Now listen Dil jo na kah saka in Lata's sweet voice..

Pichchali post mein aapne suna is geet ko Mohammad Rafi ki aavaj mein. suron ki malika lata ji ne bhi is pyare se geet ko apana svar diya hai. jaisa ki mainne pahale kaha tha ki lata vale version ka mijaj kuchh doosara hai. rafi sahab ka gaya geet ek ooncha tempo liye huye tha vahin mina kumari par filmaya ye geet us shant nadi ki dhara ki tarah hai jiske har sire se sirf aur sirf roomaniyat hee tapakti hai.

Jahan rafi sahab ko vibhinn antaron mein geet ke badalate bhavon ke hisab se aavaj ka lahaja badalana tha vahin lata is geet mein apni mithi aavaj se prem mein aasakt nayika ke kathyon mein misari gholati nazar aati hain.

Waise antarjaal par is geet ke bare mein ye bahas aam hai ki geet ke in donon roopon mein kaun si prastuti jyada dharadar thi? do mahan gayakon ki aisi tulna mujhe to bemani lagti hai, khasakar tab jab donon geeton ki paristhitiyan film Bheegi Raat mein bilkul alahada thin. Haan, mujhe ye jaroor lagata hai ki rafi vale varsion ko safalata poorvak nibhane ke liye kisi bhi gayak ke liye chunautiyan kahi jyada thin.

Lata, Roshan ji ki bataur sangeetakar behad izzat karati thin . Aur yahi vajah hai ki pachas sath ke dashak mein bahu begam, chitralekha, mamta, tazmahal mein sangeetakar raushan ke liye gaye unake geet hindi parshv film gayan ki anamol dharohar ban gaye hain.
Waise ye geet bhi apne aap mein lajavab hai. geet ke shuruaati hisse mein lata ji ki humming ke beech chashani mein ghula huaa unaka svar ubharata hai to bas man mein sama bandh jata hai. vaise isake baad koee kasar bachati bhi hai to geetakar sahir ke kabhi narmi kabhi shokhi liye bol aapako roomani mahaul se nikalane ka mauka hi nahin dete. to suniye is geet ko



hmmm hmmm hmmm hmmm
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa

naghma sa koyi jaag uthaa badan me
jhankar ki si tharthari hai tan me
jhankar ki si tharthari hai tan me
ho pyaar ki inhi dhadakti
dhadakti fizaaon me
rahne ki raat aayi
dil jo na kah saka
wohi raaz-e-dil kahne ki raat aayi

ab tak dabee thi ek mauj-e-armaan
lab tak jo aayi ban gayee hai toofaan
lab tak jo aayi ban gayee hai toofaan
ho baat pyaar ki bahakti
bahakti nigaahon se kahne ki raat aayi
dil jo na kah saka ....

guzren na ye shab khol doon ye julfen
tumko chupaaloon moond ke ye palkein
tumko chupaaloon moond ke ye palkein
ho bekaraar si larajti
larajti si chaaon mein
rahne ki raat aayi
dil jo na kah saka .......

Aur Meenakumari par filmaye is geet ko yahan dekh sakte hain...





Click Here to read this post in Hindi devnagari script.

Click Here to post your comment on this post.

Dil Jo Na Kah Saka Wahi Raaz..... A wonderful song from trio of Sahir ,Rafi & Raushan

Pichhale hafte TV ke channels badalate badalate ZEE TV ke little champs par ungaliyan rukin to ruki ki ruki rah gaeen. ek chhote balak ko rafi sahab ke is geet ka ek hissa gate suna to man khush ho gaya. bite dinon ke in anamol motiyon ko aaj ke bachchon ke mukh se sunna aseem santosh ki bhavana se man ko bhar deta hai. kaee dinon ke baad ye geet jab sunne ko mila to zehan se utarane ka naam hi nahin le raha. isaliye socha ki kyoon na is aanand ko aap sab ke sath banta jaye.

Jis geet ke bol, dhun aur gayiki tinon hi bemisal hon to aapako kahane ko to kuchh rah hi nahin jata, man bhavanaon ke aavesh se hiloren lene lagta hai aur geet khud ba khud hothon par chala aata hai ... to gunagunaiye na mere sath...



dil jo na kah saka
vahi raz-ye-dil kahane ki rat aaee
dil jo na kah saka....


Kya dhun banaee thi mukhade ki sangeetakar raushan ne ki aadami sahir ke shabdon ki ravani ke sath bahata hi chala jata hai. 1965 mein pradarshit film Bhingi Raat ka ye geet behad lokapriy huaa tha aur us saal ki binaka sangeetamala mein panchave sthan tak ja pahuncha tha. agar mukhade ke liye geetakar aur sangeetakar ki jadoogari ko dad dene ka ji chahata hai to vahin antare mein Mohammad Rafi sahab ki kalakari is geet ko unake gaye behatarin geeton mein se ek maanne par mazaboor kar deti hai.

Ye geet film mein Pradip Kumar, Ashok Kumar aur Mina Kumari par filmaya gaya hai.

Geetkar Sahir Ludhiyanavi ne premika ki bevafaee toote nayak (pradip kumar) ke dil mein uthate manobhavon ko geet ke alag alag antaron mein vyakt kiya hai. nayak ki dil ki pida kabhi tanz, kabhi uphaas to kabhi gahri nirasha ke svaron mein goonjti hai aur is goonj ko Mohammad Rafi apani aavaj mein is tarah utarate hain ki geet khatm hone tak nayak ka dard aapka ho jata hai

Geet ke bol kuch yoon the

dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa
wohi raaz-e-dil kahne ki raat aayi
dil jo naa kah sakaa

naghma sa koyi jaag utha badan me
jhankar ki si tharthari hai tan me
jhankar ki si tharthari hai tan me
ho mubarak tumhe kisi ki larajti si baahon mein
rahne ki raat aayi
dil jo na kah saka

taubaa ye kis ne anjuman sajaa ke
tukde kiye hain guncha-e-wafaa ke
tukde kiye hain guncha-e-wafaa ke
ho uchhaalo gulon ke tukde
ke rangeen fizaaon mein rahne ki raat aayi
dil jo naa kah sakaa

chaliye mubaarak jashn dosti kaa
daaman to thaamaa aap ne kisi kaa
daaman to thaamaa aap ne kisi kaa
ho hamen to khushi yahi hai
tumhen bhi kisi ko apnaa kahne ki raat aayi
dil jo naa kah sakaa

saagar uthaao dil kaa kis ko gham hai
aaj dil ki qeemat jaam se bhi kam hai
aaj dil ki qeemat jaam se bhi kam hai
ho piyo chaahe khoon-e-dil ho
ke peete pilaate hi rahne ki raat aayi
dil jo naa kah sakaa
wohi raaje dil kahne ki raat aayi
dil jo na kah saka

Pradip Kumar, Meena Kumari par filmaye Bheeg raat Film ke is geet ko dekhana chahen to yahan dekh sakate hain






Aati jati har mohabbat hai chalo yoon hi sahi : Chandan Dass on future of Ghazals !

Chandan das par aadharit is shrrinkhala ka samapan aaj Nida Fazli ki is behatareen ghazal se. par jaisa ki pichhali post mein maine jikr kiya tha, aaj ye bhi janenge ki kya sochate hain Chandan Dass ghazal gayiki, isake shrotaon aur bhavishy mein isaki lokapriyata ke bare mein ? kuchh sal pahale angreji dainik tribune aur UNI ko unhonne alag alag sakshatkaron mein bataya tha ki

Chahe kitni tarah ka sangeet aaye ya jaye, ghazalon ke prashansak har kaal mein rahe hain aur aage bhi rahenge. han ye jaroor hai ki ghazal jaisi vidha har sangeet premi ko aakarshit nahin karti. har kaalkhand mein ghazal vaise hi logon dvara sarahi gayee hai jinhen uchch darje ki kavita ki samajh ho. ghazal sunane se thirakane ka man nahin hota ya jor se jhoomane ki ikchchha hoti hai ye to apne ashaaaron ki antaranihit bhavanaon se sidhe dil ke purjon ko jhinjhod deti hai. ab ghalib ki shayari ko hi lein, unki mrityu ki do shatabdiyon ke bad bhi usake asar ka mukabala kisi any lokapriy sangeet se nahin kiya ja sakta. isaka matalab ye bhi nahin ki sangeet ke any roopon disco, jazz, pop , rimixes ki jagah nahin. hai par donon ki prakrti mein koee samy nahin , donon ki duniya hi alag hai.

Ghazal mein shabdon ka bahut mahattv hai. vaise to ghazal gayak kaee bar janta ka dhyan rakhate huye aisi ghazalon ko chunte hain jo unaki aasani se samajh aa jaye. par is babat ek seema se jyada samajhauta karane vale gayak jyada dinon tak lokapriyata ka daman nahin chhu pate.

Ghazalon ko badava dene mein TV ke rol se chandan asantusht hain. vo kahte hain ki ".....ek zamane mein jab doordarshan tha to ghazalon aur mushayaron ke kaee karyakram huaa karte the par aaj jab TV ke parde par chainalon ki baadh aaee huee hai to sangeet ki any vidhaon ke samane sher o shayari aur kavita se jude karyakram kahin nazar hi nahin aate...."
Chandan ki bat wazib hai. yoon to sangeet channel ke nam par MTV, etc aur channell V jaise kaee channel hain par inamein se kisi ne bhi ghazalon ko kendrit kar dainik ya saptahik shrrnkhala nahin chalaee. aaj ke hit geeton ko to ye din mein bisiyon bar baja sakate hain par ek achchha ghazalon ka karyakram karane ke bare mein ye sochate tak nahin. vividh bharati ko chhod den to niji FM channels ki bhi kamobesh yahi halat hai. ye sthiti chintaniy hai aur ise sudharane ke liye aam shrotaon ko bhi ek dabav banana hoga nahin to aage ki pidiyan sangeet ki is anamol vidha ko sunane se vanchit rah jayengi.

Toh lautate hain aaj ki ghazal par jo mujhe teenon ghazalon mein sabase adhik priy hai. ye ghazal Chandan Dass ki ab tak pesh ki gaee ghazalon se bhinn ek doosare mijaj ki ghazal hai jiska har sher aapako kuchh sochane par majaboor kar deta hai. khasakar ek sher to aaj ke is social networking ke daur mein khas mayane rakhata hai. Facebook, Orkut mein saikadon ki sankhya mein ham dost bana lete hain par kya hamare pas unmein se sabhi to chhoden kuchh khas ke liye bhi paryapt waqt hota hai. isi liye mujhe nida fazli ka ye sher sabase jyada kachotata hai

maile ho jate hain rishte bhi libason ki tarah
dosti har din ki mehanat hai chalo yoon hi sahi

Chandan Dass ne jis sanyamit aur sadhi aavaj mein is ghazal ka nirvah kiya hai use aap unaki aavaj mein is ghazal ko sunakar hi mahasoos kar sakte hain.





aati jati har mohabbat hai chalo yoon hi sahi
jab talak hai khoobasoorat hai chalo yoon hi sahi

jaisi honi chahiye thi vaisi to duniya nahin
duniyadari bhi jaroorat hai chalo yoon hi sahi

maile ho jate hain rishte bhi libason ki tarah
dosti har din ki mehanat hai chalo yoon hi sahi

ham kahan ke devata hain, bevafa vo hain to kya
ghar mein koee ghar ki zeenat hai chalo yoon hi sahi


yoon to Chandan Dass ki ghazalon ki ferhist behad lambi hai par mainne abhi tak unke kayee albums ko nahin suna hai. is bar ki shrrnkhala to aaj yahin khatm kar raha hoon par fir kabhi unaki kuchh aur behatarin ghazalen hath lagengi to aapake sath unhen jaroor share karoonga.



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