Sunday, October 24, 2010

Tumhen yad karte karte jaaegi rain saari... kamayabi ki bulandiyon ko chhoone vali sangeetakaar jodi ka ek bemisaal nagma...

Kya aapako pata hai ki ek zamana vo bhi tha jab kisi sangeetakaar ko hindi filmon men heero se bhi jyada paarishramik diya jata raha ho? aaj ke hindi film udyog men to aisa hona asanbhav hi prateet hoga. par pachas aur sath ke dashak men aisi hi ek sangeetakaar jodi thi jisane apane rache geeton ki lokapriyata ke aadhar par ye mukaam haasil kiya tha. ye sangeetakaar the shankar jaykishan yaani shankar singh raghuvanshi aur jaykishan dayabhai panchal.



jahan shankar tabla bajaane men praveen the to vahin jaykishan ko haaramoniyam bajaane men maharat haasil thi. kaam ke silasile men ek gujaraati nirdeshak ke karyalay men hui pahali mulakaat inki dosti ka sabab ban gai. tab shankar prithvi raj kapoor ke thiyetar ke prithvi men kaam kiya karte the. kahate hain jaykishan se unki aisi jami ki unhonne unhen prithvi thiyetar men bataur haaramoniyam vaadak kaam dila diya. ye un dinon ki baat hai jab raj kapoor saahab aag ki mishrit safalta ke baad apani nai film barasaat ke liye sangeet nirdeshak ki talash men the. par ye taalash kaise poori hui ye vaakaya bhi dilachasp hai. shankar ne dooradarshan men aane vaale karyakram fool khile hain gulashan gulashan men tabassum ko diye apane ek sakshatkar ke dauraan is ghatna ka jikra karte hue kaha tha

raj saahab ne pikchar shuru ki ‘barasaat’. to haradam milte aur kahate ki bhaai gane pasand aaenge to main loonga, tum banate raho. to aise kai gane banaaye lekin unako kabhi pasand aae hi nahin. ham unako kahate ki bhaai aap banavate hain lekin lete to hain nahin. ittefaq se ham poona ge ek waqt thietar ke saath. rat ka waqt tha , mainne baaja liya. baaja lekar kaha – raj saahab! baithiye, ab ye dhun suniye zara – aapako kaisi lagti hai! bhale hi mat lijie lekin sun lijie.. ‘amua ka ped hai, vahi munder hai, aaja more baalma, ab kaahe ki der hai’ ye gana mainne sunaya. raj ji ne sunte hi kaha ki bhaai! apan bambai chalte hain aur gane ko ricord karte hain. to bas fir bambai aa ge aur waqai vo ganbheeratapoorvak us gane ke peechhe lag ge – bhaai vo gana zara fir sunao! baad men us gane ke liye hasarat miyan likhne ke liye aaeaur hasarat jayapuri jab aae to jo gana bankar nikala vo tha jiya beqaraar hai, chhayi bahaar hai, aaja more baalma, tera intazaar hai.

ye geet aur barasaat ka poora sangeet kitana safal hua isase aap sab vaakaif hain. darasal yahin se shankar, jaykishan, shailendra, hasarat jayapuri , lata aur mukesh jaise kalakaron ka ek aisa samooh bana jo jaykishan ke nidhan ke pahle tak rajakapoor ki filmon ka ek tredamark ban gaya. shankar jaykishan ne apani aapasi sahamati se yah nirnay kar rakha tha ki donon men se agar koi duniya se chal basa to jo bachega vo bhi apane geeton ke kredit men shankar jaykishan ka nam hi istemaal karega.

yoon to shankar jaykishan ke tamaam yaadgaar geet rahe hain. par aamrapaali ke liye unka sangeetabaddh ye geet mujhe lata ji ke gaaye hue geeton men bemisaal lagata hai. pichhale mahine lata ji ke janmadin ke avasar par ise aapke saamane prastut karne ki tamanna thi jo samayabhaav ke kaaran poori nahin ho paai. ek aitihasik prem katha par aadhaarit is virah geet ka pratyek antra man ko bhiga deta hai. ise geet ke bol likhe the shailendra ne.

geet to madhur tha hi par ye baat bhi gaur karne ki hai ki kitani pyari hindi ka prayog kiya tha shailendra ne is geet men. darasal "biraha ki is chita se tum hi mujhe nikalo....jo tum na aa sako to, mujhe swapn men bula lo" aur "man hai ki ja basa hai, anajaan ik nagar men,kuch khojta hai pagal khoi hui dagar men..".jaisi panktiyan badi hi tabiyat se nayika ke manobhaavon ko ubharti hain. ubharegin kaise nahin hamari svar kokila ne koi kasar rakh chhodi hai apani bemisaal gaayiki men?

adhikatar sangeet sameekshak ise shankar ki composition maante hain. kaha to yahi jata hai ki film aamrapaali ke saare ganon ko shastriya ragon par aadhaarit karne men shankar ka haath tha. vaise is geet ke mukhade aur antre ke pahle sitaar ki jo madhur dhun shankar ne rachi hai vo to geet men bas char chaand hi laga deti hai. to aaiye ek baar fir sunte hain is meethe sammohak geet ko jo filmaya gaya tha vaijayantimala ji par.




tumhen yad karte karte jaaegi rain saari
tum le gaye ho apane sang nind bhi hamari

man hai ki ja basa hai, anajaan ik nagar men
kuch khojta hai pagal khoi hui dagar men
itane bade mahal men, ghabaraaoon main bechari
tum le gaye ho apane sang nind bhi hamari
tumhen yad karte karte .....

biraha ki is chita se tum hi mujhe nikalo
jo tum na aa sako to, mujhe swapn men bula lo
mujhe aise mat jalao, meri preet hai kunvari
tum le gaye ho apane sang nind bhi hamari
tumhen yad karte karte
tumhen yad karte karte.....




Friday, October 22, 2010

Asiad ke Appu Se Commonwealth ke Shera tak : Yadein jo bhulaye nahin bhooltin

October 1982 men hosh sanbhaalne ke baad pahali baar shayad dilli jana hua tha. dilli ki aitihasik imaaraten bhi tabhi dekhi thin par sabse jyada jo baat yad rah gai, vo thi us rat ki! poori yatra ke dauraan pitaji se yahi shikayat karta raha tha ki papa agar aap ek mahine der se hamen yahan laaye hote to hamen eshiyai khelon ko dekhne ka mauka mil jata. baad men mera man rakhne ke liye pitaji hamen navanirmit javahar lal neharu stadium ke baahar le aae the.

baahar se hi doodhiya roshni se nahaya hue stadium ko dekhna ek chhote shahar se aae us bachche ke liye kitana romaanchakari raha hoga ye aap bhali bhanti samajh sakte hain. meri manah sthiti ko samajh pitaji hamen stadium ke andar dakhil kar lene ke jugad men lag ge the. andar udghatan samaroh ki taiyariyan joron par thin.

sanyog se stadium ke baahar tainat surakshakarmi hamare pradesh ka tha aur pitaji ke kahane par usane hamen das minat ke liye andar jaane ki izajat de di thi. Seedhiyan chadhkar jab stadium ke andar mainne kadam rakha to andar ke us alaukik drishya hari doob ki vishal aayatakar chaadar aur usake charon aur faila hua track ka katthai ghera aur maidaan se aati swagatam ki madhur dhun. ... ko dekh sun kar man khushi se jhoom utha tha.

inhi smritiyon ko liye main vapas patna aa gaya tha. man men in khelon ke prati utsah ka ye aalam tha ki agale mahine jab navanbar se ye khel praranbh hue the tab mera poora din telivizan ke saamane baith kar jata tha. ye batana aavashyak hoga ki eshiyai khelon ke saath hi patna men rangeen telivizan ki shuruaat hui thi. hamare ghar tab rangeen kya, shvet shyam tivi bhi nahin tha. par ham subah aath baje hi naha dho kar padosi ke ghar chale jaate aur vahan anya bachchon ke saath hi jameen par baith kar khiladiyon ke karanamon ko apalak nihara karte the.

jimanastik, ghudasavari, naukayan, golf, lon tenis v ethaletics ki vibhinn pratispardhaayen kya hoti hain aur kaise kheli jaati hain ye mujhe pahali baar inhi khelon ke dvara pata chala. bees kimi daud ke svarn padak vijeta chaand ram, madhyam doori ki dhaavika geeta jutshi, hamari golf teem tab ke hamare heero ban ge the. vahin pakistan se hoki ke faainal men mili karari haar jisamen hamare golakipar negi ka lachar pradarshan aur kaptan zafar ikabal ka penalti strok mis kar jana shamil tha, hamen bahut dinon tak akharta raha tha.

isi liye jab 28 saalon baad itane bade star par rashtamandal khel jaisi khel pratiyogita ki mezabani karne ka mauka bharat ko mila to mujhe hardik khushi hui thi. tamaam log is tarah ke khelon ko paise ki barbaadi batate rahe hain par mere man men is baat ko le ke kabhi subaha nahin raha ki is tarah ke khelon ka aayojan se desh ke pratibhavan khiladiyon (jo aadhi adhoori suvidhaon ke balaboote par bhi apani apani spardhaon men achchha pradarshan kar rahe hain) ko ek achchha pletafarm mil jata hai. jo rol modal in khelon ke zariye chamakte hain vo kai bhavi khiladiyon, yuvaaon aur bachchon men ek aasha ki kiran, ek sapana jaga jaate hain ki ham bhi kabhi us mukaam par pahunch sakte hain. isake atirikt desh ke nagarikon men aise safal aayojan se jis aatmagaurav ki bhavna jaagrat hoti hai usaka koi mol nahin hai.

par in sab baaton ka ye matalab nahin ki ham in khelon ke aayojan men hue bhrashtaachaar par aankhen moond len. doshiyon par nakel kasane ke liye jo karyavahi chal rahi hai vo apane uchit mukaam par pahunche, yahi aasha hai.

pichhale do hafton ke aayojan men karyalay se ghar aa kar bitaaye lamahe mere liye behad khushagavar rahe hain. teen dashak poorv hue bachapan ke us abhootapoorv anubhav men fark yahi tha ki is baar mere bachapan ko mere aath varsheeya putra ne jeeya aur main bhi usaki sangat men vahi baalak ban gaya.

aaj main comanavelth khelon se judi in yaadon ko un khiladiyon, mazadooron, desh ke vibhinn bhaagon se aae kalakaron, suraksha balon ke javaanon, svechha se apani sevaayen dene vaale bachchon ko samarpit karana chahta hoon jinki athak mehanat ka fal hamane is abhootapoorv aayojan men dekha. udghatan samaroh men bharat ke vividh rangon ka itana suruchipoorn pradarshan bahut dinon tak yad rahega. itane sundar nritya, man mohati poshaken aur sabse lajavab bharateeya rel ke binb ke jrariye bharat ke aam nagarikon ka sammaan.

hariyana aur pashchimi uttarapradesh apani sankeern samajik prishthabhoomi, mada bhroon hatyaaon ke liye badanaam rahe hain. par mujaffaranagar ki alka tomar aur bhivani ki geeta jab apani virodhi pahalavaanon ko patakhani de rahi hain to man yahi soch raha hai kya ve apane ilake ke logon men bachchiyon ke liye nai soch ka sootrapaat nahin karengi? gauratalab rahe ki ye mahilaen sarakari madad se jyada apane abhibhavakon dvara mile sahayog se is mukaam tak pahunchane men safal hui hain. ye vo khiladi hain jinhonne aayatit gaddon ke bajaaye mitti ke akhadon men kushti ki shuruaat ki. jimanejyim ke bajaaye khet khalihanon men daudakar apani fitanes banaaye rakhne ki kavayad ki aur in sabse jyada samaj ki paravaah na karte hue bhi us spardha men nam kamaya jo unake liye praayah varjit thi.

fir bhi jab inka jazabe ki misaal dekhiye. babita, geeta ki chhoti bahan hain. chehare se abhi bhi bachchi hi dikhati hain. rajat padak jeet liya unhonne par aankhon men aansu hain... kuch galti ho gai nahin to gold main bhi le hi aati..bhagavaan kare jeet ki ye bhookh aage bhi bani rahe...

chaliye paridrishya badalte hain. baat karte hain jharakhand ki jahan hockey aur teerandaji ke pratibhavan khiladiyon ki achchhi khasi paudh hai. suvidhaon ke nam par kuch estrotarf stadium bane. rakh rakhaav ke aabhaav men fat ge hain par khiladi unhin par ab bhi khelte hain. sports hostal hain par vahan khiladiyon ko dhng ka bhojan naseeb nahin hai. fir bhi purush aur mahila hoki teem men aadivasi khiladi apani pratibha ke bal par mukaam bana hi lete hain.

deepika kumari ko hi lijie pita aatoriksha chalate hain, maan ek nars hain. beti ko nishana saadhne ka bachapan se hi shauk tha. teer na sahi patthar to the aur lakshya aam ka ped. par sheeghra hi man men ye aatmavishwas sama gaya ki agar main ye nishana achchha laga sakti hoon to teer bhi hi nishane par hi chhodoongi. ek baar tata ki teerandaji ekadami men pravesh mila to fir usane peechhe mud kar nahin dekha. gyaharavin men पढ़नेवाली ye ladaki gems ke faainal men apane virodhi ko apane skor ke paas bhi nahin fatakne deti. hamare sistam men ye chamatkar nahin to aur kya hai !

aisi kitani hi kahaniyan aapako nishanebaajon, bharattolakon aur ethaleet ki mil jaayengi jinhonne vipareet paristhitiyon men bhi apane desh ka sar garv se ooncha kiya hai. comanavelth khelon ki safalta ka sara daaromadaar in khiladiyon par hai. chalte chalte kuch lamahe jinhonne in khelon ko mere liye kuch aur khaas bana diya.

khel hockey, maich bharat banam pakistan ...
bharat ke liye karo ya maro ki sthiti. shuruaati kuch minat aur pakistan gol par tabadatod hamale..kya suraksha pankti, kya aakraman pankti, jagah badal badal kar , pratidvandiyon ko chhakate aur mauka padane par lanbe pos dene men bhi kotahi nahin baratate in khiladiyon ke aakraman ki laharen dekhte hi banti thin. kuch minaton men skor 1-0 se badhakar 4-0 ho jata hai aur antatah 7-4 se bharat vijayi hota hai. shayad comanavelth hoki men ab tak padakaviheen rahi bharateeya teem ke liye ye ek nai shuruaat ho.....

khel hockey, maich bharat banam England
inglaind 3-0 se aage. main nirash ho kar tivi band karne ki galti kar baithata hoon. putra ke aagrah par pandrah minat baad tivi kholta hoon ye kya skor 3-3 aur fir penalti strok ka vo drama. man men zafar ikabal ka bhoot fir ubharta hai par is baar ki patakatha kuch aur hai.....

khel badminton, maich bharat banam malaysia
maleshiya 2-0 se aage. saina rabar ko bachaane ke liye maidaan men utarati hain. maleshiya ki anubhavi khiladi bade kam antar se pahla set apane nam karati hain. saina jaanti hen ki unake jeetne se bhi antim nirnay men jyada fark nahin padane vala. par agale do seton men jor lagati hain. har ank ke liye kaante ki takkar, lanbi thaka dene vali railiyan . par saina apana aatmabal nahin khoti. yahi kahani vo ekal faainal mukable men doharaati hain. kitane dinon baad dekha hai itane majaboot iraadon vala khiladi......

khel : table tennis, padak vitaran samaroh purush yugal
rashtradhun ke saath tirange ka uthana tebal tenis khiladi sharad kamal ko bhavatirek kar de raha hai. bharateeya dhvaj oopar uth raha hai aur vo podiyam par khade ho kar foot foot kar ro rahe hain. khushi ke aansuon ka sailaab kitana anokha hota hai na....

khel :atheletics, 4 x400 meetar mahila relay
par poore khelon ka sabse aanandadayak kshan diya mujhe 4 x400 meetar ki mahila relay team ne. manajeet kaur, sini, ashvini aur manadeep ki is chaukadi ne jis tarah se naijiriyai dhaavakon ko peechhe chhoda vo apane aap men ek kamaal tha. manajeet aur sini ne doosare chakra tak bharat ko doosare sthan ke kareeb rakha tha par ashvini ne teesare chakra men peechhe khisak jaane ke baad jis teji se teesare se doosare aur fir pahle sthan par teem ko la kar khada kar diya vo kalpana se pare tha. aur manadeep ne ye badhat ant tak barakaraar rakhi...


to aaiye ek baar fir dekhte hen ki ye sab hua kaise..



ek baar fir se rashtramandal khelon kee in mahaan sipaahiyon ko mera kotishah naman. aasha hai inki mehanat ko se hamara khel tantra aur behatar dhng se kaam karega taki sau karod se jyada aabadi vaale is desh ko aise anek gauravashali kshanon dekhne aur mahasoos karne ka mauka mile.




Wednesday, October 06, 2010

Chupke Se Chupke Se Raat Ki Chadar Tale....

A R Rahman ne bataur geetakar gulzar ke saath kai filmen ki hain aur javed saahab ke saath bhi. par javed akhtar ke bolon ko unake sangeet ke saath mainne jyada aatmasaat hote paaya hai. yahi vajah hai ki sढ़adesh, lagaan aur jodha akbar men is jodi dvara diya gaya geet sangeet man ke behad kareeb raha hai. par gulzar saahab ke lafajon ke saath rahman saahab vo prabhaav paida nahin kar paate hain jo vishal bharadvaj kara lete hain. vaise ye bhi nahin ki ravan, dil se, saathiya, guru ya fir slumdog millionaire men is jodi ne hamen achchha sangeet nahin diya. guru ka ai hairte aashiki aur dil se ka satrangi re... rahman ki behatareen compositions men gina jata hai. par jab in jaisi vibhootiyan saath hoti hain to hamari apekshaen kuch jyada hi badh jaati hain aur yahi vajah hai ki ye album poori tarah dil men ghar nahin kar paate.


saal 2002 men jab saathiya pradarshit hui thi to usaka mukhya geet saathiya, saathiya maddham maddham teri geeli hansi.. behad lokapriya hua tha. is geet ki har ek pankti par gulzar ki amit chhaap thi. vahin o hamdam suniyo re men gulzar ke shabdon se kahi jyada rahman ka vaadya sanyojan is qadar haavi tha ki geet men chupke se chaand nange paanv aa kar kab gujar jata tha iska pata hi nahin lagata tha.


in aath saalon men is film ko jo geet mere saath hamesha hi saath saath zehan ki vaadiyon men sair karta raha hai vo hai sadhana saragam ka gaya chupke se chupke se raat ki chaadar tale... geet ke mukhade ke pahle ka chorus mujhe hamesha college ke dinon ki taraf kheench le jata hai. dost yaron ki vo ekatarafa kissa goi, kisi ka rah rah kar thndi aahen bharana aur kisi ka bilavazah tadapana ya usaka abhinay karna. par un prem men doobe dilon ki vyatha men shareek hona bhi hamen tab khushi khushi manjoor hota tha.

Chorus ke baad is geet men rah jaate hain to gulazaar ke hridaya ko sahalate shabd aur saadhana saragam ka geet ki bhavanaaon men bahata svar. taajajub nahin ki sangeet premi is geet ko hamesha hi saadhana saragam ke gaaye das behatareen geeton men shumar karte hain. isase pahle ki is geet ki or rukh karen kuch baaten isaki gaayika ke baare men..

maharashtra se taalluk rakhne vali sadhaa ghanekar ne apani maan neelataai ghanekar se sangeet ki aaranbhik shiksha li. bharateeya shastriya sangeet inhonne pandit jasaraj se seekha. hindi film sangeet men paanv rakhte hi vo saadhana saragam ke naam se mashahoor hui. fir teri kahani yad aai, jurm, jo jeeta vahin sikandar, 1947 Earth men sadhana ke gaaye geet hamesha se sangeetapremiyon ki jubaan par rahe hain. par hindi film jagat ne unhen vo mauke nahin diye jo unhen dakshin bharat men jaakar mile. saadhana saragam aaj tak 24 jaubaanon men geet ga chuki hain. aur to aur dakshin ka na ho ke bhi varsh 2007 men tamil aur telagu ki sarvashrashth parshvagayika ka khaitab jeet chuki hain. a r rahman umaki gaayiki se itane prabhavit rahe hain ki apane ek sakshatkar men unhonne kaha tha ki

usaki ginti main aisi kuch gaayikaon men karta hoon jinhonne apani adaegi se mujhe har mod par achanbhit kiya hai. bahut saare gayak is baat men nipun hote hain ki mainne jaisa kaha use vo hoo bahu apani gaayiki men utaar dete hain. par vo to mere anudeshon se kahin aage geet ko itani saralta se ek aise dharatal par le jaati hai jo mujhe chakit to karta hi hai aur saath hi unake saath kaam karne ke aanand ko bhi badhata hai.

to aaiye sunte hain is geet ko jise sabse pahle saadhana ne tamil men varsh 2000 men film snehidhne ke liye gaya tha. to pahle suniye ye tamil version




aur usake baad saathiya ke liye hindi men gaya vahi geet..





dosto se
dosto se jhoothi-moothi doosaron k nam le ke
teri meri baaten karana
yara rat se din karana
lanbi judaai teri
bada mushkil hai aahon se dil bharana
yara rat se din karana
kab ye poori hogi door ye doori hogi
kab ye poori hogi door ye doori hogi
roz safar karana
yara rat se din karana

chupke se chupke se rat ki chaadar tale
chaand ki bhi aahat na ho baadal ke peechhe chale
jale katra-katra gale katra-katra
rat bhi na hile aadhi aadhi
rat bhi na hile aadhi aadhi ye
chupke se chupke se rat ki chaadar tale


farawari ki sardiyon ki dhoop men
moondi-moondi ankhiyon se dekhna
haath ki aad se
nimi-nimi thand aur aag men
haule-haule marva ke rag men
meer ki baat ho
din bhi n doobe rat na aaye shaam kabhi na dhale
shaam dhale to subah n aaye rat hi rat chale
chupke se chupke se rat ki chaadar tale.....

tujh bina pagli puravai
tujh bina pagli puravai
aake meri chunri men bhar gai
too kabhi aise hi gale lag jaise ye puravai
aa gale lag jaise ye puravai
saathiya sun too
kal jo mujhako nind na aaye paas bula lena
god men apani sar rakh lena lori suna dena