Phir Miloge Is Baat Ka Waada Kar Lo... A melody which you can't forget...

Zindagi ke is safar men na jane kitane log hamare sanpark men aate hain. Par beete samay men jhank kar dekhane par kya aapako nahin lagata ki kuchh aise chehare rah gaye jinase apane rishton ko samay rahate ham vo roop nahin de paye jo dena chahate the.

Dil khushafahamiyan palata rahata hai ki kash kabhi unase ek mulakat aur to ho jisamen ham aise marasim bana sake jinhen paribhashit karane men hamare antaraman ko koee dikkat na ho. Par avval to aisi mulakaten ho nahin pati aur hoti bhi hain to mahaul aisa nahin ban pata ki rishton ke adhakhule siron ko fir se tatola ja sake.

Ye to huee vastavik zindagi ki baat par filmon men aisi mulakaten aksar ho jaya karati hain kyoonki unake bina kahani aage badati nahin. Isiliye to geeton ka ye aashavadi drshtikon hamare man ko sukoon deta hai. Sath hi unhen gunagunakar ham apane aap ko pahale se taro taja aur umangon se bhara mahasoos karte hain.

Aisa hi ek geet gaya tha Rafi sahab ne film Ye raat phir na aayegi ke liye aur kya kamal gaya tha. 1965 men aaee ye film apane geeton ke liye behad charchit rahi thi. Chahe Asha ji ka gaya 'yahi vo jagah hai... ho ya phir mahendra kapoor ka gaya mera pyar vo hai.....

ho, O.P.Nayyar dvara sangeet nirdeshit is film ke sare geet laajavab the. aur is geet ka to Shamasul Hooda Bihari ne, mukhada hi bada zabaradast likha tha ...

fir miloge kabhi is bat ka vada kar lo
hamase ek aur mulakat ka vada kar lo

Waise bihari sahab apane nam ke anuroop sachamuch Bihar ke hi the aur Patna ke pas sthit aara men unaka janm huaa tha. sangeetakar o pi naiyar ke karibiyon ka kahana hai ki O.P.Nayyar ne bihari ke mukhade ko aage badate huye pahala antara khud hi rach dala tha. Ye antara gunagunana mujhe behad pasand raha hai isaliye aaj ise yahan laga de raha hoon

Waise aap mujhe na jhelana chahen to rafi sahab ki gayiki ka aanand yahan le sakate hain. Is geet ka doosara antara aap is vidiyo men dekh sakate hain jise aasha ji ne gaya hai. ye geet parde par filmaya gaya tha Vishvajeet aur Sharmila Tagore ji par



phir miloge kabhi is bat ka vada kar lo
hamase ek aur mulakat ka vada kar lo

dil ki har baat adhoori hai adhoori hai abhi
apani ik aur mulaqat zaroori hai abhi
chand lamahon ke liye sath ka vada kar lo
hamase ek aur mulaqat ka vada kar lo
fir miloge kabhi .....

aap kyoon dil ka hasin raz mujhe dete hain
kyoon naya nagma naya saaz mujhe dete hain
main to hoon doobi huee pyar ki toofanon men
aap sahil se hi aawaz mujhe dete hain
kal bhi honge yahin jazbat ye vada kar lo
hamase ek aur mulaqat ka vada kar lo

phir miloge kabhi ....

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Ye daag daag ujala, Ye shabgajida sahar : Faiz ki Nazm Naseer ki Aawaaz mein !

Aaj se kareeb 25 saal pahle 20 N0v 1984 ko Lahore ke Meyo Hospital se Faiz Ahmad Faiz hamen chhod kar chale gaye. Par Faiz ki ghazalein, unaki nazmen rah rah kar dil men ubharati rahati hain. Aaj ki subah ek aisi hi subah hai jab unaki is nazm ki yaad mujhe baraha aa rahi hai. Kyoon aa rahi hai ye baat baad men . Pahale ye jan len ki Faiz ne is nazm men kya likha tha?

Faiz ne August 1947 men Pakistan ke tatkaleen halaton ke maddenazar ek nazm likhi thi subah-e- aazadi. Communist vicharadhara se jude Faiz aazadi ko ek aise parivartan ke roop men dekhana chahate the jo amiri aur garibi ki khaee ko mita de. Par jab aisa kuchh nahin huaa to mayoos ho kar unhonne likha

Kaisi dagadar raushani ke sath nikli hai ye subah jisamen kuchh dikhaee nahin de raha. Jab ham apane is safar men chale the to hamane aisi subah ki to kalpana nahin ki thi. Hamari kalpanaon ki subah to us mukam ki tarah thi jaise koee aasaman ki chadar par chalte huye jagamagate taron ke paas pahunch jaye ya jaise bhatakti huee samudr ki dhara ko usaka kinara mil jaye.

ye daag daag ujala, ye shabgajida sahar
vo intezar tha jis ka, ye vo sahar to nahin
ye vo sahar to nahin jis ki aarzoo lekar
chale the yaar ki mil jayegi kahin n kahin
falak ke dasht men taron ki aakhiri manzil
kahin to hoga shab-e-sust mauj ka sahil

Aakhir kahin to gham se bhare is dil ki naiya ko kinara milega? Yuvavastha ki rahasyamay dahalij ko par karate waqt is safar par chalane se hamen jane kitane hi hathon ne roka. Husn ki pariyan hamen aawaaz dekar apani or aakrsht karane ka prayas karati rahin par fir bhi vo hamen apane marg se vichalit na kar sakin, thaka na sakin. Aakhir kyoon ? Kyoonki dil men us subah ko lane ka ek josh tha, ek umang thi. Hamare liye to us bilkul karib aa gaee subah ke haeein daman ko chhu lena hi antim mukam tha.

kahin to ja ke rukega safina-e-gham-e-dil
javan lahu ki pur-asraar shahrahon se
chale jo yaar to daman pe kitne hath pade
dayar-e-husn ki be-sabr khwab-gahon se
pukarti rahin bahen, badan bulate rahe
bahut azeez thi lekin rukh-e-sahar ki lagan
bahut karin tha hasinan-e-noor ka daman
subuk subuk thi tamanna, dabi dabi thi thakan

Sun rahe hain ki zulm ke badal ab chhant chuke hain aur log to ye bhi kah rahe hain ki jis manzil ki talash men ham chale the vo hamen mil bhi chuki hai. Par kahan hai cheharon par lakshy milne ki khushi? Agar halat badale hain to unaka asar kyoon nahin dikhaee deta? Jis subah ki hava ka hamen besabri se intazar tha vo kidhar se aaee aur kidhar chali gaee? Ab dekhiye na sadak ke kinare jalte is prakashapunj ko bhi usake jane ka rasta nahin maloom. Raat ka bharipan bhi to kam hota nahin dikhata. Isiliye to mujhe lagta hai aankhon aur dil ko jis subah ki talash thi vo abhi nahin aaee. Tum log bhi aage ka safar karne ko taiyar ho jao ki manzil tak pahunchana abhi baki hai.....

suna hai ho bhi chuka hai firaq-e-zulmat-o-noor
suna hai ho bhi chuka hai visal-e-manjil-o-gaam
badal chuka hai bahut ahal-e-dard ka dastoor
nishat-e-vasl halal-o-ajaab-e-hizr-o-haraam
jigar ki aaga, najar ki umanga, dil ki jalan
kisi pe chara-e-hijran ka kuchh asar hi nahin
kahan se aaee nigar-ye-saba, kidhar ko gaee
abhi charag-e-sar-e-rah ko kuchh khabar hi nahin
girani-e-shab men kami nahin aaee
nizaat-e-deed-o-dil ki ghadi nahin aaee
chale chalo ki vo manzil abhi nahin aaee

Ye to thi meri samajh ke hisab se is urdu nazm ka anuvad karane ki ek koshish. Sambhavtah isamen kuchh trutiyan bhi ho sakati hain. Waise kuchh dinon pahale mujhe Qurtulin Haidar ki kitab aag ka dariya ke angreji anuvad The River of Fire ke ek ansh ko padane ka mauka mila tha. us kitab men Faiz ki is nazm ka sankshipt anuvad karate huye Qurtulin ji ne likha tha

This blighted dawn , this darkened sun. This is not the morning we waited for.We went forth in the desert of heaven, hoping to reach our destination of stars. We hoped that, somewhere, we would come ashore from the placid river of the night, that the barge of sorrow would end its cruise. Whence came the early morning breeze, where did it go? The wayside lamp does not know. The night's burden has not diminished, the hour of deliverance for eye and heart has not arrived. Face forward! For our destination is not yet in sight.

To aaiye sunen jane mane abhineta Nasiruddin Shah ki dharadar aawaaz men Faiz ki ye nazm

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Tumhare Shahar ka Mausam Bada Suhana Lage...Anoop Jalota

Jab bhi purani ghazalon ki baat sochata hoon mujhe assi ka dashak rah rah kar yaad aata hai. Ab agar koee ye kahe ki miyan tum kya der se jage ho ghazalein to hamare baap dada ke zamane se chalti aa rahi hain to vo baat bhi sahi hai. Assi ke dashak se purani kaee ghazalen sach poochhiye to pichhale ek dashak men hi sun paya hoon. Par ab karen kya ghazal ki bhavanaon ko samajhane ki umr bhi to 1985 ke bad hi aaee na.

Waise bhi jis sangeet ko aap sunte huye bade hote hain vo aapki vastavik zindagi ka hissa ho jata hai. Jab bhi aisi hi koee ghazal ya geet barabas yaad aata hai to apne sath us samay ki bahut si yaadon ko sametata huaa aata hai.

Aaj ek aisi hi ghazal aapake samane pesh hai jise assi ke dashak mein khasi lokapriyata hasil huee thi. ise apani aavaj di thi bhajan samrat kahe jane vale Anoop Jalota sahab ne. Ye ghazal 1984 men releae huye album Farmaish ka aham hissa thi. Pahli baar jab ise suna tha to mujhe Jalota sahab ka ghazal shuru karne ke pahale kaha gaya sher asamanjas men daal gaya tha.

ghazal men bandisho alfaaz hi nahin kafi
jigar ka khoon bhi chahiye asar ke liye

Iss 'jigar ke khoon' ka marm samajhane men mujhe teen char saal aur lage. Phir to is sher ke sath poori ghazal ko sunana mujhe bahut achchha lagne laga. Isaki ek wajah ye bhi thi ki Qaisar ul Zafari sahab ne ek aisi roomani ghazal likhi thi jo aasani se ek hindi bhashi ko bhi samajh aa jaye. Waise bhi kishoravastha ki dahalij par aisi bhavanayen kuchh jyada hi asar karti thin.

Anoop ji ne bhi badi tabiyat se iska har sher gaya hai. Matle men mausam ko chhah baar kahne ka unka andaaz nirala hai. Khoobsoorat vady sanyojan ke sath sath apne chiraparichit andaj men Anoop ji vah vahi batorane vala shastriy aalap ko lena bhi nahin bhoole hain.

Anoop Jalota ek aise gayak hain jo us zamane se lekar aaj tak sune jate rahe hain. Ve baraha desh videshon men concert dete rahte hain. Bhakti sangeet ke saikadon albums men apani aavaj dene ke baad aajakal vo apana samay bhavi gayakon ko sikhane men lagate hain. Unhonne ghazal gayiki bilkul band to nahin ki par ghazalon ke ab unake ikka dukka album hi aate hain. To der kis baat ki..Baat shuru ki jaye unake pyare shahar ki

tumhare shahar ka mausam bada suhana lage
mai ek sham chura loon agar bura na lage

jo doobana hai to itane sukoon se doobo
ki aas paas ki laharon ko bhi pata na lage

tumhare bas me agar ho to bhool jao hamein
tumhen bhulane me shayad hamein zamana lage

na jane kya hai kisi ki udas aankhon mein
wo munh chhupa ke bhi jaye to bewafa na lage

hamare pyar se jalne lagi hai ik duniya
duaa karo kisi dushman ki badduaa na lage

Anoop Jalota ki is ghazal men janab Qaisar-ul-Zafari ke ye ashaaar nahin hain..

kuchh is ada se mere sath bewafaee kar
ki tere baad mujhe koee bewafa na lage

wo phool jo mere daman se ho gaya mansoob,
khuda kare use bazar ki hava na lage

tum aankh moond ke pi jao zindagi 'qaisar',
ki ek ghoont me shayad ye badamaza na lage

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Budhiya Kabbadi aur Bachpan Ke We Anmol Din...

To aaj hai bachchon ka din yani baal divas ! to kyoon na is din bachpan ki kuchh baton ko sajha kiya jaye ek behad dilaazeez geet ke sath. Samay ke sath kitana badal gaya hai tab aur aaj ka bachpan. Tab bhi mastiyan aur shaitaniyan hoti thin aur aaj bhi. fark aaya hai inake taur tarikon men, tab ke aur aaj ke mahaul men.

Bachpan ki smrtiyon par najar daudaoon to bahut sari baten anayas hi man men aati hain. Pedon par rassi laga kar jhoola jhoolana, imali ke ped ki darate darate chadaee karana, tokari ko tirachha kar rassi ke sahare chidiya ko pakadane ki koshish karana, harane ya khel men na shamil kiye jane par tesuye bahana, man ka na hone par bar bar ghar chhodane ki dhamaki de dalana aur aisi hi na jane kitani aur baten. par aaj bat un khelon ki jinhen khelate huye bachpan ka ek bada hissa bita.

Bachpan men pahala khel jo hamanen sikha tha vo tha Budhiya Kabaddi. agar aap is khel se vakif na hon to ye batana jaroori hoga ki is khel men apani sans bina tode bari bari se vipakshi dal ke khiladiyon ko daudana aur inhen chhu kar vapas aana hota tha. Aisa isaliye kiya jata tha taki ek gol rekha ke andar khadi apane dal ki budiya ko bhagane ka rasta mil jaye. Kabaddi ke is parivartit roop men gol rekha ke andar khade khiladi ko budiya kyoon kaha jata tha ye abhi bhi meri samajh ke bahar hai.

Zahir hai jitani lambi saans hogi utane hi adhik khiladiyon ko daudakar aap budiya ka kam aasan kar sakate the. ab ek sans ko lene ke liye kaee tarike the. sabase prachalit hota tha

shail tieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee............. ya fir

kabaddi ke bad baddi bad baddi bad baddi......

Par in donon tarikon men sans men her fer yani cheating karane ki gunjaish kafi kam hoti thi to ham log inaka istemal kam hi karate the. sabase majedar rahata

shail dalle chhu dalle chhoo dalle chhoo dalle chhoo...

bolana kyoonki ye itani dhimi gati se bola jata ki sans le lene ka pata hi n chalata. Agar vipakshi khiladi shikayat karte to ham apane doosare sahare Prakash Lal ki sharan men chale jate. Ab ye n poochhiyega ki ye Prakash Lal kaun tha kyoonki ham to use jane bagair hi usaka marsiya padh dete the yani

shail kabaddi aas lal mar gaya prakash lal mera kurta lal lal lal lal...

Budiya kabaddi ka shumar to ab luptapray khelon men kar lena chahiye. par gilli danda, rassi aur lattoo, kanchoin, pitto, konon ki adala badali aur rumal le kar bhagane vale khel to kasbon aur ganvon men jaroor khele jate honge. aaj to bajar men har aayu varg ke liye tarah tarah ke aakarshak khel hain khasakar tab jab aapaki jeb men inake liye paryapt paise hon. vaise bhi aaj ke bachchon ke hatha, mobile aur computer ke keybord men game khelne ko itane siddhast ho jate hain ki unhen gilli aur dande ko pakadane ki jaroorat hi kya hai. par jo bachche in suvidhaon se abhi bhi door hain unake liye to ye khel aaj bhi mauj masti ki tarang jaroor late honge.

To aaiye aaj aapako vo geet sunaoon jo mujhe apane bachpan ki inhin yadon ke bahut kareeb le jata hai. Sujata film ke is geet ke bol likhe the Mazrooh Sultanpuri ne aur sangeetabaddh kiya tha Sachin Dev Burman sahab ne. Geeta Dutt aur Asha ji ne jo chuninda yugal geet gaye hain unamen se ye ek tha. gayiki, sangeet aur bol teenon ke lihaz se ye geet mujhe pasand hain ..



bachpan ke din bachpan ke din
bachpan ke din bhi kya din the hay hay
bachpan ke din bhi kya din the
udate phirte titali ban ke bachpan....

vahan firate the ham phoolon men pade
yahan dhoondhate sab hamen chhote bade
thak jate the ham kaliyan chunte
bachpan ke din bhi kya din the
udate phirte titali ban ke bachpan.....

kabhi roye to aap hi hans diye ham
chhoti chhoti khushi chhote chhote vo gham
hay re hay hay hay hay re hay
kabhi roye to aap hi hans diye ham
chhoti chhoti khushi chhote chhote vo gham
hay kya din the vo bhi kya din the

bachpan ke din bhi kya din the
udate phirte titali ban ke bachpan ...

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Mujhe Dard-e-Dil ka Pata Na Tha, Mujhe Aap Kis Liye Mil Gaye ?

Aadami ki fitarat azeeb si hai. Chahata kuchh aur hai aur kahta kuchh aur. Ab bhala zindagi ki rahon men koee haseen hamsafar mil jaye to isamein dikkat kahan hain janab ! Par dekhiye ab koee mil gaya to itara rahe hain ye kahate huye ki main to akele hi bade aaram se tha. Ab bhaiya ek adad dil ki talash men mare mare firoge aur ek ke sath ek free vali scheme men dard lazimi taur par milega to kya kalapane lagoge :)?

Par ye to hamare aapake dikhane ki baat hai. Andar hi andar to ham dard-e-dil ko bhi shiddat se mahsoos karna chahte hain. Faraz aisee to nahin kah gaye

pahale pahal ka ishq abhi yad hai faraz
dil khud se chahta hai ki rusavaiyan bhi hon

Par jahan ye bat sahi hai, vahan is sachchaee se bhi inakar nahin kiya ja sakta ki jab hamari samajh se apne star se bahut achchha hamen apana leta hai to ek or to hamen badi khushi milti hai par doosari or rah rah kar andar ki heen granthi hamen apani tuchchhata ka ahasas bhi dilati rahti hai.

To aaj aise hi bhavanaon se ootprot is geet ki bat karna chahata hoon. Ise likha tha Mazrooh Sultanpuri ne aur isaki dhun banaee thi Chitragupt ne. Mazrooh ne ye geet shayad aise hi kisi kiradar ke liye likha hoga. Shayad isaliye ki jis film ka ye geet hai vo mainne dekhi nahin. Film ka naam tha 'Aakashdeep' jo 1965 men pradarshit huee thi. Waise you tube ke video se ye spasht hai ki ise filmaya gaya tha Dharmendra aur Nanda ji par.


Ye geet Rafi sahab ke gaye mere pasandida geeton men se ek hai to suniye Rafi ki gayiki ka kamal ..




mujhe dard-e-dil ka pata na tha
mujhe aap kisliye mil gaye
main akela yoon hi maje men tha
mujhe aap kisliye mil gaye....

yoon hi apane apane safar men gum
kahi door main, kahi door tum
chale ja rahe the juda, juda
mujhe aap kisliye mil gaye....

main garib hath badha to doon
tumhen pa sakoon ki na pa sakoon
meri jaan bahut hain ye faasla
mujhe aap kisliye mil gaye....

na main chand hoon, kisi shaam ka
na charag hoon, kisi baam ka
main to raste ka hoon ek diya
mujhe aap kisliye mil gaye....

Waise chalate chalate kuchh bate sangeetakar Chitragupt yani Chitragupt Shrivastav ke bare men. Yoon to Chitragupt bhojapuri filmon ke moordhany sangeetakar mane jate hain, par hindi filmon ke liye bhi unhonne kuchh nayab nagme diye. Chitragupt ka talluk bihar se tha aur rochak tathy ye hai ki mumbai ki mayanagari men sangeetakar banne ke pahale vo college mein lecturer the. Waise kya aapko pata hai ki chitragupt ki sangeetik virasat ko kisne aage badaya ? vahi 'Qayamat se Qayamat tak ' ki sangeetakar jodi Anand-Milind ne, jo Chitragupt ke suputr hain.

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Main Chala Main chala Is Dagar Us dagar : A sweet melody from Shreya and Sukhwinder

Pichhale saal jab varshik sangeetamala ke apane pasandida geeton ka chayan kar chuka tha, tab ye geet mujhe sunane ko mila. Lihaza ye meri varshik sangeetamala 2008 ka hissa nahin ban paya tha. Ye geet tha film Black & White ka. Agar aapko is film ka nam yaad nahin aa raha to isamein aapka koee kasoor nahin. Film cinemaghar ke parde ki shobha zyada dinon tak nahin badha saki thi.

Waise vishuddh vyavasayik film banane vale Subhash Ghai ne is film ke zariye vastavik zindagi ke kareeb aane ki koshish ki thi. Par Subhash Ghai jaisi bhi filmein banayen apni filmon ke sangeet ke chayan ke prati behad sajag rahe hain. Is hat ke banaee gaee film ke sangeetakar ke taur par unhonne chuna tha lokapriy gayak Sukhvindar Singh ko. Aur aaj jis geet ki bat main aapse kar raha hoon usamein Sukhwindar ji ke hunar ka kamal saaf dikhaee deta hai...

Chidiyon ki chahchahat, gayika ka madhur aalaap, chalati train ki aawaz ke sath sammohit karati aaranbhik dhun ke dwara is geet se aap roobaru hote hain. Jab tak aap is aaranbhik sammohan se nikalen Shreya Ghoshal ki khanakati aavaj aur Ibrahim Ashq ke bol zidagi ki rahon mein sath sath chalne par majaboor kar dete hain. Shuruaati dhun ko interludes mein baraqarar rakh kar Sukhwindar is geet ka maza doona kar dete hain. To aaiye pahale sunein kokil kanthi Shreya Ghoshal ke svar mein ye Geet..



main chali main chali
is gali us gali
is dagar us dagar
is taraf us taraf
sath mere chale zindagi ka safar...

hansati hain titaliyan, muskuraye zamin
badalon ki hansi gunagunaye kahin
dil ki dhadkan chale, waqt ki chhanv mein
dard ki mastiyan nachati panv mein..

is gali us gali
is dagar us dagara, aye mere hamsafar
main chali main chali
sari duniya se main ho gaee bekhabar
sath mere chale zindagi ka safar...


meri payal mein hain bol sab pyar ke
choodiyon mein bhi hain lafz iqarar ke
mere hothon pe hain geet izhaar ke
khvab aankhon mein hai tere didaar ke
hai yahi to mere pyar ki rahaguzar
main chali main chali..main chali main chali

Waise is geet ka ek aur version hai jise Sukhwindar ne apani aavaj se sanvara hai. Shreya vale varsan mein geet ka mood jahan romantic hain vahin Sukhwindar ke is varsan mein geetakar philosophical nazariye se zindagi ke badalate raston se hamein le jate hain. Is baar antare mein piaano ki dhun bhi karnapriy lagti hai. to Sukhwindar ji ke gaye is geet ko suniye ..




main chala main chala
is gali us gali
is dagar us dagar
is taraf us taraf
sath mere chale zindagi ka safar...

ajanabi raste, ajanabi hai jahan
main kahan se kahan aa gaya hoon yahan
ajanabi raste, ajanabi hai jahan
main kahan se kahan aa gaya hoon yahan.......
saat rangon ki hai teri duniya hasin
hai ujala kahin to hai andhera kahin
hai kahin sham to kyoon kahin hai sahar
main chala main chala...

kaisi hain ulajhanen kaise halaat hain
dil mein umade ye kaise jazbat hain
kaisi hain ulajhanen kaise halat hain
dil mein umade huye kaise jazbat hain.......
hai dhuaan hi dhuaan raston ke nishan
har kadam par mere hausale hai javan
meri manjil mujhe aa rahi hai nazar

main chala main chala
is gali us gali
is dagar us dagar
is taraf us taraf
sath mere chale zindagi ka safar...

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Roz Sapne Dekh, lekin is Qadar Pyare na Dekh : Dushyant Kumar ki Ek Prernadayak Ghazal..

Veer ras ki kavitayen to bachpan se hi padate sunate aaye hain. Dinakar ya Subhadra Kumari Chauhan jaise kavi kavayitriyon ki rachanayen chhutapan se hi hamari shiraon men rakt pravah ko tej kar deti thin.

Par ye bataiye ki kitani ghazalon ko padane ke bad bhi vaise hi ahasasat se aap roobaru huye hain. nishchay hi apekshakrit ye sankhya kam rahi hogi. Ghazalein apne svabhav se hi komal bhavanaon ko samahit karati chalati hain par jaisa ham sabhi janate hain ki kaee ghazalakaron ne badalate waqt aur mahaul ke sath inamein alag alag rang bharne ki koshish ki hai. Faiz ki kaee nazmein isi shreni ki rahi hain par jab ghazalon ke bare men sochata hoon to mere zehan men dushyant kumar ji ki kaee ghazalein ek sath ubhar kar saamne aati hain.

Bharat men hindi ghazalon ke janak kahe jane vale Dushyant Kumar ki aisi hi ek ghazal aapke samane pesh kar raha hoon. Ye ghazal hamen utprerit karti hai is baat ke liye ki kisi bhi kaary ko poora karne ke liye, doosaron ki taraf aasha bhari nazaron se dekhane ke bajaye khud kuchh karane ki lalak honi chahiye. Dushyant ji ne is ghazal ke har sher men vibhinn roopakon ki madad se is baat ko purzor dhang se rakha hai.


Dushyant ji ko kabhi sunne ka avasar nahin mila is baat ka mujhe hamesha afsos raha hai. Iss mahan shayar ki likhi ye preranadayak panktiyan mere dil par kya asar dalti hain ise vyakt karane ka sabase achchha zariya yahi hai ki ise main padakar aap tak pahunchaoon. to ye raha mera prayas..

aaj sadakon par likhe hain sainkadon nare n dekh
ghar andhera dekh tu, aakash ke tare n dekh.

ek dariya hai yahan par door tak faila huaa
aaj apane baazuon ko dekh patavaren n dekh.

ab yaqinan thos hai dharti haqiqat ki tarah
yah haqiqat dekh, lekin khauf ke mare n dekh.

ve sahare bhi nahin ab, jang ladni hai tujhe
kat chuke jo hath, un hathon men talavaren n dekh.

dil ko bahala le, izazat hai, magar itana n ud
roz sapne dekh, lekin is qadar pyare n dekh.

ye dhundhalaka hai nzjar ka, tu mahaz mayoos hai
roganon ko dekh, deewaron men deewarein n dekh.

raakh, kitani raakh hai, charon taraf bikhari huee
raakh men chingariyan hi dekh, angare n dekh.

Aasha hai ise sunane ke bad aisi hi kuchh bhavanaon ka sanchar aapke dil men bhi huaa hoga..

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