Pichhali post mein Peenaz se judi yadon ko bantate vakt aapase vada kiya tha yah batane ka ki aaj ki Peenaz masani mujhe kyoon nahin bhati ? karib dhaee sal pahale ki bat rahi hogi. karyalay ke kam se karnatak ke shimoga ke pas ke apane bhadravati ke sanyantr mein gaya tha. kam nipatane ke bad achanak khabar mili ki sham ko Peenaz masani ka karyakram hai.
par dikkat ye thi ki karyakram mein shirakat karane ke liye pass ki jaroorat thi jo hamare pas nahin tha. thi to bas mitr ki ek ambessador gadi. ab ambessador chahe kaisi bhi ho, isase utarane ke mane ek chhote se shahar mein yahi hain ki aap sarakari mahakame vale hain. to janab pulis ke bandobast ke bich ham kar se utare aur bina idhar udhar dekhe sidhe hanl ke prangan mein chal pade. ab majal hai ki koee hamare pass ke bare mein poochhata. :)
daraasal main aur mere variy sahayogi Peenaz ki gaee ghazalon ke prashansak rah chuke the. andar pahunche to stej ko dekh majara samajh nahin aaya. bhala ek ghazal gayika ke sho mein itani prakash vyavastha aur pichhe rakhe vishal myoojik sistam ka kya kam ! karyakram shuru hote hi jis tarah nartakon aur nrtyanganaon ke bich Peenaz ne pravesh kiya, ye samajh aa gaya ki yahan ghazalon ke aalava sab kuchh hone vala hai. aur huaa bhi vahi. ghazalon ko apani surili aavaj se sanvarane vali Peenaz naye chalatau ganon mein nartakon ke sath thirakati najar aaeen. gane bhi aise jisamein gayiki se jyada nachane ka skop jyada ho. man hi man dukhi huye ki pravesh ke liye itani bahaduri dikhane ke bad ye najara dekhane ko milega. fir ye sochakar santosh kiya ki shayad ye karnatak hai, ye sochakar Peenaz ne karyakram ki rooparekha ऍsi rakhi hogi.
isiliye jab ek hafte pahale ranchi mein hamare karyalay ke sabhagar kaksh mein Peenaz masani ke karyakram ke bare mein suna to socha ranchi mein selakarmiyon ke bich to vo apani ghazal jaroor sunavayengi. par jab yahan bhi unake karyakram ka vahi roop dekha to man behad nirash ho gaya. myoojik sistam ke shor ke bich mein sadha nrty karate nartak par Peenaza, sirf geet ke mukhade aur ek aadh antare ko ga rahi thin aur vo bhi ukhade ukhade suron ke satha. shayad vo sochati hain ki aaj ke shrota achchhi gayiki se jyada glaimar aur chakachaundh par jyada vishvas rakhate hain.
khair in filmi geeton ke bich unhonne betiyon par likha ek pyara nagma ga kar sunaya jise sun kar man ko thoda sukoon pahuncha
sanson mein preet bhare,
ragon mein geet bhare,
sapanon mein rang bhare beti.
lakshmi ka deep jale,
aarati ka shankh baje,
jis ghar mein vas kare beti.'
Peenaz ne bataya ki is geet ki sangeet rachana shantanu moitra ki hai aur vo apane har karyakram mein is geet ko jaroor pesh karati hain taki is bare mein logon mein jagarukata bade.
jab ghazal sunane aaee janata ko geeton ki ye mar bhari padane lagi to kisi ne pichhe se aavaj di ki ghazal sunane ko kab milengi? Peenaz turant mahaul ko samajh gaee aur kaha ki myoojishiyan to main apane sath laee nahin fir bhi aapaki kya faramaish hai. pahale anurodh par unhonne yoon unaki bajm e khamoshiyon ne kam kiya..sunaya jise sun kar man gadagad ho gaya. fir kisi ne aaj jane ki zid na karo ka anurodh kiya. unake gaye huye bhag ki ek hisse ki recording main kar paya. lijiye suniye...
aur jab isake bad unhonne poochha aur koee request to mujhase na raha gaya aur main kah baitha kahan the raat ko hamase zara nigah mile sunaiye aur Peenaz ne use bhi ga kar sunaya. pichhali post mein pesh ki gaee ghazal ki tarah janab Dag Dehalavi ki ye ghazal bhi mujhe behad priy rahi hai. Jo log munh ki bajaye aankhon ke jariye apani bhavanaon ko sampreshit karane mein vishvas rakhate hain unhein ye ghazal nishchay hi pasand aayegi..
kahan the raat ko hamase jara nigah mile
talash mein ho ki jhootha koee gavah mile
ye hai maje ki ladaee ye hai maje ka milap
ki tujhase aankh ladi aur fir nigah mile
tera guroor samaya hai is kadar dil mein
nigah bhi n milaoon jo badashah mile
masalahat* ye hai ki milane se koee milata hai
milo to aankh mile, mile to nigah mile
rahasya, paramarsh *
ye sab sunakar karyakram ke pahale hisse mein ho raha malal kuchh had tak dhul gaya. par karyakram khatm hone ke bad ham sab yahi vichar vimarsh karate rahe ki jis sur mein aur jis siddhasthata ke sath vo ghazalen gati hain use chhodakar ek behad mamooli tarah ke stej gayak ki chhavi odane ki unhen kya jaroorat pad gaee hai. is saval ka javab to Peenaz masani hi de sakati hain par aap kahen ki aap ki kya ray hai is bare mein...
Click Here to read this post in Hindi devnagari script.
par dikkat ye thi ki karyakram mein shirakat karane ke liye pass ki jaroorat thi jo hamare pas nahin tha. thi to bas mitr ki ek ambessador gadi. ab ambessador chahe kaisi bhi ho, isase utarane ke mane ek chhote se shahar mein yahi hain ki aap sarakari mahakame vale hain. to janab pulis ke bandobast ke bich ham kar se utare aur bina idhar udhar dekhe sidhe hanl ke prangan mein chal pade. ab majal hai ki koee hamare pass ke bare mein poochhata. :)
daraasal main aur mere variy sahayogi Peenaz ki gaee ghazalon ke prashansak rah chuke the. andar pahunche to stej ko dekh majara samajh nahin aaya. bhala ek ghazal gayika ke sho mein itani prakash vyavastha aur pichhe rakhe vishal myoojik sistam ka kya kam ! karyakram shuru hote hi jis tarah nartakon aur nrtyanganaon ke bich Peenaz ne pravesh kiya, ye samajh aa gaya ki yahan ghazalon ke aalava sab kuchh hone vala hai. aur huaa bhi vahi. ghazalon ko apani surili aavaj se sanvarane vali Peenaz naye chalatau ganon mein nartakon ke sath thirakati najar aaeen. gane bhi aise jisamein gayiki se jyada nachane ka skop jyada ho. man hi man dukhi huye ki pravesh ke liye itani bahaduri dikhane ke bad ye najara dekhane ko milega. fir ye sochakar santosh kiya ki shayad ye karnatak hai, ye sochakar Peenaz ne karyakram ki rooparekha ऍsi rakhi hogi.
isiliye jab ek hafte pahale ranchi mein hamare karyalay ke sabhagar kaksh mein Peenaz masani ke karyakram ke bare mein suna to socha ranchi mein selakarmiyon ke bich to vo apani ghazal jaroor sunavayengi. par jab yahan bhi unake karyakram ka vahi roop dekha to man behad nirash ho gaya. myoojik sistam ke shor ke bich mein sadha nrty karate nartak par Peenaza, sirf geet ke mukhade aur ek aadh antare ko ga rahi thin aur vo bhi ukhade ukhade suron ke satha. shayad vo sochati hain ki aaj ke shrota achchhi gayiki se jyada glaimar aur chakachaundh par jyada vishvas rakhate hain.
khair in filmi geeton ke bich unhonne betiyon par likha ek pyara nagma ga kar sunaya jise sun kar man ko thoda sukoon pahuncha
sanson mein preet bhare,
ragon mein geet bhare,
sapanon mein rang bhare beti.
lakshmi ka deep jale,
aarati ka shankh baje,
jis ghar mein vas kare beti.'
Peenaz ne bataya ki is geet ki sangeet rachana shantanu moitra ki hai aur vo apane har karyakram mein is geet ko jaroor pesh karati hain taki is bare mein logon mein jagarukata bade.
jab ghazal sunane aaee janata ko geeton ki ye mar bhari padane lagi to kisi ne pichhe se aavaj di ki ghazal sunane ko kab milengi? Peenaz turant mahaul ko samajh gaee aur kaha ki myoojishiyan to main apane sath laee nahin fir bhi aapaki kya faramaish hai. pahale anurodh par unhonne yoon unaki bajm e khamoshiyon ne kam kiya
aur jab isake bad unhonne poochha aur koee request to mujhase na raha gaya aur main kah baitha kahan the raat ko hamase zara nigah mile sunaiye aur Peenaz ne use bhi ga kar sunaya. pichhali post mein pesh ki gaee ghazal ki tarah janab Dag Dehalavi ki ye ghazal bhi mujhe behad priy rahi hai. Jo log munh ki bajaye aankhon ke jariye apani bhavanaon ko sampreshit karane mein vishvas rakhate hain unhein ye ghazal nishchay hi pasand aayegi..
kahan the raat ko hamase jara nigah mile
talash mein ho ki jhootha koee gavah mile
ye hai maje ki ladaee ye hai maje ka milap
ki tujhase aankh ladi aur fir nigah mile
tera guroor samaya hai is kadar dil mein
nigah bhi n milaoon jo badashah mile
masalahat* ye hai ki milane se koee milata hai
milo to aankh mile, mile to nigah mile
rahasya, paramarsh *
ye sab sunakar karyakram ke pahale hisse mein ho raha malal kuchh had tak dhul gaya. par karyakram khatm hone ke bad ham sab yahi vichar vimarsh karate rahe ki jis sur mein aur jis siddhasthata ke sath vo ghazalen gati hain use chhodakar ek behad mamooli tarah ke stej gayak ki chhavi odane ki unhen kya jaroorat pad gaee hai. is saval ka javab to Peenaz masani hi de sakati hain par aap kahen ki aap ki kya ray hai is bare mein...
Click Here to read this post in Hindi devnagari script.
samajashastr se snatkottar karane vali mahuaa maji ji ne bangladesh ko hi aakhir apane upanyas ka vishay kyoon chuna? daraasal lekhika ka dadihal dhaka aur nanihal barisal borishal raha. isaliye bang bhoomi se bahar rahati huee bhi unake purakhon ki matrbhoomi aur vahan se aaye logon ke bare men unaki sahaj utsukata bani rahi.