Mod pe dekha hai vah boodha-sa ik ped kabhi?..Gulzar explores human bondage with the environment around us...

April ka mausam kabhi itani kadi dhoop ka talabadaar na tha. khaaskar us pradesh men jiska namakaran hi jangal aur jhadiyon ke nam par kiya gaya ho. pahle desh ka sarvadhik tapamaan dekhne ke liye rajasthan ke shaharon ke tapamaan par nazar daudani hoti thi par ab to itani mashakkat karne ki zara si bhi jaroorat nahin. bokaro dhanbad se lekar devghar aur jamshedpur tak poora jharakhand aprail ke mahine men hi 45 se 47 degreei ki chilachilati dhoop men jhulas raha hai.

Waise to kamobesh poore bharat ki yahi sthiti hogi par prakritik sanpada se paripoorit is pradesh ka ye haal chaunkaane vala jaroor hai. iska sidha-sidha arth yahi hai ki kahin na kahin ham sabhi apane aas paas ki prakriti ko nasht hote dekh ke bhi sanvedanaheen hue ja rahe hain.

Aarthik vikas ki is daud men kankreet ke jangalon ke bich vo purani aabo hava kahin kho si gai hai. kya ham bhool ge un pedon ko, jinki chhaanv ne har garmi men tapate sooraj ki in jhulasaati kiranon ka raasta roka. jinki vishalakaay moti shakhen bachapan men hamare jhoolon ka avalanb banin. jinake tanon par chadh utar kar hamane na jaane kitani mastiyan ki.

Ghar ke aangan ya ahate men palte badhate ye vriksh bhi hamare saath hi badhate ge aur saath hi unake seene men samaati gin ve aanandadayak smritiyan. bachapan beeta, thikaane badalte rahe aur vo ped.... vo to ab aas paas rahe hi nahin. so unase judi yaden to ksheen honi hi thin. par jab jab ham apane purane aashiyane men vapas laute, un ped paudhon ko dekh vo yaden is teevrata se vapas aa gayeen jese kabhi gai hi na hon. aakhir kyoon hua aisa !

Darasal hamen ehasaas ho na ho anajaane men hi ham apani aas-paas ki prakriti se ek rishta bana lete hain. ek aisa mazaboot rishta jisaki girahen katne se hamen vaisi hi peeda hoti hai jaise kisi insani rishte ke tootne par hoti hai.

Gulzar saahab ki likhi ek kavita yad aa rahi hai jo aise hi ek rishte ki kahani kahati hai. Gulzar ne jis khoobi se apane jindagi ke sabse haseen lamahon ko gali ke kinare khade us ped se joda hai, vo aap is kavita ko padh kar hi mahasoos kar sakte hain. is kavita ko bolte hue padhna ek poore anubhav se gujarne jaisa hai. to aaiye mere saath padhiye is kavita ko...

mod pe dekha hai vah boodha-sa ik ped kabhi?
mera vaakif hai, bahut saalon se main use jaanta hoon

jab main chhota tha to ik aam udane ke liye
parli deevar se kandhe par chadha tha usake
jaane dukhati hui kis shakh se ja paanv laga
dhaad se fenk diya tha mujhe neeche usane
mainne khunnas men bahut fenke the patthar us par

meri shadi pe mujhe yaad hai shakhaen dekar
meri vedi ka havan garm kiya tha usane
aur jab haamila thi 'beeba' to dopahar men har din
meri bivi ki taraf kairiyan fenki thin isi ne

waqt ke saath sabhi phool, sabhi patte ge
tab bhi jal jata tha jab munne se kahati 'beeba'
'haan usi ped se aaya hai too, ped ka fal hai'
ab bhi jal jata hoon, jab mod gujarte men kabhi
khaanskar kahata hai, 'kyon sar ke sabhi bal gaye?'

subah se kaat rahe hain vo 'committee' vaale
mod tak jaane ki himmat nahin hoti mujhko...

Kya aapako nahin lagata ki jis prakriti ke beech ham pale badhe hain, usake saath bane rishton ne hamare jeevan men jaise anamol pal diye hain vaisa hi kuch apane bachchon ko bhi ham uplabdh karaen?

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Another eventful year of blogging .....

Kuch dinon pehle Ek Shaam Mere Naam ke hindi sanskaran ne apane char saal poore kar liye jabki ye roman hindi version ke paanch saal poore ho rahe hain. Jahan roman sanskaran 300000 pageloads ki or badh raha hai wahi hindi sanskaran ke 2 lakh pageloads poore ho chuke hain.


Pichhale ek saal men pathakon ki suvidha ko dhyaan men rakhte hue 'ek shaam mere naam' ke hindi sanskaran ke swaroop men mainne kafi badalav kiye the. oopar menu baar ki jagah ko gajal, manabhavan geet, vaarshik sangeetamala, kavita, pustak charcha, blogging aur apani baat ke alag alag khandon men baantna usi ka ek hissa tha. gajalon aur manabhavan geet men taib klik karne se aap sidhe un prishthon par pahunchte hain jahan is blog par pesh geeton aur gajalon ki linkit soochi di hui hai. haan, laaifalogar ke band ho jaane se purane prishthon men kai jagah aadio fail gaayab ho gai hain. pichhale kuch dinon men mainne aisi kai poston ko durust kiya hai, par is karya ko poorn hone men abhi aur samay lagega. vese pathakon se gujarish hai ki jab bhi aisi koi post saamane aae, usaki taraf mera dhyaan dilaen.

Hindi film sangeet se jude apane khaas pasandida kalakar ya shayar se jude lekhon tak pahunchane ke liye gajal aur geet ke mukhya menu baar men sab menu diye ge hain. masalan agar aap sirf gulazaar se judi post dekhna chahate hain to taig klaud men dhoondhane ke bajaaye sidhe manabhavan geet -- geetkaar -- gulazar par klik kar sakte hain.

Kabhi kabhi 'Musafir hoon yaron' aur 'Ek shaam mere naam' par ek saath nirantarta banaaye rakhna mushkil ho jata hai par fir aapaka sneh v saath mujhe beech beech men hoti thakaan se ubaarta hai. blogging ke is ne saal men mera ye prayas hoga ki kuch achchha aapke saamane likh aur paros sakoon. ek baar fir is chitthe ko is mukaam tak pahunchaane ke liye aap sabhi jaane anajaane pathakon ka hardik aabhaar!

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Amousa Ka Mela : Kailash Gautam ki behad pyari bhojpuri hasya kavita

Bharat ki grameen aur kasbai sanskriti men melon ka ek pramukh sthan hai. aur agar vo mela kumbh jaise mele sa vrihad ho to fir usaka mahatatva aur bhi badh jata hai. filahaal haridwaar ki pavitra nagari men kumbh mela chal raha hai aur parason yaani 14 april ko mesh sankranti ke avasar par lakhon ki sankhya men aam jan pramukh shahi snan men hissa lenge. lakhon logon ka is dhaarmik mahotsav men apane gaanv, kasbon aur shaharon se palayan karana aur fir ek jagah ikaththa hona apane aap men ek badi samajik saanskritik ghatna hai.
Sahityakaar aur geetakar in melon ko apani lekhani ka vishaya banate rahe hain. par kumbh mele par banaaras ke sameep sthit chndauli men janme kavi kailash gautam ki is aanchalik rachna ka mere hridaya men ek vishesh sthan hai.
Isaki vajah ye hai ki jis maahaul, jin ghatanaaon ko kailash ji ne apani is kavita men utara hai vo itani aas paas ki, itani sajeev dikhati hain ki kavi ki in chhoti chhoti ghatanaaon ko sookshmata se pakadane ki kshamata par dil baag baag ho uthata hai.
Ab mele men kandhe par chalne vali gathari muthari ke andar ke anivarya saamaanon ki charcha ho chahe nai naveli dulhan ke chal dhaal ki, do saheliyon ki aatmeeya baatacheet ke jhagade men badalne ki dastan ho ya ataichi ke taale ke molane ya drama dekh kar bhauji ke uchhalne ki baat ho..har jagah apane sookshm avalokan, aanchalik boli ke theth shabdon ke prayog v pravaahapoorn shaili se kailash gautam pathakon ko sammohit karte chalte hain.
Kavi sammelan ki ek rikarding men kailash gautam khud is kavita ke baare men kahate hain

Vishva ka sabse bada mela allahabad men sampann hota hai kabhi kumbh ke roop men kabhi ardh kumbh ke roop men. har saal maagh mele ke nam se ye dhaai mahine ka mela lagata hai. mainne bachapan men apane apane dada dadi ko, apane mata pita ko is mele men aane ki taiyari karte hue dekha hai. redio men hone ke nate, allahabad men hone ke nate lagabhag 38 varshon tak us mele ka ek hissa hota raha.
san 1989 ke kumbh men ye kavita likhi gai thi. choonki amaavasya ke snan parv par sarvadhik bheed hoti he isaliye is kavita ka nam hi mainne 'amausa ka mela' rakha. har bade mele men bheed ka chehara ek sa hi hota hai.

Kabhi kabhi is bheed ke chalte badi durghatanaayen ho jaati hain. do teen ghatanaaon men main khud shamil raha hoon chahe vo haridwaar ka kumbh ho ya nasik ka kumbh raha ho. 1954 ke kumbh men bhi kai hajaar log mare. par mainne is kavita men badi chhoti chhoti ghatanaaon ko pakada, jahan jindagi hai maut nahin hai jahan hansi hai dukh nahin hai...

Iss rachna ki bhasha yoon to bhojapuri hai par ye vo bhojapuri nahin jo bhojapur ilake (aara baliya chhapara ke sate ilake) men boli jaati hai. darasal banaaras se ilahabad ki or badhane se bhojapuri bolne ke tarike aur kuch shabdon men badalav aa jata hai par jo bhojapuri ki mithas hai vo vaise hi bani rahati hai. to aaiye is mithas ko mahasoos karen kailash ji ki aavaaz men is hansaati gudagudati kavita men



ki bhakti ke rang men rangal gaanv dekha
dharam men karam men sanal gaanv dekha
agal men bagal men sagal gaanv dekha
amausa nahaye chalal gaanv dekha

ehu haathe jhora, ohu haathe jhora
a kanhi pe bori, kapaare pe bora
a kamri men kehu, rajaai men kehu
a kathri men kehu, dulaai men kehu
ki aaji rangavat hayin gord dekha
hansat hawwen abba tani jod dekha

ghunghutve se poochhai patohiya ki aiyya
gathariya men ab ka rakhaai bataiha
ehar hawwe lugga ohar hawwe poodi
ramaayan ke lagge hau madua ke dhoondhi
oo chaaur a chiura kinare ke ori
a nayaka chapalva achare ke ori

amausa ka mela amausa ka mela...

machal hawwe halla chadhawa utara
khachakhach bharal relagadi nihara
ehar gurri-gurra ohar loli-lola
a bichche men hawwe sarafat se bola
chapayal hai kehu, dabayal hai kehu
a ghantan se uppar tangayal hai kehu
kehu hakka-bakka kehu laal-peeyar
kehu fanafanat hawwe keera ke neeyar
o bappa re bappa, o daiya re daiya
tani hammain aage badhai de t bhaiya

magar kehu dar se tasakale n tasakai
tasakale n tasakai, masakale n masakai
chhidal hau hitaai nataai ke characha
padhai likhaai kamaai ke characha
daroga ke badali karavat hau kehu
a laggi se pani piyavat hau kehu

amausa ka mela amausa ka mela...

jehar dekha oharain badhat hawwe mela
a sarage ke sidhi chadhat hawwe mela
badi hawwe saansat n kahle kahala
moodaimood sagaron n ginale ginala
ehi bheed men sant girahast dekha
sabai apane apane men hau byast dekha
a taai men kehu, topi men kehu
a jhoonsi men kehu, alopi men kehu
akhadan ke sangat a rangat i dekha
bichhal hau hajaran ke pangat i dekha
kahin raasleela kahin parabachan hau
kahin goshthi hau kahin par bhajan hau
kehu budhia maai ke kora uthavai
a tirabeni maiya men gota lagavai
kalapabaas men ghar k chinta lagal hau
katal dhaan kharihaane visai paral hau

amausa ka mela amausa ka mela...

gulabban ke dulahin chalain dheere-dheere
bharal naav jaise nadi teere-teere
sajal deh jaise ho gaune ka doli
hansi hau batasha shahad hawwe boli
a dekhelin thokar bachavailin dhakka
mane man chhohara mane man munakka
futehara niyar muskiya-muskiya ke
nihaare lain mela siha ke chiha ke
sabai devi devta manavat chalainlin
a nariyar pe nariyar chadhawat chalailin
kinare se dekhain ishare se bolain
kahin gaanth jodain kahin gaanth kholain
bade man se mandir men darasan karailin
a doodhe se shivaji k aragha bharailin
chadhawain chadhawa a gothain shivala
chhuval chahe pindi latak nahin jala

amausa ka mela amausa ka mela...

ehi men champa chameli bhetailin
a bachapan ke doono saheli bhentailin
i aapan sunavain oo aapan sunavain
doonon aapan gahana gadela ginavain
aso ka banavalu aso ka gadhwalu
too jeeja ke photo n ab tak pathavalu
n i unhain rokain n oo inhain tokain
doonau apane dulaha ke tarif jhokain
hamain apani sasu k putri too jaana
a hammain sasur ji k pagari too jaana
shahariyon men pakki dehatiyo men pakki
chalat hawwe tempo chalat hawwe chakki
manaiman jarai a gadai lagalin doonon
bhayal too-too main-main ladai lagli doonon
a saadhu chhodavain sipahi chhodavain
a haluvaai jise karahi chhodavain

amausa ka mela amausa ka mela...

kalauta ke maai ka jhora herayal
a buddhu ka badaka katora herayal
tikuliya ko maai tikuliya ke jo hai
bijuliya ko maai bijuliya ke jo hai
machal hawwe mela men sagaro dhundhaai
chamela ka babu chamela ka maai
gulabiya sabhattar nihaarat chalaile
murahuva murahuva pukarat chalaile
a chhotaki bitiuva ke marat chalaile
bitiuvai par gussa utarat chalaile

gobaradhan ke sarahaj kinare bhentailin
gobaradhan ke sange pund ke nahailin
ghare chal ta pahun dahi-gud khiyait
bhatija bhayal hau bhatija dekhait
uhain fenk gathari parilain gobaradhan
n fir-fir dekhilain dharilain gobaradhan

amausa ka mela amausa ka mela...

kehu shal suitar dushala molavai
kehu bas ataichi ke tala molavai
kehu chayadani piyala molavai
sothura ke kehu masaala molavai
numaish men jaatain badal gailin bhauji
a bhiya se aage nikal gailin bhuji
aayal hindola machal gailin bhauji
a dekhatai darama uchhal gailin bhauji
a bhiya bechaaru jodat hawwen kharacha
bhulile n bhoolai pakaudi ke maracha
bihaane kachahari kachahari ke chinta
bahiniya ka gauna masahari ka chinta
fatal hawwe kurta fatal hawwe joota
khalitta men khali keraya ke boota
tabau peechhe-peechhe chalat jaat hawwen
gaderi men surati malat jaat hawwen
amausa ka mela amausa ka mela...

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Annual Musical Countdown 2009 -Sartaaz Geet- Ek Dil Se Dosti Thi Wo Huzoor Bhi Kameene...

Teen mahinon ke is safar ko poora karte hue vakat aa pahuncha hai Vaarshik Sangeetmala 2009 ke sarataji bigul ke bajane ka. jaisa ki mainne pahle bhi kaha hai ki vaarshik sangeetmala ke pratham paanchon geet ka aapasi faasla behad maamooli tha. saal ke sarataj geet ke aasan par mainne us geet ko baithaya jo mere dil ko apekshakrit jyada kareeb se chhoo gaya.

Waise ye janna aapke liye dilachasp hoga ki mere sabse chahete geetakar aur priya sangeetkaar ke hote hue bhi, sangeetamala ki pahali paaydaan par pichhale chhah saalon par pahali baar is geetakar-sangeetkaar ki jodi ka kabja ho raha hai. isase pahle varsh 2006 men is jodi ne teesari paaydaan tak ka safar taya kiya tha.



To kaun hai vo jodi? geetakar ka nam to aap samajh hi ge honge ji haan vahi haradilazaeez gulazaar saahab (jinhen is chitthe par pichhale mahine karaaye ge chunaav men sabse jyada mat aap logon ne diye hain) aur choti par khade is geet men unka saath de rahe gayak v sangeetakaar vishal bharadvaj. film kameene ka ye geet jab mainne pahali baar suna tha to main isaki girafat men aa gaya tha. par aakhir kya baat hai is geet men?

Jeevan men apane lakshyon ko poora karne men mili safalataon ka shreya ham aksar apani mehanat aur lagan ko dete hain aur vahin jab vifalataayen hamara raasta kaatati hain to sara dosharopan apani footi kismat aur apane aasapaas ke logon ke matthe madh dete hain.

Par ye dhokha apane aap ko koi shakhas kab tak deta rahega? fursat ke un ekaki lamahon men jab ham apane aatmavalokan ke liye majaboor hote hain tab hamen lagata hain ki khaud hamare chune raaste, hamari chhichhali soch aur hamare karm bhi in haalaaton ke liye kam jimmevar nahin. darasal zaindagi ke itane vistrit kainvas men hamara man kitani baar kaminepan ki in hadon ko paar karta hai iska andaza samay rahate ham kai baar nahin laga paate.

Hamare isi man ka khaka kheenchti, saathi chitthakar vishva deepak 'tanaha' ki in panktiyon par zara gaur karen jo unhonne haal filahaal men kahi hain..

"....yah jo mera agam-agochar-
alasaya-sa adbhut man hai.......

mujhe sanvaare, mujhe nikhare
mujhako mera sach batala de
aisa kahan koi darpan hai..

aur kya kahoon,
yahi bahut hai..
mujhe jaanane vaale kahate
kabhi ram
to kabhi vibhishan
aur kabhi mujhamen ravan hai.. ...."

Gulzar saahab ne har vyakti men apane man aur karmon ko tatolne ke liye chalte is maun vaartalaap ko is geet men is sanvedanasheelta se abhivyakt kiya hai ki aap in shabdon ko sunkar ekabaaragi sochane par majaboor jaroor ho jaate hain. misaal ke taur par geet ke mukhade par gaur karen

kya kare zindagi, isako ham jo mile
isaki jaan kha gaye, rat din ke gile
rat din gile...
meri aaraju kamini, mere khwab bhi kameene
ik dil se dosti thi, ye hujoor bhi kameene......

Kya ye sach nahin ki zaindagi se hamari apekshaen apane karmon ke pratifal se kahin aage chali jaati hain? ek safalta mili nahin ki doosari ke peechhe bhaagna shuru. insan ki isi manovriti ko gulazaar saahab, apane chiraparichit binbon ke aaine men kuch yoon pesh karte hain...

kabhi zaindagi se maanga
pinjre men chaand la do
kabhi lalaten le ke
kaha aasamaan pe taango

jeene ke sab karine
the hamesha se kameene
kameene...kameene..kameene
meri dastan kamini

mere raaste kameene
ik dil se dosti thi
ye hujoor bhi kameene

Aur choonki ham aise hain to apane doston aur apane samaj se kya ummeed rakhen...

jiska bhi chehara chheela
andar se aur nikala
masoom sa kabootar,
nacha to mor nikala
kabhi ham kameene nikale,
kabhi doosare kameene
meri dosti kamini,
mere yar bhi kameene
ik dil se dosti thi
ye hujoor bhi kameene


Vishal bharadvaj ne geet ke kaifiyat ke hisab se sangeet rachna to ki hi hai, saath hi film ke is sabse behatareen geet ko gane ka lobh sanvaran nahin kar paaye hain. par kul milakar mujhe lagata hai ki aaj ke is yug men ham, aap yaani ki ham sabhi is geet ko apani apani zaindagi se jod ke dekh sakte hain. ye geet hamen apane andar jhankne aur apana moolyankan karne par majaboor karta hai.

Is geet se na mujhe behad pyar hai balki gulazaar svayam ise kameene ki behatareen rachna maante hain. geet men 'kameene' shabd ke prayog ke baare men gulazaar kahate hain

Ham apane jeevan men kameene shabd ka prayog bataur gaali ke kam aur ek apanatva se di hui jhidaki ke taur par jyada karte hain. mujhe to om puri ki baat yad padati hai jisane mere yahan apana pasandida nashta karne ke baad ye kaha ki aapane mujhe aaj ek baar bhi 'kameena' nahi kaha. meri samajh se to kameena kahana kisi ke kandhe par aatmeeyata se thapathapaane ya fir halki sa mook chapat lagane jaisa hai jo ye ingit karta hai ki ye chapat bhi isaliye hai ki mujhe abhi bhi tumhari fikra hai.gulazaar, vishal ke sangeet men vahi chamak paate hain jo ek zamane men unhonne pancham ke saath kaam karte hue mahasoos ki thi.

Khushi to tab hui jab is geet ke baare men meri bhavanaayen gulazaar ke ek sakshatkar men pratidhvanit hui. angreji dainik ko diye sakshatkar men gulazaar ne kaha

Jab bhi main vishal ke saath kaam karta hoon ham donon mil kar hindi film sangeet ke ne aayamon ko talashane ki koshish karte hain. kameene men bhi mainne kuch naya likhne ki koshish ki hai. itana spasht kar doon ki 'dhan ta nan' mera is film ka pasandida geet nahin hai. ye alag baat hai ki aajakal tej ridam par aadhaarit geet hi jyada chalte hain. mujhe to vishal ka gaya hua film ka sheershak geet hi sabse pyara lagata hai kyoonki vahan mainne jin shabdon ka chayan kiya hai unhen sunkar shrotaon ke man men ek soch to paida hogi hi. par ye bhi hai ki aajakal shabdon ko dhyaan se sunta kaun hai?

dil ki baat kah di gulazaar saahab ne...

Vaarshik sangeetamalaon ke madhyam se aaj ke sangeet men jo kuch sunane aur charcha karne yogya ho raha hai use aap tak pahunchaane ki koshish karta raha hoon. varsh 2004 se lekar aaj 2009 tak vaarshik sangeetamalaon ke chhah ank ho chuke hain. mujhe vishvaas hai ki vaarshik sangeetamala 2009 men pichhale teen mahinon men prastut geeton ne sangeet, gaayiki aur bolon ki drishti se aapaka man jeeta hoga. yakaeen maaniye saal ke ye shuru ke teen mahine blaging ki drishti se mere liye behad shramasadhya hote hain. teen mahinon ke is lambe safar ko kayam rakhne ke liye aapaka prem ek utprerak ke roop men kaam karta raha hai. shuru se aakhir tak prastut geeton par apani raay dene ke liye main ranjana ji, himaanshu, priynk jain, susheel, sameer ji, gautam, abhishek, kanchan, apoorv, sagar, raj bhatiya v anya saathiyon ka hardik aabhaari hoon ! inhin shabdon ke saath sangeetamala ki is lanbi shrrinkhala ka samapan karne ki izajat deejie.

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Annual Musical Countdown 2009 - Runners Up- Beeda duji thali ka lage bada masaledaar..

Lagabhag teen mahinon ka safar taya kar vaarshik sangeetamala 2009 ja pahunchi hai doosari paayadaan par. aur vaarshik sangeetamala 2009 ke ranars ap geet ka sehara bandha hai us geet ke sar jo badi theth jubaan men ham sabamen paai jaane vali manovriti ko apane khoobasoorat bolon ke madhyam se ubharta hai. kaun si manovriti ! are vahi

beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak ...

Ab padosi ki kar ho ya ardhaangini, kitani baar unako dekhakar aapane apane man ko chakamakate paaya hai? khair chhodiye aap bhi kahenge sab jaan boojh kar kyoon khule aam ye saval kiya ja raha hai ? mukhya baat ye hai ki aajakal ke geet sirf prem, virah tyag, dosti, saundarya jaise vishayon par nahin likhe ja rahe hain par hamare samaj ki us paksh par chutaki le rahe hain jo syaah hai, dhundhala hai jise jaante boojhte hue bhi ham un par baat karne men asahaj hain.



Par is geet ki khaasiyat bas itani nahin hain. peeyoosh mishra ke is geet ke sangeet sanyojan aur bolon men lokageet vali mithas hai vahin rekha bharadvaj ne is andaaz men is geet ko gaya hai ki lagata hai sachamuch kisi muzarevali ke saamane baith kar ye geet sun rahe hon. aanchalikta ke hisab se bhinn bhinn shabdon ko unake dvara diya loch, mood ko geet ke rang men rang dalta hai. yoon to saidabaar ki voting men aap logon men se jyadatar ne shankar mahadevan aur shreya ghoshal ko saal ka shreshth gavaiya chuna hai par meri nazar men ek gavaiye ke taur par ye saal rekha bharadvaj ka rahega. gulal, firak aur dilli 6 men unake gaaye geet kafi dinon tak yad kiye jaayenge.

Meri ek sangeet mitra hain suparna. aksar vo mujhe apane pasandida geeton ke baare men bataati rahati hain. saal ke shuru men jab ye film rileez bhi nahin hui thi, mujhe unake dvara is geet ki do panktiyon se roobaru hone ka mauka mila tha aur mai unhen padhkar thaga sa rah gaya tha. vo panktiyan thin

sankat aisa silavat se koi haal bhaanp le ji
karavat aisi doori se koi haath taap le ji

Piyush mishra ke in shabdon ka jaadu kuch aisa tha jo mujhe film ke aate hi thiyetar tak le gaya. kitane sahaj binbon ka prayog kiya hai peeyoosh ne. aise binb jo hamari rojamarra ki jindagi se liye ge hain. par inase jo baat unhonne kahani chahi hai vo log tarah tarah ke shabdajaal jod kar bhi nahin kah paate. to sunen aur thumake lagaayen gulal ke is chakamakate geet ke saath..

beeda duji thali ka lage bada masaledaar

man bole chakamak haaye chakamak ...
haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

khaaye..khaaye to machal gayi re ho kajarari naar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

hamako duniya ki laj saram ka dar lage hai ho ji
hamako duniya ke lok dharam ka dar lage hai ho ji
par is jalte karejava pe koi foonk maar do ji
par is manava ki agiya pe koi chheent maar do ji
ho ho ho o ...ho ho ho o
meethi.. meethi si kasak chhod kar chala gaya bhartar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak
beeda duji thali ka lage bada masaledaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

jugani jaan gayo re maan gayo re beedo ki taseer
are kurbaan gayo halakaan ke masla sabr pat ganbheer
kaise deve re ilajaam ki too bhi sankat men aakhir
main to poora rajasthan gayo na tere jaisi beed

sankat aisa silavat se koi haal bhaanp le ji
karavat aisi doori se koi haath taap le ji
nikale sisaki jaise botal ka kaag jo uda ho
dhadakan aisi jaise chanbal men ghoda bhaag jo pada ho

ho ho ho o ...ho ho ho o
angiya.... angiya bhi lage hai jaise sau sau man ka bhaar
man bole chakamak haaye chakamak haaye chakamak chakamak chakamak

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