Friday, June 24, 2011

Zeb and Hania in a beautiful Pashtu Song Paimona..

Coke Studio ye nam suna hai aapane. agar aap film sangeet ke itar lok sangeet v fusion men ruchi rakhte hain aur antarajaal par sakriya hain to jaroor suna hoga. vaise bhi sangeet ka ye karyakram Brazil aur Pakistan ka vicharan karte hue pichhale shukravar se MTV India ka bhi hissa ho gaya hai. Haalanki isake bharateeya sanskaran ki pahali kadi utani asardaar nahin rahi jitani ki saamaanyatah Coke Studio pakistan ki prastuti raha karati hai. par bharat men is tarah ke karyakram ko kisi sangeet chainal aur vo bhi MTV ki ye pahal nishchay hi sahi disha men uthaya ek kadam hai.

Khaair aaj main aapako ek aise lokageet se roobaru kara raha hoon jise sattar ke dashak men afaganistan men racha gaya. pashtu bhasha men rache is geet ko gaya hai Zeb ne aur unake saath men hain haniya.  (Zeb and Haniya) 




Pakistan ki paidaish pakistan ke uttar pashchim pashtoon ilake se hai. pakistan men in do chacheri bahanon ne pahla ladakiyon ka baind banaya. jeb gaati hain aur haaniya gitar vaadak hain. pakistan men is baind ka ek geet 'chup' behad charchit raha tha.

is pashtooni lokagit ki shuruaat men jo vaadya yantra bajta hai vo kisi bhi sangeetapremi shrota ke man ke tar jhankrit kar sakta hai. is vaadya yantra ka nam hai roobaab. rubaab afaganistan ke do rashtriya vaadya yantron men se ek hai aur afagani shastriya sangeet men isaki upasthiti anivarya mani jaati hai. geet ka shuruaati ek minute isaki tan men kho sa jata hai aur fir peechhe se ubharta hai jeb ka madhur svar.  

pichhale saal meri ek mitra ne mujhe jab  Coke Studio pakistan ke karyakram men prasaarit is geet ke baare men bataya to mujhe utsukta hui ki aakhair rubaab ki madhur dhun ke aalava gaayika ne is geet men kya kahana chaha hai? to aaiye geet ka aanand len ismen vyakt bhavanaaon ke saath



paimona bedeh ke khumar asatam
man aashik e chashme maste yar asatam
bedeh bedeh ke khumar asatam
paimona bedeh ke khumar asatam
 
saki sharab ka pyala le aao . aaj main is jaam ki khumari men apane aap ko dubo lena chahta hoon. tumhari nasheeli aankhen mujhe tumhara deevana bana rahi hain. lao lao ki isaki khaumari main main apane aap ko kho dena chahta hoon.

chashmat ke baahu e khutan memonaaye
rooyat ba gulaab haay chaman memonaaye
gul rob e kunaid varak varak bu e kunaid
ba lala e zaar e be vatan minyarat
paimona bedeh ke khumar.... asatam

kya tumhe pata hai ki tumhari aankhen mere dil ke bagiche men roshni bhar deti hain. tumhara chehara mere dil ke baag ke sabhi gulabon ko khila deta hai. sach poochho to tumhara ye chehara mere dil ki bagiya men rang bharta hai, unki pankhudiyon men sugandh ka sanchaar karta hai.

aj omadaan e tagar khabar men dastan
pesh e kadamaat kocha ra gul men koshtam
gul men koshtam gul e gulaab men koshtam
khak e kadamaat pad e dam e vaadashtam
paimona bedeh ke khumar.... asatam

sochta hoon jab tumhaare pavitra kadamon ki aahat is hridaya ko sunaai degi, tab main tumhaare raaste men dil ke in foolon ko kaaleen ki tarah bichha doonga. charon or fool bichhe honge..gulaab ke fool aur un foolon ke bich padati tumhaare charanon ki dhool men main khud ko nyochhavar kar doonga.

to prem men rasasikta is geet ko suna aapane. aapako kya laga ki ye kisi premika ke liye ek premi ke hridaya ka krandan hai. zahir si baat hai shaabdik taur par ye geet to hamse yahi kahata hai aur yahi sahi bhi hai .

par ye batana jaroori hai ki ye geet vaastav men ek soofi geet se prerit hain . darasal mool geet jisamen kai chhand hain ko mashahoor soofi kavi umar khayyam ne gyarahavin shatabdi men likha tha. darasal soofi santon ne apane likhe geeton men sharab aur saki ko roopakon ki tarah istemaal kiya hai. maje ki baat ye hai ki in santon ne kabhi madira ko haath bhi nahin lagaya.

soofi vicharadhara men bhakt aur bhagavaan ka sambandh ek aashiq ka hota hai jise ooparavaale ki nazar e inayat ka besabri se intazaar hota hai. saki saundarya ka vo pratimaan hai jo use ishwar ke prem men doobane ko udyat karati hai. soofi sahitya men kahin kahin is saki ko alaukik data ki sangya di gai hai jo ham sabhi ko zidagi roopi madira ka paan karati hai.

Coke Studio ke karyakram men aap jeb aur haaniya ko dekh sakte hain saath men bajte rubaab ke saath...



Ek shaam mere Naam par lok geeton ki bahaar




Saturday, June 11, 2011

O Sajna Barkha Bahar Aayi : Lata Mangeshkar. sweet & melodious rain song

Waise to maansoon kerala men dhoom macha raha hai par thodi thodi hi sahi barish ki kabhi halki aur kabhi tez fuharen yahan bhi man ko gudaguda jaroor rahi hain. shayad isi mausam ka asar hai ki idhar kuch dinon se men lata ji ka film parakh ke liye gaya ye atyant madhur geet baraha hothon par aa raha hai. aaj socha kyoon na barish ki ladiyon se bheenge geet ki sondhi mahak se aapako bhi sarabor karoon.

chitra chhayakar : beji jaisan

Lata ji ke gaaye geet ko sunane ke baad bas dil men ek bhavna rah jaati hai..kuch adbhut sa mahasoos kar lene ki। geetakar shailaindra ke shabd barish ki roomaniyat men vikal hoti taruni ke man ko badi khoobasoorati se padhte hain. vaise bhi barish ki fuharen jab hamare aas paas ki prakriti ko apane svachh jal se dho kar hara bhara karne lagti hain to unhen dekh kar hare bhare pedon ki tarah apani hi masti men kisi ka dil bhi jhoomne lage to usamen usaka kya dosh. aur fir, ye hridaya to ek virahani ka hai to vo to jalega hi... saajan ke prem ko aatur ankhiya to tarasengi hi..

yahan ye batana jaroori hoga ki is geet ko sadhana par filmaya gaya tha. par ye sadhana, 'saadhanacut' ke pahle ki saadhana thin. saadagi se bhare saundarya ki pratimoorti. is film ko dekhanevaale jab bhi is geet ki baat karte hain unake man men saadhana ki ye pyari chhavi bhi jaroor ubharati hai। aap bhi dekhiye ..




o sajana barakha bahaar aai
ras ki fuhaar laai
ras ki fuhaar laai, ankhiyon me pyar laai
o sajana barakha bahaar aai
ras ki fuhaar laai, ankhiyon me pyar laai
o sajana ...

tumako pukare mere man ka papihara
tumako pukare mere man ka papihara
meethi meethi agani men, jale mora jiyara
o sajana ...

aisi rimajhim men o sajan, pyase pyase mere nayan
tere hi, khwab men, kho ge...
aisi rimajhim men o sajan, pyase pyase mere nayan
tere hi, khwab men, kho ge

saanvali saloni ghata, jab jab chhaai
saanvali saloni ghata, jab jab chhaai
ankhiyon men raina gai, nindiya n aai
o sajana ...

is geet ke sangeetakaar the salil chaudhari. purane daur ke geeton ka bhi apana adaaz tha. isi geet ko len. geet ki shuruaat pe gaur karen barish ki boondon ke saath kito patangon ka shor sirf char sekend tak hi bajta hai par tab tak aapaka man varshamaya ho chuka hota hai. aur fir sitaar ki dhun ekadam se aa jaati hai. ek baar lata ji ka divya svar kanon men padta hai to man geet ke bolon men ramane lagata hai ki table ki thaap aur ant men aata pashchimi shastriya andaaz liye koras bilkul gaun ho jaate hain. salil da ne lata ji ko jis andaaz men aisi rimajhim men o sajan, pyase pyase mere nayan, tere hi, khwab men, kho ge gavaya hai vo gane ki khoobasoorati ko aur badha deta hai.

salil da us zamane men bhi aaj ke daur ki tarah pahle dhunen banate the aur baad men us par geet likhavaate the. unhonne apani kai dhunon ka istemaal bengali aur hindi dono bhashaon ke geeton ke liye kiya. yaani dhun ek aur geet ke bhaav alag alag. parakh film ke is geet ki dhun bhi unhonne pahle is bengaali geet ke liye rachi thi jise lata ji ne hi gaya tha . to aaiye vo geet bhi sunte chalen...



'ek shaam mere nam' par sangeet par mausam 'baarishana'


Friday, June 03, 2011

Ibne Insha aur chand ke tamannayi..

chaand ki 'tamanna' karne vaale shayaron ki kabhi kami nahin rahi. ab gulzar ki hi baat karen unake geet hon ya nazamen ghoom fir kar baat chaand par hi aa tikti hai। par har baar vo chaand ko ek alag hi andaaz bhinna bhinna roopakon men is khoobasoorati se hamare samaksh rakhte hain ki kuch doharaya hua sa nahin lagata. baat gar pakistani shayaron ki ho to chaand premi shayaron men ibne insha bhi aage khade dikhaai dete hain. chaand ibne insha ke priya pratikon men to tha hi unhonnen chaand ko kendrabindu men rakhakar kai nazamen  kahin। masalan katik ka chaand, usi chaand ki khoj men, udas rat ke aangan men, us aangan ka chaand. par ibne insha ki chaand par kahi nazamon men mujhe chaand ke tamannaai padhna sabse zayada sukoon deta hai.

 chitra saujanya

to chaliye aaj aapako roobaru karavate hain ibne insha ki is pyari nazam se pahle isake bhaavon se aur fir apani aavaaz se.....

shahar-e-dil ki galiyon men
shaam se bhatakte hain
chaand ke tamannaai
bekaraar saudaai
dilagudaaz tariki
jaangudaaz tanhaai
ruh-o-jaan ko dasati hai
ruh-o-jaan men basati hai

ye dil ek chalta firta shahar hi to hai jis ki galiyon men dil o jaan ko pighalane vala andhera hai. ur usamen pasari hai door door tak faili tanhaai jo us hansi chaand ki khoj men baavle hue dilon ko andar hi andar khaaye ja rahi hai.

shahar-e-dil ki galiyon men...
tak-e-shab ki belon par
shabanami sarishkon ki
bekaraar logon ne
beshumaar logon ne
yaadgaar chhodi hai
itani baat thodi hai ?
sadahazaar baaten thin
heel-e-shakebai
sooraton ki jaebai
kamaton ki ranaai
in syaah raton men
ek bhi n yad aai
ja-b-ja bhatakte hain
kis ki raah takte hain
chaand ke tamannaai

dil ki in vaadiyon ne vo vasant bhi dekha tha jab inhin galiyon se tarah tarah ke banaav shrringar ke saath vo khoobasoorat chehare gujra karte the. raat ki ugti belon par in hasi cheharon ki yaden os ki boonde ban kar aaj bhi ubhara karati hain। par vo din to kabke beet ge. aaj to is dil men ek ajeeb si veerani hai। par man hai ki bhatakna chahta hai is ummeed men shayad vo chaand fir dikhe...

ye nagar kabhi pahle
is qadar n veeran tha
kahane vaale kahate hain
kariya-e-nigaran tha
khaair apane jeene ka
ye bhi ek saamaan tha

aaj dil men veerani
abr ban ke ghir aai
aaj dil ko kya kahiye
baavafa n harajaai
fir bhi log deevaane
aa ge hain samajhane
apani vahshat-e dil ke
bun liye hain afsane
khushakhayal duniya ne


dil roopi ye nagar itana khali khali kabhi na tha. ye to ek pyara sa gaanv tha jisamen zaindagi hansi khushi basar ho rahi thi। aaj man roopi aakash men ek tarah ki shoonyata hai jise udaasi ke baadalon ne charon or se gher rakha hai। hridaya ke is khali ghade men na to pyar ki koi jyot jal rahi hai aur na hi bevafaai se upaji peeda. par logon ka kya hai vo to dil ke is mijaaz ko bhaanpe bina apani khamakhayali se kitani kahaniyan gadhte ja rahe hain।

garmiyan to jaati hain
vo ruten bhi aati hain
jab malool raton men
doston ki baaton men
ji n chain paayega
aur oob jaayega
aahaton se goonjegi
shahar-e-dil ki pinhaai
aur chaand raton men
chaandani ke shaidaai
har bahaane nikalenge
aazmaane nikalenge
aaraju ki giraai
dhoondhane ko rusavaai
sard sard raton ko
zard chaand bakhshega
behisaab tanhaai
behijab tanhaai
shahar-e-dil ki galiyon men...
shaam se bhatakte hain
chaand ke tamannaai


mausam beetate jaate hain। garmiyan sardiyon men tabdeel ho gayi hain। par raaten to vahi hain jinamen ab sannaton ki goonj hai। dil un gamageen raton men  doston ki sohabat me bhi sukoon nahin paata। chaandani raton men chaand ki aas rakhne vaale ye ekaki man isi tanhaai men apane aap ko dubo lena chahate hain। apane jazabaaton ko fir se tatolna chahate hain। shayad sardiyon ka ye peela chaand unake man ki ye muraad poori kare। vaise bhi us chaand se tanaha bhala aur kaun hai?