Friday, December 25, 2009

Seene mein jalan aankhon mein tufaan saa kyon hain ?

Pichhale ek hafte se blogs ki duniya se door raha. Ssocha tha ki jane ke pahale Suresh Wadekar ki ye sarvapriy ghazal schedule kar aapke supurd karoonga par usake liye bhi waqt nahin mila. Khair ab apani yatra se laut aaya hoon to ye ghazal aapke samane hain. Ise likha tha Shaharyar yani Kunwar Akhalak Mohammad Khan sahab ne.

Yoon to Shaharyar ne chand filmon ke liye hi apani ghazalen likhi hain par ve ghazalen hindi film sangeet ke liye mil ka patthar sabit huee hain. Ab chahe aap Umrao Jaan ki baat karen ya Gaman ki. Ye baat gaur karane ki hai ki in donon filmon ke nirdeshak Muzaffar Ali the. Darasal Shaharyar AMU mein jab urdu vibhag mein padhate the tab Muzaffar Ali bhi vahin ke chhatr the aur Shaharyar sahab ke kavy sangrah se vo itne prabhavit huye ki unaki do ghazalon ko unhonne film Gaman mein le liya.

Unaki shayari ko vistar se padhne ka mauka to abhi tak nahin mila par unaki jitani bhi ghazalen suni hain unaki bhavanaon se khud ko jodane mein kabhi dikkat mahasoos nahin ki. Lekhak Mohan Encyclopedia of Indian Literature, Volume 5 mein Shaharyar sahab ki shayari ke bare mein likhate hain

Shaharyar ne apani shayari mein kabhi bhi sandesh dene ya nishkarsh nikalane ki
paravah nahin ki. Wo to aaj ke aadami ke man mein chal rahe dvandon aur adhyatmik ulajhanon ko shabdon mein vyakt karte rahe. Unaki shayari ek aise aam
aadami ki shayari hai jo beet rahe samay aur aane wali mrityu jaisi jivan ki kadavi sachchaiyon ke beech jhoolate rahane ke bavajood apani abhi ki zindagi ko khul kar jina chahata hai. Shaharyar aise hi vyakti ke gamon aur khushiyon ko apane ashaaaron mein sametate chalte hain.

Khud Vangamay patrika mein Dr. Zulfikar ko diye sakshatkar mein Shaharyar ka kahna tha ki

Meri soch yah hai ki sahitya ko apane daur se apane samaj se juda hona chahiye,
Main sahitya ko matra man ki mauj nahin manata, main samajhata hoon jab tak
doosare aadami ka dukh dard shamil na ho to vah aadami kyon padhega aapaki
rachana ko. Zahir hai dukh dard aise hain ki vo comman hote hain. Jaise beyimani
hai, jhooth hai, nainsafi hai, ye sab cheezein aisi hain ki inse har aadami
prabhavit hota hai. Kuchh log kahate hain ki adab se kuchh nahin hota hai. main
kahata hoon ki adab se kuchh n kuchh hota hai.

Ab 1979 mein pradarshit Gaman film ki isi ghazal par gaur karen mujhe nahin lagata ki hamamein se aisa koee hoga jisane in savalaton ko zindagi ke safar mein kabhi na kabhi apane dil se na poochha ho. Mujhe yoon to iss ghazal ke sare ashaaar pasand hain par dil hai to dhadakane ka bahana koee dhoondhe.. vala sher sunte hi man khud ba khud is geet ko gunagunate huye isamein doob jata hai.





Daraasal ek shayar ki safalata isi baat mein hai ki vo apane jariye kitane anajane dilon ki baaten kah jate hain.


seene mein jalan aankhon mein tufaan saa kyon hain ?
is shahar mein har shaks pareshaan saa kyon hain ?

dil hai to, dhadakane kaa bahaanaa koee dhoondhe
patthar kee tarah behis-o-bejaan saa kyon hain ?

tanahaee kee ye kaunasee, manzil hain rafeekon
taa-hadd-ye-najar yek bayaabaan saa kyon hain ?

kyaa koee nayee baat najar aatee hain hum me
aaeenaa humei dekh ke hai raan saa kyon hain ?


Oopar seJaydev ke karnapriy sukoon dene vala sangeet jisamein sitar , bansuri aur kaee any bharatiya vady yantron ka prayog man ko sohata hai. to lijiye suniye is geet ko Suresh Wadkar ki aawaz mein