane ka jo kaam kiya hai, usake liye unki jitani prashansa ki jaaye kam hai। aaj antarajaal par jagah jagah log ranjeet rajavada ki gaayiki ki misalen dete nahin thak rahe hain aur khushi ki baat ye hai ki iska bahut bada hissa vaise yuvaaon ka hai jinhonne gajal ko kabhi theek se suna hi nahin।

sa re ga ma pa ke is safar men ranjeet ne jyadatar apane pasandida gajal gayak gulam ali ki gazalen gaayeen। hangama hain kyoon barapa thodi si jo pi li hai...., chupke chupke rat din aansu bahaana yad hai..., ye dil ye pagal dil mera.... , aaj jaane ki jid na karo... in sab ki prastutiyon men unhonne khoob taaliyan batori par mujhe unki sabse behatareen prastuti tab lagi jab unhonne yad piya ki aae gaya। raghubeer yaadav ke sammukh gaaye is geet men ranjeet ko deepak pandit ki voyalin aur baansuri par paaras jaise nami saajakaron ke saath gane ka mauka mila aur unhonne is avasar par apane suron men koi kami nahin hone di। to suniye ranjeet ki ye prastuti




ranjeet aapako ek baar fir se apane atharahaven janmadin ki badhaai। meri shubhakamna hai aap gajal gaayiki men jis mukaam par itani chhoti umr men pahunche hain usamen aap khoob tarakki karen aur riyaz ke saath saath apane swasth ka bhi dhyaan rakhen।

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Sugandha Mishra aur unka yaadgaar Punjabi Tappa !

sa re ga ma pa par ubharati pratibhaaon ke baare men baat karte hue pichhale hafte aapase baat hui sniti mishra ke baare men। par aaj ki ye pravishti hai sugandha mishra ke baare men। sniti ki tarah hi sugandha bhi shastriya sangeet ki ubharati hui gaayika hain। sa re ga ma pa ke is saal ke pratibhagiyon men sugandha hi ek aisi pratibhaagi hain jo yahan aane ke pahle hi tivi ke darshakon ke bich apani pahachaan bana chuki hain। par ye pahachaan unhen apani gaayiki ki vajah se nahin balki star van men aane vaale karyakram loftar chaileanj men mimikari karne ki vajah se mili hai।


bahumukhi pratibha ki dhani sugandha saal dar saal vibhinn yuva mahotsavon men shastriya gaayan men dher saare puraskar batorne ke saath saath vestarn solo shreni men bhi puraskrit ho chuki hain। par vo aaj meri is post ki kendra bindu men hain to apane lajavab shastriya gaayan ki vajah se।

pachchees varsheeya sugandha ke pita santosh mishra dooradarshan ke jaalndhar kendra men steshan doyarektar ke pad par karyarat hain। bahut chhoti umr se unhonne apane dada pandit shankar lal mishra se sangeet ki shiksha leni shuru ki। sugandha ka poora parivar sangeet se juda hai। chacha arun mishra sitaar vaadak hain। dada ji indaur ke ustad ameer khan ke shishya rahe hai। unhen sugandha ka mimakari karana aur paashchaatya sangeet men dakhal dena achchha nahin lagata। par sugandha shastriya sangeet ko apanaate hue in vidhaon men bhi apane hunar ko bikherte rahana chahati hain। aaj ke yuvaaon ki tarah sugandha ke liye bhi shoharat aur paise ki ahamiyat hai aur vo maatra shastriya sangeet ka daman pakad kar gumanami ki jindagi nahin jeena chahati। mere khyal se is tarah ki soch men koi buraai nahin basharte ye unki shastriya gaayan ki pratibha ko prabhavit nahin kare।

sugandha ki mimakari ke saath gane ki kai jhalaken main pahle bhi dekh chuka tha। par vo shastriya sangeet men itani praveen hai iska andaza mujhe pahali baar tab hua jab unhonne sa re ga ma ke aadishan men ek punjabi tappa ga kar sunaya। tapape ke bol the yar di mainoon talab...। tapape ke us tukade ko sun kar mujhe jis aanand ki anubhooti hui usaka varnan karana mushkil hai। bas itana hi kahoonga ki aaj bhi main us chhoti si rikarding ko baar baar baar rivaind kar sunta rahata hai aur man men ek gahan shanti ka ahasaas tari hota rahata hai।

vaise poore tapape ko gwaliyar gharane ke nami shastriya gayak lakshman krishnarav pandit ne gaya hai। shastriya sangeet ke sameekshak maante hain ki tappa gana kathin bhi hai aur drut gati se gane ke liye ismen kafi urja bhi lagani padati hai par sugandha ne jab ise sunaya to aisa laga ki unake liye to ye bada hi sahaj tha।



sa re ga ma men sugandha ka safar mishrit raha hai। unhonne poore karyakram men alag alag kalakaron ke gaaye geeton ko apani aavaaz di hai। kuch ko unhonne badi bakhoobi nibhaya to kuch men unka pradarshan khaas nahin raha। par jab jab unhonne shastriya sangeet par aadhaarit geeton ko chuna hai tab tab sunane vaalon ko unki sabse sashakt prastuti dekhne ko mili hai। misaal ke taur par dilli 6 ke geet bhor bhai tori baat takat piya jo rag gujari todi par aadhaarit hai ko sugandha ne badi mehanat se nibhaya। to aaiye ek baar fir sunen sugandha ko





sugandha mishra filahaal sa re ga ma pa ke antim paanch men hain। vo pratiyogita men ant tak rahengi ya nahin, ye to vakat hi batayega। haan itana to taya hai ki apani bahuaayami pratibha ko sanjote hue agar vo shastriya gaayiki men apani nishtha aur lagan ko banaaye rakhne men safal ho paati hain to avashya safalta ke us mukaam tak pahunchegi jisaki unako talash hai।

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Nusrat ki Ruh ...Sniti Mishra ki aawaaz...

Sa re ga ma pa... hamesha se hi mera sangeet ka pasandida karyakram raha hai. isaki do khaas vajahen hain. pahali to ye ki ismen har saal ismen aise pratibhaagi aate hi rahate hain jinki pratibha se prabhavit na ho paana kisi sangeetapremi ke liye bada hi mushkil hai. doosare ye ki yahi vo karyakram hai jahan pratiyogi kuch aise geet aur bandishen chunte hain jinako stej par nibhane ke liye hunar ke saath bade zigar ki bhi jaroorat hoti hai.

char mahine pahle jab ye karyakram shuru hua to kamal khan aur abhilasha jaise manje hue gaayakon ke alava teen nai pratibhaaon ne mera dil jeet liya tha. ye teen kalakar the gajalon ke rajakumar ranjeet rajavada aur shastriya sangeet men maharathi do gaayikaayen sniti mishra aur sugandha mishra. pichhale hafte sniti antim paanch men jagah banane ke pahle hi baahar ho gayeen.


Odisha ke bolangir jile se taalluk rakhne vali aur filahaal bhuvaneshwar men apani padhayi kar rahi sniti ki aavaaz apane tarah ki ek alag hi aavaaz hai.

rahman saahab ne bhi karyakram men aa ke ye svikara ki is tarah ki aavaaz ko vo varshon baad sun rahe hain. sniti filahaal bhuvaneshwar men apane guru da. raghunath saahu se shastriya sangeet ki shiksha grahan kar rahi hain. unki himmat aur pratibha ka parichay isi baat se mil jata hai ki kolakata men hue praranbhik aadishan men unhonne ustad nusarat fateh ali khan ka gaya geet sunaya. pahle hi aalaap ne jajon ka man moh liya aur sniti saaregamapa ki mukhya pratiyogita ke liye chun li gayeen. vo geet tha film bandit kveen ka aur geet ke bol the


more saiyan to hain parades, main kya karoon savan ko
soona laage sajan bin desh , main dhoondhoon saajan ko


dekhoon raahen chadh ke atariya
jaane kab aa jaaye saanvariya
jab se ge mori li na khabariya
chhoota panaghat, footi gagariya

soona laage sajan bin desh , main dhoondhoon savan ko
more saiyan to hain parades, main kya karoon saajan ko....


nusarat saahab jaise mahaan kalakar ki rachna ko nari svar men sunana ek alag hi aanand de gaya. sniti ne vaise do antaron men se ek hi gaya par unki aavaaz aur gaayiki ne sabhi ko mantramugdh kar diya.. to aaiye pahle sunen sniti ko

aur fir nusarat ji ko




sniti ka nusarat prem is pratiyogita men aage bhi zari raha aur ek mahine pahle unhonne isi film ke liye nusarat saahab ka gaya ek aur geet tere bina jiya mora nahin laage... chuna. darasal bandit kveen men nusarat saahab ne jo geet gaaye hain ve unake apane andaaz se thoda hat ke the aur sniti ne inhen apana svar de kar unka ek taza roop hamare manas patal par ankit kar diya. sniti ki khaasiyat ye hai ki vo koi bhi geet apane muktalif andaaz men gaati hain. dekhiye to kitane aatmavishwas ke saath sniti ne nibhaya is geet ko...


sajana, sajana re,
tere bina jiya mora nahin laage
tere bina jiya mora nahin laage
kaatoon kaise tere bina bairi raina,
tere bina jiya mora nahin laage
palakon ne biraha ka gahana pahana
nindiya kaahe aisi ankhiyon men aae
tere bina jiya mora nahin laage...sajana re...
boondon ki paayal baji, suni kisi ne bhi nahin
khud se kahi jo kahi, kahi kisi se bhi nahin
bheegne ko man tarasega kab tak
chaandani men aansu chamakega kab tak
savan aaya na hi barase aur na hi jaaye
savan aaya na hi barase aur na hi jaaye

ho nindiya kaahe aisi ankhiyon men aae
tere bina jiya mora nahin laage ..sajana re.


jab bandit kveen sinema haul men jaakar dekhi thi, pata nahin kyoon film ke sangeet par jyada dhyaan hi nahin gaya tha. shayad film ki ganbheerata ki vajah se hi aisa hua ho. nusarat saahab ke gaaye in geeton ke bol bhi utne hi pyare hain jitani ki nusarat saahab ki gaayiki. is geet men ek antra aur bhi hai jo kuch yoon hai


saragam suni pyar ki, khilne lagi dhun kai
khushbu se 'par' maangkar ud chali hoon pi ki gali
aanch ghole meri saanson men purva
dol dol jaaye pal pal manava
rab jaane ke ye sapane hain ya hain saaye
ho nindiya kaahe aisi ankhiyon men aae
tere bina jiya mora nahin laage ..sajana re.

to lijie poora nagma suniye nusarat saahab ki aavaaz men..




sniti saaregama ka manch chhod chuki hain par apani jo aavaaz hamen vo sunakar gai hain vo shrotaon ko bahut dinon tak yad rahegi. aasha hai apani gaayika men aur paripakvata la kar kuch varshon men vo ek pratishthit gaayika ke roop men apane aap ko sthapit kar paayengi.

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Ibne Insha : Ye Bachcha Kiska Bachcha Hai ?

Do saal pahle ibne insha ki rachanaaon kopadhte samay unki ye lanbi si kavita padhi thi. ek baar padhne ke baad kavita itani pasand aai thi ki kai kai baar padhi aur har baar antim panktiyon tak pahunchte pahunchte man men ek tees ubhar aati thi. kavita to sahej kar rakh li thi aur socha tha ki is saal bal divas ke avasar par aap tak ise jaroor pahunchaoonga par pichhale do hafton men ghar ke baahar rahane ki vajah se ye karya samay par sanbhav na ho saka.



pakistan ke is mashahoor shayar aur vyangyakaar ki nazamon aur kavitaon men ek aisi saadagi rahati hai jisake aakarshan men kya khaas, kya aam sabhi khinche chale aate hain. sher mohammad khan ke nam se ludhiyane men janme ibne insha ki ginti ese chuninda kaviyon men hoti hai jinhen hindi aur urdu donon bhashaon par samaan roop se maharat thi. isaliye kabhi kabhi unki rachanaaon ko kavita ya nazam ki paribhasha men baandhana mushkil ho jata hai.

ibne insha ne ye kavita sattar ke dashak men aae ithipoya ke akaal men peedit ek bachche ka chitra dekh kar likhi thi. bachche ki is avastha ne ibne insha ji ko itana vichalit kiya ki unhonne us bachche par itani lanbi kavita likh dali.

saat chhndon ki is kavita men ibne insha bachche ki badahali ka varnan karte hue badi khoobi se pathakon ke dilon ko jhakajhorte hue unka dhyaan vishva men faili aarthik asamaanta par dilaate hain aur fir ve ye sandesh bhi dena nahin bhoolte ki vibhinn mazahabon aur deshon ki seemaon men bante hone ke baavazaood ham sab usi aadam ki santaane hain jisase ye srishti shuru hui thi. lihaza duniya ka har bachcha hamara apana bachcha hai aur usaki jarooraton ko poora karne ka daayitva is vishb ki samast manav jaati par hai.


is kavita ko padhna apane aap men ek anubhooti hai. shayad ise padh sun kar aap bhi ibne insha ke khayalaton men apane aap ko doobata paayen

1.
yah bachcha kaisa bachcha hai

yah bachcha kala-kala-sa
yah kala-sa matiyala-sa
yah bachcha bhookha bhookha-sa
yah bachcha sookha sookha-sa
yah bachcha kiska bachcha hai
yah bachcha kaisa bachcha hai
jo ret pe tanha baitha hai
na isake pet men roti hai
na isake tan par kapada hai
na isake sar par topi hai
na isake pair men joota hai
na isake paas khilaunon men
koi bhaalu hai koi ghoda hai
na iska ji bahalane ko
koi lori hai koi jhoola hai
na isaki jeb men dhela hai
na isake haath men paisa hai
na isake ammi-abbu hain
na isaki aapa-khaala hai
yah saare jag men tanha hai
yah bachcha kaisa bachcha hai

2.

yah sahara kaisa sahara hai
na is sahara men baadal hai
na is sahara men barakha hai
na is sahara men baali hai
na is sahara men khaosha (anaj ka guchha) hai
na is sahara men sabza hai
na is sahara men saya hai

yah sahara bhookh ka sahara hai
yah sahara maut ka sahara hai

3.

yah bachcha kaise baitha hai
yah bachcha kab se baitha hai
yah bachcha kya kuch poochhata hai
yah bachcha kya kuch kahata hai
yah duniya kaisi duniya hai
yah duniya kisaki duniya hai

4.

is duniya ke kuch tukadon men
kahin fool khile kahin sabza hai
kahin baadal ghir-ghir aate hain
kahin chashma hai kahin dariya hai
kahin oonche mahal atariya hain
kahin mahafil hai, kahin mela hai
kahin kapadon ke baazaar saje
yah resham hai, yah diba hai
kahin galle ke anbaar lage
sab gehoon dhaan muhayya hai
kahin daulat ke sandook bhare
haan taamba, sona, roopa hai
tum jo maango so haazir hai
tum jo chaho so milta hai
is bhookh ke dukh ki duniya men
yah kaisa sukh ka sapana hai ?
vo kis dharati ke tukade hain ?
yah kis duniya ka hissa hai ?

5.

ham jis aadam ke bete hain
yah us aadam ka beta hai
yah aadam ek hi aadam hai
vah gora hai ya kala hai
yah dharati ek hi dharati hai
yah duniya ek hi duniya hai
sab ik data ke bande hain
sab bandon ka ik data hai
kuch poorab-pachchhim fark nahin
is dharati par hak sabka hai

6.

yah tanha bachcha bechaara
yah bachcha jo yahan baitha hai
is bachche ki kahin bhookh mite
{kya mushkil hai, ho sakta hai)
is bachche ko kahin doodh mile
(haan doodh yahan bahutera hai)
is bachche ka koi tan dhaanke
(kya kapadon ka yahan toda[abhav] hai ?)
is bachche ko koi god men le
(insan jo ab tak zinda hai)
fir dekhiye kaisa bachcha hai
yah kitana pyara bachcha hai

7.

is jag men sab kuch rab ka hai
jo rab ka hai, vah sabka hai
sab apane hain koi gaair nahin
har cheez men sabka saajha hai
jo badhataa hai, jo ugata hai
vah dana hai, ya meva hai
jo kapada hai, jo kambal hai
jo chaandi hai, jo sona hai
vah sara hai is bachche ka
jo tera hai, jo mera hai

yah bachcha kiska bachcha hai ?
yah bachcha sabka bachcha hai

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Arif Lohar's Jugni Song : Dumgutkoon Dumgutkoon

punjabi lokagiton ka apana ek samriddh itihas raha hai. bulleshah ka soofi geet ho ya heer aur sohani mahival ke prem ya virah men doobe geet, sab apana jaadu jagaate rahe hain. aaj aapke saamane punjab ki ek aise hi ek lokageet shreni se parichay karane ja raha hoon jise 'jugani' ke nam se jana jata hai. barasaat ki andhakaramayi raton men chamakte juganu to ham sab ne dekhe hain. par juganu ki bharya is jugani ko dekhne ya pahachanane ka hunar to shayad hi ham men se kisi ke paas hoga.

punjabi lokagiton men yahi jugani ek masoom paryavekshak ka kaam karati hai. in geeton men jugani ke is binb se hansi thithola bhi hota hai .kataksh bhi hote hain, to kabhi aas paas ke parivesh ka dukh isake munh se foot padta hai. par jugani se jude adhikaansh geet moolatah ek adhyatmik soch ko aage badhate hain. ye soch kabhi apane aas paas ke sansaar ko samajhne ki hoti hai to kabhi manav se bhagavaan ke rishta ko tatolne ki kavayad.

vaise kya aap ye nahin janna chahenge ki jugani lokageet kaise rachti hai? ab jugani ka kya hai ud kar gali mohalle, skool ya baajaar kahin bhi pahunch sakti hai aur in jagahon par vo jo dekhati hai use hi teen ya char antaron men kah deti hai. theth punjabi shaili men gaaye in geeton ko aam jan badi aasaani se apani zaindagi se jod lete hain.

jugani se jude lokagiton ko apani gaayiki se sarahad ke donon or ke kalakar logon tak pahunchate rahe hain. kuch saal pahle rabbi sheragil ka aisa hi ek geet behad charchit raha tha. rabbi ke aalava gurudas maan aur aasha sinh mastana ne bhi shrotaon ko kai jugani geet diye hain.

sarahad paar yaani agar pakistan ki baat ki jaaye to jugani hi kya punjabi lokagiton ki har vidha ko poore mulk men mashahoor karne men sabse pahla nam aalam lohaar ka aata hai. aalam lohaar ne sath aur sattar ke dashak men jugani geeton ki ek alag pahachaan bana di. aalam jab jugani gaate the to ek adbhut vaadya yantra unake haathon men rahata tha. ye vaadya yantra tha chimata,! ji haan aalam lohaar ne hi in geeton ke saath saath chimate ke takarane se nikalne vali dhvani ka beets ki tarah istemaal kiya. fyoojan ke is yug men bhi unake putra aarif lohaar apane pita dvara shuru ki gai is gauravashali paranpara ka vahan kar rahe hain. haan lohe ke us purane chimate ke swaroop men jaroor thoda badalav hua hai.



pichhale hafte hi mujhe aarif lohaar ka gaya ek jugani lokageet sunane ko mila. ye lokageet unhonne is saal pakistan men kok stoodio ( Coke Studio ) ke teesare satra ke dauraan gaya tha. agar aap ye soch rahe hon ki ye kok stoodio kya bala hai to ye batana munasib rahega ki kok stoodio pakistan men kola kanpani kok ki sahayata se sthapit kiya gaya ek saangitik manch hai jo desh ke vibhinn hisson men panapte paranparagat sangeet ko badhava deta hai. is manch par desh ke nami v navodit gayak laaiv rikarding ke tahat apani pratibha ko darshakon ke saamane prastut karte hain.

pahali baar is jugani ko sunte hi aarif lohaar ki gaayiki ka main shaidaai ho gaya. geet ki bhavanaaon ke anuroop hi unake chehare ke bhaav badalte hain. aarif lohaar ka shabdon ka uchcharan itana spasht hai ki geet ko koi shabd aapke jaehan se bhatakne ki jurrat nahin kar paata. geet men vo to doobate hi hain sunane vaalon ko bhi apane saath baha le jaate hain. lohaar ki bemisaal gaayiki ke saath saath fyoojan aur koras ka jis tarah se is geet men prayog hua hai ki sunane ke saath haath paanv thirakne lagate hain. is geet men unka saath diya pakistan ki yuva modal aur ab gaayika misha shafi ne. jis tarah ham mata sherovali ke bhajan gaate samay mata ki jayajayakaar karte hain usi tarah main aapako yakeen dilata hoon ki chahe aapako punjabi aati ho ya nahin geet ko sunane ke saath saath aap koras men uth rahe jugani ji ke sur men sur milana avashya chahenge.







par is geet ka poorn aanand uthane ke liye pahle ye jaante hain ki is geet men aakhair jugani ne kahana kya chaha hai ....

alif allah chanbe di booti.
te mere murshid man vich laai hoo

ho nafi us baat da pani de ke
har rage harajaai hoo
ho jug jug jeeve mera murshid sona
hatte jis ai booti laai ho

mere saai ne mere hridaya men prem ka pushp ankurit kiya hai. saai ki bhakti se mere aacharan men jo vinamrata aur daya aai hai usase man ka ye fool aur khil utha hai. mera saai, meri har saans, har dhadakan men vidyamaan hai. mujhamen pran bharne vaale saai tum yugon yugon tak yoon hi bane raho.


peer meria jugani ji
ai ve allah vaaliyan di jugani ji,ai ve allah vaaliyan di jugani ji
ai ve nabi paak di jugani ji, ai ve nabi paak di jugani ji
ai ve maula ali vali jugani ji,ai ve maula ali vali jugani ji
ai ve mere peer di jugani ji, ai ve mere peer di jugani ji
ai ve saare sabad di jugani ji, ai ve saare sabad di jugani ji
o dam gutakoon dam gutakoon dam gutakoon dam gutakoon....gutakoon gutakoon
padhe saain te kalma nabi da, padhe saai peer meraya

mere saath mera maargadarshak hai mera sant hai , meri aatma, bhagavan aur unake dooton ke vichaaron se pavitra hai. bhagavan jab bhi main tumhaare baare men sochta hoon mera hridaya ek aanand se dhadakne lagata hai. ullaas ke in kshanon men main khaud b khaud tere nam ka main kalma padhne lagata hoon.

jugani tar khain vich thal
chhadd duniya de janjaal
kuch ni nibhana bandaya nal
raakkhi sabad sidh amaal

ai ve allah .... jugani ji


mere saai kahate hain ki tumhaare paas jo bhi hai use baantna seekho. moh maya jaise duniya ke janjaalon se door raho. jeevan men ऍसा kuch bhi ऍसा nahin hai jo tumhen doosaron se milega aur jise tum mrityu ke baad tum apane saath le ja sakoge. isaliye ai allah ke bande apane karmon aur bhavanaaon ki pavitrata banaaye rakho.

jugani dig pai vich roi
oththe ro ro kamali hoi
oddi vath ni lainda koi
te kalame bina ni miladi toi

ai ve allah .... jugani ji
o dam gutakoon dam gutakoon dam gutakoon dam gutakoon....gutakoon gutakoon

ab is jugani ko hi dekho. lobh moh ke jaal se aisi aasakt hui ki paap ki gaharaiyon men ja phansi. ab lagataar roe ja rahi hai. par ab use poochhanevala koi nahin hai. is baat ko gaanth baandh kar sun lo bina srishtikarta ka dhyaan kiye tumhen kabhi shanti ya moksh nahin mil sakta.

ho vanga chadha lo kudiyon
mere data de darabaar dhiyan
vanga chadha lo kudiyon
mere data de darabaar dhiyan

ho na kar tiya khaid piyari
maan daindiyan gaaladiyan
din din dhali javani jaandi
joon sona puthiya lariyan
aurat marad shahajaade sone
o moti o la ladiyan
sir da sarafan kar na jaide
peer prem pya ladiyan
o data ke de darabaar chakho
pavan khaid sava ladiyan

ladakiyon vo vali choodiyan pahan lo jo tumhen saai ke darabaar se mili thin. aur haan apane yauvan ka itana gumaan na karana ki tumhen apani maataon ki dant fatakar sunane ko mil jaaye. jaise jaise din beetate hain ye yauvan aur baahari sundarta aur fiki padati jaati hai. is sansaar men koi vastu hamesha ke liye nahin hai. is sone ko hi lo kitana chamakta hai par ek baar bhatti ke andar jaate hi pighalkar saanche ke roop men apane aap ko garh leta hai. sach baat to ye hai ki is duniya ke ve saare mard aur aurat un maanikon aur motiyon ki tarah sundar hain jo apanon se jyada doosaron ke liye sochte aur tyag karte hain. aise hi log sachche taur par poori manavta se pyar karte hain. isaliye sachche man se saai ka naman karo vo tumhari jholi khushiyon se bhar denge.

ho vanga chadha la kudiyon
mere data de darabaar dhiyan
ho vanga chadha la kudiyon
mere data de darabaar dhiyan

dam gutakoon dam gutakoon dam gutakoon dam gutakoon..kare sain
padhe saai te kalma nabi da, padhe saai peer meraya
ai ve mere peer di jugani ji....

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Saajish mein shamil sara jahan hai, har zarre zarre ki ye iltiza hai,o re piya...

Rahat Fateh Ali Khan mausiki ki duniya men ek aisa nam hai jise sunkar hi man is sukoon se bhar uthata hai ki ab jo aavaaz kanon men chhalakegi vo dilo dimaag ko yakinan 'rahat' pahunchaegi. hindi film paap ke apane gaaye geet lagan lagi tumse man ki lagan se.. apana bolivud ka safar shuru karne vaale rahat har saal kuch chuninda gane gaate hain par kamaal ki baat ye hain ki unamen se adhikaansh aam aur khaas donon tarah ke sangeetapremiyon ke dil men samaan asar daalte hain.


Is saal bhi unhonne kuch kamaal ke geet gaaye hain aur is baat ka suboot aap ek shaam mere nam ki vaarshik sangeetamala 2010 men nishchay hi paayenge. par is blog par hone vaale saalana vaarshik sangeetamala ka jalase men to abhi bhi kareeb dhaai mahine ka samay baki hai.

Rahat saahab ka nam aksar unake chacha nusarat fateh ali khan ke saath liya jata hai. kavvaliyon ke betaj baadashah nusarat ki saangitik virasat ko rahat ne aage badhane ki koshish ki hai. par unake saath apani kisi tarah ki tulna ko vo bemani batate hain. rahat ek aise parivar men paida hue jahan sirf sangeet ki taaleem ko asali padhai mana jata tha. saat saal ki aayu se hi unhen sangeet ki shiksha di jaane lagi thi. aur to aur kya aap maanenge ki nau saal ki chhoti umr men hi unhonne apana pahla stej sho de diya tha.

sangeet ke prati unka ye samarpan unki gaayiki men jhalakta hai. ve koi geet tabhi gaate hain jab usake bol unhen pasand aate hai anyatha vo geet gane se hi mana kar dete hain. kisi geet ke bol usaki aatma hote hain. shayad yahi vajah hai ki gaate vakat apane ko geet ki bhavanaaon se is kadar juda paate hain maano geetakar ki kahi hui baaten un par khud hi beet rahi hain.

chaliye aaj aapako rahat saahab ka vo gana sunavate hain jo unhonne varsh 2008 men saleem sulemaan ke sangeetanirdeshan men film 'aaja nach le' ke liye gaya tha. is geet ke bol likhe the jayadeep saahani ne. jayadeep ke is geet men apane piya ke liye ek vikal pukar hai. poore geet ke bolon men jagah jagah haaye shabd ka prayog hua hai. rahat jitani baar 'haaye' kahate hain har baar usaka lahaza aur us se judi tadap rah rah kar ubharati hai.



o re piya haaye..haaye..haaye

udne laga kyoon man baavala re
aaya kahan se ye hausla re
o re piya haaye

vaise bhi jab hava ki chhooti sarasarahat, barish ki machalti boonden sab milkar unki hi yad dilaen to fir man ko masos kar kahan tak rakha ja sakta hai...

tanabaana tanabaana bunti hava haaye..
bunti hava
boonden bhi to aae nahin, baaj yahan haaye..
saajish men shamil sara zahan hai
har zarre zarre ki ye iltiza hai
o re piya, o re piya haaye
o re piya

rahat ki gaayiki ka sabse sukhad pahalu hai, unka apani gaayiki men shastriya sangeet ki seekhi hui vidha ka adbhut prayog. unake lagabhag har geet men ek saragam sunane ko aapako milegi jiska tempo saragam ke saath badhata chala jata hai. geet ke saath jab antre ke baad is saragam ko sunte hain to geet prem ki bhavanaaon se bhi kahin aage aapako ek alag hi duniya men le jata hai. rahat ki gaayiki ka ye pahalu unhen doosare gaayakon se alag kar deta hai.

ni re, re re ga
ga ga ma
ma ma pa
pa ma ga re sa
sa re re sa
ga ga re
ma ma ga
pa pa ma
dha dha pa
ni ni sa sa sa
pa sa ma pa dha ni sa ni
re ni sa sa sa....

nazaren bolen duniya bole
dil ki zabaan haaye dil ki zabaan
ishk maange ishk chahe koi toofan

haaye chalna aahiste ishk naya hai
pahla ye vada hamane kiya hai
o re piya haaye ..

nange pairon pe angaro
chalti rahi haaye chalti rahi
lagata hai ki gairon men
main palti rahi haaye
le chal vahan jo
mulk tera hai
zahil zamana
dushman mera hai
o re piya haaye ..

rahat ko 'live' is geet ko gaate dekhna chahenge....

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